
Book of the Day > Mark Flood in the Nineties by Clark Flood
Mark Flood in the 1990s reproduces hundreds of paintings and documents, many never published before, as well as vintage photographs of studios and exhibits.
PLEASE JOIN US THIS SATURDAY,
JULY 30th, 4:00 - 6:00 PM
FOR A BOOK SIGNING + DISCUSSION
THE STEVE KEENE ART BOOK!
Join us Saturday, July 30th between 4:00 and 6:00 PM celebrate the launch of The Steve Keene Art Book, co-published by our friends at Hat & Beard Press. Hat & Beard Editor and Publisher J.C. Gabel will host a lively discussion of Steve Keene's work with the artist himself, in conversation with Daniel Efram, the producer of the Steve Keene Art Book, and the co-host of the 30-year retrospective of Keene's work, up at Palm Grove Social through September 1, 2022.
If you cannot attend but would like to purchase a book signed by Steve Keene and Daniel Efram, please place your order here or call us at 310-458-1499.
Steve Keene is the most prolific American painter of all time, producing more than 300,000 hand-painted works via his studio / chainlink fence cage where he paints more than fifty paintings at a time. Lovingly known for making affordable art, as well as being the indie rock cover art maker to Pavement, The Apples in stereo, and Silver Jews, Keene has long been under-appreciated for his importance to the nineties indie art and music scenes. The Steve Keene Art Book - originally conceived during his sold out 2016 show at Shepard Fairey’s Subliminal Projects Gallery - is the first art book dedicated exclusively to his work.
The book features essays by musician Hilarie Bratset (The Apples in stereo), writer Sam Brumbaugh, Elle Chang, Daniel Efram, Shepard Fairey, journalist Karen Loew, and Christina Zafiris, along with comments from Starling Keene, curators Jonathan LeVine, Leo Fitzgerald and Talia Logan, alongside a dazzling two hundred and seventy-seven reproductions of Keene’s works. Efram takes readers into Keene’s utilitarian chainlink “painting cage” for an all-access pass for a peek into the artist’s fascinating systemic technique. The Steve Keene Art Book is co-published by Hat & Beard Press and Tractor Beam and has been made possible through a crowdfunding campaign that included hundreds of supporters - from Keene's former hometown of Charlottesville, Virginia, to fans from all over the world - who contributed pieces from their own personal collections. It is produced by Daniel Efram, edited by Gail O’Hara, editor-in-chief of the “legendary indie nerd bible” chickfactor, and designed by Grammy-nominated graphic designer Henry Owings.
Please join us Sunday, July 24th between 4:00 and 6:00 PM celebrate the arrival of Mr. Divola's stunning new Skinnerboox publication. If you cannot attend but would like to purchase a signed copy, please place your order here or call us at 310-458-1499.
"Cameras and their users are caught between the universal and the particular. Photography and photographs; humanity and whatever specific kind of human we happen to be. There is at least something existentially universal about John Divola’s photographic adventures. The lone observer moving through the world and reflecting upon it through various camera possibilities. But nobody is truly universal, or only universal. We each come wrapped in our particulars, just as each and every photograph belongs to the universe of photography precisely insofar as it is particular. Forever the two. When I look at Divola’s photographs, I sense something universal because I sense all the particulars. Yes, a white, male, middle class Southern Californian, post-conceptual artist of the kind that makes these kinds of photographs. But nobody makes photographs quite like Divola. He is one of a kind, and therein are the universal and the particular." - David Campany from his text for "SCAPES", which contains selections from three of the photographer's most celebrated bodies of early black and white work, "Four Landscapes", "As Far As I Could Get", and "Dogs Chasing My Car in the Desert."