Arcana:

(OLDENBURG, CLAES). Oldenburg, Claes. New York: Self-Published, 1961. Edition Not Stated. 24mo. Printed Cardstock. Business Card. Fine.. One 2 x 3 ½" business card printed letterpress on blue metallicized "fish scale" stock recto only, 1 b&w illustration. This is Claes Oldenburg's self-published announcement in the form of a business card issued in conjunction with the December 1961 Manhattan genre-defying exhibition of the artist's "The Store" environment. A brand new, beautifully-preserved example of the blue variant of this charming ephemeral item (entry 18 on page 76 of Richard Axsom and David Platzker's "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg - A Catalogue Raisonné 1958-1996") acquired directly from the artist's studio. Inventory Number: 027134

(OLDENBURG, CLAES). Oldenburg, Claes. NP (New York). ND (1959).: Self-Published at Judson Church. First Edition. 8vo. Stapled Illustrated Wrappers. Artist's Book. Fine.. np (8pp), profusely illustrated in b&w. This is Claes Oldenburg's self-published eight page artist's book cum program of whimsical "Ray Gun Poems" drawings reproduced on blue and yellow paper issued in conjunction with the landmark January 1960 exhibition of the artist's "The Street" environment at New York's Judson Church. A spectacularly bright, well-preserved example of this exceedingly uncommon item (entry 6.2 on page 58 of Richard Axsom and David Platzker's "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg - A Catalogue Raisonné 1958-1996") - only a single copy in the MoMA reference library is cited in OCLC WorldCat - additionally INITIALED "CO" as is ofttimes Oldenburg's practice in pencil at the lower foredge corner of the inside rear cover. This is NOT to be confused with the 1973 Moore College of Art exhibition catalogue with the same title. Inventory Number: 027133

(NEW YORK WORLD'S FAIR). New York World's Fair Committee. New York: New York World's Fair Committee, 1938. First Edition. 4to. Printed Folded Cardstock. Competition Brochure. Near Fine.. One 12 x 18" sheet of cardstock printed in colors recto and verso, machine folded vertically in half to make 4pp, 2 illustrations. This is the striking 1938 brochure provided to educators and administrators  in the US, Alaska, Hawaii, Puerto Rico, and the Virgin Islands to post to solicit the participation of "all students in Grade Schools, High Schools, Art Schools, Colleges and Universities" in a judged competition to create posters to promote the upcoming 1939 World's Fair. It features a striking silkscreened modernist illustration of the Statue of Liberty on the front cover, and a gatefold rendering of the Fair's proposed Trylon and Perisphere across which the competition's rules, prizes, and deadlines are printed. A remarkably bright, well-preserved example of this exceedingly uncommon item showing just a tiny split at the fold at the head of the spine along with a bit of age-toning to the rear panel perfect for the New York World's Fair completeist. Inventory Number: 027130

(CONGRESS ON RACIAL EQUALITY). Rich, Marvin. New York: Congress on Racial Equality, 1965. Edition Not Stated - Presumed First. 4to. Brad-Bound Stiff Wrappers. Exhibition Checklist. Very Good.. np (16pp), no illustrations. This is the checklist cum catalogue for the 1965 exhibition and sale of works by nearly two hundred and fifty artists held at New York's Graham Gallery to benefit the Scholarship, Education, and Defense Fund of the noted Civil Rights organization, the Congress on Racial Equality. The primary committee chairs for the fifth installment of this annual event were Jack Tworkov, Lloyd Goodrich, Mrs. August Heckscher, and Mrs. Arthur Logan. Robert Rauschenberg is thanked for having created a color silkscreen print for the event, and virtually everyone who was every anyone of a liberal philanthropic bent in Manhattan is listed here as an organizer or patron. It begins with a explanatory text by executive director Marvin Rich followed by an eleven page unpriced checklist detailing the participating artists with a description of each work, and an eye-opening roster of supporters. Artists of color who contributed include Charles Alston, Romare Bearden, Felrath Hines, Jacob Lawrence, Joe Overstreet, Raymond Saunders, Thomas Sills, Bob Thompson, Jack(y) Whitten, and Walter Williams. The established artists include Milton Avery, Alexander Calder, Edwin Dickinson, Richard Diebenkorn, Helen Frankenthaler, Michael Goldberg, Philip Guston, Grace Hartigan, Hans Hofmann, Joan Mitchell, Alice Neel, Louise Nevelson, Isamu Noguchi, Fairfield Porter, Ad Reinhardt, Mark Rothko, Ben Shahn, David Smith, and Moses and Raphael Soyer, while the up and comers feature Arman, John Chamberlain, Jim Dine, Mark di Suvero, Leon Golub, Ron Gorchov, Red Grooms, Robert Indiana, Alex Katz, Roy Lichtenstein, Robert Mangold, Marisol, Claes Oldenburg, Rauschenberg, George Rickey, Larry Rivers, James Rosenquist, George Segal, Frank Stella, Tom Wesselmann, and Andy Warhol, who provided a 16 ½ x 20 "Blue Jackie" on canvas. A bright, most handsome example of this exceedingly uncommon - not a single copy is currently cited in OCLC WorldCat - item in brad-bound stiff printed wrappers documenting the fascinating intersection of the mid-sixties Civil Rights movement and the New York Art world with an invitation on letterhead to the May 4th 1965 "Broadway at the Gallery" showing laid in. Inventory Number: 027129

(WARHOL, ANDY). Gagosian Gallery. New York: Gagosian Gallery, 1998. First Edition. Oblong Elephant Folio. Printed Fabric. Exhibition Poster. Fine.. One 21 x 21 ½" piece of camouflage fabric silkscreened with white text recto only, machine folded in sixths. This is the camouflage fabric exhibition poster issued in conjunction with a 1998 Gagosian New York gallery exhibition of fifty-eight variations of Andy Warhol's abstract "Camouflage Paintings" produced during 1986. A brand new, most handsome example of this uncommon item. Inventory Number: 027126

(HOLZER, JENNY). Holzer, Jenny & Marianne Weems. New York: Art Matters, 1995. First Edition. Small Oblong 8vo. Printed Paper in an Envelope. Artist's Multiple. As New.. One 3 ½ x 8 ½" mucilage-backed paper sheet printed offset recto only, perforated to make ten individual stamps + two machine-folded 11 x 8 ½" offset sheets printed in duotone offset, recto and verso. This is the set of black on silver postage-style stamps reproducing ten phrases drawn from Jenny Holzer's "Truisms" series produced to be included in with 1995 fundraising letter to benefit the New York non-profit arts organization, Art Matters. The artist's thought-provoking phrases are RAISE BOYS AND GIRLS THE SAME WAY, DRAMA OFTEN OBSCURES THE REAL ISSUES, A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER, ACTION CAUSES MORE TROUBLE THAN THOUGHT, CHANGE IS VALUABLE WHEN THEY OPPRESSED BECOME TYRANTS, ANY SURPLUS IN IMMORAL, SLOPPY THINKING GETS WORSE OVER TIME, A LOT OF PROFESSIONALS ARE CRACKPOTS, BOREDOM MAKES YOU DO CRAZY THINGS, and WISHING THINGS AWAY IS NOT EFFECTIVE. A brand new, unopened example of this artist's multiple with all printed enclosures present in the Art Matters glassine envelope, as issued. Inventory Number: 027124

(STUDIO INTERNATIONAL). Townsend, Peter & Charles Harrison, Editors. London, UK: Studio International, 1971. First Edition. 4to. Illustrated Wrappers. Art Periodical. Near Fine.. xviii + 54pp, profusely illustrated in b&w. This April 1971 installment of the venerable British arts periodical "Studio International" is notable not only for its forward thinking coverage of the nascent global Conceptual Art scene, but for presenting the first widespread published appearance of Seth Siegelaub and Robert Projansky's prescient "The Artist's Reserved Rights Transfer and Sale Agreement." Additionally featured are articles on or by Mel Bochner, Peter Wollen, John Elderfield and Raoul Hausmann on Berlin Dada, The Vienna Secession, John Walker, Daniel Buren, Maurice Tuchman on LACMA's "Art and Technology" exhibition, John Latham, and more. A bright, most handsome example of this important document showing just a bit of wear along the spine. ISSN 0039-4114 Inventory Number: 027122

(BUICK). Hufstader, W.F. "William" & C.A. Chayne. Flint, MI. ND (1945): General Motors. First Edition. 12mo. Spiral Bound Wrappers. Automotive Manual. Near Fine./No Jacket - As Issued.. 114pp, profusely illustrated in duotone and b&w + color cover. In a protective clear acetate jacket. Produced in-house by the General Motors Corporation for its Buick Motor Division salesmen, this is the very stylishly designed guidebook covering all of the nuances and specs for the automobile manufacturer's production vehicles for the 1946 model year. As the back cover states, "When Better Automobiles Are Built, Buick Will Build Them." A bright, most handsome example with a completely intact and unbroken spine of this uncommon item that was produced hors commerce, and never made commercially for sale. Inventory Number: 027119

(BUICK). Hufstader, W.F. "William" & C.A. Chayne. Flint, MI. ND (1941): General Motors. First Edition. 12mo. Spiral Bound Wrappers. Automotive Manual. Near Fine./No Jacket - As Issued.. 126pp, profusely illustrated in duotone and b&w + color cover. In a protective clear acetate jacket. Produced in-house by the General Motors Corporation for its Buick Motor Division salesmen, this is the very stylishly designed guidebook covering all of the nuances and specs for the automobile manufacturer's production vehicles for the 1942 model year. As the back cover states, "When Better Automobiles Are Built, Buick Will Build Them." A bright, most handsome example of this uncommon item with a completely intact and unbroken spine and the paint color samples still bound in that was produced hors commerce, and never made commercially for sale. Inventory Number: 027118

(TAKAHASHI, SHOKEN). Takahashi, Shoken. Tokyo, JAPAN: Takeshobo, 1994. First Edition. Small Folio. Boards in Printed Dust Jacket. Erotic Photography Monograph. Very Good -/Good +. np, profusely illustrated in color. Text in Japanese and English. The "IkeIke Girls" were a popular early -to-mid-nineties Japanese Pop Idol trio. "Sumilon" is a lavish Shashinsu Glamour photobook by the noted erotic photographer Shoken Takahashi featuring the group posing nude at an exotic beach resort. Published in 1994 it contains both playful and pensive full frontal pictures of the group's final lineup - Kyoko Maki, Yuko Miyabi, and Hitomi Akiyama - alone and together. None of the copious below-the-waist photgraphy in this Japanese publication has been airbrushed, blacked-out, or pixilated. A brand new, most handsome example of the first edition of this uncommon (not a single copy is currently cited in OCLC WorldCat) item additionally BOLDLY INSCRIBED AND SIGNED "Ike 2 Girls" / "Kyoko" / "Hitomi" / "Yuko" in black marker on the front pastedown. 4-88475-291-0 Inventory Number: 027102

(GRAHAM, DAN) (HASEGAWA, ITSUKO) (POINT D'IRONIE). Obrist, Hans-Ulrich & Carrie Pitto, Editors. Paris: agnès b., 1998. First Edition. Folio. Illustrated Tabloid Wrappers. Artist's Periodical. Fine.. Two 17 x 24" sheets printed color and black and white offset recto and verso, neatly folded in half vertically to make 8pp, profusely illustrated. This eighth installment of "point d'ironie" - agnès b.'s Hans-Ulrich Obrist-edited tabloid format hybrid periodical - is a collaborative project between renowned American conceptual practitioner Dan Graham and the noted Japanese architect Itsuko Hasegawa published in conjunction with the exhibition "Cities on the Move". A most handsome example of this uncommon, fragile item that was issued hors commerce - never commercially for sale - showing only some minor handling marks to its lightweight paper stock. Inventory Number: 027094

(WHITNEY, STANLEY). Whitney, Stanley, Lauren Haynes, Robert Storr & Lowery Stoke Sims. Foreword by Thelma Golden. New York: The Studio Museum in Harlem, 2015. First Edition. Large Square 4to. Embossed Self-Wrappers. Artist Monograph. Fine.. np (82pp), 29 color illustrations. Designed by OCD. With an exhibition checklist, exhibition history and chronology. This is the elegantly designed catalogue issued in conjunction with a 2015 Stanley Whitney exhibition of twenty-nine paintings on paper and linen executed between 2008 and 2015 entitled "Dance The Orange." Held at The Studio Museum in Harlem, it features full page color reproductions of each of the works shown, textual contributions by Lauren Haynes, Robert Storr, and Thelma Golden, and a transcribed interview between the artist and Lowery Stoke Sims. A brand new, most handsome example of this deceptively uncommon document still in the publisher's shrinkwrap. 0-942949-42-0 Inventory Number: 027082

(HOCKNEY, DAVID). Hockney, David. London: Buzzy Enterprises and Lagoon Enterprises, 1974. First Edition. Double Elephant Folio. Illustrated Wrappers. Cinema Poster. Near Fine.. One 40 x 30" sheet printed color offset recto only, 1 color illustration. This is the striking poster published in conjunction with the British theatrical release of Jack Hazan's 1974 full-length documentary on artist David Hockney and his then-muse Peter Schlesinger entitled "A Bigger Splash." A bright, most handsome guaranteed vintage example of this uncommon item that was originally acquired from one of the film's production staff showing a few light handling creases. Inventory Number: 027081

(GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY, THE J. PAUL). Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne Lacoste, et al.. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum. First Editions. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochures. Very Good - or Better.. This is a collection of sixty-one of the informative brochures issued by the J. Paul Getty Museum between 1986 and 2008 to accompany exhibitions curated by its Department of Photographs. These are beautifully printed keepsakes - typically duotone on coated, heavy stock - that were never made commercially available for sale, with most representing the only published documentation for each show. The format of this series is for the most part one cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8 pages - typically with five illustrations. The monographic publications are on Eugene Atget (2 different), Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (3 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton, Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Man Ray, Lisette Model, Eliot Porter, Alexander Rodchenko, August Sander (2 different), Frederick Sommer, Alfred Stieglitz, Paul Strand, Edmund Teske (2 different), Carleton Watkins (2 different), Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", The Art of The Daguerreotype", "Capturing Time: A Celebration of Photography:, "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851-1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "The Eye of Sam Wagstaff", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Spaces / Private Spaces", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Strange Days: Photographs From The Sixties by Winogrand, Eggleston, and Arbus:", "Walls of Algiers", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all in at least Very Good minus condition, with most being Near Fine or Fine. Inventory Number: 027076

(SCHINDLER, R.M.). Schindler, R.M.. NP (Los Angeles). ND.: R.M. Schindler. Edition Not Stated. 4to. Printed Letterhead + Envelope. Architecture Monograph. Fine.. One 8 ½ x 11" sheet + one 4 x 9 ½" envelope printed offset recto only, no illustrations. This is a beautifully preserved matching set of a single piece of letterhead and envelope for use by R.M. Schindler's architectural firm located at 835 Kings Road - better known as "The Schindler-Chase Kings Road House". Each features an elegant variant modernist design printed in pale brown ink on off-white Weston Opaque Bond paper stock that incorporates the renowned Los Angeles-by-way-of-Vienna innovator's iconic hand-lettering and horizontal lines. A crisp, most handsome unused set of these two extraordinary ephemeral objects (estimated to date from the forties according to the Schindler scholar from whom we obtained these in 1990) showing just a bit of age-appropriate patination and handling. Inventory Number: 027073

Cardinal, Roger. London: Studio Vista, 1972. First Edition. 8vo. Gilt Stamped Cloth. Art History Monograph. Very Good/No Jacket. 192pp, profusely illustrated  in b&w + color cover. In a protective clear acetate dustwrapper. This is Roger Cardinal's groundbreaking 1972 survey of art produced over the preceding Century by the mentally ill and outliers of various stripes. He gave the name for their creations "Outsider Art" - the term that is now commonplace for this genre fifty years later. A number of the artists celebrated here received their first scholarly recognition in these pages. These include Aloise (Corbaz), Karl Brendel (Genzel), Gaston Chaissac, Ferdinand Cheval, Joseph Crepin, Jules Dou, Madge Gill, August Klotz, Johann (Knupfer) Knopf, Augustin Lesage, Peter Moog, Heinrich Anton Muller, August Neter (Natterer),Simon Rodia, Clarence Schmidt, Friedrich Schroder-Sonnenstern, Scottie Wilson (Louis Freeman), and Adolf Wolfli. An internally bright, handsome example of the uncommon 1972 first Studio Vista hardbound edition of this landmark survey lacking its dust jacket showing some mild foxing along the top edge of the textblock along with a bit of wear and rubbing to the cloth of the rear cover. It has been priced accordingly. 0-289-70168-6 Inventory Number: 027069

(WOOD, JONAS). Mark Grotjahn, Helen Molesworth, Ian Alteveer & Jonas Wood. London & New York: Phaidon Press Limited, 2019. First Edition Thus. 4to. Wrappers in Pictorial Jacket. Artist Monograph. As New./As New.. 160pp, profusely illustrated in color and b&w. Designed by Melanie Mues. With a chronology, exhibition history, bibliography and public collections listing. One of the most recent installments of Phaidon's nicely appointed Contemporary Artists monographs, this is devoted to the work of the noted Los Angeles-based artist Jonas Wood. It features texts by Helen Molesworth and Ian Alteveer  along with a lengthy transcribed interview between Jonas Wood and fellow artist Mark Grotjahn. A brand new, most handsome example of the already unavailable first printing of what is the most comprehensive Wood publication additionally BOLDLY SIGNED "Jonas Wood" in black marker on the blank front leaf. 1-83866-063-1 Inventory Number: 027061

(WARHOL, ANDY). Warhol, Andy. London: Cassell London / A Michael Dempsey Book, 1975. First British Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Julian Rothenstein with a photograph by David Bailey. "The Philosophy of Andy Warhol (A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated 1975 British first edition of this inspirational and aspirational tome additionally bearing a BOLDLY DRAWN CAMPBELL'S SPLIT PEA SOUP CAN DRAWING WITH A SIGNED AND DATED PRESENTATION "To Judy / Andy Warhol / London 1975" in the year of publication in black marker across the entire half title page. 0-86018-109-X Inventory Number: 027046

(HOCKNEY, DAVID). Weschler, Lawrence & David Hockney. New York: Alfred A. Knopf, Inc., 1984. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Near Fine/Fine. 288pp, profusely illustrated in color. Designed by Arnell / Bickford Associates. This is the opulent, oversized 1984 hardbound publication surveying David Hockney's early nineteen eighties photocollages. It beautifully reproduces one hundred and seventeen of these innovative "Cameraworks" accompanied by Lawrence Weschler's incisive essay entitled "True to Life.". A most handsome example of this spectacular tome additionally BOLDLY SIGNED "David H." and "Lawrence Weschler" by the artist and author in black ink on the title page showing a bit of light soiling along the bottom edge. 0-394-53733-5 Inventory Number: 027045

(RAUSCHENBERG, ROBERT). Alloway, Lawrence. Foreword by Joshua C. Taylor. Washington, D.C.: National Collection of Fine Arts & Smithsonian Institution, 1976. First Edition. Small 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 218pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive catalogue published in conjunction with the 1976 Robert Rauschenberg retrospective held in honor of America's Bicentennial at the National Collection of Fine Arts that subsequently traveled to the Museum of Modern Art, New York, San Francisco Museum of Modern Art, Albright-Knox Art Gallery in Buffalo, and The Art Institute of Chicago. An internally bright, most handsome example of the paperbound first printing of this important document additionally BOLDLY SIGNED "BOB RAUSCHENBERG" in blue ink across the title page showing some typical light sunning to the spine. LC 76-58522 Inventory Number: 027041

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. In a protective clear acetate dustwrapper. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome example of the first and only edition (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine: 20th Century Photography Books That Matter", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to two thousand unnumbered copies that was issued without a glassine wrapper showing some trivial sunning along the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027039

(COLEMAN, ORNETTE). Coleman, Ornette. Pasadena, CA: Poo-Bah Records, 1982. First Edition. Large 4to. Printed Sheet. Concert Poster. Fine.. One 13 x 9 ½" sheet printed in black and white, recto only. This is the poster for two February 22nd, 1982 Ornette Coleman with Prime Time performances presented by the venerable Pasadena record store Poo-Bah at Los Angeles' Westwood Playhouse. Sharing the bill was Leroy Jenkins on solo violin. A most handsome, guaranteed vintage example of this uncommon ephemeral item. Inventory Number: 027034

(ADLER, TOM). Adler, Tom. Santa Barbara, CA & New York: T. Adler & Danziger Projects, 2002. First Edition 1/500. Oblong 4to. Printed Poster. Exhibition Announcement. Fine.. One 10 x 15" white cardstock sheet printed offset and letterpress recto only, 1 color illustration. Designed and printed by noted Santa Barbara graphic designer and publisher Tom Adler, this is the small poster issued to publicize his 2002 exhibition at Danziger Projects in New York that featured a then-new selection of Adler's own works comprising photographs he had worked with in his career in fashion and surf editorial edited and reproduced as paired images hung on the gallery walls. The amalgam of anonymous and vernacular seaside studies abutting the likes of Don James and Tom Blake's historical views from the shore produced a joyous and sophisticated body of work, which has yet to be reproduced in book form. A brand new, bright white example of this uncommon, elegant object limited to five hundred copies individually NUMBERED by rubber stamp that has been additionally BOLDLY SIGNED "Tom Adler" for us in black ink across the lower right margin. These were produced hors commerce - never commercially for sale - and sadly only a handful were ever distributed. Inventory Number: 027026

(CHRISTO). Javacheff, Christo, Jeanne-Claude & Jonathan Henery. Photographs by Wolfgang Volz. Koln, GERMANY & New York: Benedikt Taschen Verlag, 2005. First Edition #4377/5000 Deluxe. Stout 4to. Cloth in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 968pp, profusely illustrated in color and b&w. Text in English. Designed by Christo and Jeanne Claude. "February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City's Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg's administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park's walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambiance of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This special collector's volume documents the entire project from conception to realization. Designed by Christo and Jeanne-Claude, with texts by Jonathan Henery and photographs by exclusive photographer Wolfgang Volz, this limited-edition volume is the ultimate book object for fans and collectors who want a lasting and unique souvenir of this remarkable work of art." A brand new, most handsome example of the Taschen "Collector's Edition" NUMBERED (4377) AND SIGNED by Volz, Christo, and Jeanne-Claude in pencil on the front colophon with a tipped-in swatch of the saffron-colored Gates fabric bound in housed in the publisher's pictorial slipcase, as issued, still in the publisher's printed cardboard shipping carton. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-8228-3562-5 Inventory Number: 027024

Stanley & Patterson. Adrian, MI. 1936 (1938).: Stanley & Patterson Division of Schwarze Electric Co.. Edition Not Stated - Later Printing. 4to. Brad-Bound Stiff Wrappers. Trade Catalogue. Very Good.. np (118pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is a 1936 salesman's trade catalogue issued by the Stanley & Patterson Division of the Schwarze Electric Co. of Adrian, Michigan. Bound in stiff wrappers and clasped with brass brads, it contains copiously illustrated entries showcasing the company's lines of electronic bells, buzzers, chimes, gongs, sirens, howlers, annunciators, alarm systems, relays, telephones, paging systems, loudspeakers, electric clocks, and the like. An internally bright, most handsome example bearing "Reprint June 1938" on the front cover and containing rubber ownership stamps from Stanley & Patterson's New England agent H.W. MacLeod & Co., The South Boston's Gorham Fire Equipment Co., and Academy Award winning Art Director Dean Tavoularis at the front showing some light wear, soiling, sunning, and creasing to its red printed covers. Inventory Number: 027005

Home, Harriette Wilder. NP (Chesapeake, VA?): Harriette Wilder Home, 1908. First Edition. Oblong 12mo. Loose Photograph. Silver Gelatin Photograph. Fine.. One individual 3 ¼ x 5 ½" gelatin silver photograph. This is an original photograph by Harriette Wilder Home taken during a five day cruise on the passenger ship SS Powhatan along the Virginia Coast in mid-July, 1908. It depicts four African-American laborers - one in overalls, one in a chef's smock, and two in slacks and long sleeved shirts - posing on deck in front of the ship's nameplate for the photographer. "The Powhatan was originally was launched as the SS Yorktown February 10th, 1894, by Delaware River Iron Ship Building and Engine Works for the Old Dominion Steamship Company. The Navy purchased the Yorktown on April 21st, 1898, to be commissioned as the second USS Resolute, an auxiliary cruiser and transport that saw naval service during the Spanish-American War in 1898-1899. The Department of War acquired the ship on January 22nd, 1900, for service as the Army Transport (USAT) Rawlings. The Rawlings was then decommissioned and sold to the Merchants and Miners Transportation Company of Baltimore, Maryland on July 27, 1901, and renamed Powhatan." A most handsome example of this unique vernacular photograph showing just a bit of silvering along the left margin. Inventory Number: 026998

(SAINT PHALLE, NIKI DE). Saint Phalle, Niki de. London: Gimpel Fils, 1972. Edition Not Stated - Presumed First. Oblong 8vo. Twine-Tied Printed Boards. Artist's Book. Very Good/No Jacket - As Issued. np (56pp), 22 color illustrations. Designed by Sergio Tosi. In a protective clear acetate dustwrapper. "The Devouring Mothers" is Niki de Saint Phalle's beautifully illustrated artist's book cum cautionary children's primer on the darker side of family dynamics. It's production overseen in Milan by the redoubtable Piero Tosi, it reproduces twenty-two of the artist's vibrant, phantasmal drawings as colorful screenprints. An internally bright, most handsome example of the uncommon - only seven copies are currently cited in OCLC WorldCat - 1972 Gimpel Fils first edition whose highly acidic boards show some age-toning and spotting, and emit a faint sulfurous odor. Inventory Number: 026997

(POLKE, SIGMAR). Polke, Sigmar & Rainer Speck. Ghent, BELGIUM & Cologne, GERMANY: Snoeck Publishers, 2004. First Edition 1/1000. Folio. Cloth in Jacket, Slipcased. Artist's Book. Fine/Fine. xii + np, profusely illustrated in b&w. Text in English. Designed by Kuhle und Mozer. Inspired by Ovid's recounting of the Greek myth of Daphne and Apollo, Sigmar Polke has created this massive, exceedingly luxe artist's book comprised of twenty-four chapters of hand-fed, manipulated Xeroxed imagery on heavy paper stock. Utilizing source-imagery ranging from Polke's own drawings, art historical prints, steel engravings, to photographs of Bettie Page and Frank Sinatra, Dean Martin, Sammy Davis Jr., and the rest of the Rat Pack from "Ocean's Eleven", "Daphne" is a true tour-de-force of art in the age of mechanical reproduction, with no two copies exactly alike. A brand new, most handsome example of the English language edition limited to one thousand copies NUMBERED AND SIGNED by Sigmar Polke in pencil at the rear colophon, in the publisher's unprinted black paper over boards slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-936859-00-0 Inventory Number: 026991

(PORTER, JAMES A.). Breeskin, Adelyn D.. Washington, D.C.: The Barnett Aden Gallery, 1948. Edition Not Stated - Presumed First. 8vo. Illustrated Wrappers. Exhibition Brochure. Fine.. One 9 x 12" sheet printed offset recto and verso, machine folded in half vertically to make 4pp, one monochrome cover illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a February 1948 exhibition of twenty-six works by Howard University's noted African-American art historian, artist, and educator James A. Porter held at Washington D.C.'s pioneering Barnett Aden Gallery - the first successful Black-owned private art gallery in the United States. In addition to a complete checklist, it includes a brief essay on Porter by the then director of The Baltimore Museum of Art, Adelyn D. Breeskin. A bright, most handsome example of this exceedingly uncommon - only a single copy is currently cited in OCLC WorldCat - ephemeral item that was the only printed documentation of the event. Inventory Number: 026977

(RYDEN, MARK) (RIDGWAY, STAN). Ryden, Mark, Stan Ridgway & Pietra Wexstun. Sierra Madre, CA: Porterhouse Fine Art Editions, 2003. First Edition 1/7500. 8vo. Illustrated Wrappers. Artist Monograph. As New./No Jacket - As Issued. One 7 ¾ x 17" cardstock sheet printed color offset recto and verso, neatly folded in thirds to make 7 ¾ x 5 ½". Art Direction and Design by Mark Ryden and Brian Jackson. Produced in conjunction with Mark Ryden's "Blood: Miniature Paintings of Sorrow & Fear", this is a beautifully packaged CD of fourteen compositions that comprised the musical score and audio installation for the 2003 New York gallery exhibition. It contains five color reproductions of paintings from the show (that are the artist's near-perfect distillation of childhood creepiness transformed into adult fine art) that fold out to create a three-paneled shrine. Conceived by erstwhile Wall of Voodoo and Drywall founder Stan Ridgway along with Hecate's Angels' Pietra Wexstun, the performers are Ridgway - 6 and 12 string guitars, harmonica, Prophet 5, samples, Chamberlin; Wexstun - piano, organ, Juno 106, Mellotron, Moog, samples, autoharp, voices; Lazlo Vickers - cello, violin, contrabass; and Alvin Fike - brass, and reeds. Says Ridgway: "When contacted about writing music for Mr. Mark Ryden's "Blood Show ", we were excited and honored to be asked. Having both been admirers of Mark's work for quite some time, fellow composer Pietra Wexstun and I both saw it a lot like scoring a great film, but with one exception. The so called sonic "action" would be an interior one and psychological; a meditative and transcendental approach....and hopefully more like an "aroma" of sound; other than a music that would shout at you to listen to it, or get in the way. Ambient? Yes. We both worked for a musical "soundtrack" that the listener would "feel" more than hear. A functional and utilitarian device that would draw out the essential essence of the work and play low in the background, barely perceived by the viewer in the gallery". A brand new, pristine example of the 2003 first printing of this exotic object - not the later jewel-boxed reissue - still in the original shrinkwrap accompanied by an 8 x 6" glossy promotional postcard featuring a reproduction of Ryden's "The Baptism of Jajo" on the recto. Inventory Number: 026974

(KUHN, MONA). Kuhn, Mona. Göttingen, GERMANY: Steidl, 2004. First Edition. Large Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 108pp, 33 duotone and 20 color illustrations. Text in English. Designed by Steidl Design. "The people in Mona Kuhn's photographs are nude but not naked. Completely relaxed before the camera, they give the impression that nothing could clothe them better than their own skin. With a unique style, Kuhn's intimate photographs of both young and old are sensual compositions of skin and wrinkles, light and shadow, gestures and gazes. She creates tautly composed images and balance sharply rendered portraits against blurred backgrounds to lure the eye and provoke the imagination". This is Brazilian born, California based photographer Mona Kuhn's extraordinary second book of portraits and nudes. Coming from a background that included time as an assistant to Jock Sturges, she has formed her own unique documentary approach that is an ongoing study of youth, nature, and the beauty of the unguarded human body. A brand new, most handsome example of the 2004 Steidl first printing additionally BOLDLY SIGNED "Mona Kuhn" in black ink across the entire title page. 3-86521-008-2 Inventory Number: 026972

(BIRGISSON, JON THOR) (SIGUR ROS). Birgisson, Jon Thor & Alex Somers. NP (Reykjavik, ICELAND). ND (2008).: Moss Stories. First Edition Thus. 12mo. Embossed Boards. Artists' Book. As New/No Jacket - As Issued. np (52pp), profusely illustrated in color. "This powerful and enigmatic small volume is a facsimile reprint of the first artist's book "Riceboy Sleeps" from Sigur Ros frontman Jon "Jonsi" Thor Birgisson and his boyfriend Alex Somers, which was originally released only in Iceland. Birgisson designs Sigur Ros' album sleeves, and garnered the band a Grammy-nomination for his artwork. "Riceboy Sleeps" is beautifully produced, bearing faux taped and tattered edges, hand drawing, and distressed and collaged elements. Every detail of production has been exquisitely refined, from the softly rounded corners to the paper stock, from the print quality to the subtle embossing both inside and out. It contains no text, just Birgisson and Somers' highly expressionistic works created from found photographs and layers of textures". A brand new, pristine example of the 2008 Moss Stories edition of this must-have object. 1-933045-80-9 Inventory Number: 026969

(CHILDS RESTAURANT). Pruitt & Brown Architects. New York: Pruitt & Brown Architects, 1930. First Editions. Folio. Gilt-Stamped Buckram. Architecture Monographs. Near Fine/No Jackets - As Issued. 36pp + 48pp + 72pp, each profusely illustrated with original 7 ¼ x 9 ½" photographs and contemporary publication clippings. In protective clear acetate dustwrappers. This is a group of three unique, lavishly hand-assembled 14 x 12 ½" project documentation books produced in 1930 by Pruitt & Brown Architects to showcase their design work for recently opened showpieces for the Childs Restaurant chain. Founded in New York in the 1880s, Childs became one of the first national dining chains, with over one hundred venues at its height. The firm's ownership changed hands just as the US slipped into the Great Depression, and Childs optimistically opened a series of elegant Manhattan dining establishments each differentiated by a distinct architectural theme presented as if one were stepping onto a glamorous Hollywood back lot set. These hefty volumes have been produced in the manner of a scrapbook with original sepia-toned silver gelatin photographs by the Peyser & Patzig firm affixed to thick linen-hinged pages throughout liberally supplemented by menus, correspondence, and newspaper, magazine, and press coverage of the projects. The first is devoted to the Childs Restaurant at 425 Lexington Avenue which was a jaw-dropping showpiece of Art Deco elegance. The second covers Childs "Old England" at 9 East 40th Street, which presented a Robin Hood-like décor. The third - and most comprehensive of these books - details William Child's "Old Algiers" at 102nd Street and Broadway, which simulated an exotic night at the Kasbah. The three are bound in differing hues of buckram over boards with still-bright gilt-stamped titles on their front covers and spines. Each is internally in Fine condition, and bears a typed label on the inside front board noting that the volume was issued by the Pruitt & Brown Architects office at 342 Madison Avenue for use at the firm's Charlottesville, VA office. The exteriors show varying degrees of wear, rubbing, and some light discoloration, but are still sound and in no way detract from the remarkable contents. These are stunning, near-unique documents of another time, place, and dining experience that must be seen in hand to be fully appreciated. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 026957

Author Not Stated. NP. ND.: NP. Edition Not Stated - Presumed First. 4to. Scrap Book Binder. Poster Monograph. Fine/No Jacket - As Issued. np (74pp) + np (24pp), 102 black and white mounted photographs + 36 b&w illustrations. This is a hand-assembled scrapbook album that has been filled with black and white photographs loosely inserted into corner mounts reproducing one hundred and two posters issued in conjunction with the United States' participation in the First World War. While not dated, its general appearance and the sulfurous nature of the pages give the impression that this dates to the first half of the twentieth Century. A most handsome example of this unique album bearing the vintage Ex Libris bookplate of Charles L. Heartwell who we suspect must be the compiler into which has been laid a Fine condition copy of "Recruiting Posters Issued by the U.S. Navy Since the Declaration of War" issued in 1918 by the Press of the U.S. Navy Recruiting Bureau that features images of works by the likes of J.C. Leyendecker, Frank Brangwyn, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and many more. Inventory Number: 026955

(WILSON, S. CLAY). La Luz De Jesus Gallery. Los Angeles: La Luz De Jesus Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Very Good.. One 20 x 16" sheet of heavy yellow paper stock printed b&w offset recto only, 1 illustration. This is the graphically striking poster published in conjunction with an August 1991 S. Clay Wilson exhibition entitled "Toxic Icons" held at Los Angeles' storied La Luz De Jesus Gallery. It reproduces a 1991 drawing by the legendary late San Francisco comix artist featuring a seriously freaked out Checkered Demon facing a "Come to Jesus" moment!  A handsome example of this delightful ephemeral item additionally BOLDLY INSCRIBED "To Fazul - S. Clay Wilson" in black marker along the bottom margin showing some flattened creasing along the left hand edge. Fazul is / was the noted late Los Angeles "Dadazine" publisher and cultural man about town, Eugene "Fazul Reet" Timiraos, from whose library we acquired this directly. Inventory Number: 026950

(JOHNSON, JOE). Johnson, Joe. NP (San Francisco, CA). ND (Circa Late 1960s).: Self-Published. First Edition. 8vo. Printed Paper. Greeting Cards. Near Fine.. Three individual 8 ½ x 11" heavy paper sheets printed photo-offset rectos only, machine-folded vertically in half to make 8 ½ x 5 ½", 3 b&w illustrations. Joe Johnson was an early and prominent member of San Francisco's burgeoning LGBTQ community of the 1960s. While primarily known as the creator of the pioneering underground gay comics "Miss Thing" and "Big Dick", Johnson was additionally an accomplished artist and illustrator who at various times in the sixties and seventies produced fine art prints and greeting cards featuring male model studies. These were lo-fi ventures most likely sold under the counter, by word of mouth, and discreet mail order. This is a group of three individual cards issued by the artist each depicting a young male nude - all full frontal - reproduced by photo-offset on heavy, textured paper stock. A handsome group of these exceedingly uncommon vintage ephemeral items without envelopes each showing a bit of mild soiling. Inventory Number: 026945

(JOHNSON, JOE). Johnson, Joe. NP (San Francisco, CA). ND (1967).: Self-Published. First Edition. Folio. Loose Prints in a Portfolio. Print Portfolio. Fine.. Eight individual 17 ½ x 11" heavy paper sheets printed photo-offset rectos only, 8 b&w illustrations. Joe Johnson was an early and prominent member of San Francisco's burgeoning LGBTQ community of the 1960s. While primarily known as the creator of the pioneering underground gay comics "Miss Thing" and "Big Dick", Johnson was additionally an accomplished artist and illustrator who at various times in the sixties and seventies produced fine art prints and greeting cards featuring male model studies. These were lo-fi ventures most likely sold under the counter, by word of mouth, and discreet mail order. This is a set of eight of these prints issued in 1967 by the artist each depicting a young male nude - six full frontal - reproduced by photo-offset on cream colored, heavy woven paper stock housed in a plain red textured paper portfolio. We acquired from a single source several variants of this set, with none bearing any form of labeling or printed documentation; just the plates with or without the portfolio. The prints were issued without a signature in the plate, but Johnson signed some in pencil, and even hand-colored a few in a flesh-colored watercolor. A brand new, most handsome example of this exceedingly uncommon item with each print additionally SIGNED "Joe Johnson" in pencil in the publisher's unprinted paper portfolio. Inventory Number: 026944

(QUEEN MARY, RMS). Cunard White Star Line. NP (New York?): Cunard White Star Line, 1937. First Edition. 4to. Illustrated Wrappers. Promotional Brochure. Good.. np (32pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This is a luxe April 1937 brochure designed for the American market to promote travel by sea between New York, Cherbourg and Southampton on the Cunard White Star Line's newly commissioned "Queen Mary." With an embossed gilded foil front cover trimmed with faux wood paneling, this highly visual piece is filled with color photography emphasizing the superliner's unparalleled modern conveniences, and the splendor of her Art Deco interiors and detailing by the likes of A.R. Thompson, George Ramon, Anna Zinkeisen, H. Davis Richter, and Dame Laura Knight. A presentable example of this uncommon item whose exterior shows creasing and some loss to the front cover's foil overlay, fabric tape repair along the length of the spine, and the gold adhesive label of "Howard H. Adams - The Film Industry's Travel Agent" affixed to the lower foredge corner The interior shows some light wear, rubbing, and soiling. All in all, this is a solid, internally handsome copy of an engaging souvenir of the dawn of the golden age of Transatlantic luxury liners. Inventory Number: 026941

Home, Harriette Wilder. NP (Chesapeake, VA?): Harriette Wilder Home, 1908. First Edition. Oblong 8vo. Cloth Over Limp Boards. Travel Album. Near Fine/No Jacket - As Issued. np (48pp), 29 individual 3 ¼ x 5 ½" gelatin silver photographic illustrations. This is a hand assembled  journal that consists of thirty-one pages of holographic script by passenger Harriette Wilder Home documenting a five day cruise on the ship SS Powhatan along the Virginia Coast in mid-July, 1908. Written in a 5 ¾ x 7 ¾" cloth album, The author jauntily details the map coordinates, meals, scenery, bridge-playing results and other pertinent events during her five day cruise. The text is intertwined amidst twenty-four tipped-in photographs taken during the voyage, with an additional five images and a 1908 postcard of a Maryland crabbing fleet laid in. "The Powhatan was originally was launched as the SS Yorktown February 10th, 1894, by Delaware River Iron Ship Building and Engine Works for the Old Dominion Steamship Company. The Navy purchased the Yorktown on April 21st, 1898, to be commissioned as the second USS Resolute, an auxiliary cruiser and transport that saw naval service during the Spanish-American War in 1898-1899. The Department of War acquired the ship on January 22nd, 1900, for service as the Army Transport (USAT) Rawlings. The Rawlings was then decommissioned and sold to the Merchants and Miners Transportation Company of Baltimore, Maryland on July 27, 1901, and renamed Powhatan", which leads us to Ms. Home - who has written "Harriette Wilder Home - / Her Book." in ink on the inside of the front board - and her 1908 Chesapeake Bay pleasure cruise. An age-appropriately most handsome example of this unique travel journal showing a bit of mild wear and occasional creases to the margins of some pages as well as silvering to some of the photographs. Inventory Number: 026940

(FLYNT, LARRY) (DE NIRO, ROBERT). Flynt, Larry. Los Angeles: Hustler, 1983. First Edition. 4to. Typed Letter Signed (TLS). Fine.. One 10 ¼ x 7 ¼" sheet of gilt-debossed letterhead typewritten recto only, folded horizontally in thirds for mailing, no illustrations. This is a single page, six paragraph letter on HUSTLER letterhead from the noted late American publisher and freedom of the press advocate Larry Flynt to Robert De Niro attempting to secure the legendary actor's services "to direct a photo shooting for... a continuing series HUSTLER is launching which depicts sexual fantasies by top celebrities." Dated August 12, 1983, it offers "In return for your participation, HUSTLER will pay you $10,000.00 plus expenses." The letter was sent to Mr. Robert DeNiro (sic) in care of his longtime agent Harry J. Ufland, but whether or not there was a response on his behalf, no such pictorial ever appeared. A brand new, most handsome example of this unique document SIGNED "Larry Flynt" in black ink. Inventory Number: 026923