Arcana:

(VON UNWERTH, ELLEN). Von Unwerth, Ellen. Foreword by Ingrid Sischy. Koln, GERMANY: Benedikt Taschen Verlag, 2009. First Edition 1/1500 Deluxe. Elephant Folio. Boards in Clamshell Box. Photography Monograph. Fine/No Jacket - As Issued. 482pp, profusely illustrated in color and b&w. Text in English, French and German. "Ellen von Unwerth is one of the world’s most original and successful fashion photographers. With Fräulein, she pays homage to the era’s sexiest female icons including Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more. Switching effortlessly between color and immaculate black and white, von Unwerth‘s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last fifteen years and many are previously unpublished". A brand new, most handsome example of the 2009 first printing of the Taschen Collector's Edition limited to one thousand, five hundred copies NUMBERED (0592) AND BOLDLY SIGNED "Ellen Von Unwerth" in black marker across the limitation page in the publisher's clamshell box, as issued. 3-8365-1477-X Inventory Number: 025651

(VON UNWERTH, ELLEN). Von Unwerth, Ellen. Foreword by Ingrid Sischy. Koln, GERMANY: Benedikt Taschen Verlag, 2009. First Edition 1/1500 Deluxe. Elephant Folio. Boards in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 482pp, profusely illustrated in color and b&w. Text in English, French and German. "Ellen von Unwerth is one of the world’s most original and successful fashion photographers. With Fräulein, she pays homage to the era’s sexiest female icons including Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more. Switching effortlessly between color and immaculate black and white, von Unwerth‘s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last fifteen years and many are previously unpublished". A brand new, pristine example of the 2009 first printing of the Taschen Collector's Edition limited to one thousand, five hundred copies NUMBERED (1310) AND BOLDLY SIGNED "Ellen Von Unwerth" in black marker across the limitation page in the publisher's clamshell box and unopened printed cardboard shipping carton, as issued. 3-8365-1477-X Inventory Number: 025650

(HEINECKEN, ROBERT). Pastor, Suzanne E., Susan E. Cohen & Robert Heinecken. Kassel, GERMANY: Edition Fotoforum, 1983. First Edition 1/1200. Oblong 8vo. Stapled Pictorial Wrappers. Photography Monograph. Very Good -.. np (24pp), profusely illustrat in color and b&w. Text in German and English. With a chronology and bibliography. In a protective clear acetate dustwrapper. This is the slender twenty-four page catalogue published in conjunction with a 1983 exhibition of photographic works by the late Los Angeles-based artist Robert Heinecken. An internally most handsome example of this uncommon item limited to one thousand, two hundred copies showing a bit of light wear to the wrappers along with a vertical crease through the rear cover. Inventory Number: 025648

(DAVIDSON, BRUCE). Davidson, Bruce. Introduction by Henry Geldzahler. New York: Agrinde Publications, 1978. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 168pp, profusely illustrated in black and white. The first major survey of the compelling photo essays of noted Magnum member Bruce Davidson, this well-illustrated monograph includes work from the "Widow of Montmartre", "The Dwarf", "Brooklyn Gang", "England and Scotland", "Sicily", "Black Americans", "The Bridge", "Los Angeles", "The New Jersey Meadows / A Trip West / Topless Restaurant", "Welsh Miners", "East 100th Street", and "The Cafeteria" series. A bright white, most handsome copy of the 1978 Agrinde first hardbound edition (cited on page 222 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally bearing the SIGNED PRESENTATION "To - / Cousin John / it's the genes! / Bruce Davidson / 79' " in black ink on the title page alongside the non-authorial inscription "For John / Love, Uncle Cork / '79". 0-671-40067-3 Inventory Number: 025638

(KENNA, MICHAEL). Kollins, Lee R. & Michael Kenna. Introduction by Ellen Sharp. Santa Monica, CA: RAM Publications, 1995. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. 116pp, 50 b&w plates, illustrated endpapers. Designed by Claudia J. Vernia. With an exhibition history and bibliography. Published in conjunction with the 1995 touring exhibition "Industrial Revelations; The Rouge and Other Sites", this lovely hardbound catalogue is renowned photographer Michael Kenna's darkly brooding essay on the Ford Motor Company's River Rouge Plant in Detroit. A most handsome example of the first RAM Publications edition additionally BOLDLY SIGNED AND DATED "Michael Kenna / Jan 96" in black ink on the title page showing a couple of tiny nicks along the spine of the dust jacket. 0-9630785-3-4 Inventory Number: 025637

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025607

(CUMMING, ROBERT). Cumming, Robert. Orange, CA: Robt. Cumming, 1971. First Edition 1/500. Oblong 12mo. Stapled Illustrated Wrappers. Artist's Book. Very Good -.. np (16pp), 16 b&w illustrations + b&w cover. In a protective clear acetate dustwrapper. "The Weight of Franchise Meat" is the wry 1971 self-published artist's book by the then California-based conceptual practitioner Robert Cumming. True to its title, Cumming stages and photographs sixteen tableaux featuring hamburger patties from Orange County burger chains A + W, Bob's Big Boy, Buddy's, Burger King, Carl's Jr., Denny's, Heinz, Jack-in-the-Box, McDonald's, and Punky's weighed on a postage scale. An otherwise handsome example of the 1971 first edition of this uncommon gem (cited on pages 146-147 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to five hundred unnumbered copies showing some very mild soiling to the covers along with a bit of subtle rippling due to contact with moisture. It has been priced accordingly. Inventory Number: 025594

(GOODE, JOE AKA BUENO, JOSE). Goode, Joe. Jerry Sohn, Editor. Los Angeles: The Lapis Press, 1990. First Edition 1/38. Folio. Silk Over Boards in Slipcase. Illustrated Book. Fine./No Jacket - As Issued.. np (32pp), 12 color etchings. "Water" is Joe Goode's - credited as Jose Bueno - exquisite 1990 limited edition book from The Lapis Press consisting of twelve color etchings of abstracted water executed by master printer Jacob Samuel on handmade paper at Sam Francis' Litho Shop. The title page and colophon were typeset and printed by hand letterpress by Les Ferriss, with its striking Royal Blue silk binding and grey slipcase by Ulli Rotzscher. A most handsome example of the exceedingly uncommon first and only edition limited to thirty-eight copies NUMBERED (38/38) AND BOLDLY SIGNED "Joe Goode" in pencil on the title page showing just a bit of age-toning to the spine of the book and some light wear to the slipcase. Inventory Number: 025577

(TCHERNIKHOV, IAKOV aka YAKOV CHERNIKOV). Tchernikhov, Iakov Georgievich & Erikh Fedorovich Gollerbakh. Leningrad, RUSSIA: Leningradskogo ob-va arkhitektorov (Leningrad Society of Architects), 1931. First Edition 1/5150. 4to. Printed Boards. Architecture Monograph. Good -/No Jacket - As Issued. 214pp, profusely illustrated in black and white. Text in Cyrillic Russian. In a protective clear acetate dustwrapper. The is the second of the three visually striking books written and illustrated by the pioneering Russian modernist architect Iakov Tchernikhov - better known in the west as Yakov Chernikov - published in Leningrad between 1927 and 1933. It features an introduction to Constructivism by Erikh Fedorovich Gollerbakh, two hundred and seventy-eight graphic text illustrations accompanied by forty full page plates by the author printed by letterpress. An internally bright and sound example of the 1931 first edition of this standout of Russian Revolutionary illustrated bookmaking (cited as entry 928 on page 227 in Margit Rowell and Deborah Wye's "The Russian Avante-Garde Book", entry 126 on page 40 in Jean-Louis Cohen, David Woodruff, and Ljiljana Grubisic's "Russian Modernism: The Collections of the Getty Research Institute for the Arts", and entry 72 on page 20 in Peter Hellyer's "A Catalogue of Russian Avante-Garde Books 1912-1934") showing typical notable wear, rubbing, and chipping to its brittle green decorative boards along the edges and spine. This seminal work was originally acquired from the library of the noted Russian-born, Southern California-based architect Samuel Reisbord, and bears his owner's signature in black ink on the front pastedown. It has been priced accordingly. Inventory Number: 025575

(FRANCIS, SAM). Francis, Sam. NP. ND (1973).: Self-Published. First Edition. 12mo. Wrappers. Artist's Book. Fine./No Jackets - As Issued.. np (36pp), no illustrations. In a protective clear acetate dustwrapper. Printed offset without illustrations, this charming little self-published collection of brief aphorisms by the late, great Sam Francis precedes the 1986 Lapis Press edition by over a decade. A bright, most handsome unique example of this exceedingly uncommon true first printing issued hors commerce without dust jacket to be given by the artist to his friends additionally BEARING A BOLD SELF PORTRAIT DRAWING INITIALED AND DATED "S.F. / '73" in black ink on the front cover. Inventory Number: 025572

(DALI, SALVADOR). Dali, Salvador. New York: Carstairs Gallery, 1958. First Edition. Large 4to. Stapled Illustrated Wrappers. Artist Monograph. Very Good -.. One 14 x 21" cardstock sheet printed offset recto and verso folded in half vertically to make 14 x 11 ½", 4pp, 1 b&w cover illustration. Cover Designed by Salvador Dali. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the slender four page catalogue published in conjunction with Salvador Dali's 1959 exhibition of thirteen watercolors and drawings at New York's Carstairs Gallery. Stating "This, my best exhibition, I dedicate to Gala, my Sistine Madonna", it features a cover illustration by the Surrealist icon along with his brief "Anti-Matter Manifesto". A most presentable example of this exceedingly uncommon item additionally BOLDLY INSCRIBED "Monsieur Alexandre ELIOT" in blue ballpoint pen across the rear cover plus "Hommages de Dali / 1959" in blue fountain pen on the inside front cover showing light soiling and spotting, some stray pigment marks, and minor insect damage to the covers. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. Inventory Number: 025563

(VALLANCE, JEFFREY). Vallance, Jeffrey & Ralph Rugoff. Vienna, AUSTRIA: Galerie Krinzinger, 1992. First Edition. 8vo. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (22pp), 8 b&w and 2 color illustrations + color cover. Text in English. With a biography and exhibition + performance histories. This is the slender twenty-two page catalogue published in conjunction with several religious-themed projects Jeffrey Vallance presented as part of the 1992 Viennese gallery exhibition of Los Angeles-based artists entitled "LAX". A most handsome example of this uncommon item. Inventory Number: 025560

(ROTH, DIETER) (WIENER, OSWALD). Roth, Dieter & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1977. First Edition 1/500. Large Square 4to. 12" Vinyl LP in Jacket. Artists' Multiple. Near Fine/Near Fine. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in a printed paper-over-cardboard gatefold sleeve. Recorded at Mosfellssveit, Iceland between May 28th and 30th 1976, "Tote Rennen + Leider" is a new music and spoken-word collaboration between noted artist/musicians Dieter Roth and Oswald Wiener. A handsome example of this uncommon artists' recording (entry number 8 on page 89 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 95 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to five hundred unnumbered copies. Inventory Number: 025551

(ROTH, DIETER). Roth, Dieter, Gunter Brus, Hermann Nitsch, Gerhard Ruhm & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1975. First Edition 1/1000. Large Square 4to. 12" Vinyl LPs in a Box. Artists' Multiple. Near Fine/Near Fine. Three 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in a printed paper-over-cardboard box. This is a boxed set of recordings issued by Edition Hansjorg Mayer from a 1974 Munich concert of new and improvised music by an ensemble featuring Dieter Roth along with Viennese artist/musicians Christian Ludwig Attersee, Gunter Brus, Hermann Nitsch, Gerhard Ruhm, and Oswald Wiener. A most handsome example of this uncommon artists' recording (entry number 4 on page 87 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 80 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to one thousand unnumbered copies. Inventory Number: 025549

(BLAKE, WILLIAM). Blake, William, David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, Bo Lindberg, Charles Ryskamp & John Commander. David Bindman, Editor. London: The William Blake Trust, 1987. First Edition #61/250 Deluxe. Folio. Leather over Boards, Slipcased. Artist Monograph. Fine/No Jackets - As Issued. 148pp + np, profusely illustrated in collotype. Published in 1987 by the William Blake Trust, this lavish two volume undertaking is devoted solely to William Blake's "Illustrations of the Book of Job". The first volume combines a facsimile reprint in collotype of the 1826 first edition as well as additional plates reproducing scores of variant illustrations related to Blake's spectacular work. It includes "an introduction and plate-by-plate commentary by Bo Lindberg". The second volume is subtitled "The Engravings and Related Material, with Essays, Catalogue of States and Printings, Commentary on the Plates, and Documentary Record by David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes, and Bo Lindberg. Edited by David Bindman". In addition, it contains an introduction by Charles Ryskamp, and a preface by Bindman and John Commander. It is a scholarly work that illuminates virtually all aspects of the creation and subsequent history of this epic illustrated book. According to the colophon, "Plates and illustrations printed in the collotype process by The Trianon Press, Paris under the supervision of the late Arnold Fawcus. Typesetting by Ronset of Darwen, Lancashire. Printing, binding and case-making by Smith Settle of Otley, Yorkshire. Printed on Arches pure rag papers made for the edition. Edited, designed and produced by John Commander". The text volume is bound in ¼ Morocco over hand marbled boards with a gilt-stamped spine and leather front cover pastedown. The plate volume contains twenty-three signatures gathered in a ¼ Morocco over boards chemise with a letterpress front cover pastedown. The chemise is housed in a ¼ Morocco over hand marbled boards solander box with a gilt-stamped spine and leather front cover pastedown. A brand new, exceptionally handsome example of this uncommon item from the standard edition limited to two hundred and fifty NUMBERED (61/250) sets in the publisher's Morocco-over-cloth fitted presentation cases.PLEASE NOTE: Inventory Number: 025540

Goliath Verlag Staff, Editor. Bonn, GERMANY: Goliath Verlagsgesellschaft mbH, 2009. First Edition. 8vo. Flexible Boards. Erotic Photography Survey. Very Good./No Jacket - As Issued.. 272pp, profusely illustrated in b&w. Text in English, French, German, Italian and Spanish. With artist biographies and bibliographies. "Best of Bondage" is a survey of contemporary black and white bondage and fetish images from the international cast of Goliath Verlag-associated erotic photographers Dave Naz, Steven Speliotis, Laura M. Stansfield, Midori, Lee Higgs, Craig Morey, Roman Kaspersky, Josef Botello, and Martin R. Klass. A handsome example showing just a bit of light use and some wear and creasing along the spine. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 3-936709-36-X Inventory Number: 025536

(SUZUKI, RISAKU). Suzuki, Risaku. Tokyo: Hysteric Glamour, 2003. First Edition 1/500. 4to. Cloth in Acetate Dust Jacket. Photography Monograph. Fine/Fine. np (44pp), 20 color illustrations. Text in English. This is the eighth installment in the estimably hip Japanese fashion/style purveyor Hysteric Glamour's series of beautifully produced limited edition photography monographs. Preceding "Yuki Sakura" by five years, it features Risaku Suzuki's vibrant gatefold images of blossoming Japanese Cherry trees captured against impossibly blue skies. A brand new, pristine NUMBERED (150/500) example of the first and only edition limited to five hundred copies. Inventory Number: 025534

(SMITHSON, ALINE). Smithson, Aline. Foreword by Karen Sinsheimer. Introduction by Paula Tognarelli. Toronto, CANADA: The Magenta Foundation, 2015. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 216pp, profusely illustrated in color and b&w, full edge gilt. "Self & Others - Portrait as Autobiography" is a near-twenty year culmination of portrait photographs captured by award-winning photographer, writer, and educator Aline Smithson. It begins with her earliest black and white silver gelatin prints in which she photographs the world around her considering the poignancy of childhood and the pathos of aging and relationships. The book continues with her hand-painted photographs - including her defining series - "Arrangement in Green and Black: Portrait of the Photographer's Mother" - where she combines humor and family to create a universal expression of motherhood. The book is completed by her most recent color projects that revisit beauty, the essence of childhood, and an examination of created realities. Aline brings a background in painting and fashion to her images, but at the heart of her work is her ability to recognize the inner self of her subjects. The photographer considers all her portraits a reflection of herself and the stories she wants to tell, and in that way, has created a visual language that is her own unique autobiography". A brand new, most handsome example of the 2015 first edition additionally BOLDLY SIGNED AND DATED "Aline Smithson 2015" in the year of publication in black marker on the title page at Arcana with a packet of postcards by the photographer laid in. 1-926856-06-6 Inventory Number: 025519

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition 1/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (34/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Pyhajarvi, Finland (Horse and Barn)" which has been SIGNED AND DATED "Pentti Sammallahti 1982" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025486

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition #3/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (3/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Two Birds on Branch" which has been TITLED, SIGNED AND DATED "t.p.l'a / Pentti Sammallahti 2002" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025484

(CAPA, CORNELL). Whelan, Richard. Introduction by Peter Fetterman. Afterword by Cornell Capa. Santa Monica, CA: Peter Fetterman Gallery, 2002. First Edition 1/50 Deluxe. 4to. Cloth in Slipcase. Photography Monograph. As New/No Jacket - As Issued. 64pp, 27 duotone illustrations. "Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful clothbound book filled with twenty-seven of his most intelligent, compassionate, formally striking images promises to bring the photographer his due. He once told "Camera" magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specific situations or person that they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called a "concerned photographer" - one who is passionately dedicated to doing work that will contribute to the understanding and well-being of humanity". A brand new, pristine example of the deluxe 2002 first printing issued by the Peter Fetterman Gallery limited to fifty copies NUMBERED (38/50) AND SIGNED "Cornell Capa" accompanied by a cloth chemise containing the matted 7 ½ x 5 ¼ silver print entitled "Bolshoi Ballet School" similarly NUMBERED (38/50) AND SIGNED on the verso housed in the publisher's silver gilt-stamped slipcase still in its original shrinkwrap. 0-9712765-0-1 Inventory Number: 025483

Baldwin, Gordon. Malibu, CA: The J. Paul Getty Museum, 1993. First Edition. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochure. Near Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 4 duotone illustrations. This is the slender eight page brochure produced to accompany "Fame and Photography"; a 1993 exhibition of prints by Nadar, Julia Margaret Cameron, Edward Steichen and Man Ray drawn from the J. Paul Getty Museum Department of Photography's vast holdings. A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 025459

(BRODERSON, MORRIS). Seldis, Henry J.. South Pasadena, CA: Nutshell Press, 1961. First Edition. Folio. Loose Plates in a Portfolio. Artist Monograph. Good +.. Ten individual 12 ¾ x 9 ¾" sheets printed recto only, 10 b&w illustrations. With a biography, exhibition history and collections listing. Issued in 1961, this is one of the very few monographic publications on Morris Broderson - one of the major figures in Los Angeles' active figurative art scene of the fifties and sixties. It beautifully reproduces ten monochrome drawings as loose plates (suitable for framing) that show the artist firmly in the debt of Rico Lebrun. These are accompanied by a short essay by Henry J. Seldis, and housed in a printed paper portfolio. An internally handsome example of this uncommon item whose printed portfolio shows some mild creasing, age-toning, light soiling, a few short closed tears, and a separation along the spine. It has been priced accordingly. Inventory Number: 025457

(STERLING, JOSEPH). Sterling, Joseph. Introduction by David Travis. Los Angeles: Greybull Press, 2005. First Edition 1/5000. 4to. Cloth with Pastedown. Photography Monograph. Fine/No Jacket - As Issued. 136pp, profusely illustrated in b&w. Designed by Dmitri Levas. "From 1959 to 1964 Joseph Sterling photographed teenagers - mostly in and around Chicago - hanging out after school, at drive-ins, in fast cars. As Sterling himself defined it, "the world of the adolescent is totally interlaced within itself and incapable of freeing itself . . . It whirls, rolls, and engulfs what it is allowed to engulf." During that bridging period between postwar peace and prewar upheaval, Sterling was a student himself at Moholy-Nagy's Institute of Design in Chicago, where he studied photography under Harry Callahan, Aaron Siskind, and Frederick Sommer with classmates Yasuhiro Ishimoto and Ray Metzker. Along with an essay by David Travis, Curator of Photography at the Art Institute of Chicago since 1972, "The Age of Adolescence" collects more than one hundred images of a time that's both historically important and emotionally resonant, one in which, as Sterling says, "opportunity is revealed and must be exploited". A brand new, most handsome example additionally SIGNED AND DATED "Joseph Sterling / 12-1-05" in the year of publication black ink on the half title page. 0-9727788-5-3 Inventory Number: 025456

(VISIONAIRE). Gan, Stephen, Cecilia Dean & James Kaliardos, Editors. New York: Visionaire Publishing, 1996. First Edition 1/2500. Small 4to. Leather and Fabric Portfolio. Fashion Quarterly. As New/No Jacket - As Issued. np, loose plates laid into a Louis Vuitton printed leather and fabric portfolio, profusely illustrated in color and b&w. Designed by Greg Foley and Florentino J. Pamintuan. Published in an edition of two thousand, five hundred copies, this is the sixteenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. Dubbed the "Fashion Special", it is perhaps the most highly prized issue of all. It features forty-five fashion spreads from the Fall - Winter 1996 collections as seen by many of the world's most notable editorial photographers and illustrators - all packaged within an elegant fabric-lined leather portfolio case with a wood and shoelace closure made exclusively for Visionaire by Louis Vuitton. The contents include Alexander McQueen as captured by Steven Klein, Azzedine Alaia by Jean Paul Goude, Comme Des Garcons by Craig McDean and M/M, Daryl K by Inez Von Lamsweerde and Vinoodh Matadin, Elsa Peretti by Miles Aldridge, Geoffrey Beene by Mario Sorrenti, Gucci by Hiroshi Tanabe, Helmut Lang by Nan Goldin, Hussein Chalayan by Juergen Teller, Isaac Mizrahi by Larry Fink, Isabel Toledo by Ruven Afanador, Jean Colonna and Patricia Field by Ellen Von Unwerth, John Bartlett by Terry Richardson, Marc Jacobs by Jack Pierson, Shunichiro Arakawa by Hiromix, Viktor + Rolf by Viktor + Rolf, Vivienne Westwood by Ruben Toledo, Yves Saint Laurent by Mario Testino, and many, many more. Visionaire's own price for this quickly out-of-print back issue is $5,000.00 - when available. A brand new, pristine NUMBERED (2368/2500) example of this beautiful and desirable object acquired directly from Visionaire whose contents are still shrinkwrapped with the publisher's printed obi in its original unprinted shipping carton. Inventory Number: 025439

(STELLA, FRANK). Leider, Philip. Fort Worth, TX: The Fort Worth Museum of Art, 1978. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 136pp, profusely illustrated in color and b&w. Designed By Edward Ruscha. This is the substantial catalogue published in conjunction with a 1978 Frank Stella survey circulated by The Fort Worth Museum of Art. Designed by Ed Ruscha, it reproduces each of the twenty-six exhibited works in color. A most handsome example. LC 77-23703 Inventory Number: 025437

(BOURGEOIS, LOUISE). Gorovoy, Jerry. New York: Bellport Press, 1986. First Edition. 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), profusely illustrated in monochrome. Designed by John Cheim, Jerry Gorovoy & Thomas Whitridge. This is the elegantly designed, beautifully printed 1986 catalogue published by John Cheim's Bellport Press on the sculptural work of Louise Bourgeois. A brand new, most handsome example of this uncommon item additionally bearing the SIGNED PRESENTATION "to Neil / Polen. / Best wishes / L." in the artist's spidery script in black ink on the title page. Neil Polen was the imposingly tall, shaven-headed New York art scene regular that used to attend virtually all the major gallery and museum openings in the eighties and nineties, approach the evening's artist(s) with an array of books and catalogues to sign, then offer the inscribed treasures for sale from his semi-permanent table in front of Dean & DeLuca in Soho. We obtained this directly from the late, great Mr. Polen prior to his passing. Inventory Number: 025400

Page, Suzanne, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub & Robert C. Morgan. Paris: Musee D'Art Moderne De La Ville De Paris, 1989. First Edition (Second Printing) 1/1700. 4to. Printed Stiff Wrappers. Exhibition Catalog. Near Fine.. 260pp, profusely illustrated in b&w. Text in French and English. With an exhibition checklist and bibliography. This the catalogue of the extensive 1989 international survey exhibition of Conceptual Art held at the Musee D'Art Moderne De La Ville De Paris. It features texts by Suzanne Page, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub, and Robert C. Morgan. The artists included are Giovanni Anselmo, Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Emilio Prini, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, and Ian Wilson. A handsome example of the uncommon first printing of this important document showing some light overall wear and soiling to its white wrappers. 2-85346-071-1 Inventory Number: 025391

(NOVIKOV, TIMUR). Novikov, Timur, Olesya Turkina & Victor Mazin. Moscow & Amsterdam, THE NETHERLANDS: Avant Garde Moscow & the Stedelijk Museum, 1993. First Edition 1/1000. 8vo. 1/4 Linen Over Boards. Artist Monograph. Fine/No Jacket - As Issued. 72 + 52pp, profusely illustrated in color and b&w. Text in English and Russian. Designed by Anna Brochet. With a biography, exhibition history and bibliography. This is an elaborately designed exhibition catalogue cum artist's book published in conjunction with a 1993 Stedelijk Museum Amsterdam presentation of recent pieces by Russian contemporary artist Timur Novikov. Bound into a heavy, gilt-embossed grey chipboard cover is one bi-lingual catalogue printed on butcher paper featuring writings by the artist as well as Victor Mazin and Olesya Turkina, and another containing color reproductions of the exhibited works. A bright, most handsome example of the first edition limited to one thousand unnumbered copies. Inventory Number: 025389

(GOBER, ROBERT). Simon, Joan & Catherine David. Paris: Galerie Nationale du Jeu de Paume, 1991. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 88pp, profusely illustrated in color and b&w. Text in English and French. With an exhibition checklist, history, bibliography and biography. This is the catalogue published in conjunction with a comprehensive 1991 Galerie Nationale du Jeu de Paume exhibition in Paris of sculptural and installation works by idiosyncratic American artist Robert Gober that later traveled to Spain's Museo Nacional Centro De Arte Reina Sofia. A brand new, most handsome example. 2-908901-04-8 Inventory Number: 025387

(BRAVO, CLAUDIO). March, David. New York: Marlborough Gallery, 1989. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Near Fine.. 32pp, 28 color illustrations + color cover. With an exhibition checklist, biography, collections listing and exhibition history. This is the catalogue published in conjunction with a 1989 Marlborough Gallery exhibition of twenty-nine photo-realist paintings and pastels by renowned Chilean-born, Moroccan-based artist Claudio Bravo. A most handsome example. 0-89797-055-1 Inventory Number: 025382

(PETTIBON, RAYMOND). Pettibon, Raymond & Nelson Tarpenny. Chicago: The Renaissance Society at The University of Chicago, 2000. First Edition 1/2000. 4to. 1/4 Cloth Over Boards. Artist's Book. Fine/No Jacket - As Issued. np (232pp), 153 monochrome illustrations. In a protective clear acetate dustwrapper. "Thinking of You" is Raymond Pettibon's hefty artist book cum catalogue comprised solely of Phallus drawings with text published in conjunction with the renowned artist's 1999 exhibition held at The Renaissance Society at The University of Chicago. The images are reproduced one to a page - rectos only - with the occasional reproduction on the verso of student papers Mr. Pettibon seemed to be grading as part of teaching duties at Los Angeles Harbor College in the eighties. A bright, most handsome example (entry number one hundred and eight in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978 - 98") additionally BOLDLY SIGNED "Raymond Pettibon" in black ink on the title page which the artist has then altered by drawing in different faces in the four letters O in the printed title. 0-941548-38-4 Inventory Number: 025381

(HIDO, TODD). Hido, Todd & Katya Tylevich. Amsterdam & Eindhoven, THE NETHERLANDS: Galerie Alex Daniels - Reflex Amsterdam, 2015. First Edition 1/500. Oblong 4to. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued.

64pp, profusely illustrated in color and b&w. Text in English. Designed by Alex Daniels and Todd Hido. Published in conjunction with a 2015 Amsterdam gallery exhibition, "Khrystyna's World" is Todd Hido's paean to his persona-shifting, frequently lingerie-clad collaborator of the past decade - model Khrystyna Kazakova. With a nod to Andrew Wyeth's iconic "Christina's World", this exquisite hardbound volume uniquely captures grey winter skies, suburban alienation, the erotic gaze, and a fluffy white Persian cat. A brand new, pristine example of the unavailable first printing limited to five hundred unnumbered copies acquired directly from the photographer additionally BOLDLY SIGNED 'Todd Hido" in silver ink on the title page. 90-71848-22-1 Inventory Number: 025378

(WOOD, JONAS). Holte, Michael Ned, Ana Vejzovic Sharp & Jonas Wood. New York, Los Angeles & Brooklyn: Anton Kern, David Kordansky & PictureBox, 2012. First Edition. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 64pp, profusely illustrated in color. Designed by Familiar. This is the nicely appointed hardbound catalogue published in conjunction with a 2012 exhibition of work by the noted Los Angeles-based artist Jonas Wood. It features an essay by Michael Ned Holte, a transcribed interview between the artist and Ana Vejzovic Sharp, and scores of color illustrations. A brand new, most handsome example of the 2012 first printing additionally BOLDLY SIGNED AND DATED "Jonas Wood / 2015" INCORPORATING A DRAWING OF A BASKETBALL as the 0 of the date in black marker on the title page. 0-9837199-3-4 Inventory Number: 025359

Veigas, Jose, Cristina Vives, Adolfo V. Nodal, Valia Garzon & Dannys Montes De Oca. Los Angeles: California / International Arts Foundation, 2002. First Edition. Large 4to. Cloth in Illustrated Jacket. Art Monograph. Fine/Fine. 576pp, profusely illustrated in color and b&w. Text in English. With biographies, exhibition histories, bibliography and accompanying CD-ROM which contains artist biographies. "Memoria: Cuban Art of the 20th Century" is the first comprehensive publication on Twentieth Century Cuban art. For the first time, more than four hundred and fifty major Cuban artists from 1902 to the present are unified in this reference. Along with painting and sculpture, it includes the work of primitive or naive artists, together with engraving, photography, graphic design, comic drawings, ceramics, illustrations, installation and performance art. "Memoria" includes a compilation of the most significant critical writing and historical texts about Cuban art by authors from around the world, considering the effect of economic, cultural, social and political phenomena on Cuban art. Reproductions of artists' works - with critical commentary - are featured, along with an extensive bibliography including one thousand references for publications on Cuban art. There is also a chronology of nearly one hundred major exhibitions of Cuban art in the Twentieth Century, with a descriptive and analytical account of each exhibition and its participants. "Memoria" features never before seen photographs of exhibitions, artists, posters, catalogues and exhibition-related ephemera. It contains a CD-ROM which contains a comprehensive biographical listing of Cuban artists. The extensive information in this volume will be indispensable to those with an interest in Cuban art; it is supported by the valuable collection of material in the Jose Veigas Archive of Cuban Art in Havana, considered to be the single most comprehensive repository of information on Cuban artists and one of Cuba's most precious cultural treasures. Where there has been division and scattered sources of information, "Memoria" unifies biographical material and references for each artist, including those who have developed their artistic careers outside Cuba". A brand new, most handsome example of the uncommon English language edition. 0-917571-11-8 Inventory Number: 025319

(CASSANDRE, A.M.) (DEBERNY ET PEIGNOT). Cassandre, A.M. Maximilien Vox, Editor. Paris. 1928, 1929, 1930, 1931 & 1933.: Fonderies Deberny et Peignot. First Editions. 4to. Loose Contents in Wrappers. Graphic Design Monographs. Very Good. or Better. np + np + np + np + np, profusely illustrated in color and b&w. Text in French. In protective clear acetate dustwrappers. Deberny et Peignot were perhaps the premier modernist type foundry in Art Deco period Paris. Their designer of choice was the renowned French illustrator A.M. Cassandre. To promote Deberny et Peignot's typefaces, the firm published the lavish "Divertissements Typographiques" on an annual basis between 1928 and 1933 - skipping 1932. Thematically entitled "Travaux De Ville", "Publicite", "Edition", "Europe et le Studio", and "Pharoaon", each installment contains several stylish Cassandre-designed components laid into a graphically striking heavy paper portfolio. A bright, exceptionally well-preserved complete set of all five Fonderies Deberny et Peignot editions showing the occasional bit of minor wear, soiling, and age-toning. Inventory Number: 025314

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(KIPPENBERGER, MARTIN). Kippenberger, Martin. Renate Damsch-Wiehager, Editor. Esslingen & Ostfildern, GERMANY: Villa Merkel (Galerie Der Stadt Esslingen Am Nektar) & Cantz Verlag, 1996. First Edition 1/1900. Small Oblong 4to. Pictorial Wrappers. Artist's Book. Near Fine.. np, profusely illustrated in b&w and color. Text in German and English. This is another wry Martin Kippenberger artist's book published in conjunction with his 1996 Villa Merkel exhibition of photographs from the series "16 Years of Beds". A most handsome example (entry number one hundred and forty in Uwe Koch's "Annotated catalogue raisonné of the Books by Martin Kippenberger 1977 - 1997") limited to one thousand, nine hundred unnumbered copies.. 3-89322-900-0 Inventory Number: 025284

(SOTH, ALEC). Soth, Alec, Aaron Schuman & Kate Bush. London: MACK, 2015. First Edition. 4to. Wrappers in Decorative Box. Photography Monograph. As New./No Jackets - As Issued.. np, profusely illustrated in color and b&w. Designed by Lewis Chaplin. "Alec Soth's reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a 2015 touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth's prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman's poem 1855 "Song of Myself" and references both the pages of his books gathered for consideration, and the notion that his work is also a story about Soth himself. This catalogue is a special object, bringing together an essay by Aaron Schuman spread across twenty-nine large format postcards, an additional card printed with an introduction by Kate Bush - curator of the exhibition and the director of Media Space, London, with mini facsimile versions of Soth's "Sleeping by the Mississippi", "Niagara", "Broken Manual", and "Songbook". A brand new, most handsome example of the now unavailable first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED AND DATED "Alec Soth / 2015" in black ink in the year of publication on the inside front cover of its decorative box. 1-910164-36-4 Inventory Number: 025273

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271