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FICTCRYPTOKRIMSOGRAPHS: A BOOK WORK BY LES KRIMS - LIMITED EDITION WITH A SIGNED COLOR PHOTOGRAPH
(KRIMS, LES). Krims, Les. Introduction by Hollis Frampton. Buffalo, NY: Humpy Press Inc., 1975. First Edition 1/125 Deluxe. 12mo. Pictorial Wrappers. Photography Monograph. Near Fine.. np (94pp), 40 color illustrations. Designed by Les Krims. In a protective clear acetate dustwrapper. "Fictcryptokrimsographs" is one of Les Krims' charming self-published photography books from the seventies. It reproduces in miniature forty vaguely erotic, always humorous Polaroid SX-70 prints along with an introductory essay by the esteemed Hollis Frampton. A bright, most handsome example of the deluxe edition this little gem (cited on page 244 of Alessandro Bertolotti's "Books of Nudes") limited to one hundred and twenty five copies bearing the Humpy Press Inc. blindstamp SIGNED AND DATED "Krims 76" in pencil on the front pastedown with a SIGNED AND NUMBERED (4/125) 4 ¼ x 3 ½" unique Polaroid color print of "Goldfish Bowl Press and Plug 1974" (reproduced as plate number 2) laid into a glassine envelope affixed to the inside front cover, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021819
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POINT D'IRONIE 4 - FEVRIER 1998: MARLENE STREERUWITZ
(STREERUWITZ, MARLENE) (POINT D'IRONIE). Obrist, Hans-Ulrich & Carrie Pitto, Editors. Paris: agnès b., 1998. First Edition. Folio. Illustrated Tabloid Wrappers. Artist's Periodical. Fine.. Two 17 x 24" sheets printed color offset recto and verso, neatly folded in half vertically to make 8pp, profusely illustrated. This fourth installment of "point d'ironie" - agnès b.'s Hans-Ulrich Obrist-edited tabloid format hybrid periodical - is devoted to Austrian artist Marlene Streeruwitz' project recounting her lifelong search for God. A most handsome example of this uncommon, fragile item that was issued hors commerce - never commercially for sale - showing only some minor handling marks to its lightweight paper stock. Inventory Number: 021777
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A DECADE OF GUESS? IMAGES: 1981 TO 1991 (CATALOGUE 38)
(GUESS?) (MARCIANO, GEORGES & PAUL). Sischy, Ingrid. Los Angeles: Guess? Inc., 1991. First Edition. Folio. Gilt-Embossed Boards in Jacket. Fashion Monograph. Near Fine/Near Fine. 244pp, profusely illustrated in b&w and color. Creative Direction by Paul Marciano. This is the extravagantly produced, self-published volume of publicity and marketing photos culled from the first decade of Guess? clothing company's provocative quarterly catalogues issued between 1981 and 1991. It features the work of photographers Sydney Baldwin, Dominick Guillemot, Mark Hispard, Neil Kirk, Wayne Maser, Perry Ogden, Herb Ritts, and Ellen Von Unwerth giving life to the designers' self-proclaimed "fashion revolution" in a glossy cavalcade of teased hair, collagen injected lips, breasts, and denim. Relive the birth of Claudia Schiffer fully grown from the brows of Paul Marciano and Ellen Von Unwerth, the fantasy of Tom Skerritt's cigar chompin' Bayou trumpeter, and Wayne Maser's cowgirl on Quaaludes chic - they're all here! A most handsome copy of this massive tome that was issued hors commerce as a sales tool, and never commercially distributed. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021769
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EDWARD RUSCHA: CITYSCAPES / O BOOKS
(RUSCHA, EDWARD). Ruscha, Edward. New York: Leo Castelli Gallery, 1997. First Edition 1/2000. 12mo. Printed Wrappers. Artist Monograph. Fine.. 64pp, 37 color illustrations. With an exhibition checklist. Published in 1997 by the Leo Castelli Gallery in celebration of the twenty-fifth anniversary of their working relationship with Ed Ruscha, this charming little catalogue cum artist's book reproduces each of the seventeen "Cityscape" paintings and twenty exhibited books emblazoned with either paint or bleach by the artist to reveal the letter "O". A brand new, pristine example. Inventory Number: 021753
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THE JOURNAL OF DECORATIVE AND PROPAGANDA ARTS: 5 - SUMMER 1987: RUSSIAN/SOVIET THEME ISSUE
(JOURNAL OF DECORATIVE AND PROPAGANDA ARTS, THE). Johnson, Pamela & John E. Bowlt, Editors. Miami Beach, FL: The Wolfson Foundation of Decorative and Propaganda Arts, Inc., 1987. First Edition. 8vo. Illustrated Wrappers. Periodical. Near Fine.. 179pp, profusely illustrated in color and b&w. The fifth issue of the Mitchell Wolfson Foundation's scholarly journal devoted to Modernism in the Arts and Popular Culture is a special "Russian Theme" installment that features the following contributions: "The Decorative Arts in Russian Architecture: 1900 - 1907" - William Brumfield, "Stage Design and the Ballets Russes" - John E. Bowlt, "Experiments in Book Design by Russian Artists" - Evgenii Kovtun, "A Public Art: Caricatures and Posters of Vladimir Lebedev" Nicoletta Misler, "The Psychology of Urban Design in the 1920s and 1930s" - Boris Brodsky, "Lamps and Architecture 1930 - 1950" - Abram Damsky, "Artificially Created Spaces: Projects and Realizations of the ARGO Group" - Francisco Infante, "The Solomenko Embroidery Workshops" - Wendy Salmond, "Constructive Fabrics and Dress Design" - Natalia Adaskina, and "The Soviet Garment Industry in the 1930s" - Tatiana Strizhenova. A handsome example showing a bit of light wear to the covers. Inventory Number: 021747
$40.00 InquireFiled Under: Architecture, Art, Dance, Decorative Art, Fashion, Graphic Design, Periodicals, Textiles -
A TRAVEL OF MARGARET- MARY (IN SEARCH OF A SUITABLE MISE-EN-SCENE): DUCKS ON A POND - SIGNED BY LAWRENCE WEINER
(WEINER, LAWRENCE). Weiner, Lawrence. Ghent, BELGIUM: Imschoot, Uitgevers for IC, 1988. First Edition 1/1000. 8vo. Pictorial Wrappers. Artist's Book. Fine.. np (56pp), profusely illustrated in b&w and color. Text in English. Photographs by the Moved Pictures Archive and Frank Vellenga. This charming little Lawrence Weiner artist book takes the form of a rather baroquely-designed narrative of a metaphorical seafaring voyage. A most handsome example of the 1988 first edition (entry number thirty-one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. 90-72191-02-1 Inventory Number: 021737
$225.00 InquireFiled Under: Artist Monographs, Artists' Books, Conceptual and Minimal Art, Signed Books, Lawrence Weiner -
A DECADE OF GUESS? IMAGES: 1981 TO 1991 + A SECOND DECADE OF GUESS? IMAGES: 1991 TO 2001 + A THIRD DECADE OF GUESS? IMAGES: 2001 TO 2011 - COMPLETE IN THREE VOLUMES
(GUESS?) (MARCIANO, GEORGES & PAUL). Marciano, Paul, et al.. Los Angeles. 1991, 2002 & 2012.: Guess?, Inc.. First Editions. Folio. Gilt-Embossed Boards in Jacket. Fashion Monographs. Fine/Fine. 244 + 264 + 244pp, profusely illustrated in b&w and color. Creative Direction by Paul Marciano and Leslie Oki Yoshimura. This is a complete set of the three extravagantly produced, massive volumes of publicity and marketing photos appearing in the Guess? clothing company's provocative quarterly catalogues. Culled from each decade between 1981-2011, these feature images by photographers Sydney Baldwin, Dominick Guillemot, Mark Hispard, Neil Kirk, Wayne Maser, Perry Ogden, Herb Ritts, Ellen Von Unwerth, Raphael Mazzuco, Pablo Alfaro, Daniela Federici, Dewey Nicks, Dominique Issermann, Dean Isidro, Dah Len, Raphael Buchler, Odette Sugerman, Igor Borisov, Esther Haase, Yu Tsai, and Bryan Adams. The (super)models cum celebrities oh-so-tantalizingly pictured here include Estelle Lefebure, Carla Bruni, Yasmin Le Bon, Claudia Schiffer, Drew Barrymore, Naomi Campbell, Eva Herzigova, Carré Otis, Anna Nicole Smith, Shana Zadrick, Laetitia Casta, Bridget Hall, Larissa Bondarenko, Ingrid, Valeria Mazza, Lonneke Engel, Victoria Silvstedt, Josie Maran, Kim Smith, Alessandra Ambrosio, Adriana Lima, Megan Ewing, Bree Condon, Paris Hilton, Tori Praver, Irina Shayk, Elsa Hosk, Alyssa Miller, Amber Heard, Kate Upton, Tom Skerrit, Werner Schreyer, Alex Lundqvist, Jason Lewis, Mark Vanderloo, Tyrese Gibson, Philippe Reynaud, Chris Brown, Brandon and Brody Jenner, and many, many more. A bright, most handsome set of all three editions issued to date. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021720
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BIBLIOTHEK DER FOTOGRAFIE PORTFOLIO NO. 15: BETTINA RHEIMS: FEMMES FATALES
(RHEIMS, BETTINA). Rheims, Bettina. Hamburg, GERMANY: Stern Bibliothek Der Fotografie / Gruner + Jahr AG, 1999. First Edition. 4to. Stapled Pictorial Wrappers. Photography Monograph. Near Fine.. 94pp, profusely illustrated in color and b&w. Text in English and German. The most interesting editions of this elegantly produced photography special published by Stern Magazine invariably sell out quickly, and this fifteenth installment devoted to noted French photographer Bettina Rheims was no exception. It is a nicely designed and printed survey of her erotically charged work featuring such models and celebrities as Claudia Schiffer, Elizabeth Berkeley, Naomi Campbell, Kristin McMenamy, Heather Graham, Shirley Manson, Traci Lords, Gretchen Mol, Liv Tyler, Salma Hayek, Gwen Stefani, Sharon Stone, Madonna, Cindy Crawford, Karen Mulder, and more. A most handsome example. 3-570-19201-6 Inventory Number: 021719
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534 BEDS AND 1 BATHTUB: ROY TZIDON AT THE HANS BRINKER BUDGET HOTEL
(TZIDON, ROY). Tzidon, Roy & Chad Rea. Amsterdam, THE NETHERLANDS. ND (2001).: Hans Brinker Budget Hotel. First Edition. 8vo. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Art Direction by Erik Kessels. Designed by the great Erik Kessels (of KesselsKramer renown), this is Roy Tzidon's idiosyncratic book of erotic photography set in Amsterdam's notorious Hans Brinker Budget Hotel. A favorite of students, backpackers and sightseers on a budget, the five hundred and thirty-four bed self-proclaimed "Worst Hotel in the World - now with even more dogshit in the main entrance" has been "proudly disappointing travellers for forty years". For two months in 2000 the photographer rented Room 412 - the only one in the entire establishment with a full bathtub - and invited Hotel staff, guests, and street performers to come up to the room to bathe with the proviso that they allow themselves to be photographed for public consumption. This book, used as promotion for the Hans Brinker Budget Hotel, is the result. A most handsome example of this uncommon, charming item in the publisher's custom-embroidered white terrycloth bag, as issued. Inventory Number: 021698
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OCTOBER 30: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1984
(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome example. 0-262-75180-1 Inventory Number: 021674
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OCTOBER 41: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 1987
(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -.. 118pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jeremy Bentham's Panoptic Device - Jacques-Alain Miller; Postmodern History at the Musee d'Orsay - Patricia Mainardi; Learn to Read, She Said - Ann Smock; Ramble City: Postmodernism and Blade Runner - Giuliana Bruno; An Interview with Steve Fagin - Peter Wollen; Gramophone, Film, Typewriter - Friedrich Kittler. A most presentable copy showing some light external wear and soiling along with some chipping to the wrappers at the crown of the spine. It has been priced accordingly. 0-262-75191-7 Inventory Number: 021668
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OCTOBER 48: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1989
(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663
$50.00 InquireFiled Under: Art, Art Theory, Cinema, Conceptual and Minimal Art, October, Periodicals, Pop Art, Andy Warhol -
OCTOBER 50: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1989
(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good -.. 117pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Body's Shadow Realm - Gertrud Koch; Looking Awry - Slavoj Zizek; The Sartorial Superego - Joan Copjec; Spectacle, Attention, Counter-Memory - Jonathan Crary; The Rock 'n' Roll Ghost - Andrew Ross. An internally most handsome example showing a diagonal soft crease to the rear cover through the lower foredge corner and some chipping of the wrappers along the spine. It has been priced accordingly. 0-262-75200-X Inventory Number: 021662
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OCTOBER 51: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 1989
(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661
$40.00 InquireFiled Under: African-American Art, Art Theory, Cinema, Conceptual and Minimal Art, Dada and Surrealism, October, Periodicals, Pop Art -
OCTOBER 74: ART/ THEORY/ CRITICISM/ POLITICS - FALL 1995
(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Mignon Nixon, Editors. Cambridge, MA: MIT Press Journals, 1995. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Excerpts from The Dutch Group Portrait - Alois Riegl; Postscript: Alois Riegl in the Presence of The Nightwatch - Benjamin Binstock; Haptical Cinema - Antonia Lant; Facturing Femininity: Manet's Before the Mirror - Carol Armstrong; Picasso's Endgame - Leo Steinberg; Dada by the Numbers - John Miller; Pater Nauman - Pamela M. Lee; Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work) - Isabelle Graw. A most handsome example. 0-262-75224-7 Inventory Number: 021656
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OCTOBER 84: ART/ THEORY/ CRITICISM/ POLITICS - SPRING 1998
(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Malcolm Turvey & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 1998. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly ISSN 0162-2870 Inventory Number: 021654
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OCTOBER 91: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2000
(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. ISSN 0162-2870 Inventory Number: 021652
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FREDERICK SOMMER - AN EXTRAORDINARY ASSOCIATION COPY
(SOMMER, FREDERICK). Nordland, Gerald. Philadelphia, PA: Philadelphia College of Art, 1968. First Edition. 4to. Printed Wrappers. Photography Monograph. Near Fine.. 28pp, 14 b&w illustrations. Designed by Richard Hood. With a chronology, bibliography and exhibition checklist. This is the elegantly designed catalogue for Frederick Sommer's 1968 show of one hundred and twenty-seven photographs held at the Philadelphia College of Art. Printed locally at the renowned Falcon Press, it is the first comprehensive Sommer publication issued in conjunction with an exhibition. A handsome example of this exceedingly uncommon item showing some light scuffing and a few tiny spots of insect damage to its black printed wrappers. While neither signed nor inscribed, this example was acquired by us directly from the estate of the noted late Los Angeles artist / educator / collector Emerson Woelffer, and bears his discreet ownership label on the verso of the rear endpaper. Woelffer was close friends with both Sommer and curator Gerald Nordland, and is the subject of the full page image titled "Emerson Woelfer (sic) 1965" reproduced on page twenty-five of the catalogue. Inventory Number: 021636
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KEIICHI NITTA: "EVERYDAY IS LIKE SUNDAY"
(NITTA, KEIICHI). Kosuga, Tomokazu & Keiichi Nitta. Los Angeles: GoBooks & Daniela Diletto, 2008. First Edition 1/500. 8vo. Pictorial Wrappers. Photography Monograph. As New.. np (40pp), 33 color and 2 b&w illustrations. Text in English. Limited to five hundred copies, this is the catalogue published in conjunction with Keiichi Nitta's 2008 Milan gallery exhibition entitled "Everyday is Like Sunday". Nitta was Terry Richardson's assistant from 1999 until 2005, then returned to Japan to shoot his own youth-oriented advertising and fashion editorial work. Here he captures street scenes, house pets, self-portraits and a requisite amount of mild nudity. A most handsome numbered copy (#183/500) of this uncommon item. Inventory Number: 021633
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FICTCRYPTOKRIMSOGRAPHS: A BOOK WORK BY LES KRIMS - SIGNED AND DATED BY THE PHOTOGRAPHER
(KRIMS, LES). Krims, Les. Introduction by Hollis Frampton. Buffalo, NY: Humpy Press Inc., 1975. First Edition. 12mo. Pictorial Wrappers. Photography Monograph. Fine.. np (94pp), 40 color illustrations. Designed by Les Krims. In a protective clear acetate dustwrapper. "Fictcryptokrimsographs" is one of Les Krims' charming self-published photography books from the seventies. It reproduces in miniature forty vaguely erotic, always humorous Polaroid SX-70 prints along with an introductory essay by the esteemed Hollis Frampton. A bright, most handsome copy of this little gem (cited on page 244 of Alessandro Bertolotti's "Books of Nudes") bearing the Humpy Press Inc. blindstamp additionally SIGNED AND DATED "Krims 75" in the year of publication by the photographer in pencil on the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021612
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DOUG + MIKE STARN: ALLEVERYTHINGTHATISYOU - WITH AN ORIGINAL INK-JET PRINT
(STARN, MIKE AND DOUG). Katz, Vincent. Aspen, CO: Baldwin Gallery, 2006. First Edition 1/1000. 4to. Boards in Dust Jacket. Photography Monograph. Near Fine/Fine. np, profusely illustrated in color and b&w. "Alleverythingthatisyou" is the beautifully appointed catalogue issued in conjunction with a 2006 Baldwin Gallery exhibition of photographically based works depicting snowflakes by Doug and Mike Starn - aka The Starn Twins. Its elegant rice paper dust jacket is in fact an original graphic also depicting snowflakes. Its colophon states that "each book is finished with a unique ink-jet cover. Printed, taped and numbered at the Starn's studio in Brooklyn, NY. Folds and 'damage' are to be expected, duh". A most handsome example of the first and only edition limited to one thousand copies (439/1000) whose jacket and printed clear acetate wrapper are immaculate bearing the discreet blindstamp of a previous owner on the front pastedown. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-9671449-4-9 Inventory Number: 021610
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BOUGUEREAU
(BOUGUEREAU, ADOLPHE-WILLIAM). Wissman, Fronia E.. Rohnert Park, CA: Pomegranate Artbooks, 1996. Later Printing. 4to. Boards in Dust Jacket. Artist Monograph. Near Fine/Fine. 125pp, profusely illustrated in color and b&w. "Adolphe-William Bouguereau was at once one of the most reviled and one of the most beloved of French artists by the time of his death in 1905. Scorned by progressive painters and critics, who saw in his works all that was wrong with the official French world of art, he was a favorite of collectors, who found in his paintings of bathers, nymphs, and shepherdesses a realm of eternal beauty far from contemporary life". A most handsome example of the hardbound edition of this lovely monograph on Michael Jackson's favorite painter bearing the discreet blindstamp of a previous owner on the front pastedown. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-7649-0396-9 Inventory Number: 021601
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DAMIEN HIRST - LIMITED EDITION OF TWO HUNDRED AND FIFTY COPIES BOUND IN FULL LEATHER SIGNED BY THE ARTIST WITH A DRAWING
(HIRST, DAMIEN). Hirst, Damien, Iwona Blazwick, Charles Hall & Sophie Calle. London: Institute of Contemporary Art & Jay Jopling, 1991. First Edition 1/250 Deluxe. Small 4to. Debossed Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. np (64pp), profusely illustrated in color and b&w. Designed by Form, London. In a protective clear acetate dustwrapper. This is the catalogue issued on the occasion of Damien Hirst's tour-de-force 1991 Institute of Contemporary Art London exhibition - the enfant terrible of the New British Art scene's very first one-man museum presentation. The first monographic publication on his work, this elegant document reproduces each of the exhibited butterfly paintings, dot paintings and glass vitrine pieces, and includes a transcribed interview between Hirst and Sophie Calle. A brand new, most handsome example from the exceedingly uncommon deluxe edition bound in full dark blue leather-over-boards debossed with yellow lettering limited to two hundred and fifty copies NUMBERED (114/250) AND BOLDLY SIGNED "Damien Hirst" additionally WITH A DRAWING of a smoldering cigarette in black ink on the verso of the last page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-905263-53-7 Inventory Number: 021554
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VISIONAIRE NO. 7: BLACK (FALL 1992)
(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1992. First Edition 1/1500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good./No Jacket - As Issued. Individual illustrated sheets laid into a silkscreened, die cut portfolio, profusely illustrated in monochrome. Designed by Mats Gustafson and Stephen Gan. Published in an edition of one thousand, five hundred copies, this is the seventh installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "With "Black", Visionaire doubled in size-and also in price. The issue was inspired by the season's all-black Comme des Garcons collection, Edward Gorey's macabre cartoons, and by artist Antoni Tapies. It was about darkness, the night, shadows, and what you may or may not see when you squint your eyes. A traditional artist's portfolio case tied with three black ribbons, provided the concept for the packaging. The die-cut letters were based on tears Stephen had made with scrap paper that enabled, once again, different first pages to peek through the cover". The contributors to this noir-ish issue are editor Stephen Gan, Edward Gorey, Ruben Toledo, Bill Cunningham, Elaine Gan, Juan Botas, Bruce Weber, Mats Gustafson, Mario Testino, Francois Berthoud, Karen Park, Gregory Foley, Bernard Figueroa, David McDonough, Mika Mizutani, Max Vadukl, Satoshi Sakusa, Peter Lindbergh, Ross Bleckner, Michel Haddi, Enrique Badulescu, Andrew Brucker, Philippe Salomon, Noelle Hoeppe, James Dignan, Michael Capotosto, Michael Stratton, and John Callahan; with a unique hand-assembled photo collage by Kristina Colovic. A most handsome individually numbered example (336/1500) of this uncommon issue showing a few light scuffs to the surface of the rear cover. It has been priced accordingly. Visionaire's own price for this out-of-print back issue is $2,500.00 - when available. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021538
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VISIONAIRE NO. 2: THE TRAVEL ISSUE (SUMMER 1991)
(VISIONAIRE). Gan, Stephen, Editor. New York: Visionaire Publishing, 1991. First Edition 1/1000. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Near Fine./No Jacket - As Issued. Seventeen individual photographically illustrated sheets laid into a printed paper portfolio, profusely illustrated. Published in a numbered edition of one thousand copies, this is the second installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. It features inserts contributed by Mats Gustafson, Bruce Weber, Kenny Scharf, Serge Lutens, Todd Oldham, Isabel Toledo, Ruben Toledo, and many, many others. A most handsome individually numbered example (132/1000) of the uncommon Summer 1991 issue showing some mild creasing to the folds of the external portfolio. It has been priced accordingly. Visionaire's own price for this out-of-print back issue is $3,000.00 - when available. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021537
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THE SOFT PORCELAIN OF SEVRES. WITH AN HISTORICAL INTRODUCTION BY EDOUARD GARNIER. ROYAL FOLIO, TEN PARTS, FIVE PLATES IN EACH, FIFTY IN ALL, REPRESENTING TWO HUNDRED AND FIFTY WATER-COLOUR SUBJECTS AFTER THE ORIGINALS - 1891 EDITION LIMITED TO 283 COPIES
(SEVRES PORCELAIN). Garnier, Edouard. New York: Charles Scribner's Sons, 1891. First American Edition 1/283 Deluxe. 4to. Printed Wrappers. Decorative Arts Monograph. Very Good -.. 32pp + np (8pp), ten printed paper portfolios each containing five 8 ½ x 11 ¾" individual heavy card sheets printed recto only by chromolithography, 250 color illustrations. With an index. This is the 1891 deluxe first American edition of Edouard Garnier's important illustrated survey of the soft porcelain of the Manufacture Nationale de Sèvres. Limited to two hundred and eighty-three numbered copies, this lavish publication consists of two descriptive text booklets accompanied by ten paper portfolios printed by letterpress each housing five beautiful loose chromolithographic plates - most including stunning gold metallic inks to reproduce the use of gilt in the original ceramic works. These reproduce a total of two hundred and fifty watercolour renderings of significant examples of the mark, including numerous pieces from collections belonging to European royalty and nobility. This example contains all fifty plates along with their individual caption sheets and the publisher's hand-numbered limitation sheet (#5/283). The plates and captions show tiny discreet ink numbers at their corners that in no way detract from the images themselves. Fourteen plates exhibit some insignificant to mild foxing to the versos, however due to the thickness of the paper stock on which they have been printed, only three show a minute trace of spotting on the recto. Several of the paper portfolios have very minor wear, age-patination and soiling; with three bearing some brief ink annotations. All in all this is a bright, most handsome, fully-collated copy of this exceedingly uncommon and lovely reference. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 021477
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SILVY'S RIVER SCENE, FRANCE: THE STORY OF A PHOTOGRAPH
(SILVY, CAMILLE). Haworth-Booth, Mark. Malibu, CA: The J. Paul Getty Museum, 1993. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany "Silvy's River Scene, France: The Story of a Photograph"; a 1993 exhibition of variant vintage prints of the same 1858 image by the noted 19th Century French photographer Camille Silvy. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 021433
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MY COUNTRY 'TIS OF THEE
Nordland, Gerald. Los Angeles: Dwan Gallery, 1962. First Edition. 4to. Stapled Printed Wrappers. Exhibition Catalog. Good +.. np (8pp), 13 b&w illustrations. In a protective clear acetate dustwrapper. Held in the Winter of 1962 at Los Angeles' legendary Dwan Gallery, this is the catalogue of one of the very first West Coast exhibitions of Pop Art, It contains one reproduction each of pieces by John Chamberlain, Charles Frazier, Robert Indiana, Jasper Johns, Edward Kienholz, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Andy Warhol, and Tom Wesselmann. A most presentable example of this uncommon item whose wrappers show notable overall wear, creasing and soiling. It has been priced accordingly. Inventory Number: 021420
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JAMES WELLING: GELATIN PHOTOGRAPHS 1-12, 1984
(WELLING, JAMES). Welling, James. Buffalo, NY: CEPA, 1984. First Edition 1/400. Small Oblong 4to. Stapled Pictorial Wrappers. Artist's Book. Very Good +.. np (12pp), 12 b&w illustrations. James Welling's first artist's book "Gelatin Photographs 1-12" consists of a dozen sensuous cover to cover, high contrast images of dark Jell-O photographed against a light background - quite the endgame for the inner aesthetician in all of us! A handsome example of this exceedingly uncommon item limited to four hundred unnumbered copies showing a bit of overall light handling and soiling to its white covers along with the small ghost from a removed adhesive label on the rear cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-939784-12-2 Inventory Number: 021388
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HOMENAJE A ALFREDO RAMOS MARTINEZ (1871 - 1946)
(MARTINEZ, ALFREDO RAMOS). Ramirez, Fausto, Xavier Moyssen L. & Israel Cavazos Garza. Monterrey, MEXICO: Museo De Arte Contemporaneo De Monterrey, 1997. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine.. 164pp, 85 color illustrations. Text in English and Spanish. With an exhibition checklist. Published in conjunction with a 1997 Mexican Museum retrospective, this is a beautifully illustrated, comprehensive monograph that traces noted Monterrey born painter Alfredo Ramos Martinez' transition from a European-influenced representational style to his late work of Cubist-inflected native folk imagery created after his move to Los Angeles. A most handsome example of this uncommon item limited to one thousand unnumbered copies. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 968-6623-33-7 Inventory Number: 021371
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IDA KOHLMEYER: PAINTINGS & SCULPTURE
(KOHLMEYER, IDA). Frank, Peter. New Orleans, LA: Arthur Roger Gallery, 1989. First Edition. Large Square 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. np (16pp), 10 color illustrations. With a biography, exhibition history and collections listing. Published in conjunction with a 1989 gallery exhibition in her native New Orleans, this is an oversized, slender sixteen page catalogue of works by the late Ida Kohlmeyer - a former student of Hans Hofmann. A most handsome copy of this uncommon item. Inventory Number: 021361
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FRANCESCO CLEMENTE: THERE
(CLEMENTE, FRANCESCO). Clemente, Francesco & Robert Creeley. New York: Gagosian Gallery, 1994. First Edition. 8vo. Wrappers in Printed Jacket. Artist Monograph. Near Fine.. np (14pp), 5 color illustrations. Designed by Step Graphics. Limited to one thousand copies, this is the slender fourteen page catalogue published in conjunction with Francesco Clemente's 1994 Gagosian Gallery New York exhibition that reproduces five of the artist's pigment on canvas works amongst short poems by Robert Creeley. A most handsome example showing a tiny dent to the upper foredge tip of the external paper portfolio. Inventory Number: 021355
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SAM FRANCIS
(FRANCIS, SAM). Hulten, Pontus. Stockholm, SWEDEN: Heland Wetterling Gallery, 1987. First Edition. Oblong 4to. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (10pp), 8 color illustrations + color cover. Text in English. With a biography. This is the slender ten page catalogue published in conjunction with a 1987 Heland Wetterling Gallery exhibition of nine recent paintings by Sam Francis. A most handsome example. Inventory Number: 021353
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OH, THE GRAND OLD DUKE OF YORK: GILBERT & GEORGE THE SCULPTORS SPRING 1972
(GILBERT & GEORGE). Gilbert & George, Jean-Christophe Ammann & Barbara M. Reise. Luzern, SWITZERLAND: Kunstmuseum Luzern, 1972. First Edition. 4to. Printed Wrappers. Artist's Book. Good -.. np (84pp), profusely illustrated in b&w. Text in German. In a protective clear acetate dustwrapper. Published in conjunction with the 1972 Kunstmuseum Luzern exhibition entitled "The Paintings", this is the original appearance of the photographic sequence "Oh, the Grand old Duke of York" by British conceptualists Gilbert & George. Capturing the pair descending an imposing stone staircase accompanied by the repeating phrase "No UP, no DOWN", these same images were reconfigured in the form of a small 1996 flip book published Oktagon Verlag. An internally most handsome example of the exceedingly uncommon 1972 first edition whose white wrappers show age-toning, soiling and spotting along with noticeable insect damage along the top and bottom edges of the front cover. It has been priced accordingly. Inventory Number: 021309
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THROWING A BALL ONCE TO GET THREE MELODIES AND FIFTEEN CHORDS
(BALDESSARI, JOHN). Baldessari, John. Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. First Edition 1/2500. Oblong 8vo. Stapled Printed Wrappers. Artist's Book. Very Good.. np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. An internally most handsome example showing some mild vertical sunning along the spine and foredge of the front cover along with the ghost of the adhesive from a small label on the rear. It has been priced accordingly. Inventory Number: 021304
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ALIX LAMBERT: THE SILENCING
(LAMBERT, ALIX). Lambert, Alix. Alix Lambert & Viggo Mortensen, Editors. Santa Monica, CA: Perceval Press, 2008. First Edition. 8vo. Gilt-Debossed Boards. Photography Monograph. As New/No Jacket - As Issued. 108pp, profusely illustrated in b&w. Text in English and Russian. Designed by Michele Perez. "The images in this book are of murder sites. They are about absence: what's not there, what has happened there, what might still happen there, what lies just around the corner, over the horizon, on the other side of the road. They are about possibility, loss, death, pain, passion, and they are also about hope. The interviews that accompany them are personal accounts - memories, thoughts, and feelings about the six Russian journalists who lost their lives in these places - from those who knew them, worked with them, loved them, admired them, and needed them". From Viggo Mortensen's Perceval Press comes this gritty new photographically illustrated publication from artist/filmmaker Alix Lambert, whose recent works include the three volume survey of "Russian Criminal Tattoos" and her feature length documentary on the same subject - "The Mark of Cain". A pristine copy of the no longer available 2008 first printing still in the publisher's shrinkwrap. 0-9763009-6-6 Inventory Number: 021293
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SAM FRANCIS: 1923-1994
(FRANCIS, SAM). Malmberg, Roxana Pirovano. Zurich, SWITZERLAND: Galerie Proarta, 1994. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine.. 72pp, 24 color and 7 b&w illustrations. Text in German. With a biography, exhibition history, bibliography and filmography. This is the substantial catalogue published in conjunction with a 1994 memorial exhibition of works by noted abstract artist Sam Francis held at Zurich's Galerie Proarta. A most handsome example. Inventory Number: 021257
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TWO LIVES: O'KEEFFE BY STIEGLITZ 1917-1923
(STIEGLITZ, ALFRED) (O'KEEFFE, GEORGIA). Naef, Weston. Malibu, CA: The J. Paul Getty Museum, 1992. First Edition. 8vo. Pictorial Cardstock Wrappers. Photography Monograph. Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 5 duotone illustrations. This is the slender eight page brochure produced to accompany a 1992 exhibition of vintage prints of images of Georgia O'Keeffe taken by her husband Alfred Stieglitz drawn primarily from the Getty's vast holdings. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 021248
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OCTOBER 117: ART/ THEORY/ CRITICISM/ POLITICS - SUMMER 2006
(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 021231
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OCTOBER 131: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2010
(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. 0-262-75281-6 Inventory Number: 021215