Arcana:

(STEINMETZ, MARK). Stanley/Barker, I00220224, 2022. 11 x 11 inches, 208 Pages. Hard Cover. New.

The photographs in Mark Steinmetz's expansive new book Rivers & Towns were made in the 1980s in working class towns and cities in Connecticut, USA.

"The brooding factories and mills built alongside rivers had seen their heyday and were beginning to decline. I was moved by these places and wanted to describe the bridges, houses, and streets, and to show something of people's inner lives. At the same time, I was trying to discover myself as a photographer." - Mark Steinmetz

A brand new, most handsome example in the publisher's shrinkwrap of this already out of print classic!

9781913288341 Inventory Number: I00220224

(VARIOUS). Something Special Studios, I00220218. 9 x 13 inches, 210 Pages. Hard Cover. New/No Jacket - As Issued.

Summer of Something Special (SoSS) is an annual photo book by Something Special Studios. This is the publication’s third edition. Every edition of SoSS features a new selection of photographers from around the world, each capturing summer as they see it. The resulting photos come together to form a unique group diary - a communal ode to summer.

Summer of Something Special Vol.III will feature the following photographers’ work: Bafic, Nathalie Basoski, Robin Bernstein, Kennedi Carter, Jasmine Clarke, Christopher Currence, Ibrahem Hasan, Djiby Kebe, Zhenya and Tanya Posternak, Noah Sahady, Peter Sutherland, Ramona Wang, Kersti Jan Werdal Inventory Number: I00220218

(BOJORQUEZ, GREGORY). Bojorquez, Gregory. Los Angeles, CA: Little Big Man, I00220829, 2022. Second Printing. 9 x 11 inches, 224 Pages. Hardcover. Photography Monograph. New - Out of Print/No Jacket - As Issued.

Eastsiders is the brand new collection of Gregory Bojorquez' images spanning over twenty-five years of the noted Los Angeles photographer's vision. "This book showcases the robust body of work of Bojorquez, photographs depicting the complex, but also celebratory, reality of Los Angeles’s vast Eastside. Not only the tattoos, clothing, and walls related to La Vida Loca, but also the mothers, the gardens, the children, the working men, the decorated lowrider cars, the spirit of resiliency." - Luis J Rodriguez

Gregory Bojorquez was born in Los Angeles in 1972. He started photographing in his teens, and set about documenting the subjects and stories that interested him personally. The intimate images he captured in East L.A. were not the product of structured photo sessions or assignments. They were shot from the perspective of a young man hanging out with friends and neighbors. In the late 1980s Gregory began photographing for the L.A. Weekly and was added as a staff photographer. Assignments for magazines and commercial work for major record labels naturally followed. His portraits of personalities such as Snoop Dogg and Mike Tyson appeared in publications such as Rolling Stone and For His magazine. In 1999 Gregory became instrumental in the early beginnings of DUB Magazine where he was brought on as Photo Editor and a feature photographer for a period of more than seven years. Since that time, Gregory's photographs have been exhibited internationally in gallery shows, museum exhibitions, and art fairs including Photo London, Paris Photo, and  Art Düsseldorf. His work is represented by Galerie Bene Taschen in Koln, and by Little Big Man in Los Angeles; who has published this spectacular volume. A brand new, most handsome example of the now unavailable second printing additionally BOLDLY SIGNED "Gregory Bojorquez" in black marker on the title page.

Inventory Number: I00220208-2

(BOJORQUEZ, GREGORY). Bojorquez, Gregory. Los Angeles, CA: Little Big Man, I00220208, 2022. First Edition. 9 x 11 inches, 224 Pages. Hardcover. Photography Monograph. New/No Jacket - As Issued.

Eastsiders is the brand new collection of Gregory Bojorquez' images spanning over twenty-five years of the noted Los Angeles photographer's vision. "This book showcases the robust body of work of Bojorquez, photographs depicting the complex, but also celebratory, reality of Los Angeles’s vast Eastside. Not only the tattoos, clothing, and walls related to La Vida Loca, but also the mothers, the gardens, the children, the working men, the decorated lowrider cars, the spirit of resiliency." - Luis J Rodriguez

Gregory Bojorquez was born in Los Angeles in 1972. He started photographing in his teens, and set about documenting the subjects and stories that interested him personally. The intimate images he captured in East L.A. were not the product of structured photo sessions or assignments. They were shot from the perspective of a young man hanging out with friends and neighbors. In the late 1980s Gregory began photographing for the L.A. Weekly and was added as a staff photographer. Assignments for magazines and commercial work for major record labels naturally followed. His portraits of personalities such as Snoop Dogg and Mike Tyson appeared in publications such as Rolling Stone and For His magazine. In 1999 Gregory became instrumental in the early beginnings of DUB Magazine where he was brought on as Photo Editor and a feature photographer for a period of more than seven years. Since that time, Gregory's photographs have been exhibited internationally in gallery shows, museum exhibitions, and art fairs including Photo London, Paris Photo, and  Art Düsseldorf. His work is represented by Galerie Bene Taschen in Koln, and by Little Big Man in Los Angeles; who has published this spectacular volume. A brand new, most handsome example of the unavailable first Little Big Man printing additionally BOLDLY SIGNED "Gregory Bojorquez" in black marker on the title page.

Inventory Number: I00220208

(NICKERSON, JACKIE). Kerber, I00220107, 2022. 10 x 12 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

Portraits that explore how environmental and economic circumstances shape people’s lives


American-born British artist Jackie Nickerson (born 1960) began photographing Zimbabwean farmworkers in 1996. Her first series of these portraits served to change the perception that those who work in African agriculture are disempowered, unmodern people by highlighting their individual personalities through their handmade clothing. Ever since, she has continued in the vein of portraiture as a tool for social awareness, with a particular emphasis on global labor practices and agriculture. Her recent series Salvage interrogates the homogeneity of the artistic conventions, such as balance, likeness, proportion and scale, that characterize the portrait genre. In contrast to these expectations, Nickerson’s photography engages both her subjects and her viewers with light, airy color palettes and nontraditional framing, sometimes obscuring her sitters’ faces to imply anonymity within a larger system or otherwise photographing them from a low angle to emphasize their authority within the image’s frame. 9783735607553 Inventory Number: I00220107

(MERICLE, DANIELLE). The Ice Plant, I00211222. 8 x 12 inches, 88 Pages. Softcover. New.

The Dark Wood explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth.


The once highly valued casts – which appear in the book as original and archival photographs – were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the ‘originals’ were in fact Roman copies of Greek artifacts. During the two World Wars, many of these ‘originals’ were damaged or destroyed, and the casts are now considered some of the most authoritative versions available. A Sequoia forest in Northern California offers two important counterpoints. Ancient Sequoia tree rings chart the rise and fall of civilizations over the last 3000 years, including those that created the Greco-Roman artifacts. The tree rings position human history within a broader geological timeframe, lending an adjusted perspective to the human enterprise. The rings also reveal the complex history and shifting perspectives on the significance of fire in the region, with the dissonant histories of expansive logging practices, the conservation movement, Indigenous knowledge, and climate change playing out against the troubled fate of the ancient Sequoias.

Though we attempt to understand and preserve our past, the endeavor is subject to inevitable shifts in knowledge, the whims of ideology, and the vagaries of historical truth. With an epilogue that grounds the complex sequence of images in personal elegy, The Dark Wood re-calibrates our sense of scale by allowing us to locate a sense of mourning, loss and the specifics of our own narratives within the broad and unfixed framework of history. 9781922545022 Inventory Number: I00211222

(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1000. 4to. 1/4 Linen Over Wrappers. Photography Monograph. As new./No Jacket - As Issued.

176pp, profusely illustrated in color and duotone. Art Director - Nathaniel Kilcer.

"Nothing endures but change — heraclitus

Our human capacity for transformation, and the freedom that implies, is very much at the heart of this latest edition of Bruce Weber’s “All-American” journal. Time will tell what any of us become—and the subjects of this year’s volume reveal the myriad ways that mutability can be a power and a revelation. Bruce’s long-time friend Kurt Markus shares photographs of his children, who now, as adults, reflect on the experience of being his subject. Patrice Calmettes, the beloved Parisian character, opens his personal archive—sharing images of ‘70s and ‘80s decadence with his evolution as a photographer. Noted film and stage biographer James Grissom offers a personal essay about the desires and perils of growing up in Baton Rouge. The paintings of the American artist John Koch suggest a
world of mystery and secrecy among the virtuoso compositions of his domestic scenes. And in this 21st edition, Bruce Weber celebrates a group of powerful women whose dedication to changing the world is a continual inspiration. Cheryl Little, Esq. and the Honorable Rosemary Barkett articulate the contradictions and paradoxes of our national debate over immigration. Gianna Cerbone’s devotion to Long Island City affirms the old-school values of community connection. And the model-turned-animal rights advocate Jane Gill narrates her story, and in so doing, demonstrates how one’s ability to adapt is at times a salvation." A brand new, most handsome example still in the publisher's shrinkwrap. 9780578314181 Inventory Number: I00211217

(LEIBOVITZ, ANNIE) with a foreword by Anna Wintour. Phaidon, I00211110, 2021. 11 x 10 inches, 440 Pages. Hardbound. New/No Jacket - As Issued. 9781838661526

Inventory Number: I00211110

(TEMPLETON, ED). Deadbeat Club, 2021. 12 x 13 inches, 14 Pages, Wire-O Binding. Paperback. New.

For the annual Deadbeat Club Calendar, we called on our friend Ed and told him to have fun with it. What he designed is twelve glorious months of classic Templeton color washes, doodles, custom lettering and other personal touches to accompany some of your fave Tempster photos. Here's wishing you a happy, healthy and friend-filled 2022, from your buds Ed Templeton and Deadbeat Club. 978-1952523021 Inventory Number: I00211109

(TERRY, BRYANT). 4 Color Books, I00211105, 2021. 8 x 10 inches, 320 Pages. Hardbound. New/No Jacket - As Issued.

A beautiful, rich, and groundbreaking book exploring Black foodways within America and around the world, curated by food activist and author of Vegetable Kingdom Bryant Terry.

In this stunning and deeply heartfelt tribute to Black culinary ingenuity, Bryant Terry captures the broad and divergent voices of the African Diaspora through the prism of food. With contributions from more than 100 Black cultural luminaires from around the globe, the book moves through chapters exploring parts of the Black experience, from Homeland to Migration, Spirituality to Black Future, offering delicious recipes, moving essays, and arresting artwork.

As much a joyful celebration of Black culture as a cookbook, Black Food explores the interweaving of food, experience, and community through original poetry and essays, including “Jollofing with Toni Morrison” by Sarah Ladipo Manyika, “Queer Intelligence” by Zoe Adjonyoh, “The Spiritual Ecology of Black Food” by Leah Penniman, and “Foodsteps in Motion” by Michael W. Twitty. The recipes are similarly expansive and generous, including sentimental favorites and fresh takes such as Crispy Cassava Skillet Cakes from Yewande Komolafe, Okra & Shrimp Purloo from BJ Dennis, Jerk Chicken Ramen from Suzanne Barr, Avocado and Mango Salad with Spicy Pickled Carrot and Rof Dressing from Pierre Thiam, and Sweet Potato Pie from Jenné Claiborne. Visually stunning artwork from such notables as Black Panther Party creative director Emory Douglas and artist Sarina Mantle are woven throughout, and the book includes a signature musical playlist curated by Bryant.

With arresting artwork and innovative design, Black Food is a visual and spiritual feast that will satisfy any soul. 9781984859723 Inventory Number: I00211105

(ANDERSON, LENNART) texts by Martica Sawin, Jennifer Samet, Susan Jane Walp, Paul Resika, Graham Nickson, and Rachel Rickert. Estate of Lennart Anderson, I00211104, 2021. 10 x 10 inches, 84 Pages. Hardbound. New.

This is the most comprehensive publication to date on the painter Lennart Anderson (1928-2015). Anderson was described by the New York Times as one of the “most prominent and admired painters to translate figurative art into a modern idiom.” John Yau calls Anderson a “masterful colorist whose sensitivity to tonality and to tonal groupings is unrivaled,” and Hilton Kramer succinctly wrote that Anderson was a “Degas of our time.” This illustrated and scholarly publication pairs more than fifty full color reproductions of work, some never seen before, with essays by leading contemporary painters and art historians. 9780578252919 Inventory Number: I00211104

(MILLER, LEWIS). Monacelli. 10 x 12 inches, 240 Pages. Hardbound. New/No Jacket - As Issued.

From Lewis Miller, the celebrated floral designer and “flower bandit” himself, an intimate and joyous behind-the-scenes look at his signature flower flashes as they introduced bright moments of natural beauty into the city when they were needed most.

Before dawn one morning in October 2016, renowned New York-based floral designer Lewis Miller stealthily arranged hundreds of brightly colored dahlias, carnations, and mums into a psychedelic halo around the John Lennon memorial in Central Park. The spontaneous floral installation was Miller’s gift to the city—an effort to spark joy during a difficult time. Nearly five years and more than ninety Flower Flashes later, these elaborate flower bombs—bursts of jubilant blooms in trash cans, over bus canopies, on construction sites and traffic medians—have brought moments of delight and wonder to countless New Yorkers and flower lovers everywhere, and earned Miller a following of dedicated fans and the nickname the “Flower Bandit.”

After New York City entered lockdown, Miller doubled down, creating Flower Flashes outside hospitals to express gratitude to frontline health workers and throughout the city to raise spirits. This gorgeous and poignant visual diary traces the phenomenon from the first, spontaneous Flower Flash to the even more profound installations of the pandemic through a kaleidoscopic collage of photos documenting the Flower Flashes, behind-the-scenes snapshots, Miller’s inspiration material, fan contributions, and more. 9781580935852 Inventory Number: I00211102

(KAHLO, FRIDA) Texts by Luis-Martín Lozano, Andrea Kettenmann, Marina Vázquez Ramos. Taschen, I00210921, 2021. 16 x 11 inches, 624 Pages. Hardbound. New/No Jacket - As Issued.

The complete paintings of Frida Kahlo in an XXL edition

Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an iconic image of 20th century art.

After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp.

We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe.

This large-format XXL book allows readers to admire Frida Kahlo's paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo's work and life to date. 9783836574204 Inventory Number: I00210921

(VANDERLANS, RUDY). Gingko Press, I00210821, 2021. 5 x 7 inches, 256 Pages. Hardbound. New/No Jacket - As Issued.

Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century.

VanderLans, who is often drawn to places with fantastical names — like Oleander Sunset —wanders about California’s back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked.

Oleander Sunset juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author’s habitual stamping ground. 9781584237594 Inventory Number: I00210821

(HODGES, JIM). Phaidon, I00210817, 2021. 12 x 19 inches, 160 Pages. Paperback. New.

The first in-depth survey of the life and work of Jim Hodges, one of America's most celebrated contemporary artists

Jim Hodges is an artist who addresses issues such as memory, love, and existential struggles through a multifaceted practice that includes photography, screen printing, and sculpture. His use of found materials like rocks and denim, coupled with the adoption of transitory shapes like spiderwebs, speaks of a personal experience that resonates on a collective level filtered through elements available in nature. Mysterious, beautiful, poetic, and conceptually deep, Hodges's work has the rare quality of being simultaneously thought-provoking and visually beautiful. 9781838662257 Inventory Number: I00210817

(SCEMAMA, MARION AND DAVID WOJNAROWICZ). Is-land Editions, I00210810, 2021. 6 x 9 inches, 156 Pages. Hardbound. New/No Jacket - As Issued.

While working as a reporter photographer in the mid-1980s, Marion Scemama was sent to New York. There she met David Wojnarowicz at the Christopher Street Pier, where he was painting his first frescoes. He introduced her to his friends, gave her access to the New York underground scene she wanted to document. From that moment on, until David's death in 1992, they maintained a passionate friendship that took the form of artistic collaborations on several occasions, with Marion taking pictures or making films that David Wojnarowicz used in his work.

In 1991, David was invited to San Francisco for the launch of his book, Close to the Knives. He wanted to get there by land, traveling through the desert, which he had already done alone several times. He loved those landscapes, the extreme loneliness they made him feel, the physical enjoyment and excitement he felt on the road, feeling weighed down by the sun.

When David wrote his long-time friend and asked her to join him that trip, he had known for several years that he was HIV-positive and sensed that this trip may very well be the last one he would ever have the strength to take. The photographs show what this trip meant to the two friends. Like a silent farewell, but in a moment when the knowledge of his impending death, no matter how clear and profound, never suppressed the heightened life force that grew within David in the midst of these desert landscapes.

During this weeks-long journey, Marion took about one hundred photographs that have been kept hidden until now. The book follows the two friends on the roads, from shabby motels to deserted villages, against the backdrop of the Death Valley's shadowless landscapes, amidst the white rocks of Zabriskie Point, where the old emblems of American mythology live on.

To accompany the account of this journey and tie it to David Wojnarowicz's life and oeuvre, two texts, one written by Thibault Boulvain and Elisabeth Lebovici, will close the collection. The contribution of these researchers, who are in France two important figures in the current research in queer studies, will make it possible to introduce David Wojnarowicz's work in France, where there has only been a translation of Close to the Knives —albeit out of print now—and where no major exhibition of his work is yet to be announced. 9791097544027 Inventory Number: I00210810

(HAMMONS, DAVID) revised introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210804. Second Edition. 6 x 9 in., 144 pages. Paperback. New/No Jacket - As Issued.

The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.

More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art.

This edition features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented David Hammons at work in his Los Angeles studio in 1974. The publication is expanded from its first edition to include reproductions of a selection of rarely-seen body prints that Hammons added from his personal collection to the exhibition during its final weeks. The publication also features a revised introduction by Laura Hoptman to mark the unique expansion of the exhibition.

A brand new example of this now out of print document. 9780942324419 Inventory Number: I00210804

(KONOWIECKI, KOVI). Konowiecki, Kovi. Los Angeles: Deadbeat Club Press, I00210727, 2021. First Edition. 11 x 9", 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. New/New. 144pp, profusely illustrated in color and b&w. Designed by Kovi Konowiecki and Morgan Crowcroft-Brown. "As the title of Kovi Konowiecki’s debut monograph – and in its place, another – reminds us, we are always and forever subject to the twin certitudes of transience and change. As is the artist, who has moved back and forth between California, Mexico, Europe, and the Middle East, all of which places are part of the fabric of this sprawling, unscripted book. Here we are confronted with the geographical and emotional margins of society and the mind: the external and internal boundaries that inhibit both human movement and human potential. The photographs portray individuals and communities that exist in a liminal space between belonging and abandonment, many of which exert feelings of desolation.But what might seem on the surface political is made intensely personal through Konowiecki’s purposeful reliance on emotional connections in the pictures rather than specific relationships of place or subject. As he says, this work comes as a “happy accident, inspired by the frequent travels that nourished a sharp eye for the liminal types of communities to which I am drawn: people I have met in my wanderings, passersby in the street, a horse trained in a small Arab village, and untended gardens.” The “unscripted” nature of the work has an impact on the form of the book, in particular in the variety of genres and colors, from landscape photography to portraiture and from black and white to color. The various forms of expression serve as ways to materialize the ideas at the core of the project and to break down barriers or restrictions within the photographic medium." A brand new, most handsome example of this now out of print gem additionall SIGNED "Kovi Konowiecki" in black ink on the colophon page at rear. 978-0999829882 Inventory Number: I00210723

(ROLSTON, MATTHEW). Laguna Art Museum, I00210716, 2021. 9 x 12 in., 84 concertina formated pages. Hardbound. New.

ART PEOPLE: THE PAGEANT PORTRAITS is a body of work by photographer and artist Matthew Rolston. This group of photographs furthers Rolston’s investigations into the nature of portraiture and the methods by which society and the human condition are mediated through artwork and art creation. Comprised of emotionally intimate portraits of participants of “Pageant of the Masters,” a tableaux vivants show that is part of an annual arts festival in Laguna Beach, California, Rolston’s photographic subjects reenact pivotal historical figures and works from art history, from antiquity through 20th century modernism.

Accompanying Laguna Art Museum’s June 27 – September 19, 2021 exhibition of Rolston’s Art People is a lavishly illustrated museum catalogue with essays by cultural critic and journalist Christina Binkley, Pageant of the Masters scriptwriter Dan Duling and classical scholar Nigel Spivey, alongside carefully selected images from art history that contextualize the work in the exhibition. The catalogue is designed in an unusual concertina format, folded rather than bound and printed on both sides.

The limited Collector’s Edition is enclosed in a linen-and-inset photographic slipcase with metallic gold and matte white foil stamping on the front and spine and includes a folio with a signed and numbered print. 9780940872509 Inventory Number: I00210716a

(HARRIS, MARK EDWARD). Shashin Press, I00210630, 2021. 11 x 13 in., 84 pages. Hardbound. New/No Jacket - As Issued.

In The People of the Forest, award-winning photographer Mark Edward Harris focuses on orangutans, because, while the future for many species is uncertain, orangutans in the wild are hanging on by a particularly thin vine. Their populations have declined significantly due to habitat destruction in their native Sumatra and Borneo where forests give way to palm oil plantations. Long before genetic testing revealed an almost 97 percent DNA overlap between orangutans and humans, the similarities between the two species was noticed. “Orangutan” comes from the Malay word orang (people) and hutan (forest), hence the title for this book. 9780972784184 Inventory Number: I00210630

(TEMPLETON, ED). Templeton, Ed. Tokyo, JAPAN: Super Labo, 2021. First Edition 1/1000. 9 1/2 x8", 4to. 64 pages. Stapled Pictorial Wrappers. Photography Monograph. As New./No Jacket - As Issued.

“City Confessions #2 London is a mostly recent study on the city of London. Although some photos in this book go back over 20 years, the majority were taken over the past decade on numerous trips. Since the mid 1990’s, once or twice a year I find myself in London for a few days or weeks at a time and end up on long walks shooting photos with my Leica. The pictures in this book were chosen to highlight a particular shade of London I have always found interesting, Moments of weariness, furtive glances and subtle gestures within a densely populated city center as the swarms of people perform the ceremony of getting through another day.” 978-4908512995 Inventory Number: I00210629

(BOURGEOIS, LOUISE) . Yale University Press, I00210616c, 2021. 9 x 11, 156 pages. Hardbound. New.

An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis

From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud’s Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints. 9780300247244 Inventory Number: I00210616c

(NICHOLS, LAURA WEBB) . Fw:Books, I00210615, 2021. 9 x 11 in., 108 pages. Hardbound. New/No Jacket - As Issued.

‘Encampment, Wyoming: Selections from the Lora Webb Nichols Archive 1899- 1948’ features Nichols’ own work and the images by amateur photographers she collected in the early 20th century as the proprietor of a photofinishing business in southern Wyoming. Culled from over 24,000 photographs, the book provides a dynamic visual window into the social, domestic, and economic aspects of the American Western frontier and captures an elusive sense of place through the images of this community of friends, families, and strangers.

A brand new, most handsome example of the second printing of this sadly now unavailable gem. 9789490119898 Inventory Number: I00210615

(OPIE, CATHERINE). Phaidon, I00210610, 2021. 13 x 11 inches, 338 pages. Hardbound. New/No Jacket - As Issued.

Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers

For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date. 9781838662189 Inventory Number: I00210610

(JAFA, ARTHUR) Edited by Lærke Rydal Jørgensen, Mathias Ussing Seeberg. Foreword by Poul Erik Tøjner. Introduction by Mathias Ussing Seeberg. Text by Nahum Chandler, Jared Sexton, NourbeSe Philip. Conversations with Arthur Jafa, Jacob Holdt, Faith Icecold. Humlebaek, DENMARK: Louisiana Museum Of Modern Art, I00210605, 2021. First Edition. 12 x 10", 4to. Paperback. Artist Monograph. New/No Jacket - As Issued. 204pp, 100 color and 60 b&w illustrations. Text in English. "Though he has worked in film and music for decades, American video artist Arthur Jafa only garnered acclaim in the art world in 2016 for his video work "Love is the Message, the Message is Death." Composed of found images and videos, his oeuvre revolves around Black American culture, the history of slavery, and ongoing structural and physical violence against Black Americans. As Jafa put it in his 2003 text “My Black Death”: “The central conundrum of black being (the double bind of our ontological existence) lies in the fact that common misery both defines and limits who we are. Such that our efforts to eliminate those forces which constrain also function to dissipate much which gives us our specificity, our uniqueness, our flavor by destroying the binds that define we will cease to be, but this is the good death (boa morte) to be embraced.” This essential overview presents Jafa’s best-known works, such as "Love is the Message, the Message is Death" and its 2018 follow-up piece "The White Album", alongside never-before-seen projects and essays by notable scholars." A brand new, most handsome example of this comprehensive, now unavailable monograph still in the publisher's shrinkwrap. 978-8793659353 Inventory Number: I00210605

(KOZAK, HANNAH). FotoEvidence, I00210602, 2021. 8 x 11 in., 128 pages. Hardbound. New/No Jacket - As Issued.

When I was nine, my mother abandoned my family to have an affair. Her lover was violent: he beat her so badly she suffered permanent brain damage and had to be moved into an assisted living facility at age forty one.

I have early, fond memories of my mother as a beautiful, passionate, vivacious Guatemalan -esque Sophia Loren. But after she left, I had tremendous feelings of abandonment and rage towards her. I judged her as impetuous, selfish, reckless and negligent. I resented what she did to herself and her family. I carried so much anger, yet whenever I saw her, I was overcome with pity and sadness. Looking at her hand gnarled from brain damage brought forth more emotion than I could bear. For these reasons, I virtually ignored my mother to distance myself from my own pain.

But pain ignored does not disappear. I came to realize our relationship needed healing. Thankfully, through graduate work in Spiritual Psychology and with a healer, I was able to dissolve the judgments I carried about my mother and myself and forge a relationship with her. I began to photograph her in December 2009 until 2019, for this project.

These photos are meant to take me out of my comfort zone while telling my mother's story of isolation, loneliness, abuse, connection, compassion, forgiveness, family, humanity, grace, joy, and love. I didn’t need to travel the world to deepen my spirituality. My greatest teacher was in front of me my entire life. I just couldn’t see it was my mother, a true Bodhisattva. She forgave me for not visiting her all those decades without uttering a word. I forgave her for leaving our family. Forgiveness happens when you care more about the love in a relationship than the logic of your ego. I no longer pity my mother. She continually inspires me to live by my heart, not my head. The love I feel for her has broken my heart wide open. 9781732471153 Inventory Number: I00210602

(HERNANDEZ, JASMIN) Foreword by Swizz Beatz Photographs by Sunny Leerasanthanah, and Jasmine Durhal. ABRAMS, I00210423, 2021. 8 x 10 in., 256 pages. Hardbound. New/No Jacket - As Issued.

Profiles and portraits of 50 artists and art entrepreneurs challenging the status quo in the art world

Confidently curated by Jasmin Hernandez, the dynamic founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. A celebration of compelling intergenerational creatives making their mark, We Are Here shows a path for all who seek to see themselves in art and culture. 9781419747595 Inventory Number: I00210423

(SCHLESINGER, PETER). Damiani, I00210421, 2021. 9 x 12 in., 164 pages. Hardbound. New/No Jacket - As Issued.

An unprecedented document of one of the Middle East’s most extraordinary cultures

In 1976, Peter Schlesinger visited the Yemen Arab Republic (as the northern part of Yemen was then called). He was accompanying the photographer Eric Boman, who was on a fashion shoot assignment for a French magazine. Yemen had been closed to foreigners for many years and in the interest of encouraging more tourism the government decided to court media outlets. Over the course of his eight-day stay, Schlesinger took hundreds of photographs documenting what he saw as he traveled from the capital, Sanaa, and on through the northern city of Sa’da.

Forty-two years later, as he began making this book, Schlesinger shared these images with Bernard Haykel, a professor at Princeton University and an expert on the Middle East. He was taken aback at their existence, since documentation of Yemen in the ’70s is so rare. Haykel provides an enriching introduction that brings to life the world Schlesinger captured. 9788862087209 Inventory Number: I00210421

(GEDNEY, WILLIAM). Duke University Press, I00210414, 2021. 9 x 9 in., 176 pages. Hardbound. New.

A year before 1967's famed Summer of Love, documentary photographer William Gedney set out for San Francisco on a Guggenheim Fellowship to record “aspects of our culture which I believe significant and which I hope will become, in time, part of the visual record of American history.” A Time of Youth brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco's Haight-Ashbury neighborhood between October 1966 and January 1967. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture. Gedney lived among these young people in their communal homes, where he captured the intimate and varied contours of everyday life: solitude and companionship, joyous celebration and somber quiet, cramped rooms and spacious parks, recreation and contemplation. In these images Gedney presents a portrait of a San Francisco counterculture that complicates popular depictions of late 1960s youth as carefree flower children. The book also includes facsimiles of handwritten descriptions of the scenes Gedney photographed, his thoughts on organizing the book, and other ephemera. 9781478010555 Inventory Number: I00210414

(BEDFORD, KRISTIN). Bologna, ITALY: Damiani, I00210408, 2021. First Edition. 12 x 12 in., 144 pages. Hardbound. Photography Monograph. New/No Jacket - As Issued.

Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture

Known for her quiet portraits of American cultural movements, Los Angeles–based photographer Kristin Bedford’s new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles’ Mexican American lowrider car culture.

From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford’s photos explore the nuances of cars as mobile canvases and the legendary community that creates them.

With bright color photography and a unique female vantage point, Cruise Night is an original look at a prolific American movement set against the Los Angeles cityscape.

A brand new, pristine example of the out of print first edition of this LatinX cultural classic!

978-8862087278 Inventory Number: I00210408

(STREET-PORTER, TIM). Street-Porter, Tim & Annie Kelly. New York: Rizzoli International Publications, I00210223, 2021. First Edition. Oblong Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New.
978-0-8478-6743-1

Inventory Number: I00210223

(HOPE, CLOVER) with illustrations by Rachelle Baker. ABRAMS, I00210218, 2021. 8 x 9 in., 240 pages. Paperback. New/No Jacket - As Issued.

An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process

The Motherlode highlights more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shanté, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo—as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. This book profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap. 9781419742965 Inventory Number: I00210218

(LEIFER, NEIL). Leifer, Neil. Koln, GERMANY: Benedikt Taschen Verlag, I00210207, 2008. Collector's Edition (1/1500). Oblong Folio. Hardbound in Slipcase. Sports Photography Monograph. New/No Jacket - As Issued.

The most memorable moments since the birth of pro football in America.

The best of sports photographer Neil Leifer's 10,000 rolls of football pictures, including hundreds of previously unpublished images. Presented in a custom slipcase and limited to a total of 1,500 copies signed by the photographer, this Collector’s Edition is a companion to Neil Leifer’s instant sell-out success, Ballet in the Dirt: The Golden Age of Baseball.

In 1958, sports photographer Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot—Alan Ameche’s game-winning “Sudden Death” touchdown—was Leifer’s 16th birthday. This game, called “The Greatest Ever Played,” signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed pro baseball and college football in national television ratings. Starting then, on any given Sunday, Leifer was most likely shooting a football game somewhere in America. His 1961 photo of legendary Giants quarterback Y. A. Tittle dropping back to pass landed Leifer his first cover for Sports Illustrated and cemented his close connection to the sport.

While best known for his iconic photograph of Muhammed Ali towering over a fallen Sonny Liston, and for the enormous diversity of subjects he covered in and out of the sports world, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport, including hundreds of previously unpublished pictures. It’s impossible to conceive of Peyton Manning hovering over an impromptu wood fire on the sidelines during a blizzard, but Leifer captured Tittle’s Giants doing exactly that during the coldest game in his living memory (the 1962 Championship in New York, a game “far colder than the famous Ice Bowl”). From Vince Lombardi’s Green Bay Packers dynasty to the Miami Dolphins’ perfect season in 1972 to the Minnesota Vikings’ terrifying Front Four—the “Purple People Eaters”—they’re all here.

Following an introduction assembled from the best football columns of the era by famed sports columnist Jim Murray, this collection is divided into four chapters: “On Any Sunday” is Leifer’s homage to the game. “The Legends” includes heroes like Johnny Unitas, Jim Brown, Terry Bradshaw, Joe Namath, Dick Butkus, Frank Gifford, and “Mean” Joe Greene. “The Bosses” delves into the victories on and off the field of immortal coaches Vince Lombardi, John Madden, Tom Landry, Weeb Ewbank, and others. Finally, “The Big Game” traces major championship games from 1958 through Super Bowl XII. The in depth captions put the images into their historical context, making the book highly accessible and informative.

For this Collector’s Edition, master sports photographer Neil Leifer sifted through over 10,000 rolls of film, selecting his absolute best shots, including hundreds of previously unseen pictures, to trace pro football’s most memorable moments. From the Miami Dolphins’ perfect 1972 season to the Minnesota Vikings’ “Purple People Eaters”—it’s all here, complemented by Jim Murray’s top football columns of the era for complete guts and glory nostalgia.

A brand new, unopened example of the Collector’s Edition limited to 1,500 copies numbered and signed by Neil Leifer in the publisher’s original printed shipping carton.

978-3836508377 Inventory Number: I00210207

(EBONY). Lavaille Lavette. Rizzoli, I00210206, 2021. Hardbound. New.
“In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did.

For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. "Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram", says Lavette.

Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music.

Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers.”
978-0847869015 Inventory Number: I00210206

(WARHOL, ANDY). Taschen, I00210105, 2021. 13 x 11 in., 392 pages. Hardbound. New/No Jacket - As Issued.

Well before Andy Warhol’s rise to the pinnacle of Pop Art, he created and exhibited seductive drawings celebrating male beauty. Andy Warhol Love, Sex, & Desire: Drawings 1950-1962 features over three hundred drawings rendered primarily in ink on paper portraying young men, many of them nude, some sexually charged, and occasionally adorned with whimsical black hearts and delightful embellishments. They lounge or preen, proud of or even bored by their beauty, while the artist sketches them, rapt. They rarely engage with their keen observer, and likewise Warhol’s focus is on their form, their erotic qualities, and unbridled sexuality. If his subjects are content to revel in their attractiveness, so too is Warhol. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist.

Warhol was already a booming commercial illustrator when he exhibited studies from this body of work at the Bodley Gallery on New York’s Upper East Side in 1956.He mistakenly saw these illustrations as his way of breaking into the New York art scene, underestimating the pervading homophobia of the time. While he never saw through his plan to publish the drawings as a monograph, he did produce more than a thousand elegant, seemingly effortless drawings from life. This volume finally brings his project to fruition by gathering his most striking images, published here for the first time in a comprehensive book and chosen by the Andy Warhol Foundation for the Visual Arts. Edited and featuring an introduction by the Foundation’s Michael Dayton Hermann, and essays by Warhol biographer Blake Gopnik and art critic Drew Zeiba. The inclusion of poems by James Baldwin, Thom Gunn, Harold Norse, Essex Hemphill and Allen Ginsberg create moments of introspection, which expand on the themes and moods present in the drawings.

In style, the drawings evoke the sketches of Jean Cocteau and even Matisse: highly distilled and sure of line, yet loose. The sly voyeurism, meanwhile, is entirely Warhol’s own, and even the most risqué drawings contain a kind of droll humor—a sense of ironic detachment—that would become a Warhol trademark. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist. 9783836574471 Inventory Number: I00210105

(STEIN, HARVEY). Zatara Press, I00201226, 2020. 7 x 9 in., 88 pages. Hardbound. New/No Jacket - As Issued.

In Then and There, the well-known photographer Harvey Stein documents a crucial aspect of public behavior at the 1979 New Orleans Mardi Gras. Shooting with an instant SX-70 Polaroid camera, the process allowed Stein to directly interact with his subjects, who perform, observe, and even share in the photographic process. The 47 portraits are made just feet away from each person, mostly at dusk, sharply revealed by the light of the camera’s flash bar. His subjects creatively present themselves in diverse colorful masks, makeup, and revelry. Each portrait is a glimpse into a layered and hidden personal identity made possible by the collaborative choices of the photographer and the subjects acting in front of the camera. The raw excitement of Mardi Gras flows through each portrait with the people physically filling the entire frame of the Polaroid as if the print itself were a stage just for them. Mardi Gras allows both the subject and the photographer a moment of freedom to observe a transformation into another reality of being. Stein investigates these many themes throughout the book, and captures those flamboyant moments of lightning in a bottle with each Polaroid. 9781733840613 Inventory Number: I00201226

(RABABY, MICHAEL). Cali Editions, I00201201, 2020. 10 x 10 in., 320 pages. Hardbound. New/No Jacket - As Issued.

Curated by Michael Rababy this book features the work of 110 photographers from all over California – celebrating what makes our diverse, inclusive, forward-thinking state so great. This is Rababy’s visual mixtape, featuring the greatest hits of friends’ and colleagues’ work that I’ve enjoyed through my years as a curator. I hope to share the excitement I have for great images the way I’ve shared my favorite rare grooves, B-sides, and bootleg recordings over my lifetime. All proceeds from sales of this book benefit the Los Angeles Center of Photography (LACP) 9780578763859 Inventory Number: I00201201

(MOSLEY, THADDEUS) Foreword by Ingrid Schaffner. Text by Brett Littman, Jessica Bell Brown, Ed Roberson, Connie Choi. Interview by Hans Ulrich Obrist. Poetry by Sam Gilliam. KARMA, I00201022, 2020. First Edition. 7 x 9 in., 312 pages. Hardbound. New/No Jacket - As Issued.

Long needed, and already out of print, this is the first full overview of American abstract sculptor Thad Mosley

Since 1959, the monumental, freestanding sculptures of Pittsburgh-based artist Thad Mosley, crafted with reclaimed building materials and felled trees, have occupied the forefront of abstraction in American sculpture. This book surveys his career.

Using only a mallet and chisel, he reworks salvaged timber into biomorphic forms. With influences ranging from Isamu Noguchi to Constantin Brâncuși—and the Bamum, Dogon, Baoulé, Senufo, Dan, and Mossi works of his personal collection—Mosley’s sculptures mark an inflection point in the history of American abstraction. These “sculptural improvisations,” as he calls them, take cues from the modernist traditions of jazz. “The only way you can really achieve something is if you’re not working so much from a pattern,” Mosley says of his improvisational method. “That’s also the essence of good jazz.”

A brand new, pristine example of this vital document still in the publisher’s shrinkwrap. 9781949172379 Inventory Number: I00201022

By Ilisa Barbash, Molly Rogers, and Deborah Willis. Foreword by Henry Louis Gates, Jr.. Contributions by Carrie Mae Weems. Aperture and Peabody Museum Press, I00201006, 2020. 9 x 7 in., 488 pages. Hardbound. New/No Jacket - As Issued.

To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina.

Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects.

With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. 9781597114783 Inventory Number: I00201006

(HURTADO, LUCHITA) Edited by Joseph Constable, Rebecca Lewin. Text by Andrea Bowers, Michael Govan, Juan A. Gaitán, Sarah Lehrer-Graiwer, Marie Heilich, Matt Mullican, Yana Peel, Barbara Stauffacher Solomon. Interview by Hans Ulrich Obrist. New York, NY: Hauser and Wirth, I00200814, 2020. First Edition. 10 x 8", 256 pages. Hardbound. New/No Jacket - As Issued.

The first monograph on Los Angeles legend Luchita Hurtado, whose colorful, surrealist paintings are now garnering recognition after decades on the fringes

At 98 years old, Luchita Hurtado (born 1929) is finally gaining mainstream recognition for the bright, geometric patterns and the surrealist nature scenes of her virbant paintings, but the Venezuela-born, California-based artist is no stranger to the art world. Though she once rubbed elbows with the likes of Frida Kahlo and Marcel Duchamp early on in her career, Hurtado now has the spotlight to herself, with solo exhibitions in Los Angeles and London, and this very first comprehensive, fully illustrated monograph detailing her artistic process and the prolific output of work from throughout her career.

In addition to reproductions of Hurtado's strikingly contemporary drawings and paintings, Luchita Hurtado: I Live I Die I Will Be Reborn also includes a series of vignettes penned by Hurtado's son, the artist Matt Mullican, as well as an interview between the artist and Hans Ulrich Obrist. A brand new example of this now out of print gem! 978-3960985938 Inventory Number: I00200814