Arcana:

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars! An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. Inventory Number: 025061

(SCHINDLER, R.M.). Schindler, R.M.. NP (Los Angeles). ND.: R.M. Schindler. Edition Not Stated. 4to. Printed Letterhead + Envelope. Architecture Monograph. Fine.. One 8 ½ x 11" sheet + one 4 x 9 ½" envelope printed offset recto only, no illustrations. This is a beautifully preserved matching set of a single piece of letterhead and envelope for use by R.M. Schindler's architectural firm located at 835 Kings Road - better known as "The Schindler-Chase Kings Road House". Each features an elegant variant modernist design printed in pale brown ink on off-white Weston Opaque Bond paper stock that incorporates the renowned Los Angeles-by-way-of-Vienna innovator's iconic hand-lettering and horizontal lines. A crisp, most handsome unused set of these two extraordinary ephemeral objects (estimated to date from the forties according to the Schindler scholar from whom we obtained these in 1990) showing just a bit of age-appropriate patination and handling. Inventory Number: 027073

(TCHERNIKHOV, IAKOV aka YAKOV CHERNIKOV). Tchernikhov, Iakov Georgievich & Erikh Fedorovich Gollerbakh. Leningrad, RUSSIA: Leningradskogo ob-va arkhitektorov (Leningrad Society of Architects), 1931. First Edition 1/5150. 4to. Printed Boards. Architecture Monograph. Good -/No Jacket - As Issued. 214pp, profusely illustrated in black and white. Text in Cyrillic Russian. In a protective clear acetate dustwrapper. The is the second of the three visually striking books written and illustrated by the pioneering Russian modernist architect Iakov Tchernikhov - better known in the west as Yakov Chernikov - published in Leningrad between 1927 and 1933. It features an introduction to Constructivism by Erikh Fedorovich Gollerbakh, two hundred and seventy-eight graphic text illustrations accompanied by forty full page plates by the author printed by letterpress. An internally bright and sound example of the 1931 first edition of this standout of Russian Revolutionary illustrated bookmaking (cited as entry 928 on page 227 in Margit Rowell and Deborah Wye's "The Russian Avante-Garde Book", entry 126 on page 40 in Jean-Louis Cohen, David Woodruff, and Ljiljana Grubisic's "Russian Modernism: The Collections of the Getty Research Institute for the Arts", and entry 72 on page 20 in Peter Hellyer's "A Catalogue of Russian Avante-Garde Books 1912-1934") showing typical notable wear, rubbing, and chipping to its brittle green decorative boards along the edges and spine. This seminal work was originally acquired from the library of the noted Russian-born, Southern California-based architect Samuel Reisbord, and bears his owner's signature in black ink on the front pastedown. It has been priced accordingly. Inventory Number: 025575

(THRESHOLDS). Guaraldo, Anthony L., Matthew J. Simitis & Katherine Wheeler Borum, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 2000. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 100pp, profusely illustrated in b&w. The twenty-first issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Readings", and includes contributions by Katherine Wheeler Borum, Elizabeth Grossman, Garyfallia Katsavounidou, Martin Hogue, Stephanie Hammer, Helene Lipstadt, Hanna Hamplova, Jorge Otero-Pailos, Vittorio Gregotti, Douglas Cooper, Mark Jarzombek, Kim Dovey, Alex Haw, Omar Khan, Alfred B. Hwangbo, Zissis Kotionis, David Sledge, and John Fernandez. A handsome example. ISSN 1091-711X Inventory Number: 016450

(THRESHOLDS). Kroiz, Lauren, Patrick Haughey & Talia Dorsey, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 2003. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Fine.. 100pp, profusely illustrated in b&w and color. The twenty-seventh issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Exploration", and includes contributions by Lauren Kroiz, Helene Lipstadt, Heghnar Zeitlian Watenpaugh, Bradley McGilvary Pitts, Peter Galison and Jennifer Ferng, Thomas Beischer and Marion Lee, Jedediah Smith Ela, Raoul Bunschoten, Brigitte Desrochers, Chris Csikszentmihalyi, Prodromos Nikiforidis, Bernard Cuomo, Paraskevi Tarani, Martin Hogue, Lisa Hsieh, B. Alex Miller, and Neyran Turan. A most handsome example of this unavailable issue. ISSN 1091-711X Inventory Number: 016451

(THRESHOLDS). Miller, Andrew, Garyfallia Katsavounidou & James P. O'Brien, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1999. First Edition. Square 8vo. Illustrated Wrappers. Architecture Periodical. Fine.. 68pp, profusely illustrated in b&w and color. The eighteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Design And Money". It includes contributions by Ioanna Theocharopoulou, Keller Easterling, Sandy Isenstadt, Kazys Varnelis and Rocio Romero, Mark Jarzombek, Aslihan Demirtas, Christopher B. Leinberger and Robert Davis, Nina Chen, Eric J. Jenkins, and Garyfallia Katsavounidou. A brand new, most handsome example. ISSN 1091-711X Inventory Number: 024297

(THRESHOLDS). O'Brien, James P., Constance C. Lai & Greg Russell, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1998. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 70pp, profusely illustrated in b&w. The sixteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "Speed Impact Change", and includes the contributions: Introduction - William J. Mitchell; Ghost Wards: The Flight of Capital from History - Mitchell Schwarzer; The Urban Exploratory Circus: Infrastructure for corporeality, connectedness and virtuosity - Rob Clocker; Computers in Architecture: Tools to Think With in the Process of Design - Megan Yakeley; Ground Zero; Conception and Production of the Architectural Artifact - Derek Fisher; Contingency and Flexibility in the Pontiac Building - Aron Vinegar; A Systems Approach to Conceptual Design: A Very Tall Building in Hong Kong - Wolfgang Ungerer; Transient Architecture: On the Making of the Live Room - Mark Bain; Perdix RCA Center: Competition for Nagoya Design Fair in Japan - Sung-Ho Kim; Reproduction in the Age of the Mechanical Work of Art - Kevin Fellingham; Architecture, History and the Embodiment of Speed - Lawrence Shapiro; Afterword (with a homage to Leo Marx) - Greg Russell. A handsome example of this unavailable issue. ISSN 1091-711X Inventory Number: 019021

(THRESHOLDS). O'Brien, James P., Garyfallia Katsavounidou & Jennifer Mack, Editors. Cambridge, MA: Massachusetts Institute of Technology Architecture Department & MIT Press, 1999. First Edition. 8vo. Illustrated Wrappers. Architecture Periodical. Near Fine.. 100pp, profusely illustrated in b&w and color. The nineteenth issue of this thematic, semi-annual theoretical journal from the Massachusetts Institute of Technology Architecture Department is entitled "The Invisible", and includes contributions by Stanford Anderson, Francesca Rogier, Alex Tzonis, Liane Lefaivre, Mary Otis Stevens, Alfredo Jaar, Zissis Kotionis, Diane Ghirardo, Mark Jarzombek, Garry Stevens, Edith Ackermann & Krsysztof Wodiczko, Garryfallia Katsavounidou, Kristin Little, Jill Magid, Steven Landau, Greg Russell, Pia Lindman, and Kevin Fellingham. A most handsome example. ISSN 1091-711X Inventory Number: 016448

(VAN LIESHOUT, JOEP). Baerwaldt, Wayne & P. Groot. Winnipeg, CANADA, Santa Monica, CA & Rotterdam: Plug In Editions / Smart Art Press / Atelier Van Lieshout, 1996. First Edition. Oblong 12mo. Stapled Pictorial Wrappers. Artist Monograph. As New.. 48pp, profusely illustrated in color and b&w. Text in English. Designed by Trademark, Amsterdam. "Rotterdam-based artist Joep van Lieshout creates engaging but enigmatic containers; streamlined, curvilinear molds decorated with occasional dashes of paradoxical materials like fur and liqueur bottles - which mimic sterile architectural spaces like mobile homes, office units, deprivation chambers, washbasins, toilet bowls, and shelving units. This jewel-like book accompanied a 1996 traveling exhibition of Atelier Van Lieshout's work". A brand new, pristine example. Inventory Number: 018018

(WEBER, KEM). Gebhard, David & Harriette Von Breton. Santa Barbara, CA. 1969 (1976).: The Art Galleries of the University of California, Santa Barbara.. Second Edition 1/750. Square 8vo. Illustrated Wrappers. Design Monograph. Near Fine.. 108pp, 113 illustrations in b&w. Designed by David Gebhard. With a biography and bibliography. In a protective clear acetate dustwrapper. This is the lovely catalogue published in conjunction with the first major retrospective of the work of the noted Southern California-based architect and industrial designer Kem Weber. Perhaps best known for his contributions to West Coast Art Deco, Weber designed sets for Paramount Studios, several lines of furniture - including his renowned "Airline" chair of 1935, many department stores, and Burbank's Walt Disney Studios in 1941. A bright, most handsome example of the second printing of this uncommon document limited to seven hundred and fifty unnumbered copies showing some light wear and rubbing to its foil wrappers. LC 74-623366 Inventory Number: 025842

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(WEXLER, ALLAN). Betsky, Aaron. Introduction by Christopher Scoates & Debra Wilbur. Atlanta, GA: Atlanta College of Art Gallery & City Gallery at Chastain, 1999. First Edition. 8vo. Printed Self-Wrappers. Artist Monograph. As New.. 160pp, 57 color and 89 b&w illustrations. This is the comprehensive catalogue published in conjunction with a 1999 retrospective - the largest exhibition to date - devoted to Allan Wexler, whose challenging work blurs the boundaries of art, architecture, and interior design. A brand new, pristine example of this uncommon item still with the publisher's poster folded and laid in, as issued. 1-56466-070-2 Inventory Number: 024250

(WINES, JAMES) (SITE). Wines, James & Herbert Muschamp. London: Architectural Association, 1985. First Edition. Small Square Folio. Loose Plates in Decorative Box. Architecture Monograph. Very Good/No Jacket - As Issued. 16pp + 18 sepia toned plates laid into the publisher's silkscreened portfolio, as issued. This is the seventh installment of the Architectural Association's coveted Folio Series - a handsome black decorative box that contains eighteen reproductions on heavy stock of James Wines' drawings for SITE as submitted to the design competition for The Museum of Modern Art in Frankfurt, subsequently exhibited in 1985 at the AA's London gallery. A handsome example of this elusive object whose box shows just a bit of light wear and handling along with a single short tear to the lip of the top inside edge. 0-904503-62-3 Inventory Number: 018579

(WINNINGHAM, GEOFF).. NP: Joseph E. Seagram & Sons, Inc., 1978. First Edition. 8vo. Printed Postcard. Fine.. One 4 ¼ x 6" glossy cardstock postcard printed offset recto and verso, 1 color illustration. To mark the 1976 Bicentennial of the United States of America, Joseph E. Seagram and Sons, Inc. commissioned twenty-four photographers to record more than one thousand County Court houses across the country using both color and black and white film. The project, directed by Phyllis Lambert and edited by Richard Pare, created the then-most comprehensive survey of an American building type. The Seagram County Court House Archives collection of photographic negatives and master prints was ultimately presented as a gift, with its copyright ownership, to the Library of Congress. In 1978 Horizon published the lovely Richard Pare-edited book of images from this undertaking entitled "Court House: A Photographic Document". This color postcard featuring Geoff Winningham's color image "Hopkins County Court House, Sulfur Springs, Texas, c1856-58" was issued in conjunction with that release. A brand new, pristine unmailed example of this uncommon ephemeral item perfect for the Geoff Winningham completeist. Inventory Number: 024178

(WRIGHT, LLOYD). Gebhard, David & Harriette Von Breton. Santa Barbara, CA: Art Galleries, University of California, Santa Barbara, 1971. First Edition. 4to. Illustrated Wrappers. Architecture Monograph. Very Good -.. 102pp, 98 b&w illustrations. Designed by David Gebhard. With a bibliography and selected list of buildings and projects. Issued in conjunction with a 1971 David Gebhard and Harriette Von Breton curated exhibition at the Art Galleries of the University of California, Santa Barbara, this elegant publication features reproductions of pioneering Los Angeles modernist architect Lloyd Wright's plans and drawings, vintage photographs, and a listing of completed works. A bright, most handsome example of the uncommon first edition - not to be confused with 1998 reprint. LC 73-634352 Inventory Number: 016827

(WRIGHT, RUSSEL AND MARY). Golub, Jennifer. New York: Princeton Architectural Press, I00220427, 2021. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Design Monograph. As New/As New. 1-64896-019-7

208pp, profusely illustrated in color and b&w. Designed by Simon Johnston. "In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This lavish volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga."

A brand new, most handsome example of this charming new work additionally SIGNED by author Jennifer Golub.

Inventory Number: E00JGRMW

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. Paris: XXe Siecle (Vingtieme Siecle), 1952. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Very Good.. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Guillaume Apollinaire. This third installment of San Lazzaro's deluxe, semi-annual art periodical features original lithographs by Jean Miro, Alexander Calder, Henri Michaux, and Alberto Giacometti. The contents include contributions on or by Herbert Read, Guillaume Apollinaire, Futurism, Gino Severini, Poetry and Text in Art, Jean Arp, Jean Cassou, Jean Miro, Alexander Calder, Pierre Courthion, Henri Michaux, Michel Tapie, Blaise Cendrars, Max Jacob, Salvador Dali, Alberto Giacometti, Paul Eluard, Milena Milani, Wassily Kandinsky, Robert Motherwell, American Abstract Art, Michel Seuphor, Antonio Corpora, Gustave Singier, Julio Gonzalez, Amodeo Modigliani, Henri Laurens, Frank Lloyd Wright, Igor Stravinsky, Vittorio De Sica, and more. A handsome example showing a slight soft crease through the textblock at the lower foredge corner. Inventory Number: 016582

Author Not Stated. NP (Likely Peking, CHINA). ND (Circa Early 1930s).: No Publisher Stated. Edition Not Stated. Oblong 8vo. Gilt-Stamped Boards with Ties. Photographic Album. Near Fine/No Jacket - As Issued. 100pp, 100 individual 3 ¼ x 5 ½" black and white silver gelatin photographs. Text in English. In a protective clear acetate dustwrapper. Measuring 5 ¼ x 8 ¼" and gilt-stamped "Views Of My Tour / Peking" across its decoratively-embossed front cover, this is an elegant, professionally produced souvenir photo album likely made in Peking for the English-speaking Chinese tourist market sometime between the mid-twenties and the mid-thirties. Hand-assembled rather than printed, with no publication information other than the front cover title, its contents are one hundred vintage black and white silver gelatin prints of Chinese views loosely inserted into sequential album pages with typewritten captions in English glued below. Primarily architectural or archaeological in nature, the images depict Peking's Forbidden City, Temple of Heaven, Lama Temple, Hall of Classics, Summer and Winter Palaces, Ming Tombs, various Pagodas and street scenes, and The Great Wall of China. A most handsome example of this uncommon item whose photographs are bright and well-preserved showing a tiny bit of flaking of the gilt title stamping and some crimping to the tips of the first few pages at the lower foredge corner that in no way affects the prints. Inventory Number: 026729

Butcher, Matthew & Luke C. Pearson, Editors. New York: John Wiley & Sons, 2019. First Edition. 4to. Pictorial Wrappers. Architectural History. As New./No Jacket - As Issued..

The 1960s and 1970s avant-garde has been likened to an "architectural Big Bang", such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically - reaching from Europe to North America and Japan - and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis. Re-imagining the Avant-Garde outlines how in contemporary architectural practice, avant-garde projects retain their power as historical precedents, as barometers of a particular design ethos, as critiques of society and instigators of new formal techniques. Given the far-reaching impact of the subsequent digital revolution, which has since reshaped every aspect of practice, the issue asks why this historical period continues to retain its undeniable grip on current architecture.

A brand new, most handsome example of this thought-provoking architectural re-assessment whose contributors include Pablo Bronstein and Sam Jacob, Sarah Deyong, Stylianos Giamarelos, Damjan Jovanovic, Andrew Kovacs, Perry Kulper, Igor Marjanovic, William Menking, Michael Sorkin, Neil Spiller and Mimi Zeiger.

978-1119506850 Inventory Number: E000RTAG

Casciani, Stefano, Giannino Malossi, Carlo Romano & Nigel Whiteley. Giannino Malossi, Editor. Milan, ITALY: Electa Editrice, 1990. First English Language Edition. Stout 8vo. Illustrated Boards in Slipcase. Exhibition Catalog. As New/No Jackets - As Issued. 210 + 158pp, profusely illustrated in color and b&w. Text in English. Designed by Italo Lupi. This is a totally amazing two volume publication documenting the new art, architecture, cinema, design, fashion, music and popular culture in Europe (with the primary focus on Britain) during the Swingin' Sixties! Issued in conjunction with a 1990 Italian exhibition, everyone who was anyone is here including The Mods, The Rockers, The Situationists, Richard Hamilton and The Independent Group, The Beatles, The Who, Allen Jones, Peter Blake, David Hockney, Roy Lichtenstein, Joe Colombo, Archigram, Stanley Kubrick, The Fool, Pierre Cardin, Ungaro, Paco Rabanne, Mary Quant, and many, many, more. A pristine, still shrinkwrapped set along with the exhibition commissioned documentary "The Sixties in Moving Images" on video cassette housed in the publisher's printed cardboard slipcase, as issued. 88-435-3269-3 Inventory Number: 023825

Cohen, Arthur A.. New York: Ex Libris, 1982. First Edition. 4to. Stapled Pictorial Wrappers. Bookseller's Catalogue. Fine.. np (30pp), 62 b&w illustrations. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender hord serie catalogue was devoted entirely to The Bauhaus and its impact - featuring one hundred and ninety fully described original photographs, weavings and textiles, drawings, books, periodicals, pamphlets, and printed ephemera related to the likes of Josef Albers, Herbert Bayer, Aenne Biermann, Walter Dexel, T. Lux Feininger, Walter Gropius, Joannes Itten, Paul Klee, El Lissitzky, Hannes Meyer, Ludwig Mies Van Der Rohe, Lucia Moholy, Laszlo Moholy-Nagy, Xanti Schawinsky, Oskar Schlemmer, Joost Schmidt, Thonet, Jan Tschichold, "Umbo" (Otto Umbehrer), Theo Van Doesburg, and many, many others. And while at the time of its publication the prices here seemed astronomical, some thirty-five odd years later they are finally downright bargains! A most handsome example this uncommon reference. Inventory Number: 025895

Cohen, Arthur A.. New York: Ex Libris, 1981. First Edition. Tall Narrow 8vo. Stapled Printed Wrappers. Bookseller's Catalogue. Near Fine.. np (18pp), 17 b&w illustrations. With a bibliography. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender eighteen page hors sequence catalogue describes sixty-one books, catalogues and printed works of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Natalia Goncharova, Iliazd, Velimir Khlebnikov, Mikhail Larionov, El Lissitzky, Kazimir Malevich, Alexandr Rodchenko, Olga Rozanova, Vladimir Tatlin, and many others. And while at the time of its 1981 publication the prices here seemed astronomical, some thirty-five years later they are finally downright bargains! A handsome example of this uncommon reference. Inventory Number: 025894

Cohen, Arthur A. & Trevor Winkfield. New York. ND (circa 1976).: Ex Libris. First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good.. np (152pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number three features nine hundred and eighty-five fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Guillaume Apollinaire, Architecture, Expressionism, Illustrated Books and Livres de Peintre, Alfred Jarry, Periodicals and Annuals, Photographs and Photogravures (including a large collection of plates from "Camera Work"), Photography and Film, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! A handsome example of this uncommon reference showing a bit of light sunning to the covers along with its title added discreetly in ink to the spine. Inventory Number: 015159

Cohen, Arthur A. & W. Michael Sheehe. New York: Ex Libris, 1977. First Edition. 4to. Illustrated Wrappers. Bookseller's Catalogue. Very Good.. np, profusely illustrated in b&w. Designed by Elaine Lustig Cohen. With an index and bibliography. In a protective clear acetate dustwrapper. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number six was their piece de resistance - with four hundred and thirty-four fully described and indexed books, periodicals, pamphlets, and posters of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Vladimir Burliuk, Marc Chagall, Vasilii Ermilov, Alexandra Exter, Pavel Filonov, Naum Gabo, Natalia Goncharova, Vasilii Kamensky, Vasilii Kandinsky, Ivan Kliun, Gustav Klucis, Petr Konchalovsky, Mikhail Larionov, V. Lebedev, El Lissitzky, Kazimir Malevich, Mikail Matiushin, Petr Miturich, Liubov Popova, Ivan Puni, Alexander Rodchenko, Olga Rozanova, Georgii Stenberg, Vladimir Stenberg, Vavara Stepanova, Vladimir Tatlin, Alexandr Vesnin, and many, many others. It contains over five hundred additional items related to F.T. Marinetti and Italian Futurism, De Stijl, The Bauhaus and its Legacy, and Eastern European & German books, periodicals, graphics and photographs. And while at the time of its 1977 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! An internally most handsome example of this uncommon reference showing wear, rubbing, and some sunning along the spine of its graphically striking covers. LC 77-71400 Inventory Number: 025835

Cole, Herbert M. & Doran H. Ross. Los Angeles: Museum of Cultural History, University of California, 1977. First Edition. 4to. Pictorial Wrappers. Ethnographic Art Monograph. Fine.. 230pp, profusely illustrated in color and b&w. "The Arts of Ghana" is the vibrant, authoritative catalogue for a 1977 touring exhibition of Ghanaian Art curated by two of the preeminent scholars in the field; Herbert Cole and Doran Ross. The assembled pieces include domestic, utilitarian, cult, and state objects demonstrate the variety and complexity of the tribal arts of Ghana as well as the skills of the makers. A brand new, most handsome example of the paperbound edition of this still vital reference. LC-77-89769 Inventory Number: 024264

Cooke, Sekou. Foreword by Michael Eric Dyson.. Bloomsbury Visual Arts, 2021. 288 pages, 10 x 7 inches. Paperback. New./No Jacket - As Issued. 9781350116146

A powerful examination of race, identity, hip hop and urban architecture.

We are delighted to offer this book in conjunction with the exhibition "Close to the Edge: The Birth of Hip-Hop Architecture" at the Helms Bakery through September 17th.
 

“This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other.”

As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas.

Examining the present and the future of Hip-Hop Architecture, the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture.

Inventory Number: E000HHA

Drucker, Barbara & Michael Darling + Christiane Paul, Erkki Huhtamo & N. Katherine Hales. Los Angeles: The Regents of the University of California, Los Angeles, 2006. First Editions. 4to. Embossed Linen Over Boards. Exhibition Catalogs. Fine/No Jackets - As Issued.. 80 + 112 + 8pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Robert Ruehlman, Green Dragon Office + Simon Johnston. Published in conjunction with the opening of the Richard Meier & Partners-designed Eli and Edythe Broad Art Center on the campus of UCLA, these three volumes comprise a deluxe set issued hors commerce for dignitaries and contributors. For the first volume, "Sixteen Tons", curator Michael Darling selected work by John Baldessari, Jennifer Bolande, Chris Burden, Barbara Drucker, Roger Herman, Mary Kelly, Paul McCarthy, Catherine Opie, Hirsch Perlman, Lari Pittman, Charles Ray, Nancy Rubins, Adrian Saxe, Don Suggs, James Welling and Patty Wickman - the sixteen faculty artists that make up this elegant catalogue. Curated by Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, "Second Natures" features the work of UCLA Department of Design/Media Arts faculty members Rebecca Allen, Robert Israel, Rebeca Méndez, Vasa Mihich, Christian Moeller, C.E.B. Reas, Jennifer Steinkamp, and Victoria Vesna. Also included is a slender pamphlet noting the opening of the Center, the contributions of architect Richard Meier, and the installation of a monumental sculptural work by Richard Serra. A brand new, pristine set of the three volumes held together by the publisher's printed band, as issued. Inventory Number: 013028

Editions D'Art Charles Moreau. Paris. ND (Circa 1930).: Editions D'Art Charles Moreau. First Edition. Folio. 1/4 Cloth Over Boards. Good/No Jacket - As Issued. np (8pp) + 32 individual sepia-toned heliogravure plates laid in a portfolio. Text in French. This is one of several beautiful surveys of Art Deco era contemporary French sculptural decoration published by Editions D'Art Charles Moreau. Included are works by Georges Artemoff, A Bottiau et D. Gelin, Henri Bouchard, Jean Debarre, Ecole Boulle, Albert Guenot, Ecole Nationale Superieure Des Arts Decoratifs, Camille Garnier, Leon Jallot, Joel et Jan Martel, G. Miklos, Paul Poisson, and R. Pollin. The lovely gravure plates are complete and still bright showing only minor browning and the occasional slight chip at the extremities. The portfolio's decorative boards show some rubbing, chipping, bumping, and soiling but are still most presentable. The cloth ties of the portfolio are complete and still inserted, while the exterior cloth at the spine is heavily worn, torn, and frayed along the much of its length. All in all, this is a relatively well-preserved example of this handsome and desirable item from an important moment in modernist Decorative Art history. It has been priced accordingly. Inventory Number: 005327

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. 2-85850-091-6 Inventory Number: 023510

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. 2-85850-091-6 Inventory Number: 023509

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris. 1981 (1992).: Centre Georges Pompidou & Gallimard. Second Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 800pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies, and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A bright, most handsome example of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. 2-07-011248-9 Inventory Number: 020835

Hulten, Pontus, Editor. Introduction by V. M. Polevoi. Paris: Centre Georges Pompidou, 1979. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 580pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1979 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Moscow during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A handsome example of the 1979 Pompidou French language edition bearing the BOLDLY SIGNED PRESENTATION "For Melinda and De Wain with my very best greetings from your Pontus" from curator Pontus Hulten in black ink on the half title page showing some overall light wear, handling and soiling. De Wain is the noted Los Angeles-based Light and Space artist De Wain Valentine, and Melinda (sic) is his former partner and gallerist Malinda Wyatt, from whom we acquired this directly. 2-85850-002-9 Inventory Number: 023630

Hulten, Pontus, Editor. Introduction by Werner Spies. Paris: Centre Georges Pompidou, 1978. First French Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome example of the hardbound 1978 Pompidou French language edition showing some light wear and handling, a bit of soiling to the covers, and a mild dent through the upper foredge corner of the textblock. It has been priced accordingly. 2-85850-066-5 Inventory Number: 023508

Lippard, Lucy R. & Jeff Khonsary, Editors. Vancouver, CANADA & Los Angeles: New Documents, 2012. First Edition 1/1000. 12mo. File Cards in Printed Wrapper. Exhibition Catalog. As New.. One hundred and seventy-nine 4 x 6" file cards printed monochrome offset recto and verso, profusely illustrated. With a bibliography and filmography. "4,492,040 is a facsimile reprint of a series of documents produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard’s hugely important "numbers shows" - a series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle, 1969), 955,000 (Vancouver, 1970), 2,972,453 (Buenos Aires, 1970), and c.7,500 (Valencia, CA, 1973/74). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard". The four exhibitions' participants include Vito Acconci, Laurie Anderson, Carl Andre, Eleanor Antin, Siah Armajani, Keith Arnatt, Richard Artschwager, Art & Language (Terry Atkinson, David Askevold, Alice Aycock, David Bainbridge, Michael Baldwin, Harold Hurrell), John Baldessari, Robert Barry, Frederick Barthelme, Jennifer Bartlett, Gene Beery, Mel Bochner, Bill Bollinger, Jon Borofsky, Stanley Brouwn, Daniel Buren, Victor Burgin, Donald Burgy, Pierpaolo Calzolari, Rosemary Castoro, Don Celender, James Collins, Christopher C. Cook, Greg Curnoe, Hanne Darboven, Walter de Maria, Agnes Denes, Jan Dibbets, Christos Dikeakos, Rafael Ferrer, Gilbert & George, Dan Graham, Hans Haacke, Ira Joel Haber, Alex Hay, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Robert Huot, Richards Jarden, Stephen Kaltenbach, On Kawara, Edward Kienholz, Robert Kinmont, Joseph Kosuth, Christine Kozlov, John Latham, Barry Le Va, Sol LeWitt, Roelof Louw, Duane Lunden, Bruce McLean, Robert Morris, N.E. Thing Co. (Iain and Ingrid Baxter), Bruce Nauman, New York Graphic Workshop, George Nikoliadis, Dennis Oppenheim, John Perrault, Adrian Piper, Robert Rohm, Allen Ruppersberg, Ed Ruscha, Fred Sandback, George Sawchuck, Richard Serra, Randy Sims, Robert Smithson, Keith Sonnier, Athena Tacha, Mierle Laderman Ukeles, Jeff Wall, Lawrence Weiner, Ian Wilson, and Martha Wilson. A pristine, brand new complete set of all one hundred and seventy-nine loose cards sealed inside their printed wrapper in the publisher's clear plastic zip-lock pouch, as issued. 1-927354-00-5 Inventory Number: 027596

Whiteman, J.A.. New York: J.A. Whiteman, 1901. First Thus. Oblong 12mo. Stapled Pictorial Wrappers. Civic History. Good.. np (48pp), 30 b&w illustrations + cover. In a protective clear acetate dustwrapper. "Yonkers" is a tiny yet engaging bit of Westchester County civic-boosterism written (and most-likely published) by J.A. Whiteman - author and publisher of the 1887 Adirondacks rarity "Lake George Camp and Canoe-Chats...". Its jaunty text details a glowing history and projection of growth for "The Terrace City" nestled between the Bronx and Hudson rivers, supplemented with photographs documenting its many architectural achievements. Included are commissioned turn of the century views of the Park Hill Country Club, Hotel Wynnstay, Hollywood Inn, Hotel Hendrik Hudson, Statesman Building, Culver's Department Store, Getty Square, Amackassin Club, Van Cortlandt Manor House, "Greystone Residence", "Duncraggan" residence of Wm. F. Cochran, Esq., "Overhill" residence of Edwin K. Martin, Esq., St. Mary's Roman Catholic, First Reformed, St. Andrew's Memorial and First Methodist churches, and many more. An internally most handsome example of this little-known - not a single copy is currently cited in OCLC WorldCat - gem showing overall light wear to its cheerful yellow wrappers, age-appropriate oxidation of the staples, and some pronounced soiling and creasing to the front cover. It has been priced accordingly. Inventory Number: 022262