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LA SCULPTURE DECORATIVE MODERNE: SERIE NOUVELLE
Editions D'Art Charles Moreau. Paris. ND (Circa 1930).: Editions D'Art Charles Moreau. First Edition. Folio. 1/4 Cloth Over Boards. Good/No Jacket - As Issued. np (8pp) + 32 individual sepia-toned heliogravure plates laid in a portfolio. Text in French. This is one of several beautiful surveys of Art Deco era contemporary French sculptural decoration published by Editions D'Art Charles Moreau. Included are works by Georges Artemoff, A Bottiau et D. Gelin, Henri Bouchard, Jean Debarre, Ecole Boulle, Albert Guenot, Ecole Nationale Superieure Des Arts Decoratifs, Camille Garnier, Leon Jallot, Joel et Jan Martel, G. Miklos, Paul Poisson, and R. Pollin. The lovely gravure plates are complete and still bright showing only minor browning and the occasional slight chip at the extremities. The portfolio's decorative boards show some rubbing, chipping, bumping, and soiling but are still most presentable. The cloth ties of the portfolio are complete and still inserted, while the exterior cloth at the spine is heavily worn, torn, and frayed along the much of its length. All in all, this is a relatively well-preserved example of this handsome and desirable item from an important moment in modernist Decorative Art history. It has been priced accordingly. Inventory Number: 005327
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PARIS - PARIS 1937-1957: CREATIONS EN FRANCE
Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-85850-091-6 Inventory Number: 023510
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PARIS - PARIS 1937-1957: CREATIONS EN FRANCE
Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-85850-091-6 Inventory Number: 023509
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PARIS - PARIS 1937-1957: CREATIONS EN FRANCE
Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris. 1981 (1992).: Centre Georges Pompidou & Gallimard. Second Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 800pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies, and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A bright, most handsome example of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-07-011248-9 Inventory Number: 020835
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PARIS - MOSCOU 1900-1933 - SIGNED PRESENTATION COPY FROM PONTUS HULTEN
Hulten, Pontus, Editor. Introduction by V. M. Polevoi. Paris: Centre Georges Pompidou, 1979. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 580pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1979 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Moscow during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A handsome example of the 1979 Pompidou French language edition bearing the BOLDLY SIGNED PRESENTATION "For Melinda and De Wain with my very best greetings from your Pontus" from curator Pontus Hulten in black ink on the half title page showing some overall light wear, handling and soiling. De Wain is the noted Los Angeles-based Light and Space artist De Wain Valentine, and Melinda (sic) is his former partner and gallerist Malinda Wyatt, from whom we acquired this directly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-85850-002-9 Inventory Number: 023630
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PARIS - BERLIN 1900-1933: RAPPORTS ET CONTRASTES FRANCE - ALLEMAGNE 1900-1933
Hulten, Pontus, Editor. Introduction by Werner Spies. Paris: Centre Georges Pompidou, 1978. First French Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome example of the hardbound 1978 Pompidou French language edition showing some light wear and handling, a bit of soiling to the covers, and a mild dent through the upper foredge corner of the textblock. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 2-85850-066-5 Inventory Number: 023508
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4,492,040 (1969-74)
Lippard, Lucy R. & Jeff Khonsary, Editors. Vancouver, CANADA & Los Angeles: New Documents, 2012. First Edition 1/1000. 12mo. File Cards in Printed Wrapper. Exhibition Catalog. As New.. One hundred and seventy-nine 4 x 6" file cards printed monochrome offset recto and verso, profusely illustrated. With a bibliography and filmography. "4,492,040 is a facsimile reprint of a series of documents produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard’s hugely important "numbers shows" - a series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle, 1969), 955,000 (Vancouver, 1970), 2,972,453 (Buenos Aires, 1970), and c.7,500 (Valencia, CA, 1973/74). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard". The four exhibitions' participants include Vito Acconci, Laurie Anderson, Carl Andre, Eleanor Antin, Siah Armajani, Keith Arnatt, Richard Artschwager, Art & Language (Terry Atkinson, David Askevold, Alice Aycock, David Bainbridge, Michael Baldwin, Harold Hurrell), John Baldessari, Robert Barry, Frederick Barthelme, Jennifer Bartlett, Gene Beery, Mel Bochner, Bill Bollinger, Jon Borofsky, Stanley Brouwn, Daniel Buren, Victor Burgin, Donald Burgy, Pierpaolo Calzolari, Rosemary Castoro, Don Celender, James Collins, Christopher C. Cook, Greg Curnoe, Hanne Darboven, Walter de Maria, Agnes Denes, Jan Dibbets, Christos Dikeakos, Rafael Ferrer, Gilbert & George, Dan Graham, Hans Haacke, Ira Joel Haber, Alex Hay, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Robert Huot, Richards Jarden, Stephen Kaltenbach, On Kawara, Edward Kienholz, Robert Kinmont, Joseph Kosuth, Christine Kozlov, John Latham, Barry Le Va, Sol LeWitt, Roelof Louw, Duane Lunden, Bruce McLean, Robert Morris, N.E. Thing Co. (Iain and Ingrid Baxter), Bruce Nauman, New York Graphic Workshop, George Nikoliadis, Dennis Oppenheim, John Perrault, Adrian Piper, Robert Rohm, Allen Ruppersberg, Ed Ruscha, Fred Sandback, George Sawchuck, Richard Serra, Randy Sims, Robert Smithson, Keith Sonnier, Athena Tacha, Mierle Laderman Ukeles, Jeff Wall, Lawrence Weiner, Ian Wilson, and Martha Wilson. A pristine, brand new complete set of all one hundred and seventy-nine loose cards sealed inside their printed wrapper in the publisher's clear plastic zip-lock pouch, as issued. 1-927354-00-5 Inventory Number: 027596
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YONKERS (YONKERS: THE TERRACE CITY)
Whiteman, J.A.. New York: J.A. Whiteman, 1901. First Thus. Oblong 12mo. Stapled Pictorial Wrappers. Civic History. Good.. np (48pp), 30 b&w illustrations + cover. In a protective clear acetate dustwrapper. "Yonkers" is a tiny yet engaging bit of Westchester County civic-boosterism written (and most-likely published) by J.A. Whiteman - author and publisher of the 1887 Adirondacks rarity "Lake George Camp and Canoe-Chats...". Its jaunty text details a glowing history and projection of growth for "The Terrace City" nestled between the Bronx and Hudson rivers, supplemented with photographs documenting its many architectural achievements. Included are commissioned turn of the century views of the Park Hill Country Club, Hotel Wynnstay, Hollywood Inn, Hotel Hendrik Hudson, Statesman Building, Culver's Department Store, Getty Square, Amackassin Club, Van Cortlandt Manor House, "Greystone Residence", "Duncraggan" residence of Wm. F. Cochran, Esq., "Overhill" residence of Edwin K. Martin, Esq., St. Mary's Roman Catholic, First Reformed, St. Andrew's Memorial and First Methodist churches, and many more. An internally most handsome example of this little-known - not a single copy is currently cited in OCLC WorldCat - gem showing overall light wear to its cheerful yellow wrappers, age-appropriate oxidation of the staples, and some pronounced soiling and creasing to the front cover. It has been priced accordingly. Inventory Number: 022262