Arcana:

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1994. First Edition 1/1500. 8vo. Stapled Wrappers in Slipcase. Fashion Quarterly. Good/No Jacket - As Issued. np, 7 booklets housed in a die cut, gilt-debossed printed cardstock slipcase, each profusely illustrated in color and b&w. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of one thousand, five hundred numbered copies, this is the thirteenth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. The contributors to this elegantly designed issue on the theme of the "Seven Deadly Sins" are Inez Van Lamsweerde, Veronica Webb, Isaac Mizrahi, Jean Paul Goude (Envy), Inez Van Lamsweerde, Frank DeCaro, Ruben Toledo, Roxanne Lowit (Gluttony), Inez Van Lamsweerde, Jean-Philippe Delhomme, Barbara Kruger (Greed), Mary Ellen Mark (Lust), Mario Testino (Pride), Inez Van Lamsweerde, Francois Berthoud (Sloth), and James Nachtwey, Mario Sorrenti (Wrath). A presentable individually numbered example only of this uncommon issue whose seven slender, individually bound booklets show pronounced dents and some creasing through the heels of their spines. It has been priced accordingly. Inventory Number: 018291

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1994. First Edition 1/2000. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good/No Jacket - As Issued. Individual illustrated sheets laid into a debossed silk-over-boards portfolio, profusely illustrated. Designed by Gregory Foley. Published in an edition of two thousand copies, this is the twelfth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. "This was our collaboration with Design Industries Foundation Fighting AIDS, and an opportunity to support a cause very close to Visionaire. Anneliese Estrada, DIFFA's creative director and our friend, came to us to raise awareness and money through art. The art dealer Paul Morris helped us gather all the original artwork printed in the issue, which was then exhibited at Charles Cowles Gallery and auctioned, with all of the proceeds benefiting DIFFA's charitable programs. The issue came in a red-satin case with bone latches, modeled after Chinese brocade jewelry boxes. These were made by hand in China, and the work took forever. The fabric refused to adhere to the boards due to, the factory wrote us, ''the humidity caused by the monsoon.'' Each edition opens with an actual print of a three-dimensional photograph of Shalom Harlow shot by Stephane Sednaoui. Sixty more artists contributed their own sexy and suggestive imagery". The stellar contributors to this issue include editor Stephen Gan, Bill Cunningham, Steven Meisel, Bruce Weber, Ruben Toledo, Francois Berthoud, Mats Gustafson, Mario Testino, Steven Klein, David Seidner, Todd Oldham, Enrique Badulescu, Ruven Afanador, Martin Margiela, Pamela Hanson, Peter Robotham, Barbara Kruger, Nobuyoshi Araki, Nan Goldin, Ross Bleckner, David Armstrong, Jack Pierson, Steven Klein, Karen Kilimnik, Jim Hodges, Zoe Leonard, Kay Rosen, Lisa Yuskavage, Bill Jacobson, Mark Morrisroe, Bjork, and many, many more. A most handsome unnumbered hors commerce example of this uncommon issue stamped "Display Copy" by the publisher on the inside front board. It has been priced accordingly. Inventory Number: 018290

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1994. First Edition 1/1500. 4to. Loose Plates in a Portfolio. Fashion Quarterly. Very Good -/No Jacket - As Issued. Individual sheets laid into an embossed paper portfolio, profusely illustrated. Designed by Gregory Foley and Florentino J. Pamintuan. Published in an edition of one thousand, five hundred copies, this is the eleventh installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. The contributors to this issue on the theme of "White" are editor Stephen Gan, Bill Cunningham, Ruben Toledo, Francois Berthoud, Mats Gustafson, Mario Testino, Steven Klein, Michael Economy, Jeffrey Fulvimari, Peter Robotham, Florentino J. Pamintuan, Kareem Iliya, and Sachiyo Kamiya. A most presentable unnumbered hors commerce example of this uncommon issue stamped "Display Copy" by the publisher on the front of the box and the inside front cover showing some light soiling and a bit of absorbed oil to the publisher's unique debossed cardboard white cardboard slipcase. It has been priced accordingly. Inventory Number: 018288

(VISIONAIRE). Gan, Stephen, James Kaliardos & Cecilia Dean, Editors. New York: Visionaire Publishing, 1992. First Edition 1/1500. 4to. Pictorial Boards. Fashion Quarterly. Near Fine/No Jacket - As Issued. 12pp, 10 illustrations in color and b&w. Published in a numbered edition of one thousand five hundred copies, this is the sixth installment of everyone's favorite long-running fashion quarterly, Visionaire. The contributors to this elaborately designed issue on the theme of "The Sea" are editor Stephen Gan, Elaine Gan, Ruben Toledo, Adeline Andre, Pierre et Gilles, David McDonough, Juan Botas, Bernard Figueroa, Satoshi Saikusa, Karen Park, Stephane Sednaoui, Olivier, Guillemin, J.C, de Castelbajac, Edward Maxey, Guzman, Ted Muehling, Don Freeman, and Sybilla - who has designed a black anodized fish brooch especially for this. A most handsome individually numbered example of the uncommon inaugural Summer 1992 issue. Inventory Number: 018287

(WEBER, BRUCE). Weber, Bruce, Nan Bush.. New York: Little Bear Press, I00201202, 2020. First Edition 1/1000. 4to. 1/4 Linen Over Wrappers. Photography Monograph. As new./No Jacket - As Issued.

176pp, profusely illustrated in color and duotone. Art Director - Nathaniel Kilcer.

"Nothing endures but change — heraclitus

Our human capacity for transformation, and the freedom that implies, is very much at the heart of this latest edition of Bruce Weber’s “All-American” journal. Time will tell what any of us become—and the subjects of this year’s volume reveal the myriad ways that mutability can be a power and a revelation. Bruce’s long-time friend Kurt Markus shares photographs of his children, who now, as adults, reflect on the experience of being his subject. Patrice Calmettes, the beloved Parisian character, opens his personal archive—sharing images of ‘70s and ‘80s decadence with his evolution as a photographer. Noted film and stage biographer James Grissom offers a personal essay about the desires and perils of growing up in Baton Rouge. The paintings of the American artist John Koch suggest a
world of mystery and secrecy among the virtuoso compositions of his domestic scenes. And in this 21st edition, Bruce Weber celebrates a group of powerful women whose dedication to changing the world is a continual inspiration. Cheryl Little, Esq. and the Honorable Rosemary Barkett articulate the contradictions and paradoxes of our national debate over immigration. Gianna Cerbone’s devotion to Long Island City affirms the old-school values of community connection. And the model-turned-animal rights advocate Jane Gill narrates her story, and in so doing, demonstrates how one’s ability to adapt is at times a salvation." A brand new, most handsome example still in the publisher's shrinkwrap. 9780578314181 Inventory Number: I00211217

(WEBER, BRUCE). Weber, Bruce, Nan Bush, Nathaniel Kilcer & Matthew Richards, Editors. New York: Little Bear Press, 2017. First Edition. 4to. 1/4 Linen Over Wrappers. Photography Monograph. As New.. np (200pp), profusely illustrated in duotone and color. Art Director - Nathaniel Kilcer. XXX In this seventeenth edition of his annual arts journal, Bruce Weber considers the wisdom of the experienced and the conviction of the young as a framework for hope in disorienting times. He profiles the veteran stage actor Cherry Jones and the long-time CBS news anchor Bob Schieffer, whose respective careers stand as testaments to personal ingenuity, common sense, and the power of adaptability. The uncommon life of the late philanthropist and entrepreneur Jay Weiss - a pillar of the Miami community - is narrated with humor and candor by two of his daughters, Jennie Weiss Block and Laurie Weiss Nuell. Patti Ragan, the founder of the Center for Great Apes, shares her devotion to primates abandoned by the entertainment industry. In addition to these profiles, Weber presents photo essays devoted to Sergeant James Jensen IV, a decorated Army veteran trying to navigate the return to civilian life, and Marge Winski, the soulful lighthouse keeper who stands watch over Montauk Point on the East End of Long Island, NY. "All-American XVII: Glory Be" is also rich with original commissioned works. Noe Dewitt documents the final days of Saint Anthony, a parochial school in Jersey City, in a story that explores the unique relationship between its celebrated basketball coach, Bob Hurley, and one of his last star players, R.J. Cole. An all-star lineup of contemporary women photographers - Lynda Churilla, Stef Mitchell, Yelena Yemchuk, and Olivia Bee - reflect on the experience of chronicling the Women’s March in Washington, D.C. earlier this year. And Joel Griffith presents a highly personal, contemplative study of The Rockaways - a quiet corner of Queens that mirrors the hopes and contradictions of New York City at large. The journal closes with a heartfelt dedication to Sam Shepard - the celebrated author, playwright and a frequent subject of Weber’s lens". A brand new, most handsome example still in the publisher's shrinkwrap. Inventory Number: 027618

(WEBER, BRUCE). Weber, Bruce, Nan Bush, Nathaniel Kilcer, Matthew Richards & Skylar Pittman, Editors. Kempen, GERMANY & New York: teNeues Publishing Group, 2013. First Edition 1/5000. 4to. Wrappers in Pictorial Slipcase. Photography Monograph. As New.. np (192pp), profusely illustrated in duotone and color. Art Director - Nathaniel Kilcer. "The latest volume in Bruce Weber's ongoing literary and art journal series celebrates individuals whose risk-taking and personal vision set them apart from the crowd. There's a common enthusiasm running through this volume, a sense that this cast of characters - be they subjects of the book or contributors to it - was born ready to stand up, face the odds, and declare themselves unabashedly to the world. The book opens with a poem about Basketball by Sherman Alexie. A new commission by Sean Thomas finds him back in his hometown of Omaha, Nebraska, documenting the teen rites of passage that pile up at the end of high school: senior prom, first romances, lazy summer jobs. Then Bruce Weber's first story in the book is a profile of Father Gregory Boyle, founder of Homeboy Industries - the pioneering Los Angeles-based gang intervention and rehabilitation program. From there All-American travels to Harlem with Lisa Eisner, whose commissioned story about Amateur Night at the Apollo becomes a love poem to the vibrant neighborhood. Weber's second contribution is a profile of the charming and eccentric Mickey Wolfson, whose extraordinary collection of furniture, paintings, books, prints, and decorative objects became the Wolfsonian Museum in Miami, Florida. A portfolio of paintings by the Palm Beach society fixture Ralph Wolfe Cowan presents everyone from Doris Duke to Johnny Mathis to Princess Grace in the most ethereal and unexpected light. All-American then traces one woman's personal struggle for justice through exclusive images from the personal archive of Edith Windsor, whose Supreme Court case resulted in the overturning of the Defense of Marriage Act (DOMA) earlier this year. This story also features portraits by Bruce Weber and photographs by Poppy De Villeneuve. All-American Volume Thirteen closes with an in-depth look at the world of professional motocross racing. Bruce Weber traveled this summer to Southwick, Massachusetts together with photographers John Scott and Michael John Murphy to capture stars like Ryan Dungey and James Stewart racing against a host of up-and-comers". As with all of the "All-American"s, the quality of the design, paper and printing is impeccable. Not unlike the previous books, there will be only one printing of this title. A brand new, pristine example in slipcase in the publisher's shrinkwrap, as issued. 3-8327-9735-1 Inventory Number: 022862

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. Paris: XXe Siecle (Vingtieme Siecle), 1957. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Near Fine.. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Wassily Kandinsky. This eighth installment of San Lazzaro's deluxe, semi-annual art periodical features two original color pochoirs by Jean Dubuffet, and one each by Jean Arp and Jean Miro; who also has contributed an original color lithograph (entry number forty in Patrick Cramer's "Joan Miro: The Illustrated Books - Catalogue Raisonné). The contents include contributions on or by Maria Luz, Marcel Duchamp, Robert Lebel, Jean Arp, Patrick Waldberg, Max Ernst, Pablo Picasso, Jean Cassou, Wassily Kandinsky, Pierre Volboudt, Paul Klee, Will Grohmann, Joan Miro, Pierre Gueguen, Jean Dubuffet, Georges Ribemont-Dessaignes, Gilioli, Jacques Dopagne, Jean Fautrier, Andre Verdet, Giuseppe Marchiori, Alain Boaquet, Cesar, Pietro Consagra, Umbro Apollonio, Signori, Robert Muller, Georg Schmidt, Futurism, Giuseppe Capogrossi, Fernand Leger, Henri Matisse, Manessier, Franco Gentelini, Alberto Burri, Atlan, Zoran Music, Jackson Pollock, and more. A bright, most handsome example. Inventory Number: 016583

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. Paris: XXe Siecle (Vingtieme Siecle), 1952. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Very Good.. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Guillaume Apollinaire. This third installment of San Lazzaro's deluxe, semi-annual art periodical features original lithographs by Jean Miro, Alexander Calder, Henri Michaux, and Alberto Giacometti. The contents include contributions on or by Herbert Read, Guillaume Apollinaire, Futurism, Gino Severini, Poetry and Text in Art, Jean Arp, Jean Cassou, Jean Miro, Alexander Calder, Pierre Courthion, Henri Michaux, Michel Tapie, Blaise Cendrars, Max Jacob, Salvador Dali, Alberto Giacometti, Paul Eluard, Milena Milani, Wassily Kandinsky, Robert Motherwell, American Abstract Art, Michel Seuphor, Antonio Corpora, Gustave Singier, Julio Gonzalez, Amodeo Modigliani, Henri Laurens, Frank Lloyd Wright, Igor Stravinsky, Vittorio De Sica, and more. A handsome example showing a slight soft crease through the textblock at the lower foredge corner. Inventory Number: 016582

. 1995. np, This artists' book consists of 16 typographic pieces, and is printed by the Coracle Press. This is from the limited edition of 500 hardbound copies in lemon yellow cloth, signed by the artist. A handsome example. Inventory Number: 004676

Alva, Robert "Wisk" & Robert "Relax" Reiling. Roger Yale, Editor. Los Angeles: Alva & Reiling Publications, 2005. First Edition #108/300 Deluxe. Oblong 4to. Pictorial Boards, Boxed. Fine/No Jacket - As Issued. 448pp, profusely illustrated in color. "The History of Los Angeles Graffiti Art" is a series of four books that will cover the years 1983 to 2005. Volume 1 is based on the years 1983 to 1988, and is the starting point to the real story behind the movement that began in the early 1980s. It documents all aspects of Los Angeles Graffiti Art, providing an unbiased look into this world through the eyes of the people that have lived it. Within the book, you will discover the truth behind the photos and stories - all interviews and DVD slideshows are uncut and real. It's exciting and fresh to the point of understanding our culture, without cutting it up". This unprecedented, gigantic, full color encyclopedic document is divided into the following chapters: "Spotlights" - a special tribute to all writers who made significant contributions and influences to the L.A. Graffiti scene; "Pieces / Burners" - showcasing familiar works as well as numerous lost and legendary Pieces / Burners; "Battles" - a special section dedicated to L.A.'s first battles between some of its most prolific crews and writers of the first era; "Blackbooks" - historical detailed drawings done within writers' sketchbooks; "Articles" - reproductions of newspaper and magazine pieces related to historical L.A. Graff subject matter; and "R.I.P." - memorials for all respected deceased Los Angeles Graffiti writers. Perhaps most significantly, a DVD is included with each book that contains over thirty slide shows by various L.A. writers. Shot by the authors (who are respected members of the L.A. Graff scene themselves) for this project, it contains exclusive commentaries by the graffiti writers that allow them to breathe life into their own work - uncut, raw and true - and the reader to be able to place a voice on the parade of images. A brand new, most handsome example of the deluxe edition of this uncommon historical document - only twelve copies of the trade edition are currently cited in OCLC WorldCat - housed in the publisher's elaborate printed cardboard box limited to three hundred NUMBERED (108/300) copies whose book and the interior of the box have additionally been BOLDLY TAGGED "RELAX" by artist and author Robert "Relax" Reiling in thick silver marker. 1-59975-146-1 Inventory Number: 027717

Author Not Stated. NP. ND.: NP. Edition Not Stated - Presumed First. 4to. Scrap Book Binder. Poster Monograph. Fine/No Jacket - As Issued. np (74pp) + np (24pp), 102 black and white mounted photographs + 36 b&w illustrations. This is a hand-assembled scrapbook album that has been filled with black and white photographs loosely inserted into corner mounts reproducing one hundred and two posters issued in conjunction with the United States' participation in the First World War. While not dated, its general appearance and the sulfurous nature of the pages give the impression that this dates to the first half of the twentieth Century. A most handsome example of this unique album bearing the vintage Ex Libris bookplate of Charles L. Heartwell who we suspect must be the compiler into which has been laid a Fine condition copy of "Recruiting Posters Issued by the U.S. Navy Since the Declaration of War" issued in 1918 by the Press of the U.S. Navy Recruiting Bureau that features images of works by the likes of J.C. Leyendecker, Frank Brangwyn, Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, and many more. Inventory Number: 026955

Bell, Edna & Mari Evans. Santa Barbara, CA: UCEN Art Gallery, University of California, Santa Barbara, 1975. First Edition. 8vo. Printed Wrappers. Exhibition Catalog. Fine.. viii + 42pp, 38 b&w illustrations. Designed by Shirley Kennedy. With artist biographies and an exhibition checklist. This is the catalogue published in conjunction with a 1975 exhibition of work by twenty-five black women artists presented on the occasion of the University of California, Santa Barbara's fourth annual Black Culture Festival. Included here are Cherlyn Delores Bell, Melonee T. Blocker, Gloria R. Bohanon, Elizabeth Catlett, Barbara Dumetz, Mkele Egozi, Brenda Lipscombe Fakeye, Duneen Farrell, Nanette Hayles, Varnette Honeywood, Suzanne Jackson, Rosalind Jeffries, Lizzetta Lefalle, Samella S. Lewis, Diane McClinton, E.J. Montgomery, Jessie Lane Moore, Betty Mosley, Monica D. Pecot, Angela Perkins, Georgette Seabrooke Powell, Leslie Ann Robinson, Donna D. Simmons, Gloria Brown Simmons, Carole Jean Wayner, and Cynthia J. White. A bright, most handsome example of this exceedingly uncommon - only six copies are currently cited in OCLC WorldCat - document. LC 75-24823 Inventory Number: 027611

Bepler, Sine, Jens Hoffmann, Jonathan Napack & Philip Tinari. Sine Bepler & Uta Grosenick, Editors. Koln, GERMANY: Verlag Der Buchhandlung Walther Konig, 2007. First Edition. Oblong 4to. Cloth in Illustrated Jacket. As New/As New. 252pp, 150 color and 50 b&w illustrations. Text in English and Chinese. "Since its establishment in 1996, ShanghART gallery has fostered and embraced radicalism and diversity in Shanghai art. Located initially in a downtown hotel and thereafter in an old workshop in Fuxing Park, the gallery quickly became an international reference point for contemporary Chinese art. Today it is regarded as one of the country's most acclaimed and innovative cultural spaces. This publication is structured as a virtual exhibition, documenting key works by thirty-one represented artists including Ding Yi, Geng Jianyi, Hu Jieming, Hu Yang, Ji Wenyu, Li Shan, Liang Yue, Lu Chunsheng, Feng Mengbo, Pu Jie, Song Tao, Shen Fan, Shi Yong, Tang Guo, Tang Maohong, Wei Guangqing, Wang Guangyi, Wang Youshen, Wu Yiming, Xiang Liqing, Xue Song, Xu Zhen, Yang Fudong, Yang Zhengzhong, Yu Youhan, Zhao Bandi, Zhou Zixi, Zeng Fanzhi, Zhang Enli, and Zhou Tiehai, as well as the gallery's own development. Its essays chronicle the history of the emergent Chinese art scene and detail the radical sociopolitical and cultural changes of the past decade". 3-86560-200-2 Inventory Number: 014337

Bland, Jr., C.W., Tyson Wellman Reilly & Michelle Aaronson, Editors. San Diego, CA: Socio Library, 1971. First Edition. 4to. Stapled Illustrated Wrappers. Erotic Periodical. Fine.. 62pp, profusely illustrated in color and b&w. Published in the wake of Masters and Johnson's landmark studies "Human Sexual Response" and "Human Sexual Inadequacy", the Socio Library's six volume "Photo-Illustrated Encyclopedia of Deviant Sexual Behavior" is notable for its hard core pornographic approach to scholarship. This third installment contains explicitly illustrated contributions on the subjects of Femoralism, Fetishism, Flagellation, Frictation, Frottage, Gerontophilia, Graophilia, Group Sexuality, Hermaphroditism, Homosexuality, Hyperaesthesia, Incest, Indecent Exposure, Inunctionism, Lesbianism, and Lingerie Fetishism. A most handsome example of this uncommon item showing a tiny vintage "Pacific News" distribution sticker on the front cover. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 022713

Bond, Henry, Andrea Schlieker, Editors. Bernard, Cindy & Cesare Pietroiusti. London: Serpentine Gallery, 1992. First Edition. Large 4to. Stapled Wrappers in DJ. Exhibition Catalog. As New./As New.. 24 + 40pp, 23 b&w illustrations (in volume one). With biographies. With texts by Henry Bond, Liam Gillick, Ian Jeffrey, Robert Nickas, Eric Troncy, Angela Vettese, Benjamin Weil. This is the two-volume set documenting the contemporary survey "Exhibit A" featuring Cindy Bernard, Mat Collishaw, Dominique Gonzalez-Foerster, Marco Mazzucconi, Hirsch Perlman, Cesare Pietroiusti, Sam Samore, and Catherine Yass held at London's Serpentine Gallery in 1992. A pristine set, with the publisher's printed wraparound band, as issued. 1-870814-51-7 Inventory Number: 011534

Bradley, Peter, Jefferee James, Steve Cannon, Clement Greenberg & Simone Swan. Houston, TX: The Menil Foundation, 1971. First Edition. Oblong 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 74pp, profusely illustrated in color and b&w. With an exhibition checklist and artists' biographies. “In late spring 1971, businessman and philanthropist John de Menil approached New York-based artist and curator Peter Bradley to organize an exhibition in Houston of art by Black artists after a series of high-profile controversies surrounding shows of Black art in both Houston and New York. “The De Luxe Show” was the resulting exhibition held from August to September 1971 at the De Luxe Theater in Houston's Fifth Ward. Organized by Bradley and de Menil with the mission of bringing contemporary art into a low-income, predominantly Black community, The De Luxe Show was one of the first racially integrated art exhibitions in the United States and featured some of the most acclaimed artists of the era as well as several emerging artists who would go on to become widely recognized.” The full roster consisted of Peter Bradley, Darby Bannard, Anthony Caro, Dan Christensen, Ed Clark, Frank Davis, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel LaRue Johnson, Al Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams, and James Wolfe." A most handsome example of the now uncommon document of this historic exhibition. Inventory Number: 027683

Cardinal, Roger. London: Studio Vista, 1972. First Edition. 8vo. Gilt Stamped Cloth. Art History Monograph. Very Good/No Jacket. 192pp, profusely illustrated  in b&w + color cover. In a protective clear acetate dustwrapper. This is Roger Cardinal's groundbreaking 1972 survey of art produced over the preceding Century by the mentally ill and outliers of various stripes. He gave the name for their creations "Outsider Art" - the term that is now commonplace for this genre fifty years later. A number of the artists celebrated here received their first scholarly recognition in these pages. These include Aloise (Corbaz), Karl Brendel (Genzel), Gaston Chaissac, Ferdinand Cheval, Joseph Crepin, Jules Dou, Madge Gill, August Klotz, Johann (Knupfer) Knopf, Augustin Lesage, Peter Moog, Heinrich Anton Muller, August Neter (Natterer),Simon Rodia, Clarence Schmidt, Friedrich Schroder-Sonnenstern, Scottie Wilson (Louis Freeman), and Adolf Wolfli. An internally bright, handsome example of the uncommon 1972 first Studio Vista hardbound edition of this landmark survey lacking its dust jacket showing some mild foxing along the top edge of the textblock along with a bit of wear and rubbing to the cloth of the rear cover. It has been priced accordingly. 0-289-70168-6 Inventory Number: 027069

Casciani, Stefano, Giannino Malossi, Carlo Romano & Nigel Whiteley. Giannino Malossi, Editor. Milan, ITALY: Electa Editrice, 1990. First English Language Edition. Stout 8vo. Illustrated Boards in Slipcase. Exhibition Catalog. As New/No Jackets - As Issued. 210 + 158pp, profusely illustrated in color and b&w. Text in English. Designed by Italo Lupi. This is a totally amazing two volume publication documenting the new art, architecture, cinema, design, fashion, music and popular culture in Europe (with the primary focus on Britain) during the Swingin' Sixties! Issued in conjunction with a 1990 Italian exhibition, everyone who was anyone is here including The Mods, The Rockers, The Situationists, Richard Hamilton and The Independent Group, The Beatles, The Who, Allen Jones, Peter Blake, David Hockney, Roy Lichtenstein, Joe Colombo, Archigram, Stanley Kubrick, The Fool, Pierre Cardin, Ungaro, Paco Rabanne, Mary Quant, and many, many, more. A pristine, still shrinkwrapped set along with the exhibition commissioned documentary "The Sixties in Moving Images" on video cassette housed in the publisher's printed cardboard slipcase, as issued. 88-435-3269-3 Inventory Number: 023825

Chaich, John and Todd Oldham. Pasadena, CA: Ammo Books, 2017. First Edition. 10 1/4 x 8 1/4", Small 4to. Hardcover. New/No Jacket - As Issued. 192pp, profusely illustrated in color and b&w. "Queer Threads: Crafting Identity and Community" spotlights an international, intergenerational, intersectional mix of thirty artists who are remixing fiber craft traditions, such as crochet, embroidery, quilting, and sewing, while reconsidering the binaries of art and craft, masculine and feminine, and gay and straight. Designed by Todd Oldham and edited by John Chaich, "Queer Threads" features full-color spreads of each artist's work, along with intimate details of selections and artist studios, as well as an introductory essay by Chaich, who curated the exhibition of the same name that inspired this book.To further examine how queerness informs their work in fiber and textiles, or vice versa, the artists are interviewed by makers and thinkers from the worlds of dance, design, fashion, media, music, museums, scholarship, and more—many members of the LGBTQ+ community themselves, and otherwise passionate allies. Smart yet playful, critical yet celebratory, the resulting dialogues are as colorful, challenging, personal, and universal as the works discussed and talents showcased. Queer Threads is not just an exploration of fiber art and crafts, but also a celebration of the creativity, diversity, and vibrancy of contemporary queer culture. A brand new, most handsome example of this now sadly out of print gem. 9781623261054 Inventory Number: E000QT

Cohen, Arthur A.. New York: Ex Libris, 1982. First Edition. 4to. Stapled Pictorial Wrappers. Bookseller's Catalogue. Fine.. np (30pp), 62 b&w illustrations. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender hord serie catalogue was devoted entirely to The Bauhaus and its impact - featuring one hundred and ninety fully described original photographs, weavings and textiles, drawings, books, periodicals, pamphlets, and printed ephemera related to the likes of Josef Albers, Herbert Bayer, Aenne Biermann, Walter Dexel, T. Lux Feininger, Walter Gropius, Joannes Itten, Paul Klee, El Lissitzky, Hannes Meyer, Ludwig Mies Van Der Rohe, Lucia Moholy, Laszlo Moholy-Nagy, Xanti Schawinsky, Oskar Schlemmer, Joost Schmidt, Thonet, Jan Tschichold, "Umbo" (Otto Umbehrer), Theo Van Doesburg, and many, many others. And while at the time of its publication the prices here seemed astronomical, some thirty-five odd years later they are finally downright bargains! A most handsome example this uncommon reference. Inventory Number: 025895

Cohen, Arthur A.. New York: Ex Libris, 1981. First Edition. Tall Narrow 8vo. Stapled Printed Wrappers. Bookseller's Catalogue. Near Fine.. np (18pp), 17 b&w illustrations. With a bibliography. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender eighteen page hors sequence catalogue describes sixty-one books, catalogues and printed works of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Natalia Goncharova, Iliazd, Velimir Khlebnikov, Mikhail Larionov, El Lissitzky, Kazimir Malevich, Alexandr Rodchenko, Olga Rozanova, Vladimir Tatlin, and many others. And while at the time of its 1981 publication the prices here seemed astronomical, some thirty-five years later they are finally downright bargains! A handsome example of this uncommon reference. Inventory Number: 025894

Cohen, Arthur A.. New York. ND (circa 1988).: Ex Libris. First Edition. Tall Narrow 8vo. Stapled Illustrated Wrappers. Bookseller's Catalogue. Fine.. np (48pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number eighteen features fifty-two fully described and illustrated exceptional works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on or by the likes of Hans (Jean) Arp, Broom, Francesco Cangiullo, Fortunato Depero, Andre Derain, Marcel Duchamp, Max Ernst, Die Flaeche, Fluxus, Natalia Goncharova, Wassily Kandinsky, Valentina Kulagina, Fernand Leger, El Lissitzky and Mayakovsky, Kazimir Malevich, Henri Matisse, Bruno Munari, Diter Rot (Dieter Roth), Kurt Schwitters, Surrealism, Ladislav Sutnar, Yves Tanguy, Tato (Guglielmo Sansoni), Tolschin, H. Th. Wijdeveld, Tristan Tzara, Frank Lloyd Wright, Piet Zwart, and more. And while at the time of its publication the prices here seemed astronomical, some thirty years later they are finally downright bargains! A bright, most handsome example of this uncommon reference with the original price list additionally laid in. Inventory Number: 025893

Cohen, Arthur A. & Luce Marinetti. New York: Ex Libris & Prakapas Gallery, 1985. First Edition. 4to. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. np (20pp), 16 b&w illustrations. Designed by Tamar Cohen. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender publication was the catalogue for a 1985 exhibition held concurrently at Ex Libris and Prakapas Gallery of Italian Futurist works on paper by Fidele Azari, Emilio Buccafusca, Mario Carli, Francesco Cangiullo, Pasqualino Cangiullo, Luciano De Nardis, Ugo Giannattasio, F.T. Marinetti, Angelo Rognoni, and Lucio Vernna (Landsmann). A most presentable example of this uncommon ephemeral item that was the only printed documentation of the event showing some light soiling and handling creases to its rear cover. Inventory Number: 025896

Cohen, Arthur A. & Trevor Winkfield. New York: Ex Libris, 1983. First Edition. 4to. Wrappers in Illustrated Jacket. Bookseller's Catalogue. Near Fine./Fine.. np (76pp), profusely illustrated in b&w. Designed by Tamar Cohen and Elaine Lustig Cohen. With a bibliography. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number ten was devoted entirely to Dada material - featuring three hundred and thirty-six fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on or by the likes of Hans Arp, Hugo Ball, Andre Breton, Marcel Duchamp, Max Ernst, George Grosz, Raoul Hausmann, John Heartfield, Richard Huelsenbeck, Marcel Janco, Alfred Jarry, Man Ray, Francis Picabia, Hans Richter, Kurt Schwitters, Tristan Tzara, Theo Van Doesburg, and many, many others. And while at the time of its 1983 publication the prices here seemed astronomical, some thirty-five years later they are finally downright bargains! A most handsome example of this uncommon reference in a like dust jacket. Inventory Number: 025890

Cohen, Arthur A. & Trevor Winkfield. New York. ND (circa 1976).: Ex Libris. First Edition. 4to. Printed Wrappers. Bookseller's Catalogue. Very Good.. np (152pp), profusely illustrated in b&w. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number three features nine hundred and eighty-five fully described and indexed original works, photographs, posters, books, periodicals, pamphlets, and printed ephemera on the subjects of Guillaume Apollinaire, Architecture, Expressionism, Illustrated Books and Livres de Peintre, Alfred Jarry, Periodicals and Annuals, Photographs and Photogravures (including a large collection of plates from "Camera Work"), Photography and Film, and Surrealism. And while at the time of its 1976 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! A handsome example of this uncommon reference showing a bit of light sunning to the covers along with its title added discreetly in ink to the spine. Inventory Number: 015159

Cohen, Arthur A. & W. Michael Sheehe. New York: Ex Libris, 1977. First Edition. 4to. Illustrated Wrappers. Bookseller's Catalogue. Very Good.. np, profusely illustrated in b&w. Designed by Elaine Lustig Cohen. With an index and bibliography. In a protective clear acetate dustwrapper. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. Catalogue number six was their piece de resistance - with four hundred and thirty-four fully described and indexed books, periodicals, pamphlets, and posters of the Russian Avant-Garde by the likes of Natan Altman, Yurii Annenkov, David Burliuk, Vladimir Burliuk, Marc Chagall, Vasilii Ermilov, Alexandra Exter, Pavel Filonov, Naum Gabo, Natalia Goncharova, Vasilii Kamensky, Vasilii Kandinsky, Ivan Kliun, Gustav Klucis, Petr Konchalovsky, Mikhail Larionov, V. Lebedev, El Lissitzky, Kazimir Malevich, Mikail Matiushin, Petr Miturich, Liubov Popova, Ivan Puni, Alexander Rodchenko, Olga Rozanova, Georgii Stenberg, Vladimir Stenberg, Vavara Stepanova, Vladimir Tatlin, Alexandr Vesnin, and many, many others. It contains over five hundred additional items related to F.T. Marinetti and Italian Futurism, De Stijl, The Bauhaus and its Legacy, and Eastern European & German books, periodicals, graphics and photographs. And while at the time of its 1977 publication the prices here seemed astronomical, some forty years later they are finally downright bargains! An internally most handsome example of this uncommon reference showing wear, rubbing, and some sunning along the spine of its graphically striking covers. LC 77-71400 Inventory Number: 025835

Cole, Herbert M.. Los Angeles: Los Angeles County Museum of Art, 1983. First Edition. 8vo. Stapled Illustrated Wrappers. Good -.. 29pp, profusely illustrated in b&w. With a bibliography and exhibition checklist. Published in conjunction with a 1983 Los Angeles County Museum of Art exhibition, this is noted art historian and curator Herbert M. Cole's study of matched pairs of male and female sculptural figures in the art of Sub-Saharan Africa. A presentable example only showing a discoloring dampstain (but with no sticking or tearing of the pages) running through the covers and textblock from the heel of the spine along the lower edge. It has been priced accordingly. Inventory Number: 018963

Cortes, Jose Miguel G.. San Sebastian, BASQUE: Koldo Mitxelena Kulturunea, 1997. First Edition. 4to. 1/4 Cloth Over Silk Boards. Exhibition Catalog. Fine./No Jacket - As Issued. 344pp, profusely illustrated in b&w. Text in Basque and Spanish, with an English summary. With a bibliography and filmography. This is the amazing catalogue produced in conjunction with a 1997 Spanish Museum exhibition whose English title translates as "The Veiled Face: Transvest[it]ism and Identity in Art". The premise of the show was to provide a comprehensive survey of Drag, Cross Dressing, Transvestitism, and the Transgendered as subject matter in contemporary art and film. The artists whose work is presented here are Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. A brand new, most handsome example. 84-7907-214-8 Inventory Number: 011658

Cuno, James, Michel Melot, Lynn Hunt, Claude Langlois, Ronald Paulson, Albert Boime & Klaus Herding. Lynne Hockman, Editor. Los Angeles: Grunwald Center for the Graphic Arts & Wight Art Gallery, University of California, Los Angeles, 1988. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. As New.. 282pp, profusely illustrated in b&w and color. With a bibliography. This is the scholarly, well-illustrated catalogue published in conjunction with the 1989 Grunwald Center for the Graphic Arts at the University of California Los Angeles exhibition of one hundred and ninety caricatures on paper related to the events of the French Revolution. Drawn from the collection of the Bibliotheque Nationale de France, it includes works by Jacques-Louis David, Jean-Francois Janinet, Philibert-Louis Debucourt, Villeneuve, Louis-Jean Allais, Bernier, Salvatore Tresca, and many more - mostly anonymous. A brand new, pristine example still in the publisher's shrinkwrap. 0-943739-05-5 Inventory Number: 015099

Develing, E. & Shirley Blum. Riverside, CA: Art Gallery, University of California, Riverside, 1970. First Edition. 4to. Stapled Printed Wrappers. Exhibition Catalog. Near Fine.. 20pp, 4 b&w illustrations. With bibliographies. This is the minimally-appointed catalogue published in conjunction with a 1970 Art Gallery, University of California, Riverside exhibition of sculptural works by American Minimal pioneers Carl Andre, Dan Flavin, Donald Judd, and Robert Morris. A glossy, most handsome example of this exceedingly uncommon item showing some very light handling and ink transfer from rubbing to its grey covers. Inventory Number: 025915

Donnan, Christopher B.. Los Angeles: UCLA Latin America Center Publications / University of California, 1976. First Edition. 4to. Boards in Dust Jacket. Very Good/Very Good -. 146pp, 128 b&w and 16 color illustrations. With a bibliography. Published by the UCLA Latin America Center in 1976, this is the second monograph devoted to Moche material culture written by the preeminent American researcher on the subject, Christopher Donnan. A handsome example bearing a bold ink ownership inscription of the noted late Los Angeles artist and collector Emerson Woelffer in his hand on the first preliminary whose dust jacket shows a short closed tear with some attendant creasing on the front near the crown of the spine. 0-87903-033-X Inventory Number: 016169

Driskell, David C.. Los Angeles & New York: Los Angeles County Museum of Art & Random House, 1976. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 222pp, profusely illustrated in b&w with a full-color cover illustration. This is the catalogue published in conjunction with an important 1966 traveling California Museum exhibition curated by Howard University's pioneering African-American art historian, artist, and educator James A. Porter enttitled "The Negro in American Art". The show featurrd work by such noted artists as Edward Bannister, Romare Bearden, Edward Bereal, Aaron Douglas, David Driskell, Robert Duncanson, Melvin Edwards, Sam Gilliam Jr., Marvin Harden, Richard Hunt, Sargent Johnson, Jacob Lawrence, Horace Pippin, Noah Purifoy, Betye Saar, Raymond Saunders, Henry Ossawa Tanner, Robert Thompson, Ruth Waddy, Charles White, and many others. A handsome example of this significant document showing some light overall wear and soiling. Inventory Number: 027488

Drucker, Barbara & Michael Darling + Christiane Paul, Erkki Huhtamo & N. Katherine Hales. Los Angeles: The Regents of the University of California, Los Angeles, 2006. First Editions. 4to. Embossed Linen Over Boards. Exhibition Catalogs. Fine/No Jackets - As Issued.. 80 + 112 + 8pp, profusely illustrated in color and b&w. Designed by Lorraine Wild and Robert Ruehlman, Green Dragon Office + Simon Johnston. Published in conjunction with the opening of the Richard Meier & Partners-designed Eli and Edythe Broad Art Center on the campus of UCLA, these three volumes comprise a deluxe set issued hors commerce for dignitaries and contributors. For the first volume, "Sixteen Tons", curator Michael Darling selected work by John Baldessari, Jennifer Bolande, Chris Burden, Barbara Drucker, Roger Herman, Mary Kelly, Paul McCarthy, Catherine Opie, Hirsch Perlman, Lari Pittman, Charles Ray, Nancy Rubins, Adrian Saxe, Don Suggs, James Welling and Patty Wickman - the sixteen faculty artists that make up this elegant catalogue. Curated by Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, "Second Natures" features the work of UCLA Department of Design/Media Arts faculty members Rebecca Allen, Robert Israel, Rebeca Méndez, Vasa Mihich, Christian Moeller, C.E.B. Reas, Jennifer Steinkamp, and Victoria Vesna. Also included is a slender pamphlet noting the opening of the Center, the contributions of architect Richard Meier, and the installation of a monumental sculptural work by Richard Serra. A brand new, pristine set of the three volumes held together by the publisher's printed band, as issued. Inventory Number: 013028

Editions D'Art Charles Moreau. Paris. ND (Circa 1930).: Editions D'Art Charles Moreau. First Edition. Folio. 1/4 Cloth Over Boards. Good/No Jacket - As Issued. np (8pp) + 32 individual sepia-toned heliogravure plates laid in a portfolio. Text in French. This is one of several beautiful surveys of Art Deco era contemporary French sculptural decoration published by Editions D'Art Charles Moreau. Included are works by Georges Artemoff, A Bottiau et D. Gelin, Henri Bouchard, Jean Debarre, Ecole Boulle, Albert Guenot, Ecole Nationale Superieure Des Arts Decoratifs, Camille Garnier, Leon Jallot, Joel et Jan Martel, G. Miklos, Paul Poisson, and R. Pollin. The lovely gravure plates are complete and still bright showing only minor browning and the occasional slight chip at the extremities. The portfolio's decorative boards show some rubbing, chipping, bumping, and soiling but are still most presentable. The cloth ties of the portfolio are complete and still inserted, while the exterior cloth at the spine is heavily worn, torn, and frayed along the much of its length. All in all, this is a relatively well-preserved example of this handsome and desirable item from an important moment in modernist Decorative Art history. It has been priced accordingly. Inventory Number: 005327

Gagosian, Larry. Moscow: Gagosian Gallery, 2007. First Edition. 4to. Gilt-Debossed Boards. Exhibition Catalog. Fine/No Jacket - As Issued. 90pp, 40 color illustrations. Text in English and Russian. Designed by Dan Miller Design. With an exhibition checklist. This is the opulently appointed hardbound catalogue published in conjunction with the inaugural 2007 Gagosian Gallery exhibition held in Moscow. This show consisted of forty works by gallery stalwarts Cecily Brown, Glenn Brown, John Currin, Dexter Dalwood, Willem De Kooning, Tracey Emin, Tom Friedman, Douglas Gordon, Arshile Gorky, Damien Hirst, Jenny Saville, Ilya and Emilia Kabakov, Jeff Koons, Roy Lichtenstein, Sally Mann, Takashi Murakami, Marc Newson, Richard Phillips, Pablo Picasso, Richard Prince, Mark Rothko, Edward Ruscha, Richard Serra, Taryn Simon, Philip Taaffe, Cy Twombly, Piotr Uklanski, Francesco Vezzoli, Andy Warhol, and Christopher Wool. A brand new, most handsome example. 1-932598-55-3 Inventory Number: 020563

Gaines, Charles & Catherine Lord. Irvine, CA: Fine Arts Gallery, University of California, Irvine, 1993. First Edition 1/1000. 4to. Embossed and Printed Wrappers. Exhibition Catalog. Fine.. 92pp, profusely illustrated in b&w. Designed by Susan Silton. Photographs by Catherine Opie. With artists' biographies. In 1993, Charles Gaines and Catherine Lord mounted a category-breaking exhibition at the University of California, Irvine, entitled "The Theater of Refusal: Black Art and Mainstream Criticism. that featured Black artists from different generations working across Fluxus, Conceptualism, assemblage, photography and installation. Challenging the racializing of Black artists’ work, the show confronted the discourse around race difference in the United States by including excerpts of writings discussing the participating artists: Jean-Michel Basquiat, Renée Green, David Hammons, Ben Patterson, Adrian Piper, Sandra Rowe, Gary Simmons, Lorna Simpson, Carrie Mae Weems, Pat Ward Williams, and Fred Wilson. The catalogue contains essays by Gaines, Lord, and Maurice Berger along with a typographic transcription of a roundtable of between the exhibition's artists and writers. A most handsome example of the uncommon 1993 first edition of this important document limited to one thousand unnumbered copies. 1-884355-00-5 Inventory Number: 027643

Gusman, Pierre. Paris: Editions Albert Morance, 1924. First Edition. 4to. Loose Prints in a Portfolio. Fair. 16pp + 32 hand-colored plates. Text in French. With a bibliography. This lovely portfolio contains thirty-two renderings of the interiors and decorative wall paintings of classical Pompeian Villas. The text booklet and hand-colored plates by Pierre Gusman are complete, intact, and quite presentable. The exterior portfolio is lacking its cloth spine; its boards are moderately chipped, soiled, and browned with age, and both ribbon ties have torn off at the closures. It has been priced accordingly. Inventory Number: 005855

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. 2-85850-091-6 Inventory Number: 023510

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. 2-85850-091-6 Inventory Number: 023509