Arcana:

(FRIEDMAN, TOM). Friedman, Tom. Beverly Hills, CA: Gagosian Gallery, 2006. First Edition. Stout Oblong 8vo. Illustrated Wrappers. Artist's Book. Fine.. np (500pp). 500 b&w illustration. Designed by McCall Associates. Published in conjunction with Tom Friedman's 2006 Gagosian Gallery Beverly Hills installation/exhibition, "Ream" is a whimsical, brick-like back to back and upside-down artist's flip book of raw, scratchy drawings - think Alexander Calder meets Jad Fair... A most handsome copy. 1-932598-41-3 Inventory Number: 022205

(FRIEDMAN, TOM). Goodeve, Thyrza Nichols, Lawrence Douglas & Alexander George. Beverly Hills, CA: Gagosian Gallery, 2006. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 128pp. profusely illustrated in color (with several fold-out plates). Designed by McCall Associates. With an exhibition checklist, biography and exhibition history. This is the elegantly appointed hardbound catalogue published in conjunction with Tom Friedman's massive 2006 Beverly Hills Gagosian Gallery installation/exhibition. As always, a sense of wonder and refined wit pervades each one of the artist's thirty three exhibited pieces depicted here. A pristine copy still in the publisher's shrinkwrap. 1-932598-41-3 Inventory Number: 022072

(FUCHS, ERNST). Fuchs, Ernst. Salzburg, AUSTRIA: Residenz Verlag, 1970. First Edition Thus #5/200 Deluxe. 4to. Decorated Cloth in Jacket. Artist Monograph. Near Fine/Near Fine. 212pp, 106 illustrations in b&w. Text in English. Designed by Walter Pichler. "Architectura Caelestis" - subtitled "Images of the Hidden Prime of Styles" is Viennese School of Fantastic Realism member Ernst Fuchs' treatise on the significance and influence of arcane mathematics in Architectural form over the centuries. A striking production, it is illustrated by the author in black and white and bears a similarity to the self-published works of Stanislav Szukalski. A bright, most handsome example of the exceedingly uncommon 1970 Residenz Verlag deluxe slipcased edition limited to two hundred NUMBERED (5/200) copies containing two beautiful etchings NUMBERED (5/200) AND BOLDLY SIGNED "Ernst Fuchs" in pencil bound in housed in the publisher's royal blue cloth-over-boards slipcase decorated with a gilt-stamped reproduction of a drawing. The book and jacket are lovely while the cloth-over-boards slipcase shows a bit of wear along with some fraying at the joints. Inventory Number: 026585

(GAINSBOROUGH, THOMAS). Gainsborough, Thomas. Mary Woodall, Editor. London. 1961 (1963).: The Cupid Press. First Edition Thus 1/1200. 4to. 1/4 Cloth Over Marbled Boards. Artist Monograph. Near Fine/No Jacket - As Issued. 183pp, 27 b&w illustrations. This is the limited edition 1963 reprint of this typographic transcription of one hundred and eight letters and assorted writings by the renowned Eighteenth Century British painter Thomas Gainsborough. A most handsome copy. Inventory Number: 004010

(GASKELL, ANNA). Gaskell, Anna. Andover, MA: Addison Gallery of American Art, Phillips Academy, 2002. First Edition. Oblong 4to. Pictorial Wrappers. Artist's Book. As New.. np (48pp), profusely illustrated in color and b&w. Designed by Lorraine Ferguson with Anna Gaskell. Published in conjunction with a 2002 Addison Gallery of American Art exhibition, this somewhat creepy catalogue cum artist's book juxtaposes Anna Gaskell's spiky pen and ink drawings of a feminine nature with her golden-hued photographs of female bodies and appendages. A brand new, pristine example. 1-879886-49-9 Inventory Number: 024612

(GILBERT & GEORGE). Gilbert & George. London, Cologne, GERMANY & New York: Art For All & Konig Brothers, 1972. First Edition 1/600. 8vo. Debossed Linen Over Boards. Artists' Book. Fine/No Jacket - As Issued. 176pp, 85 b&w illustrations. In a protective clear acetate dustwrapper. Limited to six hundred copies, the beautifully bound "Side by Side" is the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, most handsome example in lovely hand-marbled boards of the 1972 first edition of this exceedingly uncommon item SIGNED "Gilbert & George" in red on the foreword AND NUMBERED (No. 85 of 600) on the inside rear cover, as issued. Inventory Number: 025705

(GILBERT & GEORGE). Gilbert & George. London & Koln, GERMANY: Enitharmon Editions Ltd. & Walther Konig, 2012. Second Edition (First Thus 1/2000). 8vo. Debossed Linen Over Boards. Artists' Book. As New/No Jacket - As Issued. 176pp, 85 b&w illustrations. First published in 1971 in an edition limited to six hundred copies, "Side by Side" was the very first artists' book by British conceptual duo, "the sculptors" Gilbert & George. It contains three chapters entitled "With Us in the Nature", "A Glimpse Into the Abstract World", and "The Reality in Our Living" which alternate pages of text and illustration and that "together represent a contemporary sculpture novel". A brand new, pristine example of the 2012 Enitharmon Editions Ltd. facsimile edition limited to two thousand copies each with unique covers hand-marbled linen by the artists NUMBERED (#1990/2000) AND SIGNED "Gilbert & George" in purple ink, as issued. 3-86335-268-8 Inventory Number: 023898

(GILBERT & GEORGE). Gilbert & George, Jean-Christophe Ammann & Barbara M. Reise. Luzern, SWITZERLAND: Kunstmuseum Luzern, 1972. First Edition. 4to. Printed Wrappers. Artist's Book. Good -.. np (84pp), profusely illustrated in b&w. Text in German. In a protective clear acetate dustwrapper. Published in conjunction with the 1972 Kunstmuseum Luzern exhibition entitled "The Paintings", this is the original appearance of the photographic sequence "Oh, the Grand old Duke of York" by British conceptualists Gilbert & George. Capturing the pair descending an imposing stone staircase accompanied by the repeating phrase "No UP, no DOWN", these same images were reconfigured in the form of a small 1996 flip book published Oktagon Verlag. An internally most handsome example of the exceedingly uncommon 1972 first edition whose white wrappers show age-toning, soiling and spotting along with noticeable insect damage along the top and bottom edges of the front cover. It has been priced accordingly. Inventory Number: 021309

(GOBER, ROBERT). Gober, Robert, Ulrich Loock, Karel Schampers & Trevor Fairbrother. Rotterdam, THE NETHERLANDS & Bern, SWITZERLAND: Museum Boymans-van Beuningen & Kunsthalle Bern, 1990. First Edition 1/2500. 4to. Illustrated Boards. Catalogue Raisonné. Very Good./No Jacket - As Issued. 88pp, profusely illustrated in color and b&w. Designed by 8vo. Text in English and Dutch. With an exhibition history, bibliography and biography. In a protective clear acetate dustwrapper. Published in conjunction with a comprehensive 1990 touring European Museum retrospective, this informative catalogue contains a full catalogue raisonné of ninety-one sculptural objects created by the idiosyncratic American artist Robert Gober between 1980 and 1990, as well as copious photographic documentation of installation works. A most handsome example of this uncommon item. 90-6918-054-5 Inventory Number: 018848

(GOBER, ROBERT). Simon, Joan & Catherine David. Paris: Galerie Nationale du Jeu de Paume, 1991. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 88pp, profusely illustrated in color and b&w. Text in English and French. With an exhibition checklist, history, bibliography and biography. This is the catalogue published in conjunction with a comprehensive 1991 Galerie Nationale du Jeu de Paume exhibition in Paris of sculptural and installation works by idiosyncratic American artist Robert Gober that later traveled to Spain's Museo Nacional Centro De Arte Reina Sofia. A brand new, most handsome example. 2-908901-04-8 Inventory Number: 025387

(GOBER, ROBERT). Sussman, Elisabeth. Theodora Vischer, Editor. Basel, SWITZERLAND & Gottingen, GERMANY: Schaulager Basel & Steidl, 2007. First Edition. 4to. Cloth in Pictorial Dust Jacket. Catalogue Raisonné. Fine/Fine. 520pp, profusely illustrated in color and b&w. Designed by Claas Moller at Steidl Design. Text in English. With an exhibition history, bibliography and biography. Published in conjunction with a comprehensive 2007 Schaulager Basel exhibition, this massive hardbound catalogue contains a full catalogue raisonné of sculptural objects and installations created by the idiosyncratic American artist Robert Gober between 1979 and 2007. A brand new, most handsome example. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-86521-473-8 Inventory Number: 027524

(GOLDBERG, MICHAEL). Goldberg, Michael & John Yau. New York: Knoedler & Company, 2007. First Edition 1/3000. 4to. Printed Self-Wrappers. Artist Monograph. As New.. 44pp, 17 color illustrations. With an exhibition history and biography. Published in conjunction with a recent New York gallery exhibition, this is a nicely appointed catalogue that documents sixteen recent paintings on canvas and paper by noted "second generation" American Abstract Expressionist Michael Goldberg. It also features an interview with the artist by noted critic John Yau. A pristine copy still in the publisher's shrinkwrap. 0-9789987-4-X Inventory Number: 015512

(GOLDBERG, MICHAEL). Kalina, Richard, J. Brooks Joyner & Phil Schrager. Introduction by Klaus Kertess. Omaha, NB: Joslyn Art Museum, 2003. First Edition 1/1000. 4to. Illustrated Wrappers. Artist Monograph. Fine.. 56pp, 17 color and 1 b&w illustration + color cover. With an exhibition checklist, biography, exhibition history and bibliography. Limited to one thousand copies, this is the catalogue published in conjunction with a 2003 Joslyn Art Museum exhibition of fourteen works on canvas executed between 1956 and 2002 by noted "second generation" American Abstract Expressionist Michael Goldberg. A pristine copy. 0-936364--31-9 Inventory Number: 019013

(GOLDBERG, MICHAEL). Kertess, Klaus. New York: Knoedler & Company, 2010. First Edition 1/1000. 4to. Stapled Wrappers in Jacket. Artist Monograph. Fine./Fine.. 24pp, 3 color and 3 b&w illustrations. With a collections listing. Published in conjunction with a posthumous 2010 New York gallery exhibition, this is a nicely appointed catalogue limited to one thousand copies that documents the works in red executed between 1962 and 1963 by noted "second generation" American Abstract Expressionist Michael Goldberg. A most handsome copy. 0-9820749-8-0 Inventory Number: 023030

(GOLDBERG, MICHAEL). Kertess, Klaus & Saul Ostrow. New York, Los Angeles & Chicago: Lennon Weinberg Inc., Manny Silverman & Thomas McCormick Galleries, 2003. First Edition 1/3000. Small Square 4to. Printed Wrappers. Artist Monograph. As New.. np, 18 color and 11 b&w illustrations. With an exhibition checklist, exhibition history and bibliography. Published in conjunction with a touring 2003 gallery exhibition, this is a nicely appointed catalogue documenting eighteen recent paintings on canvas by noted "second generation" American Abstract Expressionist Michael Goldberg. A brand new, most handsome example with the Manny Silverman Gallery announcement additionally laid in. 0-9671013-3-6 Inventory Number: 025215

(GOLDBERG, RUBE). Okun, Henry & Peter Selz. Berkeley, CA: University Art Museum, 1971. First Edition. Oblong 8vo. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. 32pp, 29 b&w illustrations. This charming little catalogue published in conjunction with a 1971 UC Berkeley exhibition reproduces twenty-nine (of more than five thousand!) of Rube Goldberg's witty comic strip contraption drawings donated by the artist to the Bancroft Library). A most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. LC 73-633931 Inventory Number: 024681

(GOLDSTEIN, JACK). Lebredt, Gordon. Foreword by Fiona McLeod. Edinburgh, SCOTLAND: Fruitmarket Gallery, 1988. First Edition. 4to. Illustrated Wrappers. Artist Monograph. Very Good.. 48pp, 16 color illustrations. With a chronology and exhibition history. This is the catalogue published in conjunction with a 1988 survey exhibition of sixteen large format paintings from the eighties by Jack Goldstein held at Edinburgh's Fruitmarket Gallery. An internally most handsome example of this uncommon item showing just a bit of light wear to the covers and a slight diagonal dent through the head of the spine. 0-947912-21-5 Inventory Number: 025917

(GONZALEZ-TORRES, FELIX ). Ault, Julie, Editor. Gottingen, GERMANY: Steidl Dangin, 2006. First Edition. 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. As New/As New. 412pp, profusely illustrated in color and b&w. Text in English. Designed by Pascal Dangin. With a chronology, bibliography and exhibition history. "Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to "make this a better place for everyone." Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres's ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and most significantly, the authoritative structure in which he functioned. In the spirit of the artist's method, Julie Ault has amassed a comprehensive monograph of this important artist that rethinks the very idea of what a monograph should be. The book places strong emphasis on the written word, and contains texts by Robert Storr, Robert Nickas, Russell Ferguson, Lewis Baltz, Nancy Spector, Joseph Kosuth, and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. With ample visual documentation, we see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art". A brand new, most handsome example of the 2006 first edition. 3-86521-196-8 Inventory Number: 025024

(GOODE, JOE AKA BUENO, JOSE). Goode, Joe. Jerry Sohn, Editor. Los Angeles: The Lapis Press, 1990. First Edition 1/38. Folio. Silk Over Boards in Slipcase. Illustrated Book. Fine./No Jacket - As Issued.. np (32pp), 12 color etchings. "Water" is Joe Goode's - credited as Jose Bueno - exquisite 1990 limited edition book from The Lapis Press consisting of twelve color etchings of abstracted water executed by master printer Jacob Samuel on handmade paper at Sam Francis' Litho Shop. The title page and colophon were typeset and printed by hand letterpress by Les Ferriss, with its striking Royal Blue silk binding and grey slipcase by Ulli Rotzscher. A most handsome example of the exceedingly uncommon first and only edition limited to thirty-eight copies NUMBERED (38/38) AND BOLDLY SIGNED "Joe Goode" in pencil on the title page showing just a bit of age-toning to the spine of the book and some light wear to the slipcase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025577

(GOODE, JOE). Goode, Joe. Santa Monica, CA: Jacob Samuel, 1987. First Edition 1/8. 4to. Linen Over Boards, Slipcased. Illustrated Book. Fine/No Jacket - As Issued. np (36pp), 12 white ground aquatints. Designed by Joe Goode and Jacob Samuel. "Storm Trees" is the supremely beautiful first book of the press of Santa Monica-based master printer Jacob Samuel. It is a collaboration with renowned Los Angeles (by way of Oklahoma with Ed Ruscha) artist Joe Goode featuring twelve gorgeous abstract aquatints printed at Sam Francis' Litho Shop on vintage Whitman Fine paper, bound in debossed green linen-over-boards, and housed in a blue linen slipcase. The title page and colophon were typeset and printed using a hand letterpress by Les Ferriss, with the hand-binding by Klaus-Ullrich S. Rotzscher. A brand new, most handsome example of the first product of Edition Jacob Samuel - one of only eight bound copies (with an additional two composed of loose sheets issued as artist's proofs) - BOLDLY NUMBERED (6/8) AND SIGNED "Joe Goode" in blue ink at the rear colophon, as issued, showing some trivial scuffing to its slipcase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024545

(GOODE, JOE). Goode, Joe. Jerry Sohn, Editor. Los Angeles: The Lapis Press, 1993. First Edition 1/25. 4to. Handmade Wrappers in Slipcase. Illustrated Book. Fine./No Jacket - As Issued.. np (20pp), 8 monochrome etchings. Designed by Joe Goode. In a protective clear acetate dustwrapper. "Nature's Revenge" is the beautiful 1993 Joe Goode limited edition book from The Lapis Press consisting of eight gorgeous monochrome Chine-colle´ etchings of abstracted tornados executed by master printer Jacob Samuel on Hiromi paper at Sam Francis' Litho Shop. The title page and colophon were typeset and printed by hand letterpress by Les Ferriss, and the wrappers are bound and sewn in the Japanese style using unprinted handmade Hiromi paper and housed in a like paper-over-boards slipcase by Klaus-Ullrich S. Rotzscher. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to twenty-five copies NUMBERED (22/25) AND BOLDLY SIGNED "Joe Goode" in pencil. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024163

(GOREY, EDWARD). Gorey, Edward. New York: Charles Scribner's Sons, 1979. First Edition. Folio. Spiral-Bound in Slipcase. Theater Monograph. Very Good.. 42pp, 20 monochrome illustrations + cover. In a protective clear acetate dustwrapper. This is the book of construct-it-yourself miniature sets, characters, and costumes and created by Edward Gorey for the 1978 Broadway theatrical production of Bram Stoker's "Dracula" that premiered with Raul Julia in the title role. A bright, most handsome complete and uncut example of this delightful item additionally SIGNED "Edward Gorey" in the artist's calligraphic script in ink above his crossed-through printed name on the title page - as was his custom with this title - showing an unobtrusive margin of brownish discoloration along the lower edge of the inside rear cover and last few pages. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027407

(GOTTLIEB, ADOLPH). Hirsch, Sanford & Manny Silverman. Los Angeles: Manny Silverman Gallery, 1992. First Edition 1/1500. 8vo. Illustrated Wrappers. Artist Monograph. Very Good.. 32pp, 13 color and 1 b&w illustration + color cover. Designed by Suzanne Bernstein. With an exhibition checklist, collections listing and exhibition history. This is the catalogue published in conjunction with a 1992 Los Angeles gallery exhibition of fourteen "Pictograph" works on canvas and paper by noted American Abstract Expressionist artist Adolph Gottlieb. A handsome copy showing a few creases across the spine. Inventory Number: 015713

(GRAHAM, DAN) (HASEGAWA, ITSUKO) (POINT D'IRONIE). Obrist, Hans-Ulrich & Carrie Pitto, Editors. Paris: agnès b., 1998. First Edition. Folio. Illustrated Tabloid Wrappers. Artist's Periodical. Fine.. Two 17 x 24" sheets printed color and black and white offset recto and verso, neatly folded in half vertically to make 8pp, profusely illustrated. This eighth installment of "point d'ironie" - agnès b.'s Hans-Ulrich Obrist-edited tabloid format hybrid periodical - is a collaborative project between renowned American conceptual practitioner Dan Graham and the noted Japanese architect Itsuko Hasegawa published in conjunction with the exhibition "Cities on the Move". A most handsome example of this uncommon, fragile item that was issued hors commerce - never commercially for sale - showing only some minor handling marks to its lightweight paper stock. Inventory Number: 027094

(GRAHAM, ROBERT). Gemini G.E.L.. Los Angeles: Gemini G.E.L., 1974. First Edition. 8vo. Illustrated Wrappers. Print Prospectus. Fine.. One 9 ½ x 13" cardstock sheet printed offset recto and verso, neatly folded in half as issued to make 4pp, 2 b&w illustrations. This is one of Los Angeles-based Gemini G.E.L.'s print/multiple prospectuses announcing the publication of Robert Graham's seven 1974 "Untitled" screenprints. A most handsome example of this uncommon ephemeral item with the publisher's card announcing prices and availability laid in, as issued. Inventory Number: 019706

(GREER, FERGUS) (BOWERY, LEIGH). Greer, Fergus. Foreword By Mariuccia Casadio. London: Violette Editions Limited, 2002. First Edition. 8vo. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 176pp, profusely illustrated in color and b&w. Designed by Peter B. Willberg and Zoe Symonds. This is a comprehensive collection of images by noted photographer Fergus Greer from his seven shoots between 1988 and 1994 with late, great Performance Artist/Fashion Icon/Muse/Club Kid Extraordinaire Leigh Bowery. Of course, visionary, outlandish, and fetishized outfits and personae are the order of the day here. A pristine copy of the 2002 first hardbound edition additionally BOLDLY SIGNED "Fergus Greer" in black marker on the half title page. 1-900828-19-7 Inventory Number: 027464

(GRIEGER, SCOTT). Grieger, Scott. NP (Los Angeles): Self-Published, 1970. First Edition. Oblong Small 4to. Loose Plates in a Portfolio. Artist's Book. Very Good +.. Fifteen individual 7 ½ x 10 ¼" plates printed offset recto only, 15 b&w illustrations. Self-published in 1970, "Impersonations" is Los Angeles-based artist Scott Grieger's wildly hilarious, photographically illustrated artist's book of send-ups of iconic works by many of the then-prevailing luminaries of Pop, Conceptual and Minimal Art. Using the photographic studio and some darkroom magic, the hirsute Grieger clad in jeans, desert boots, and a white t-shirt substitutes himself for artworks ranging from a Barnett Newman "zip" to one of Robert Irwin's illuminated disc paintings. The fifteen artists receiving these wry homages are Ronald Bladen, Tony DeLap, Robert Grosvenor, Irwin, Les Levine, Sol LeWitt, John McCracken, Robert Morris, Newman, Claes Oldenburg, Robert Rauschenberg, George Rickey, Richard Serra, Robert Smithson, and Ernest Trova. The "Impersonations" photographs were subsequently shown in MoMA's landmark 1970 Conceptual Art exhibition "Information", the 1972 Whitney Annual, "Los Angeles '72" at New York's Sidney Janis Gallery, and were the subject of a 2007 retrospective with catalogue at the Nora Eccles Harrison Museum of Art at Utah State University. The work fits in nicely with parallel body-centric photographic excursions by the likes of Bruce Nauman, Chris Burden and Vito Acconci - albeit with a more overt tongue in cheek approach. A bright, handsome example of this exceedingly uncommon - only five copies are currently cited in OCLC WorldCat - and underappreciated gem whose glossy white printed paper portfolio shows some typical creasing along the edges along with a slight stain at the upper right corner of the rear panel. Inventory Number: 022630

(GRIEGER, SCOTT). Grieger, Scott & Maurice Tuchman. Los Angeles: Los Angeles County Museum of Art, 1971. First Edition. 12mo. Illustrated Wrappers. Artist Monograph. Near Fine.. One continuous 7 ½ x 11 ½" cardstock sheet printed offset recto and verso, folded neatly in half to make 4pp, 1 b&w illustration. With an exhibition checklist. This is the slender four page brochure published in conjunction with a 1971 Los Angeles County Museum of Art Ahmanson Gallery exhibition of five recent "combination" works by Scott Grieger. Expanding on his earlier "Impersonations" series, the Los Angeles-based artist takes aim here at prevailing luminaries and tropes of Pop, Conceptual and Minimal Art with five works that marry the iconic imagery of Frank Stella with Donald Judd, Robert Morris with Larry Poons, Morris Louis with Sol LeWitt, Barnett Newman with Frank Stella, and Jasper Johns with Donald Judd to amusing effect. A brand new, pristine example of this exceedingly uncommon ephemeral item - only two copies are currently cited in OCLC WorldCat - that was the only printed documentation of the event. Inventory Number: 024815

(GROPPER, WILLIAM). Freundlich, August L. & William Gropper. Los Angeles & Miami, FL: The Ward Ritchie Press & Joe and Emily Lowe Art Gallery of the University of Miami, 1968. First Edition 1/150 Deluxe. 4to. Pictorial Boards in Slipcase. Artist Monograph. As New/No Jacket - As Issued. 128pp, 104 b&w and 8 color illustrations. Designed by Joseph Simon. With a chronology, exhibition history and bibliography. This is the significant monograph on the celebrated American Social Realist artist William Gropper published in conjunction with a 1968 touring retrospective exhibition circulated by the Joe and Emily Lowe Art Gallery of the University of Miami. It presents a comprehensive selection of over forty years of the artist's figurative portraits of the world's disenfranchised poor and working classes contrasted with their powerful employers and oppressors. A brand new, most handsome example of the Lowe Art Gallery deluxe edition in yellow pictorial boards housed in a yellow paper-over-boards slipcase limited to one hundred and fifty copies with the 8 ½ x 10 ½" black and white lithograph entitled "Grandfather" NUMBERED (123/150) AND SIGNED "Gropper." in pencil along the bottom margin of the recto along with the publisher's limitation slip laid in, as issued. This is separate and distinct from the edition of one hundred examples for the use of the artist that included a handful of copies bound in blue leather. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. LC 68-18437 Inventory Number: 024671

(GROPPER, WILLIAM). Freundlich, August L. & William Gropper. Los Angeles & Miami, FL: The Ward Ritchie Press & Joe and Emily Lowe Art Gallery of the University of Miami, 1968. First Edition 1/100 Deluxe. 4to. 1/4 Leather Over Boards. Artist Monograph. Very Good/No Jacket - As Issued. 128pp, 104 b&w and 8 color illustrations. Designed by Joseph Simon. With a chronology, exhibition history and bibliography. This is the significant monograph on the celebrated American Social Realist artist William Gropper published in conjunction with a 1968 touring retrospective exhibition circulated by the Joe and Emily Lowe Art Gallery of the University of Miami. It presents a comprehensive selection of over forty years of the artist's figurative portraits of the world's disenfranchised poor and working classes contrasted with their powerful employers and oppressors. A handsome example of the exceedingly uncommon ultra-deluxe edition bound in one-quarter blue leather-over-boards for the use of the artist housed in a blue paper-over-boards slipcase limited to one hundred copies with the 8 ½ x 10 ½" black and white lithograph entitled "Grandfather" NUMBERED (84/100) AND SIGNED "Gropper." in pencil along the bottom margin of the recto along with the publisher's limitation slip laid in, as issued. The gilt-stamped leather spine bears just a bit of sunning and spotting along with a slight nick to both the heel and crown. The slipcase shows some mild soiling and age-toning along with an inch-long separation to the joint at the bottom edge. It has been priced accordingly. This is separate and distinct from the editions issued in a yellow paper-over-boards slipcase made for sale by the Joe and Emily Lowe Art Gallery. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. LC 68-18437 Inventory Number: 024670

(GUSTON, PHILIP). Coplans, John. Los Angeles: Gemini G.E.L., 1980. First Edition. Oblong 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine./Near Fine.. np (24pp), 8 duotone and 2 b&w illustrations. With an exhibition history. Published in 1980, this is the first of three slender, elegantly produced Gemini G.E.L. prospectuses for lithographs (eight this time) created by the revered late Abstract Expressionist turned quirky representational artist Philip Guston just prior to his untimely passing. A handsome example. Inventory Number: 019863

(GUSTON, PHILIP). Gemini G.E.L.. Los Angeles: Gemini G.E.L., 1981. First Edition. Oblong 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine./Near Fine.. np (20pp), 9 duotone illustrations. Published in 1981, this is the second of three slender, elegantly produced Gemini G.E.L. prospectuses for lithographs (seven this time) created by the revered late Abstract Expressionist turned quirky representational artist Philip Guston just prior to his untimely passing. A handsome example with the publisher's price list laid in. Inventory Number: 013583

(HAMMERSLEY, FREDERICK). Coke, Van Deren. Venice, CA: L.A. Louver Gallery, 1978. First Edition. Small Square 4to. Stapled Printed Wrappers. Artist Monograph. Fine.. np (12pp), 1 color and 2 b&w illustrations + b&w back cover. With an exhibition checklist, biography and exhibition history. This is the slender twelve page catalogue published in conjunction with a 1978 gallery exhibition of twenty abstract paintings executed during the seventies by Frederick Hammersley - who along with John McLaughlin, Karl Benjamin, and Lorser Feitelson comprised the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A bright white, most handsome example of this uncommon item. Inventory Number: 024459

(HAMMONS, DAVID) revised introduction by Laura Hoptman. Conversation by Linda Goode Bryant and Senga Nengudi. Photo essay by Bruce W. Talamon. The Drawing Center, I00210804. Second Edition. 6 x 9 in., 144 pages. Paperback. New/No Jacket - As Issued.

The first book dedicated to these pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. Hammons created the body prints by greasing his own body—or that of another person—with substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin, and hair that exist somewhere between spectral portraits and physical traces. Hammons’ body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States.

More than a half century after they were made, these early works on paper exemplify Hammons’ celebration of the sacredness of objects touched or made by the Black body, and his biting critique of racial oppression. The 32 body prints highlighted in this volume introduce the major themes of a 50-year career that has become central to the history of postwar American art.

This edition features a conversation between curator and activist Linda Goode Bryant and artist Senga Nengudi, as well as a photo essay by photographer Bruce W. Talamon, who documented David Hammons at work in his Los Angeles studio in 1974. The publication is expanded from its first edition to include reproductions of a selection of rarely-seen body prints that Hammons added from his personal collection to the exhibition during its final weeks. The publication also features a revised introduction by Laura Hoptman to mark the unique expansion of the exhibition.

A brand new example of this now out of print document. 9780942324419 Inventory Number: I00210804

(HARING, KEITH). Haring, Keith. NP (New York). ND (circa 1986).: NP. First Edition Thus. Large Square 4to. Stapled Illustrated Wrappers. Artist's Book. Fine.. np (20pp), 20 b&w illustrations. In a protective clear acetate dustwrapper. Distributed in small quantities by Keith Haring's Pop Shop in the mid-eighties, this charming untitled artist's book is commonly referred to as the "Coloring Book". It reproduces twenty whimsical full page drawings in thick black line against white backgrounds meant to be filled in with crayons by artsier members of the younger East Village set. A bright white, most handsome never-colored-in example of this exceedingly uncommon item - NOT to be confused with the Haring's earlier coloring book included in his 1982 Tony Shafrazi catalogue, or the more widely distributed "Keith Haring's Fun Book!!" from 1985. Inventory Number: 022479

(HARING, KEITH). Pincus-Witten, Robert, Jeffrey Deitch & David Shapiro. New York: Tony Shafrazi Gallery, 1982. First Edition 1/2000. Small Square 4to. Spiral Bound Stiff Wrappers. Artist Monograph. Near Fine./No Jacket - As Issued.. 144pp, profusely illustrated in color and b&w. Designed by Dan Friedman. With a biography, exhibition history, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the elaborately designed catalogue published in conjunction with Keith Haring's influential first show held at Tony Shafrazi Gallery in 1982. The exhibition elevated Haring's career from that of an East Village Scene street artist to a rising art-star with international visibility. It contains essays by Robert Pincus-Witten, Jeffrey Deitch, and David Shapiro along with copious photographic documentation of both the exhibited pieces and public works in situ. The final thirty-two pages consist of the bound-in black and white artist's book "Keith Haring's Coloring Book, August 29, 1982". An internally bright, most handsome example of the exceedingly uncommon 1982 first printing of this seminal document limited to two thousand unnumbered copies whose vibrant fluorescent pink silkscreened wrappers show some mild wear and soiling to the rear panel along the spine and foredge, with the gallery's vintage 1982 three page artist biography, a press clipping of a very unfavorable New York newspaper (presumably "The Village Voice") review of the show, and Haring's obituaries from "The New York Times" and "The Los Angeles Times" dated Saturday, February 17, 1990 laid in. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027702

(HAWKINSON, TIM). Harvey, Doug, Philip Monk & Laura Steward Heon. Toronto, CANADA: The Power Plant, 2000. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 80pp, profusely illustrated in color. Designed by Hahn Smith Design. With an exhibition checklist, biography, bibliography and exhibition history. This is the comprehensive catalogue issued in conjunction with the 2000 survey exhibition of works by Los Angeles-based multi-media artist Tim Hawkinson that traveled from The Power Plant in Toronto to MASS MoCA. It is filled with sumptuous photographs of his wry sculptures and installations and contains essays by Doug Harvey, Philip Monk, and Laura Steward Heon. A handsome example of this uncommon item. 0-921047-94-0 Inventory Number: 022027

(HAWKINS, RICHARD). Hawkins, Richard & Larry Johnson. Berlin, GERMANY. London, UK & Los Angeles, CA: Galerie Daniel Buchholz, Corvi-Mora & Richard Telles Fine Art, 2007. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. As New.. np, profusely illustrated in color. Text in English and German. With an exhibition checklist and exhibition history. This is the catalogue published in conjunction with a traveling 2007 gallery exhibition of Richard Hawkins. It features color reproductions galore along with a contribution by Larry Johnson. A brand new, most handsome example of this uncommon item that is the first monographic publication on the noted Los Angeles-based artist. Inventory Number: 027251

(HEPWORTH, BARBARA). Bowness, Alan & Barbara Hepworth. New York & London: Praeger Publishers & Lund Humphries Publishers, Ltd., 1971. First Edition #52/150 Deluxe. 4to. Cloth in Jacket, Slipcased. Catalogue Raisonné. Near Fine/Near Fine. 224pp, profusely illustrated in color and b&w. With a biography, bibliography and exhibition history. This is the second and final catalogue raisonné of Barbara Hepworth's sculptural works produced during the pioneering British artist's Lifetime. Compiled and edited by Alan Bowness, it features a transcribed interview between Bowness and Hepworth along with a complete illustrated inventory of two hundred and twenty-six pieces executed between 1960 and 1970. A bright, most handsome example of the exceedingly uncommon deluxe slipcased edition limited to one hundred and fifty NUMBERED copies containing the beautiful 11 ½ x 9 ½" color screenprint "Winter Solstice" SIGNED AND NUMBERED Barbara Hepworth 52/150" in pencil on the lower right margin housed in the publisher's slightly bumped printed slipcase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. LC 79-150457 Inventory Number: 027521

(HERMAN, ROGER). Connors, Matt & Roger Herman. Los Angeles: Self-Published, 2019. First Edition 1/250. 4to. Printed Wrappers. Artist Monograph. As New. 426pp, profusely illustrated in color. Designed by Ross McLain / Art Design Office. This is the massive, beautifully illustrated book documenting Roger Herman's polychrome ceramics. It features a brief text by artist Matt Connors, followed by hundreds and hundreds of color images of nearly two decades worth of the noted Los Angeles artist's striking pieces. A brand new, pristine example of this comprehensive monograph limited to two hundred and fifty copies SIGNED by the artist in pencil on the title page, as issued. 0-578-50456-1 Inventory Number: E000RHC