Arcana:

(KEATON, DIANE). Keaton, Diane & D.J. Waldie. Photographed by Lisa Romerein. New York: Rizzoli International Publications, 2017. 4to. Cloth in Printed Dust Jacket. Architecture Monograph. As New/As New. 272pp, profusely illustrated in color and b&w.

“At once a style guide, an inspirational tome, and a how-to volume on creating one’s home, “The House That Pinterest Built” will serve as a go-to reference for all those seeking to spur their own creativity as they embark on the creation of home. When Diane Keaton decided that she wanted to build her own home from the ground up, she took the advice of her dear friend, film director Nancy Meyers, and took to the boards of Pinterest to find inspiration. There she discovered the practical and the fantastical, elements and styles long adored and ones that she never knew she was drawn to. Keaton’s dream house was officially under way and this book that resulted is a compelling account of her that house, from idea to realization in brick, stone, and wood.

Filled with ideas that reveal a personal yet engaging aesthetic, this volume includes compelling photos from Keaton’s past homes and those she admires, as well as a multitude of details from every corner of those spaces and objects that excite and inspire the house designer and dreamer—dramatic staircases and magical light fixtures, film stills and book covers, pottery and art—drawn from the visual treasure trove known as Pinterest and Keaton’s private collection, as she creates and designs her newest house

“If you want to explore. If you love to see. If you’re looking to look; this book is an example of a home made from the gifts of other people’s addictive yearnings for the perfect home, with the perfect landscape and the perfect interior. It illustrates my choices of your choices. Who knows, you might find one of your pins here. You might smile. You might shake your head and say, ‘This isn’t what I had in mind.’ You might think: ‘Hey that’s my kitchen. She copied my kitchen.’ But the truth is, as much as I tried, I could never entirely recreate the light filled photograph of a kitchen that led the way to the journey that brought me here. No one can.” – Diane Keaton”


. 978-0847860005 Inventory Number: E000DKP

(KELLEY, MIKE). Cruz, Amanda. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1991. First Edition. Small 4to. Pictorial Wrappers. Artist Monograph. Fine.. One 9 x 22" glossy cardstock sheet folded in thirds to make 9 x 7 ¾", 6pp, 2 color and 2 b&w illustrations. With a biography, exhibition and performance history, bibliography and exhibition checklist. This is the slender six page brochure cum catalogue published in conjunction with Mike Kelley's 1992 installation of stuffed animals entitled "Half a Man" held at Washington D.C.'s Hirshhorn Museum and Sculpture Garden as part of their "Directions" series. A brand new, most handsome example of this uncommon ephemeral item - only ten copies are currently cited in OCLC WorldCat - that was the only printed documentation of the exhibition. Inventory Number: 027662

(KELLEY, MIKE) (FISCHLI, DAVID & PETER WEISS). Kothenschulte, Daniel, Mike Kelley, Rainald Schumacher, Patrick Frey, Bice Curiger & Boris Groys. Introduction by Ingvild Goetz & Rainald Schumacher. Munich, GERMANY: Sammlung Goetz, 2000. First Edition. 8vo. Printed Boards. Artists Monograph. Fine/No Jacket - As Issued. 136pp, profusely illustrated in color and b&w. Text in English and German. With bibliographies and an exhibition checklist. This is the hardbound catalogue published in conjunction with a 2000 European exhibition of works by Mike Kelley and Fischli & Weiss from the estimable contemporary art collection of Ingvild Goetz. A most handsome example from the edition limited to one thousand, five hundred unnumbered copies. 3-9805267-5-5 Inventory Number: 027663

(KELLEY, MIKE). Kelley Mike. Los Angeles: Art Resources Transfer Inc., 1992. First Edition. Oblong 12mo. Printed Postcard. Performance Announcement. As New.. One 4 ¼ x 5 ¾" glossy cardstock sheet printed offset recto and verso, 1 b&w illustration. This is the postcard announcement published in conjunction with the June 29th and 30th, 1992 American premiere of Mike Kelley's collaborative performance piece with close friends Anita Pace and Stephen Prina entitled "Beat of the Traps" at the Gindi Auditorium of Los Angeles' University of Judaism. Unveiled earlier in the month in Vienna, it consisted of actor Alan Abelew and dancers Anita Pace and Carl Buckley interacting with musical accompaniment by drummers M.B. Gordy and Jonathan Norton alongside guitar and vocals by Stephen Prina. A brand new, most handsome example of this uncommon ephemeral item perfect for the Mike Kelley completeist. Inventory Number: 027383

(KELLEY, MIKE) (SONIC YOUTH). Kelley, Mike. Venice, CA: New City Editions in Association with Artists Space, 1986. First Edition. 8vo. Pictorial Wrappers. Artists' Book. Fine.. 98pp, 32 b&w illustrations. Designed by Mike Kelley and Patti Podesta. This is a lengthy monographic essay by Mike Kelley dealing with his performance piece "Plato's Cave, Rothko's Chapel, Lincoln's Profile" featuring himself, Molly Cleator and Sonic Youth that premiered at New York's Artists' Space in December 1986. A brand new, most handsome example of this quirky gem. Inventory Number: 027664

(KELLEY, MIKE) (WEST, FRANZ). Pontegnie, Ann, Mike Kelley, Franz West & Andreas Reitner Raabe. Brussels, BELGIUM & Wien, Austria: OneTwoThree & Pakesch & Schlebrugge, 2001. First Edition. 8vo. Pictorial Wrappers. Artists Monograph. Fine.. 84pp, profusely illustrated in color and b&w. Text in English and French. Designed by Hans Wiegand (Flat Mountain Press). This is the catalogue published in conjunction with a jointly conceived exhibition of like-minded works by Mike Kelley and Franz West held in 2001 at the OneTwoThree space in Brussels. Included are previously unpublished texts, interviews, and the documentation of the artists' collaborative performance piece "To Be Read Aloud". A brand new, most handsome example of this exceedingly uncommon item. 3-85160-014-2 Inventory Number: 024525

(KENNA, MICHAEL). Johnstone Mark. Foreword by Robert Lassam. Tokyo. 1987 (1990).: Gallery Min. Second Edition. Large Square 4to. Pictorial Wrappers. Photography Monograph. Fine.. np (86pp), 38 duotone illustrations. Text in English and Japanese. With a biography, exhibition history and collections listing. Published in conjunction with his first one person exhibition at noted eighties Tokyo photography space Gallery Min, this austere publication is Michael Kenna's first substantive monograph. A most handsome example of the 1990 second edition (whose 1987 first edition is cited on page 64 of "From Fair to Fine 2"). 4-906265-14-6 Inventory Number: 020800

(KENNA, MICHAEL). Kenna, Michael. Portland, OR: Nazraeli Press, 2009. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (20pp), 14 duotone illustrations. Michael Kenna's "Heiden Hotel" is the fifty-sixth installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred SIGNED AND NUMBERED copies, it contains an original 3 ½ x 4 7/8" silver gelatin print of the Heiden Hotel - a Catskill's resort where the young Mr. Kenna worked as a summer exchange student in 1976 and has returned to repeatedly until its sad demise in 2008 - tipped in at the rear of the book, as issued. A brand new, pristine example of this lovely item. 1-59005-255-2 Inventory Number: 016959

(KENNA, MICHAEL). Kenna, Michael, Peter C. Bunnell & Ruth Bernhard.. Tucson, AZ: Nazraeli Press, 2002. First American Edition. Small Square Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. np (172pp), 130 duotone illustrations. Text in English and Japanese. With a biography, exhibition history, bibliography, and collections listing. Still a defining reference to the work of celebrated British photographer Michael Kenna, this beautifully redesigned and reprinted monograph features images from his "The Rouge", "Desert de Retz", and "Elkhorn Slough" series along with twenty years of moody European landscapes. A brand new, pristine example of the 2002 first printing of the first American edition BOLDLY SIGNED by Michael Kenna in black ink across the title page. 1-59005-019-3 Inventory Number: 022949

(KENNA, MICHAEL). Kollins, Lee R. & Michael Kenna. Introduction by Ellen Sharp. Santa Monica, CA: RAM Publications, 1995. First Edition. Large 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Near Fine. 116pp, 50 b&w plates, illustrated endpapers. Designed by Claudia J. Vernia. With an exhibition history and bibliography. Published in conjunction with the 1995 touring exhibition "Industrial Revelations; The Rouge and Other Sites", this lovely hardbound catalogue is renowned photographer Michael Kenna's darkly brooding essay on the Ford Motor Company's River Rouge Plant in Detroit. A most handsome example of the first RAM Publications edition additionally BOLDLY SIGNED AND DATED "Michael Kenna / Jan 96" in black ink on the title page showing a couple of tiny nicks along the spine of the dust jacket. 0-9630785-3-4 Inventory Number: 025637

(KNIGHT, JOHN). Knight, John, Benjamin H.D. Buchloh & Alexander Alberro. Foreword by Beatrice Stern. Mountainville, NY: Storm King Art Center, 2001. First Edition 1/1300. 8vo. Stapled Die-Cut Wrappers. Artist Monograph. Fine.. 36pp, 12 b&w and 8 color illustrations. Designed by Katy Homans. This is one of the series of slender catalogues produced to document John Knight's exhibitions and public projects over the past thirty-five years. Austerely designed in a serial format of white, often die-cut wrappers, this installment documents Knight's 2001 outdoor Storm King Art Center installation entitled "87º". "John Knight’s work, 87°, draws the viewer’s focus off the Art Center’s property to an industrial object in its viewshed: the shapely water tower of the former Star Expansion Company. From a telescope on a newly constructed viewing platform, a visual line is drawn obliquely across the allée of trees in the center’s south fields to the upper portion of the water tower, about a mile away. Looking beyond Storm King, the work highlights the institutions relationship to its larger sociopolitical context, including its role within evolving regional land-use systems. Focusing on these overlooked aspects of contextual relevance, it adds meaning to a key element of Storm King’s success: the value of a well-placed lookout." A bright, most handsome example. Inventory Number: 026578

(KONOWIECKI, KOVI). Konowiecki, Kovi. Los Angeles: Deadbeat Club Press, I00210727, 2021. First Edition. 11 x 9", 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. New/New. 144pp, profusely illustrated in color and b&w. Designed by Kovi Konowiecki and Morgan Crowcroft-Brown. "As the title of Kovi Konowiecki’s debut monograph – and in its place, another – reminds us, we are always and forever subject to the twin certitudes of transience and change. As is the artist, who has moved back and forth between California, Mexico, Europe, and the Middle East, all of which places are part of the fabric of this sprawling, unscripted book. Here we are confronted with the geographical and emotional margins of society and the mind: the external and internal boundaries that inhibit both human movement and human potential. The photographs portray individuals and communities that exist in a liminal space between belonging and abandonment, many of which exert feelings of desolation.But what might seem on the surface political is made intensely personal through Konowiecki’s purposeful reliance on emotional connections in the pictures rather than specific relationships of place or subject. As he says, this work comes as a “happy accident, inspired by the frequent travels that nourished a sharp eye for the liminal types of communities to which I am drawn: people I have met in my wanderings, passersby in the street, a horse trained in a small Arab village, and untended gardens.” The “unscripted” nature of the work has an impact on the form of the book, in particular in the variety of genres and colors, from landscape photography to portraiture and from black and white to color. The various forms of expression serve as ways to materialize the ideas at the core of the project and to break down barriers or restrictions within the photographic medium." A brand new, most handsome example of this now out of print gem additionall SIGNED "Kovi Konowiecki" in black ink on the colophon page at rear. 978-0999829882 Inventory Number: I00210723

(KUHN, MONA). Kuhn, Mona. Göttingen, GERMANY: Steidl, 2004. First Edition. Large Square 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 108pp, 33 duotone and 20 color illustrations. Text in English. Designed by Steidl Design. "The people in Mona Kuhn's photographs are nude but not naked. Completely relaxed before the camera, they give the impression that nothing could clothe them better than their own skin. With a unique style, Kuhn's intimate photographs of both young and old are sensual compositions of skin and wrinkles, light and shadow, gestures and gazes. She creates tautly composed images and balance sharply rendered portraits against blurred backgrounds to lure the eye and provoke the imagination". This is Brazilian born, California based photographer Mona Kuhn's extraordinary second book of portraits and nudes. Coming from a background that included time as an assistant to Jock Sturges, she has formed her own unique documentary approach that is an ongoing study of youth, nature, and the beauty of the unguarded human body. A brand new, most handsome example of the 2004 Steidl first printing additionally BOLDLY SIGNED "Mona Kuhn" in black ink across the entire title page. 3-86521-008-2 Inventory Number: 026972

(LEVICK, MELBA). Woods, Douglas & Melba Levick. New York: Rizzoli International Publications, 2014. First Edition. Small Square 4to. Boards in Pictorial Jacket. Photography Monograph. As New/As New. 240pp, profusely illustrated in color. "The masterpieces of small-house living featured here will serve as inspiration to those who struggle with the challenges presented by contemporary life in petite-size homes. "Dreaming Small" is a celebration of jewel-box homes, each marked by a sense of style that marries eclecticism, practicality, beauty, and livability. From quintessential bungalows and classic casas to Tudor fantasies, these delightful abodes are models of rich diversity and inspired living. In brilliant new photography, the book explores the possibilities that exist in these mostly unpublished gems by legendary architects Irving Gill, Richard Neutra, Rudolph Schindler, Craig Ellwood, and Paul R. Williams, among others. The houses, each under two thousand square feet, are examples of what is possible in the small home and offer the reader a colorful palette of ideas from which to artfully transform spaces into comfortable, contemporary living". A brand new, pristine example of the 2014 first printing of this charming survey of intimate Southern California interiors additionally BOLDLY SIGNED by author Douglas Woods and photographer Melba Levick in black ink on the title page. 0-8478-4231-2 Inventory Number: 023138

(LEVINTHAL, DAVID) (ELLROY, JAMES). Ellroy, James & David Levinthal. Paris: Coromandel Express, 1998. First Edition 1/55. Small Square Folio. Loose Contents in a Box. Illustrated Book. Fine/No Jacket - As Issued. np, with six Cibachrome prints and one hand-painted gelatin silver print. Text in English and French. Designed by Olivier Andreotti and Penelope Monnet. "My Mother's Killer" is the luxe 1998 Coromandel Express collaborative interpretation of the events surrounding the unsolved 1958 Los Angeles murder of James Ellroy's mother Geneva as recreated by noted photographer David Levinthal in a series of stylized miniature tableaux. It features a highly graphic bi-lingual presentation of Ellroy's text juxtaposed across six tri-fold leaves - each of which contains an archivally housed 11 ½ x 10 ½" color Cibachrome print. The publisher's chemise contains a seventh print - a 7 ¾ x 9 ¾" hand-painted gelatin silver photograph SIGNED AND DATED "David Levinthal 1988/1998" in black ink on the verso. These are all housed in a printed slipcase. A brand new, most handsome example of the exceedingly uncommon first and only edition limited to fifty-five copies BOLDLY SIGNED by Ellroy and Levinthal in pencil on the colophon with a Coromandel Express 1998 New Year's card cum publisher's announcement laid in. Inventory Number: 025053

(LICHER, BRUCE). Licher, Bruce. Foreword by Kurt Braun. Afterword by Gary Todd. Los Angeles: Independent Project Records, 1989. First Edition 1/300. Square 4to. Letterpress Printed Wrappers. Vinyl LPs + Loose Contents. As New/As New. np (42pp) + two 10" vinyl LPs with loose printed matter housed in a hand letterpress printed chipboard jacket. Art Direction and Design by Bruce Licher. This is the lavishly designed and printed compilation of the earliest recordings by noted Los Angeles-based musician, graphic designer and printer Bruce Licher issued in conjunction the 1989 Independent Project Press exhibition entitled "Bruce Licher: The Ten Year Retrospective" held at the Hallway Gallery. It contains two 10" vinyl discs featuring Licher's solo endeavors along with works by Neef, Them Rhythm Ants, Tunneltones, 1/2 "Bridge", Africa Corps, Savage Republic, "Bridge", and Final Republic, along with a detailed booklet of notes, a portfolio of ten 8 ½ x 10" reproductions of performance flyers from 1980-1982, and a glassine envelope filled with reprints of selected letterpress items, as issued. A brand new, pristine unplayed numbered example (048/300) from an edition of three hundred copies of Independent Project Records release IP 024/025 in its elegant hand letterpress printed package SIGNED "Bruce Licher" in black ink on the front cover still in its original plastic sleeve. Laid into the package is an additional SIGNED hand written one page letter in red ink from Bruce Licher bearing an IPR stamp effusively thanking two record industry colleagues for their support of the project. Inventory Number: 022817

(LICHER, BRUCE). Licher, Bruce & Karen Nielsen Licher. Aurora, NY: P22 Type Foundry, 2019. First Edition. Large Square 4to. Letterpress Illustrated Boards. Music Monograph. As New/No Jacket - As Issued. 240pp, 1000+ illustrations in color and b&w. Art Direction and Design by Bruce Licher and Jim Greishaber. "Bruce Licher is a musician, artist, and designer who founded Independent Project Press. After learning the art of letterpress printing at Los Angeles' famed Women's Graphic Center at the beginning of 1982, his initial projects centered around creating album covers, postcards, and promotional stamps for his band Savage Republic. It didn't take long before he was producing work for other Los Angeles underground music groups, along with a growing number of clients in the Los Angeles design community. In addition to packaging and releasing music on his own record label, Independent Project Records, Independent Project Press has produced elegant and creative pieces of letterpress-printed ephemera for the likes of REM, Stereolab, and Camper Van Beethoven. Licher was nominated twice for a Grammy Award for his album packaging, and has been credited with starting the trend in letterpress-printed CD and record packaging using industrial-style chipboard. His work has been featured in two major design exhibitions at the Cooper-Hewitt National Design Museum in New York City. Published by P22 Type Foundry Publication, "Savage Impressions" is the first extensive monograph on Bruce Licher's Independent Project Records & Press. Beautifully designed and lavishly produced, the book is a profound reminder of the value of the hand-made and how it can interface with the mass produced." A brand new, most handsome example of this exciting document limited to six hundred and fifty copies - already almost entirely subscribed - additionally SIGNED by authors Bruce Licher and Karen Nielsen Licher in ink on the title page. 0-9631082-6-3 Inventory Number: 027225

(LOVE). Richardson, Noble. NP (Los Angeles, CA). ND (1967): Noble Richardson. First Edition. Double Elephant Folio. Painted Construction Paper. Original Fan Art. Very Good.. One 28 x 22" heavy construction paper sheet hand painted with tempera and colored marker recto only. This is an amazing unique vintage fan art poster produced by the beloved late Twentynine Palms-based artist Noble Richardson to celebrate the 1967 appearance of Arthur Lee's Love at Santa Monica teen hotspot, The Cheetah. Then a nineteen year old student at Los Angeles' Mt. San Antonio College, Richardson created this vibrant piece utilizing tempera and colored markers employing lettering inspired by the burgeoning San Francisco psychedelic poster scene. The actual concert was promoted by popular LA top 40 "Boss Radio" station 93 KHJ disc jockey "Humble Harve" Miller, and presented headliners Love preceded by Iron Butterfly, and The Chambers Brothers (misspelled here as "Chamber Bros."). The Cheetah was located next to Santa Monica's POP (Pacific Ocean Park) Amusement Park and had a distinctive logo featuring a bright pink Cheetah with the face and breasts of a young woman, a copy of which has been collaged to the lower left corner. A most presentable example of this one-of-a-kind original artwork showing some minor creases, a dozen pinholes, and some minor water spotting across its face. This was acquired directly from Noble Richardson prior to his passing in 2021. Inventory Number: 027308

(LYOTARD, JEAN-FRANCOIS). Lyotard, Jean Francois. Bruce Boone, Translator. Venice, CA: Lapis Press, 1990. First Edition. 4to. Boards in Clamshell Box. Art Theory Monograph. As New/As New. 64pp, illustrated in b&w. Designed by Robert Shapazian and Patrick Dooley. Originally issued as "Le Mur du Pacifique" by Editions Galilee in 1979, "Pacific Wall" is the first English language edition of renowned French theoretician Jean-Francois Lyotard's anthology of nine essays on "the Western". It is an elaborately designed reinvisioning published in 1990 by Sam Francis' Lapis Press that includes gatefold illustrations of Ed Kienholz' "Five Card Stud" and the downtown Los Angeles freeway system. One of only a handful of presentation copies produced hors commerce for the press and contributors, it consists of the book in its fragile unprinted yellow acetate jacket with printed acetate wraparound title band housed in a crimson linen-over-boards clamshell box with a gilt-debossed spine. A brand new, pristine example additionally bearing the BOLDLY SIGNED PRESENTATION "For King Henry, our own, Love from the editor - Robert Shapazian" and "+ the Publisher Sam Francis" for Henry Hopkins in purple ink on page 60 whose box shows some very light wear and soiling. The late Henry T. Hopkins was a pioneering California-based museum director, art historian and gallerist from whom we acquired this directly prior to his passing. 0-932499-64-3 Inventory Number: 019521

(MALLEY, ALIA). Malley, Alia. Los Angeles: Sam Lee Gallery & Alia Malley, 2011. First Edition 1/1000. Oblong 4to. Debossed Cloth. Photography Monograph. As New/No Jacket - As Issued. np (32pp), 13 color illustrations. This is the hardbound catalogue published in conjunction with Los Angeles-based Alia Malley's 2011 Sam Lee Gallery solo exhibition of thirteen recent large scale color landscape photographs. A brand new, pristine example of this exceptionally lovely publication limited to one thousand copies only additionally SIGNEDa"Alia Malley" in black ink on the title page. Inventory Number: 020495

(MALLEY, ALIA). Malley, Alia & Sam Lee. Los Angeles: Sam Lee Gallery, 2010. First Edition 1/500. Oblong 8vo. Stapled Pictorial Wrappers. Photography Monograph. As New.. np (12pp), 7 color illustrations. With a biography and exhibition history. Published in conjunction with her 2010 Sam Lee Gallery solo exhibition, this slender yet elegant twelve page catalogue gorgeously illustrates Los Angeles photographer Alia Malley's current body of work - large scale, muted color images of the pastoral local exurban landscape that rest somewhere between Joel Sternfeld, Robert Adams and Jean-Baptiste-Camille Corot. A brand new, pristine example of her first publication limited to five hundred numbered copes additionally BOLDLY SIGNED "Alia Malley" in black ink on the title page. Inventory Number: 021933

(MANDEL, MIKE). Mandel, Mike. Santa Cruz, CA: Self-Published, 1975. First Editions. 16mo. Printed Trading Cards. Artist's Multiples. Near Fine or Better.. One hundred and thirty-five 3 ½ x 2 ½" cardstock sheets printed offset recto and verso, 134 b&w illustrations. In 3 x 3 archival plastic protective sheets housed in a three-ring binder. This is a full set of Mike Mandel's iconic, self-published 1975 "Photographer Baseball Trading Cards." Included are the following, often switch-hitting luminaries from the seventies photographic scene: 1. Bob Flick, 2. Joel Meyerowitz, 3. Van Deren Coke, 4. Joe Deal, 5. Ron Walker, 6. Lee Witkin, 7. Al Sweetman, 8. Don Drowty, 9. Ellen Brooks, 10. Dennis Hearne, 11. Elaine Mayes, 12. Bart Parker, 13. Larry Sultan, 14. Ed West, 15. Arthur Siegel, 16. Leonard Freed, 17. Margery Mann, 18. Harry Callahan, 19. Gary Metz, 20. Peter Gowland, 21. Ansel Adams, 22. Ed Ruscha, 23. Grace Mayer, 24. Mike Mandel, 25. Harold Allen, 26. Laura Gilpin, 27. Hank Smith, 28. Anne Tucker, 29. Phil Perkis, 30. Michael Simon, 31. Bill Owens, 32. Manuel Bravo, 33. Nathan Lyons, 34. Bill Arnold, 35. Jim Hajicek, 36. Les Krims, 37. Joyce Neimanas, 38. Judy Dater, 39. Al Coleman, 40. Ira Nowinski, 41. Jack Welpott, 42. Linda Parry, 43. Burke Uzzle, 44. Jim Dow, 45. Dave Freund, 46. Todd Walker, 47. Catherine Jansen, 48. Eva Rubinstein, 49. Eddie Sievers, 50. Minor White, 51. Michael Becotte, 52. Fred McDarrah, 53. Richard Link, 54. Betty Hahn, 55. Nick Hlobeczy, 56. Bob Cumming, 57. Ken Josephson, 58. Naomi Savage, 59. John Divola, 60. Tom Barrow, 61. Carl Chiarenza, 62. Bea Nettles, 63. Roger Mertin, 64. John Benson, 65. Cal Kowal, 66. Aaron Siskind, 67. R. von Sternberg, 68. Paige Pinnell, 69. Arthur Tress, 70. Jacob Deschin, 71. Linda Connor, 72. Don Blumberg, 73. Jim Alinder, 74. Harold Jones, 75. M.J. Walker, 76. Bill Parker, 77. Al Woolpert, 78. Duke Baltz, 79. Gus Kayafas, 80. Duane Michals, 81. Darryl Curran, 82. Arnold Newman, 83. Geoff Winningham, 84. Paul Vanderbilt, 85. Anne Noggle, 86. Timo Pajunen, 87. Edmund Teske, 88. Imogen Cunningham, 89. Andy Anderson, 90. Bill Larson, 91. Pete Bunnell, 92. Robert Doherty, 93. Joe Jachna, 94. Oscar Bailey, 95. Jerry Uelsmann, 96. Art Sinsabaugh, 97. Charles Roitz, 98. Doug Stewart, 99. Chuck Swedlund, 100. Bill Edwards, 101. Bobby Heinecken, 102. Micha Bar-Am, 103. Beaumont Newhall, 104. Wynn Bullock, 105. Jerry McMillan, 106. John Schulze, 107. Neal Slavin, 108. Lee Rice, 109. Joan Lyons, 110. Bill Jenkins, 111. Fred Sommer, 112. Barbara Crane, 113. Emmet Gowin, 114. Barbara Morgan, 115. Mark Power, 116. Cornell Capa, 117. Lionel Suntop, 118. Bunny Yeager, 119. Doug Prince, 120. Eileen Cowin, 121. Eve Sonneman, 122. Reg Heron, 123. Scott Hyde, 124. Conrad Pressma, 125. John Szarkowski, 126. Bill Eggleston, 127. Mike Bishop, 128. Bob Fichter, 129. Liliane DeCock, 130. Tom Porett, 131. Arnold Crane, 132. Arnold Gassan, 133. Elliott Erwitt, and 134. Len Gittleman. Card 135 is a full trading card checklist. A bright, most handsome complete set of the 1975 seminal editions all in Near Fine condition or better in 3 x 3 archival protective plastic sheets housed in a three-ring binder. Inventory Number: 027412

(MANDEL, MIKE) (SULTAN, LARRY). Mandel, Mike & Larry Sultan. Introduction by Sandra S. Phillips. Foreword by Robert F. Forth. New York. 1977 (2003).: D.A.P. (Distributed Art Publishers). First Edition Thus. Small Oblong 4to. Cloth in Printed Dust Jacket. Photography Monograph. Fine/Fine. np (92pp), 61 duotone and 25 b&w illustrations. Designed by Victor Mingovits. Quite simply one of the most innovative, entertaining and thought-provoking photography books yet published, Mike Mandel and Larry Sultan's 1977 collection of uncaptioned evidentiary images has rightfully gained a legendary status in the thirty-five years since its initial publication. Now, "Evidence" is available once again in its original format, with the addition of a dust jacket, a new essay by SFMoMA curator Sandra Phillips on the book's impact and significance, and a two page layout of eighteen previously unpublished images entitled "Outtakes from Evidence, 1977-2003". A brand new, most handsome example of this wonderful tome (whose 1977 first printing is cited on pages 220-221 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 314-315 of The Hasselblad Center's "The Open Book", and pages 140-141 of "The Book of 101 Books") BOLDLY SIGNED by both Larry Sultan and Mike Mandel in black ink on the title page. 1-891024-62-0 Inventory Number: 024508

(MARCOPOULOS, ARI). Marcopoulos, Ari. Oakland, CA: These Birds Walk (TBW Books), 2006. First Edition #466/500. 8vo. Printed Wrappers. Photography Monograph. Fine.. np (40pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Living in the New Rome" is Ari Marcopoulos' solo contribution to TBW Books' very first four volume subscription series from 2006. A most handsome example of this exceedingly uncommon item published in an edition of five hundred NUMBERED (466/500) copies additionally BOLDLY SIGNED AND DATED "Ari Marcopoulos / 2007" in black ink across the inside rear cover. Inventory Number: 026841

(MARCOPOULOS, ARI). Marcopoulos, Ari. Oakland, CA: These Birds Walk (TBW Books), 2006. First Edition #099/500. 8vo. Printed Wrappers. Photography Monograph. Fine.. np (40pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Living in the New Rome" is Ari Marcopoulos' solo contribution to TBW Books' very first four volume subscription series from 2006. A most handsome example of this exceedingly uncommon item published in an edition of five hundred NUMBERED (099/500) copies. Inventory Number: 026840

(MARCOPOULOS, ARI). Marcopoulos, Ari. Zurich, SWITZERLAND: Nieves, 2004. First Edition #57/100. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (26pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "One A Day" is "Zine Master of the World" Ari Marcopoulos' slender 2004 survey of black and white photographs that includes portraits of the likes of The Beastie Boys, Jean-Michel Basquiat, Andy Warhol, Miles Davis, and others. A brand new, pristine example of this exceedingly uncommon item published by Nieves in an edition of one hundred NUMBERED (57/100) copies additionally BOLDLY SIGNED AND DATED "Ari Marcopoulos / ARI 2004" in the year of publication in black ink across the inside rear cover. Inventory Number: 026839

(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND: Nieves, 2007. First Edition 1/150. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (22pp), profusely illustrated in b&w. "What's Happening?" is artist/photographer supreme Ari Marcopoulos' slender little artist's book of black and white views of the natural world between late 2006 and early 2007 - though there is a single image of two skateboarders pictured here at the rear. A brand new, pristine example of this exceedingly uncommon item published by Nieves in a numbered (76/150) edition limited to one hundred and fifty copies. Inventory Number: 023066

(MARCOPOULOS, ARI). Marcopoulos, Ari & Alanna Heiss. Zurich, SWITZERLAND: Nieves, 2007. First Edition 1/150. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (22pp), profusely illustrated in b&w. "What's Happening?" is "Zine Master of the World" Ari Marcopoulos' slender little artist's book of black and white photographs of the natural world taken between late 2006 and early 2007 - though there is a single image of two skateboarders pictured here at the rear. A brand new, pristine example of this exceedingly uncommon item published by Nieves in an edition of one hundred and fifty NUMBERED (77/150) copies additionally BOLDLY SIGNED "Ari Marcopoulos" in black ink on the inside rear cover. Inventory Number: 022556

(MARTINEZ, ALFREDO RAMOS). Ramirez, Fausto, Xavier Moyssen L. & Israel Cavazos Garza. Monterrey, MEXICO: Museo De Arte Contemporaneo De Monterrey, 1997. First Edition 1/1000. 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine.. 164pp, 85 color illustrations. Text in English and Spanish. With an exhibition checklist. Published in conjunction with a 1997 Mexican Museum retrospective, this is a beautifully illustrated, comprehensive monograph that traces noted Monterrey born painter Alfredo Ramos Martinez' transition from a European-influenced representational style to his late work of Cubist-inflected native folk imagery created after his move to Los Angeles. A most handsome example of this uncommon item limited to one thousand unnumbered copies. 968-6623-33-7 Inventory Number: 021371

(MARTINEZ CELAYA, ENRIQUE). Martinez Celaya, Enrique, Mary Rakow & Matthew Biro. Barcelona, SPAIN: Ediciones Poligrafa, 2013. First Edition. 4to. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued. 176pp, 110 illustrations in color and b&w. Text in English and Catalan. With a biography, exhibition history and bibliography. "Enrique Martinez Celaya is one of the most intriguing and celebrated artists to emerge from the United States in recent years. Trained as artist and physicist, his practice embraces painting, sculpture, photography, and writing. His projects frequently take the form of multi-disciplinary environments that balance images with the immediacy of the material experience. In the first comprehensive study of Martinez Celaya's multifaceted process, Mary Rakow and Matthew Biro illuminate previously unaddressed aspects of the artist’s practice including his tendency to destroy his own work, his materials and approaches towards them, his literary influences, and the changes that led to pivotal moments in his career. "Working Methods" features new photography, archival images, and a number of previously unpublished works. Also included is an interview by Rakow with the artist that reveals his unique practice". A brand new, pristine example additionally SIGNED AND DATED "Enrique Martinez Celaya / 7-19/13" in the year of publication in black ink on the title page. 84-343-1316-2 Inventory Number: 023234

(McCARTHY, PAUL) (KELLEY, MIKE). Martin, Timothy. Vienna, AUSTRIA: Galerie Krinzinger, 1992. First Edition. 8vo. Stapled Illustrated Wrappers. Artists Monograph. As New.. np (36pp), 17 color and 14 b&w illustrations + cover. Text in English. With artist biographies, exhibition histories and performance histories. This is the catalogue published in conjunction with Mike Kelley and Paul McCarthy's collaborative contribution "Heidi: Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone" as part of the 1992 Viennese gallery exhibition of Los Angeles based artists, "LAX". It features an essay by Timothy Martin entitled "Childhood Flambé". A brand new, most handsome example. Inventory Number: 027665

(MCCLOSKEY, RICK). McCloskey, Rick. Zurich, SWITZERLAND: Sturm and Drang, I00200717, 2020. 3rd Printing. 9 x 11 in., 132 pages. Hardbound. Photography Monograph. New/No Jacket - As Issued.

American car culture at its vibrant best

Wednesday night was Cruise Night in the San Fernando Valley, a suburb of Los Angeles. The stretch on Van Nuys Boulevard between Ventura Boulevard on the southern end, and well past Sherman Way to the north, teemed with kids and cars from all over Southern California on Wednesday nights. It was a terrific place to both see and be seen, and to show off your ride as well.

Gas was cheap, times were great, and the boulevard hummed with life during the evenings. Even the draft during the Vietnam War did not dampen the street scene. By 1972, the year Rick McCloskey went to Van Nuys to shoot his series of photographs, the culture on the boulevard had become an amalgamation of divergent lifestyles, automobiles – used and new – and some very different looks and styles. There were tribes of van kids – surfers mostly – low-riders, muscle cars, street racers, Volkswagen owners, and many more, and of course, thousands of young people. The idea of retro had arrived as well, with some young people emulating the look and style of the 1950s. Of course, there were individuals who had to be there for work. In making these images, Rick McCloskey set about portraying the young people, their cars, and the iconic background settings.

Today, young people no longer have anything similar to the past boulevard gathering places, where so many people can enjoy just being there together. Akin to starlight still trickling in from a long vanished world, these photographic images are what we have left. 978-1910164761 Inventory Number: I00200717

(McCOLLUM, ALLAN). McCollum, Allan & Thomas Lawson. Los Angeles: A.R.T. Press, 1996. First Edition. 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. As New/As New. 94pp, profusely illustrated in color and b&w. With a biography, exhibition history and bibliography. This is the very first monograph on the iconoclastic, conceptually-inflected work of Los Angeles-born, New York-based artist Allan McCollum. It address his earliest works, collaborations with Louise Lawler and Laurie Simmons, the "Surrogates", "Perpetual Photographs", "Perfect Vehicles", "Individual Works", "Drawings", "The Dog From Pompeii", and "Natural Objects" series - often in detailed gallery installation photographs - as well as the transcript of a lengthy interview between McCollum and artist Thomas Lawson. A brand new, pristine example of the uncommon 1996 hardbound first edition (which shares the same ISBN with the paperbound version) still in the publisher's shrinkwrap. 0-923183-04-0 Inventory Number: 024437

(McLAUGHLIN, JOHN). McLaughlin, John & Walter Hopps. Pasadena: Pasadena Art Museum, 1963. First Edition 1/1200. Oblong Small 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine. np (16pp), 1 b&w and 4 tipped-in color illustrations + color cover. Designed by Robert M. Ellis. With an exhibition checklist and exhibition history. In a protective clear acetate dustwrapper. This is the slender sixteen page catalogue published in conjunction with a 1963 Pasadena Art Museum retrospective exhibition of fifty-nine paintings and nineteen prints executed between 1948 and 1963 by John McLaughlin that was the first monographic publication on the pioneering Southern California-based minimalist. It features a brief essay by then-Museum director Walter Hopps along with four brief texts by the artist. A most handsome example of this exceedingly uncommon item limited to one thousand, two hundred unnumbered copies showing some light rubbing, soiling, and handling to its white covers. Inventory Number: 025816

(MERRILD, KNUD). Dailey, Victoria. Los Angeles: Steve Turner Gallery, 1991. First Edition. 4to. Stapled Self-Wrappers. Artist Monograph. Fine./Fine.. 32pp, 13 duotone and 11 color illustrations. Designed by Mr. Keedy. With an exhibition history and checklist. This is an elegantly designed and printed catalogue on the noted California Modernist painter Knud Merrild issued in conjunction with a 1991 Los Angeles gallery retrospective. A brand new, most handsome example. 0-915148-13-7 Inventory Number: 024615

(MERRILD, KNUD). Langsner, Jules, Knud Merrild & William Osmun. Los Angeles: Los Angeles County Museum of Art, 1965. First Edition 1/1000. Square 8vo. Stapled Pictorial Wrappers. Artist Monograph. Very Good -.. 32pp, 25 b&w illustrations. Designed by Louis Danziger. Photographic Frontispiece by Man Ray. With an exhibition checklist. This is the catalogue issued in conjunction with a 1965 Museum retrospective of paintings, constructions, collages, watercolors and drawings by the noted California Modernist painter Knud Merrild. A most presentable example of this uncommon item limited to one thousand unnumbered copies showing some rubbing to the wrappers. Inventory Number: 015789

(MISRACH, RICHARD). Misrach, Richard. San Francisco: Grapestake Gallery, 1979. First Hardbound Edition. 4to. Cloth with Pastedown. Photography Monograph. Near Fine/No Jacket - As Issued. np (112pp), 54 color illustrations + cover. In a protective clear acetate dustwrapper. Published in conjunction with a 1978 exhibition held at San Francisco's Grapestake Gallery, Richard Misrach's eponymously titled second book features fifty-five beautifully reproduced images from his haunting "Night Desert Photographs" series. A handsome example of the exceedingly uncommon first cloth edition (cited on page 32 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and page 51 of "From Fair to Fine: 20th Century Photography Books That Matter") additionally BOLDLY SIGNED "Richard Misrach" in black ink on the front pastedown showing just a bit of mild soiling to the white cloth along with a slight crimp through the lower foredge tips. According to the photographer, fewer than one hundred copies of this beautiful undertaking were ever bound in cloth. 0-917986-13-X Inventory Number: 027373

(MISRACH, RICHARD). Misrach, Richard & Myriam Weisang Misrach. Baltimore, MD: Johns Hopkins University Press (Creating the North American Landscape), 1990. Oblong 4to. Pictorial Wrappers. Photography Monograph. Fine.. 136pp, profusely illustrated in color and b&w. Designed by Lisa Miriski. With a bibliography. Published in conjunction with a 1999 traveling exhibition, this beautiful catalogue is the documentation of Richard and Myriam Weisang Misrach's proposal to turn the illegal Nevada bombing range known as "Bravo 20" into a National Park. Using the unique strategy of filing a mining claim to allow access to a section of the range, the photographer spent eighteen months capturing the devastated, bomb-cratered desert wasteland in a series of striking, often disquieting images. A brand new, most handsome example (cited on page 33 of "From Fair to Fine 3") additionally BOLDLY SIGNED "Richard Misrach" and "Myriam Wiesang Misrach" in black ink on the half title page. 0-8018-4065-1 Inventory Number: 027365

(MISRACH, RICHARD). Misrach, Richard & Myriam Weisang Misrach. Baltimore, MD: Johns Hopkins University Press (Creating the North American Landscape), 1990. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 136pp, profusely illustrated in color and b&w. Designed by Lisa Miriski. With a bibliography. Published in conjunction with a 1999 traveling exhibition, this beautiful hardbound catalogue is the documentation of Richard and Myriam Weisang Misrach's proposal to turn the illegal Nevada bombing range known as "Bravo 20" into a National Park. Using the unique strategy of filing a mining claim to allow access to a section of the range, the photographer spent eighteen months capturing the devastated, bomb-cratered desert wasteland in a series of striking, often disquieting images. A brand new, most handsome example (cited on page 33 of "From Fair to Fine 3") of the uncommon 1990 first hardbound edition. 0-8018-4064-3 Inventory Number: 012499

(MISRACH, RICHARD). Misrach, Richard & Rebecca Solnit. Santa Fe, NM: Arena Editions, 2000. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. np (132pp), profusely illustrated in color. Designed by Elsa Kendall. "Richard Misrach has redefined contemporary landscape photography with his images of the splendor and destruction of the American West. Each of his "cantos" considers another chapter in the epic story of humankind and the land. Far from portraying the pristine landscapes of early practitioners such as Carleton Watkins, Eadweard Muybridge, or Ansel Adams, Misrach's compelling and often troubling images of the American West pose important questions about the human impact on the natural world. Beneath the remarkable beauty of Misrach's color photographs are scenes of floods, fires, nuclear testing grounds, dead animals, and the debris of society. The photographs in "The Sky Book" comprise the photographer's most ambitious series to date, which transposes his narrative from the land to the sky. The images mediate between document and abstraction, reality and metaphor. Drawing on photography's documentary tradition, Misrach contextualizes each photograph with respect to time and place, rooting the celestial realm firmly in the earthly and political one. In this way, his images are reminiscent of the efforts of nineteenth-century expeditionary photographers to record the natural resources of the frontier. At the same time, Misrach's Sky pictures also evoke a tradition of abstraction in art and photography that includes Alfred Steiglitz's "Equivalents" and the paintings of Mark Rothko." A brand new, most handsome example of the 2000 Arena Editions first printing additionally BOLDLY SIGNED "Richard Misrach" in black ink on the title page. 1-892041-28-6 Inventory Number: 027371