Arcana:

(TUTTLE, RICHARD). Tucker, Marcia & Hal Glicksman. New York: Whitney Museum of American Art & Otis Art Institute, 1975. First Edition. 4to. Printed Wrappers. Artist Monograph. Near Fine.. 92pp, profusely illustrated in b&w. Designed by Joseph Bourke Del Valle. With a chronology, exhibition history and bibliography. These is the informative catalogue documenting the substantial 1975 Richard Tuttle retrospective that traveled from the Whitney Museum of American Art to Los Angeles' Otis Art Institute. Published after the exhibition debuted in New York, it contains critical writings by curator Marcia Tucker on the Minimalist pioneer along with reproductions of the works exhibited, reviews of the Whitney installation, and more. A most handsome example of this uncommon item. 0-87427-020-0 Inventory Number: 022322

(TUTTLE, RICHARD). Tuttle, Richard. Firenze, ITALY: Victoria Miro Gallery, 1990. First Edition. 12mo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (16pp), no illustrations. Text in English. "Eight Words from a Reading at Brooklyn College" is the elegant little Richard Tuttle artist book published in conjunction with a 1990 Italian gallery exhibition. Letterpress-printed in silver gilt with offset decorative borders on the front cover, its title is a literal description of the contents. A most handsome example of this uncommon ephemeral item (entry number thirty-three in Robert M. Murdock's "Richard Tuttle: Books & Prints") showing some trivial age-toning to its newsprint covers and pages. Inventory Number: 025914

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(WEGMAN, WILLIAM). Livingston, Jane. Los Angeles: Los Angeles County Museum of Art, 1973. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Very Good -.. np (26pp), 23 b&w illustrations. This is the slender catalogue published in conjunction with William Wegman's 1973 one-person exhibition of photographs, drawings and video works held at the Los Angeles County Museum of Art's Lytton Contemporary Galleries curated by Helene Winer. It is the second monographic publication on the artist. An internally bright and clean example of this uncommon item showing some light overall wear, rubbing and soiling to the wrappers. Inventory Number: 023049

(WEGMAN, WILLIAM). Livingston, Jane. Los Angeles: Los Angeles County Museum of Art, 1973. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (26pp), 23 b&w illustrations. This is the slender catalogue published in conjunction with William Wegman's 1973 one-person exhibition of photographs, drawings and video works held at the Los Angeles County Museum of Art's Lytton Contemporary Galleries curated by Helene Winer. It is the second monographic publication on the artist. A most handsome example of this uncommon item with a BOLDLY SIGNED DRAWING by William Wegman in black ink across the vellum title page that wittily references the work reproduced on the next leaf. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020848

(WEGMAN, WILLIAM). Solomon Gallery, Holly & Pace/MacGill Gallery. New York: Holly Solomon Gallery & Pace/MacGill Gallery, 1992. First Edition. Small Square 8vo. Stapled Debossed Wrappers. Artist Monograph. Fine.. np (22pp), 6 color and 6 b&w illustrations. This is the slender twenty-two page catalogue published in conjunction with two concurrent 1992 William Wegman one-person exhibitions held at New York's Holly Solomon and Pace/MacGill Galleries. One show was devoted to the black and white conceptual photographs of the early seventies, the other recent paintings, drawings and Polaroids. A most handsome example. Inventory Number: 020410

(WEGMAN, WILLIAM). Wegman, William. New York: Picture Ray Video, 1984. First Edition. 8vo. VHS Cassette in Printed Box. Artist's Video. As New/No Jacket. This is a 1994 commercially released VHS videotape compilation of fifteen early, short humorous conceptual videos by William Wegman featuring his longtime canine collaborator and muse, Weimaraner Man Ray. The works included are "Milk/Floor", "Stomach Song", "Randy's Sick", Pocketbook Man", "Talking Fish", "Out and In", Rage and Depression", "Massage Chair", "Crooked Finger/Crooked Stick", "Deodorant", "Growl", "Spelling Lesson", "Drinking Milk", "Dog Duet", "Starter", "Bad Movies", "House for Sale", "Horseshoes", and the Wegman's 1986 35mm short film for SNL, "Dog Baseball", starring Fay Ray. A brand new, pristine unplayed example still in the publisher's shrinkwrap, as issued. Inventory Number: 018965

(WEGMAN, WILLIAM). Wegman, William & Helene Winer. Pomona, CA: Pomona College Art Gallery, 1971. First Edition. Small Square 8vo. Stapled Pictorial Wrappers. Artist Monograph. Very Good.. 32pp, 38 b&w illustrations. With a chronology and exhibition history. This is the catalogue published in conjunction with William Wegman's 1971 one-person exhibition of photographs and video works at the Pomona College Art Gallery curated by Helene Winer. It is the very first monographic publication on the artist. An internally handsome example of this exceedingly scarce, charming little item showing some very light foxing to the wrappers along with a discreet ownership note on the inside front cover. Inventory Number: 024792

(WEINER, LAWRENCE) (GILLICK, LIAM). Weiner, Lawrence & Liam Gillick. New York: A.R.T. Press, 2006. First Edition. 12mo. Printed Self-Wrappers. Artist Monograph. Fine.. 48pp, no illustrations. Published as part of A.R.T. Press' "Between Artists" series, "in this highly informative and thought provoking conversation Liam Gillick and Lawrence Weiner address some of the most contested topics in contemporary critical debate: the role of art in the community, art institutions and artists' egos, class antagonism as a visual style, audience participation and responsibilities, collaboration, documentary practices, and art education". A most handsome example of the 2006 first edition of this now-elusive little gem. 0-923183-38-8 Inventory Number: 026884

(WEINER, LAWRENCE) (MERTZ, ALBERT). Weiner, Lawrence & Albert Mertz. Aalborg, DENMARK: Nordjyllands Kunstmuseum, 1983. First Edition 1/2150. Folio. Stapled Printed Wrappers. Artists Monograph. Good.. np (12pp), profusely illustrated in color and b&w. Text in English and Danish. Designed by Lawrence Weiner and Albert Mertz. This is the slender, oversized twelve page catalogue published in conjunction with a 1983 two person exhibition at Aalborg's Nordjyllands Kunstmuseum featuring Lawrence Weiner and Danish colleague Albert Mertz. It contains original texts by both artists as well as reproductions of diagrammatic + text based works and film stills. An internally most presentable example of this uncommon item (entry number twenty of the exhibition catalogues in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") showing creasing, rubbing, and handling marks to the wrappers along with a closed surface slice and a small foredge nick to the front cover. It has been priced accordingly. Inventory Number: 025904

(WEINER, LAWRENCE). Weiner, Lawrence. Santa Monica, CA: Peter Norton Family Foundation, 1991. First Edition. 16mo. Artist's Multiple. As New.. This is a limited edition cloisonné pin commissioned by the Peter Norton Family Foundation in 1991 from noted conceptual practitioner Laurence Weiner for use as their annual holiday gift. More recent Norton Family editions have included objects by Takashi Murakami, Vik Muniz, Christian Marclay, Brian Eno, Kara Walker, Lorna Simpson, Yasumasa Morimura, and many others. The 1 x 1 ¼" pin bearing the text "Stars Don't Hold Still in the Sky (For Anybody)" is housed on a cotton cushion inside a 2 x 2 ¼ x 3/8" white-with-red-lettering sliding paper matchbox-style enclosure. A brand new, most handsome example of this lovely little hors commerce artist's multiple. Inventory Number: 027600

(WEINER, LAWRENCE). Weiner, Lawrence. New York: The Louis Kellner Foundation and Seth Siegelaub, 1968. First Edition 1/1000. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (64pp), no illustrations. Designed by Lawrence Weiner. In a protective clear acetate dustwrapper. Published by Seth Siegelaub in an edition of one thousand copies in 1968, "Statements" is Lawrence Weiner's very first artist book. It contains twelve "general" and twelve "specific" of the pioneering Conceptual practitioner's text-based statement pieces. A most handsome example (entry number one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") of this exceedingly uncommon item limited to one thousand unnumbered copies showing the slightest bit of wear, soiling, and abrading to the extremities of its grey wrappers. Inventory Number: 027237

(WEINER, LAWRENCE). Weiner, Lawrence. Geneve, SWITZERLAND: Adelina Von Furstenburg, Centre d'Art Contemporain, Geneve & Ecart Publications, 1977. First Edition 1/750. 12mo. Pictorial Wrappers. Artist's Book. Fine.. np (48pp), 1 b&w illustration. Text in English and French. In a protective clear acetate dustwrapper. "Coming and Going" is a 1977 Lawrence Weiner artist book published in Geneva by Ecart Publications and the Centre D'Art Contemporain, Geneve. A bright, most handsome example of this uncommon item (entry number twenty of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and fifty unnumbered copies. Inventory Number: 026833

(WEINER, LAWRENCE). Weiner, Lawrence. London: Jack Wendler, 1972. First Edition 1/1000. 12mo. Printed Wrappers. Artist's Book. Very Good.. np, (100pp), no illustrations. Published by pioneering Conceptual Art dealer Jack Wendler, "And/Or: Green As Well As Blue As Well As Red" is one of Lawrence Weiner's earliest publications. An internally most handsome example of the first edition of this uncommon item (entry number nine of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") showing some rubbing and creasing to the wrappers along the extremities. It has been priced accordingly. Inventory Number: 026830

(WEINER, LAWRENCE). Weiner, Lawrence. Kassel, GERMANY: docuenta GMBH, 1972. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine.. np (84pp), no illustrations. Text in English and German. In a protective clear acetate dustwrapper. Published in conjunction with Lawrence Weiner's participation as part of 1972's conceptually-infused fifth installment of Documenta that featured Harald Szeeman as its artistic director, "A Primer / Eine Elementarbuch" is one of Lawrence Weiner's earliest publications. A handsome example of this uncommon item (entry number eight of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to two thousand unnumbered copies showing a tiny crimp to the front cover at the upper foredge corner. Inventory Number: 026829

(WEINER, LAWRENCE). Weiner, Lawrence. Paris, FRANCE: Yvon Lambert Editeur, 1971. First Edition 1/1000. 12mo. Printed Wrappers. Artist's Book. Near Fine.. np (88pp), no illustrations. Text in English and French. In a protective clear acetate dustwrapper. Published in 1971 by the legendary Parisian gallerist and collector Yvon Lambert, the rigorous "10 Works" is one of Lawrence Weiner's earliest publications. A handsome example of this uncommon item (entry number four of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies showing traces of a few water droplets along the spine. Inventory Number: 026826

(WEINER, LAWRENCE). Weiner, Lawrence. Geneve, SWITZERLAND: Centre d'Art Contemporain, Geneve, 1980. First Edition. 4to. Exhibition Poster. Very Good.. One 13 3/4 x 8" sheet of adhesive-backed paper printed recto only. Text in English and French. This is the sticker-poster for Lawrence Weiner's 1980 Centre d'Art Contemporain, Geneve exhibition entitled "The Response of an Object to / Contact Sufficient to Lead to / a Change in Inherent Quality / (vis Inertiae)". A most presentable example of this uncommon ephemeral item (cited on pages 94-95 in Benjamin H.D. Buchloh's "Posters: November 1965 - April 1986: Lawrence Weiner") that constituted a component of the gallery exhibition with the backing still affixed showing a neat horizontal crease across the perforation at the lower third. It has been priced accordingly. Inventory Number: 025911

(WEINER, LAWRENCE). Weiner, Lawrence. Basel, SWITZERLAND & New York: Rolf Preisig & Moved Pictures (Lawrence Weiner), 1978. First Edition 1/780. 12mo. Pictorial Wrappers. Artist's Book. Good.. np (42pp), profusely illustrated in b&w. Text in English and German. Photographs by Beate Nilsen. Dedicated to Simon Rodia - the creator and artisan of Los Angeles' amazing Watts Towers - "Regarding Inscriptions..." is a 1978 photographically illustrated artist's book by the esteemed conceptual practitioner Lawrence Weiner. A presentable example only of this uncommon item (entry number twenty-two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and eighty unnumbered copies showing a pronounced dent through the textblock at the lower foredge corner along with two water spots to the front cover. It has been priced accordingly. Inventory Number: 025906

(WEINER, LAWRENCE). Weiner, Lawrence. Koln, GERMANY & New York: Salon Verlag (Edition Separee I), 1996. First Edition 1/1000. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (36pp), illustrated in b&w. Text in English. In a protective clear acetate dustwrapper. "A Tale of a Maiden or Two" is a whimsical 1996 Lawrence Weiner artist's book in the form of a short narrative treatise on the fairer sex. An internally most handsome example of the first and only printing limited to one thousand copies NUMBERED (919/1000) on the rear colophon, as issued, showing a slight dent at the crown of the spine along with some light sunning along the spine. It has been priced accordingly. 3-9804812-1-2 Inventory Number: 024248

(WEINER, LAWRENCE). Weiner, Lawrence. Ghent, BELGIUM: Imschoot, Uitgevers for IC, 1988. First Edition 1/1000. 8vo. Pictorial Wrappers. Artist's Book. Fine.. np (56pp), profusely illustrated in b&w and color. Text in English. Photographs by the Moved Pictures Archive and Frank Vellenga. This charming little Lawrence Weiner artist book takes the form of a rather baroquely-designed narrative of a metaphorical seafaring voyage. A most handsome example of the 1988 first edition (entry number thirty-one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. 90-72191-02-1 Inventory Number: 021737

(WEINER, LAWRENCE). Weiner, Lawrence. Amsterdam, THE NETHERLANDS: Art & Project, 1973. First Edition 1/300. Tall Narrow 8vo. Stapled Printed Wrappers. Artist's Book. Very Good -.. np (20pp), no illustrations. Text in English and Dutch. In a protective clear acetate dustwrapper. Dating from 1971, "Perhaps When Removed" is one of Lawrence Weiner's earliest publications, and his first artist's book for Amsterdam's "Art & Project". A handsome example of this uncommon item (entry number three of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to three hundred unnumbered copies showing some minor handling along with the faintest rippling and discoloration to the extremities due to having been stored in a moist environment. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 018430

(WEINER, LAWRENCE). Weiner, Lawrence. Basel, SWITZERLAND & New York: Rolf Preisig & Moved Pictures (Lawrence Weiner), 1978. First Edition 1/780. 12mo. Pictorial Wrappers. Artist's Book. Fine.. np (42pp), profusely illustrated in b&w. Text in English and German. Photographs by Beate Nilsen. Limited to seven hundred and eighty copies and dedicated to Simon Rodia, "Regarding Inscriptions..." is a 1978 photographically illustrated artist's book by the esteemed conceptual practitioner Lawrence Weiner. A bright, most handsome example of this uncommon item (entry number twenty-two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and eighty unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. Inventory Number: 003537

(WEINER, LAWRENCE). Weiner, Lawrence. Germano Celant & Pierluigi Pero, Editors. Torino, ITALY: Sperone Editore, 1970. First Edition 1/1000. 12mo. Boards in Printed Dust Jacket. Artist's Book. Very Good./Near Fine.. np (110pp), no illustrations. Text in English and Italian. In a protective clear acetate dustwrapper. Published in 1970 by the renowned Italian gallerist Gianenzo Sperone, "Tracce / Traces" is Lawrence Weiner's second publication in which the artist's textual works are printed back-to-back and upside down in both English and Italian. An internally most handsome example of this exceedingly uncommon item (entry number two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies showing some light dampstaining along the spine and bottom of the boards and dust jacket. It has been priced accordingly. Inventory Number: 026825

(WELLING, JAMES). Welling, James. Buffalo, NY: CEPA, 1984. First Edition 1/400. Small Oblong 4to. Stapled Pictorial Wrappers. Artist's Book. Very Good +.. np (12pp), 12 b&w illustrations. James Welling's first artist's book "Gelatin Photographs 1-12" consists of a dozen sensuous cover to cover, high contrast images of dark Jell-O photographed against a light background - quite the endgame for the inner aesthetician in all of us! A handsome example of this exceedingly uncommon item limited to four hundred unnumbered copies showing a bit of overall light handling and soiling to its white covers along with the small ghost from a removed adhesive label on the rear cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-939784-12-2 Inventory Number: 021388

Develing, E. & Shirley Blum. Riverside, CA: Art Gallery, University of California, Riverside, 1970. First Edition. 4to. Stapled Printed Wrappers. Exhibition Catalog. Near Fine.. 20pp, 4 b&w illustrations. With bibliographies. This is the minimally-appointed catalogue published in conjunction with a 1970 Art Gallery, University of California, Riverside exhibition of sculptural works by American Minimal pioneers Carl Andre, Dan Flavin, Donald Judd, and Robert Morris. A glossy, most handsome example of this exceedingly uncommon item showing some very light handling and ink transfer from rubbing to its grey covers. Inventory Number: 025915

Lippard, Lucy R. & Jeff Khonsary, Editors. Vancouver, CANADA & Los Angeles: New Documents, 2012. First Edition 1/1000. 12mo. File Cards in Printed Wrapper. Exhibition Catalog. As New.. One hundred and seventy-nine 4 x 6" file cards printed monochrome offset recto and verso, profusely illustrated. With a bibliography and filmography. "4,492,040 is a facsimile reprint of a series of documents produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard’s hugely important "numbers shows" - a series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle, 1969), 955,000 (Vancouver, 1970), 2,972,453 (Buenos Aires, 1970), and c.7,500 (Valencia, CA, 1973/74). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard". The four exhibitions' participants include Vito Acconci, Laurie Anderson, Carl Andre, Eleanor Antin, Siah Armajani, Keith Arnatt, Richard Artschwager, Art & Language (Terry Atkinson, David Askevold, Alice Aycock, David Bainbridge, Michael Baldwin, Harold Hurrell), John Baldessari, Robert Barry, Frederick Barthelme, Jennifer Bartlett, Gene Beery, Mel Bochner, Bill Bollinger, Jon Borofsky, Stanley Brouwn, Daniel Buren, Victor Burgin, Donald Burgy, Pierpaolo Calzolari, Rosemary Castoro, Don Celender, James Collins, Christopher C. Cook, Greg Curnoe, Hanne Darboven, Walter de Maria, Agnes Denes, Jan Dibbets, Christos Dikeakos, Rafael Ferrer, Gilbert & George, Dan Graham, Hans Haacke, Ira Joel Haber, Alex Hay, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Robert Huot, Richards Jarden, Stephen Kaltenbach, On Kawara, Edward Kienholz, Robert Kinmont, Joseph Kosuth, Christine Kozlov, John Latham, Barry Le Va, Sol LeWitt, Roelof Louw, Duane Lunden, Bruce McLean, Robert Morris, N.E. Thing Co. (Iain and Ingrid Baxter), Bruce Nauman, New York Graphic Workshop, George Nikoliadis, Dennis Oppenheim, John Perrault, Adrian Piper, Robert Rohm, Allen Ruppersberg, Ed Ruscha, Fred Sandback, George Sawchuck, Richard Serra, Randy Sims, Robert Smithson, Keith Sonnier, Athena Tacha, Mierle Laderman Ukeles, Jeff Wall, Lawrence Weiner, Ian Wilson, and Martha Wilson. A pristine, brand new complete set of all one hundred and seventy-nine loose cards sealed inside their printed wrapper in the publisher's clear plastic zip-lock pouch, as issued. 1-927354-00-5 Inventory Number: 027596

Page, Suzanne, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub & Robert C. Morgan. Paris: Musee D'Art Moderne De La Ville De Paris, 1989. First Edition (Second Printing) 1/1700. 4to. Printed Stiff Wrappers. Exhibition Catalog. Near Fine.. 260pp, profusely illustrated in b&w. Text in French and English. With an exhibition checklist and bibliography. This the catalogue of the extensive 1989 international survey exhibition of Conceptual Art held at the Musee D'Art Moderne De La Ville De Paris. It features texts by Suzanne Page, Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, Seth Siegelaub, and Robert C. Morgan. The artists included are Giovanni Anselmo, Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Emilio Prini, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, and Ian Wilson. A handsome example of the uncommon first printing of this important document showing some light overall wear and soiling to its white wrappers. 2-85346-071-1 Inventory Number: 025391

Parker, Fred R.. Santa Barbara, CA: Santa Barbara Museum of Art, 1979. First Edition #617/1000. 4to. Spiral Bound Wrappers. Near Fine.. np, profusely illustrated in color and b&w with 20 color slides bound in. In a protective clear acetate dustwrapper. "Attitudes: Photography in the 1970's" is the quirky, uniquely designed catalogue for a major Santa Barbara Museum of Art survey of contemporary photography from the decade. Nearly five hundred images were exhibited, and the participants included Robert Adams, Diane Arbus, John Baldessari, Lewis Baltz, Thomas Barrow, Michael Bishop, Ellen Brooks, Jerry Burchard, Marsha Burns, Harry Callahan, Jo Ann Callis, Paul Caponigro, Joyce Tenneson Cohen, Steven Cortright, Eileen Cowin, Robert Cumming, Barbara Crane, Judy Dater, Joe Deal, John Divola, William Eggleston, Chris Enos, Mitch Epstein, Steve Fitch, Robbert Flick, Lee Friedlander, Phillip Galgiani, Nancy Gass, Ralph Gibson, Frank Gohlke, Jim Goldberg, John Gossage, Emmet Gowin, Jan Groover, Robert Heinecken, Anthony Hernandez, Douglas Huebler, Kenneth Josephson, Barbara Kasten, Les Krims, Robert Mapplethorpe, Duane Michals, Richard Misrach, Nicholas Nixon, Bill Owens, John Pfahl, Marcia Resnick, Nancy Rexroth, Leland Rice, Richard Ross, Steven Shore, Jeffrey Silverthorne, Neil Slavin, Eve Sonneman, Calvin Sparks, Charles Stainback, Larry Sultan and Mike Mandel ("Evidence"), Alex Sweetman, Lew Thomas, Ruth Thorne-Thomsen, Arthur Tress, Jerry Uelsmann, Burk Uzzle, William Wegman, Jack Welpott, Henry Wessel, Brett Weston, Larry Williams, Garry Winogrand, and many, many more. It contains original contributions for the printed catalogue by Dan Worth (with a blindstamped printer's chop), Karen Truax, Keith Smith (signed), Todd Walker (signed), Alex Sweetman, Robert Heinecken's unique screenprinted multiple along with a bound-in heavy vinyl sheet protector containing twenty slides. A most handsome example of this uncommon, extraordinary document limited to one thousand copies NUMBERED (617/1000) AND SIGNED by curator Fred Parker in black ink on the acknowledgements page as issued, showing some light soiling and age patination to the white wrappers as well as a small nick and crease to the top edge of the front cover. 0-89951-032-9 Inventory Number: 020502

Siegelaub, Seth & John W. Wendler, Editors. Amsterdam, THE NETHERLANDS: Roma Publications, Stedelijk Museum, De Appel & Stichting Egress Foundation, 2015. Second Edition (First Thus) 1/1600. 4to. Wrappers in Acetate Jacket. Artists' Book. As New/As New. np (372pp), 350 b&w illustrations. Issued in 1968 by gallerists Seth Siegelaub and John W. Wendler, this collaborative project known as "The Xerox Book" features contributions from artists Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner. Each participant contributed an original twenty-five page, 11 x 8 ½" artwork that would only exist on the printed page - not on a gallery wall. Generally considered to be the first conceptual artists' book, it was originally envisioned as being produced by a Xerox copy machine, however the price for printing the three hundred and sixty-eight page volume proved to financially unworkable, so it was ultimately printed using the offset process. A brand new, most handsome example of the already unavailable 2015 facsimile edition of this extraordinarily important Conceptual Art document limited to one thousand, six hundred copies published in conjunction with the Amsterdam's Stedelijk Museum and De Appel arts centre's exhibition "Seth Siegelaub: Beyond Conceptual Art" still in the publisher's shrinkwrap. 94-91843-52-4 Inventory Number: 027336

Washburne-Harris, Jessie & Donald Kennison, Editors. New York: Gagosian Gallery, 2002. First Edition. Oblong 4to. Printed Self-Wrappers. Exhibition Catalog. Fine.. np (64pp), 23 color illustrations. Designed by Bruce Mau Design Inc. With an exhibition checklist and bibliographies. This is the sleek catalogue published to document the 2002 group exhibition of twenty-two blue chip works by Jean-Michel Basquiat, Marcel Duchamp, Robert Gober, Damien Hirst, Jasper Johns (4), Donald Judd, Yves Klein, Franz Kline, Jeff Koons, Barnett Newman, Pablo Picasso (2), Robert Ryman, Jenny Saville, Richard Serra, Cy Twombly, Andy Warhol (2), and Rachel Whiteread entitled "The Physical World" held at New York's Gagosian Gallery. From the gallery's press release: "While seemingly diverse, the works all display a particular correlation between object and ground whether achieved two dimensionally or with an actual object. An underlying current of sexuality and death runs through and connects the works in the exhibition". What else is left to be said? A most handsome example. 1-880154-76-5 Inventory Number: 015662