Arcana:

(SNOW, MICHAEL). Snow, Michael. Halifax, CANADA & New York: The Portrait Review, 1975. First Edition. 4to. Pictorial Boards. Artist's Book. Very Good -/No Jacket - As Issued. np, profusely illustrated in b&w. In a protective clear acetate dustwrapper. "Cover to Cover" is Michael Snow's now-legendary 1975 artist book co-published by The Press of Nova Scotia College of Art and Design and New York University Press that documents a short trip by the pioneering Canadian filmmaker/photographer/musician in a continuous sequence of images that unfolds from right-side up to upside down, and from cover - to cover... A most presentable example of the exceedingly uncommon 1975 first hardrbound edition (cited on page 156 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") showing some light overall lwear and a bit of mild foxing to its pictorial covers. It has been priced accordingly. 0-8147-7770-8 Inventory Number: 025985

(SPRINGSTEEN, BRUCE) (STEELMILL).. NP. ND.: NP. Edition Not Stated - Presumed First. Oblong 8vo. Stapled Printed Wrappers. Music Monograph. Fine.. np (16pp), 33 b&w illustrations. This is a promotional booklet for Asbury Park supergroup (and precursor to the "E Street Band") "Steelmill"; which consisted of Bruce Springsteen, Steve Van Zandt, Vinnie Lopez, and Danny Federici. Formed in late 1969 out of the ashes of "Child", according to their accolades here "Steelmill is the first big thing that's happened to Asbury Park since the good ship Morro Castle burned to the waterline off that Jersey coast". It contains lots of great, grainy photographs of the guys with really long hair, and a modicum of hyperbolic text extolling the band's virtues. A brand new, most handsome example of what we believe is a very high quality late seventies unauthorized limited facsimile reprint of the original that we have priced acordingly perfect for The Boss completeist. Inventory Number: 026613

(STERLING, LINDER) (SAVAGE, JON). Sterling, Linder, Jon Savage, Edward Bell, Ian Pollock & George Snow. London: George Snow, 1978. First Edition. 4to. Loose Contents in a Portfolio. Artists' Book. Very Good -.. Twenty individual 11 ½ x 8 ¼" glossy sheets printed recto only, laid into a black and white printed paper portfolio cover, 20 b&w illustrations. "Mixed Media Montages" is the legendary, and legendarily scarce collaborative publication featuring the punk-era collage/montage work of Jon Savage, Linder Sterling, Edward Bell, Ian Pollock, and George Snow. "Jon Savage is the noted author of "England's Dreaming" and "Teenage". Linder Sterling is a visual, performance and installation artist represented in the Tate permanent collection. Privately published by Snow in 1978 following the appearance of "The Secret Public", it contains four black and white plates by each of the five participating artists. Those by Linder, Snow and Pollock are stamped in ink on the rear of the sheets A internally bright and crisp example of this early and influential punk rarity showing some overall wear, handling and typical creasing along the extremities of the portfolio. Inventory Number: 020280

(STOWELL, BRICK). Stowell, Brick. Los Angeles: Self-Published, I00250209. 2024. Second Edition. 11 x 8 1/2", Quarto. Printed Boards. Music Photography Monograph. New./No Jacket - As Issued. 9799985902585

PRE-ORDER YOUR COPY OF THIS FABULOUS NEW COMPENDIUM OF THE EARLIEST HISTORY OF ODD FUTURE AND ASSOCIATES! MR. STOWELL WILL BE SIGNING ALMOST FAMOUS AT ARCANA SATURDAY, FEBRUARY 15th FROM 4:00 UNTIL 6:00 PM. ORDERS WILL BEGIN SHIPPING TUESDAY, FEBRUARY 18th.

396pp, profusely illustrated in color and b&w. "Brick Stowell was the staff photographer and tour manager for Odd Future (OFWGKTA) from 2011 to 2016, capturing the collective's rise to fame. His work highlights a transformative period in the music industry, influencing contemporary music culture. "Almost Famous..." is a comprehensive look at Odd Future's history, featuring photos, original merchandise, music video props, outfits, and other memorabilia, documenting the cultural impact of the group." A brand new example of the second edition of this vital document of Los Angeles' near past featuring Odd Future members Tyler The Creator, Earl Sweatshirt, Frank Ocean, Travis Taco Bennett, Syd Tha Kid, Hodgy, and more that sold out immediately upon it's first printing additionally.SIGNED by photographer Brick Stowell.

Inventory Number: E000BSAF1

(STUDIO INTERNATIONAL). Townsend, Peter & Charles Harrison, Editors. London, UK: Studio International, 1971. First Edition. 4to. Illustrated Wrappers. Art Periodical. Near Fine.. xviii + 54pp, profusely illustrated in b&w. This April 1971 installment of the venerable British arts periodical "Studio International" is notable not only for its forward thinking coverage of the nascent global Conceptual Art scene, but for presenting the first widespread published appearance of Seth Siegelaub and Robert Projansky's prescient "The Artist's Reserved Rights Transfer and Sale Agreement." Additionally featured are articles on or by Mel Bochner, Peter Wollen, John Elderfield and Raoul Hausmann on Berlin Dada, The Vienna Secession, John Walker, Daniel Buren, Maurice Tuchman on LACMA's "Art and Technology" exhibition, John Latham, and more. A bright, most handsome example of this important document showing just a bit of wear along the spine. ISSN 0039-4114 Inventory Number: 027122

(SUMMA, ANN). Summa, Ann, Kristine McKenna & Exene Cervenka. NP: Foggy Notion Books, 2010. First Edition 1/1500. 4to. Pictorial Boards. Music Photography Monograph. As New/No Jacket - As Issued. 112pp, profusely illustrated in b&w. Designed by Lorraine Wild at Green Dragon Office. "When photographer Ann Summa arrived in Los Angeles in 1978, the city’s punk scene was still fresh, diverse, smart, utterly original, and fertile territory for a young photographer". Any of you even remotely conversant with Los Angeles punk scene of the late seventies and early eighties should remember Ann Summa’s striking photographs that appeared regularly in the late, great Slash magazine. Now some thirty years later, Foggy Notion Books has just produced "The Beautiful & the Damned: Punk Photographs by Ann Summa" - a lovely hardbound volume filled with these vintage gritty and endearing images; many collected here in book form for the first time! Edited and with an introduction by Kristine McKenna, it features iconic portraits of everyone from local heroes X, Gun Club, The Screamers, The Germs, Johanna Went, and The Kipper Kids to Television, Talking Heads, The Cramps, R.E.M., The Clash, Sex Pistols, Iggy Pop, Captain Beefheart, and many, many more. A brand new, most handome example. 1-935202-27-8 Inventory Number: 027634

(SUZUKI, AMI). Suzuki, Ami. Tokyo: Bungei Shunju Ltd., 2003. First Edition. 8vo. Wrappers in Dust Jacket. Music Monograph. Fine./Fine.. np, profusely illustrated in color. Text in Japanese. Published only in her native Japan, this is a peppy, poppy, copiously illustrated book devoted solely to good-natured J-Rock empress Ami Suzuki. Whether reclining in a silk negligee, strumming her guitar, or teasing her senses with the sex organs of exotic blooms in photographs that would not be out of place in a Nobuyoshi Araki volume, she's all pensive-yet-fun-lovin' girl. These pix are accompanied by song lyrics, poems, and drawings by Ami herself - a gift to her fans who stood by her during her early Twenty-First Century financial and record-company woes. A brand new, most handsome example in the publisher's obi. 4-16-365490-9 Inventory Number: 013383

(TALLER DE GRAFICA POPULAR). Neruda, Pablo, Alberto Beltran & Mariana Yampolsky. Mexico City: Taller de Grafica Popular (TGP), 1949. Edition Not Stated - Presumed First. 4to. Printed Broadside. Livre D'Artiste. Very Good.. One 13 x 9" tissue sheet printed recto only, 2 black & white illustrations in woodcut. Text in Spanish. "Oratorio menor en la muerte de Silvestre Revueltas" is a 1949 broadside produced by the legendary Mexican Graphic Arts workshop Taller de Grafica Popular (TGP) featuring an homage to the influential late Mexican violinist, composer, and conductor Revueltas by poet Pablo Neruda. Printed on a delicate pale goldenrod tissue paper, it is illustrated with one original woodblock print each by TGP-affiliated artists Mariana Yampolsky and Alberto Beltran. A bright, well-preserved example of this exceedingly uncommon - only three copies are currently cited in OCLC WorldCat - ephemeral publication (entry 284 in Helga Prignitz' "El Taller de Gráfica Popular en México 1937-1977") that has been folded in quarters and subsequently flattened showing some mild creasing and a couple of tiny nicks along the extremities. Inventory Number: 026921

(TESTINO, MARIO). Testino, Mario, Patrick Kinmonth, Alexandra Shulman & Charles Saumarez Smith. New York: Bulfinch Press / Little, Brown & Company, 2002. First Edition. Small Folio. Cloth in Pictorial Dust Jacket. Fashion Photography Monograph. Fine/Fine. np (200pp), profusely illustrated in color and b&w. Designed by Stephen Gan and Visionaire. Published in conjunction with a comprehensive 2002 exhibition of acclaimed fashion photographer Mario Testino's work at London's National Portrait Gallery, this vivid survey reflects all of the fun, glamour, and sensuality of his editorial work. Featured are images of Madonna, Bono, Sofia Coppola, Princess Diana of Wales, Cameron Diaz, Tracey Emin, Tom Ford, The Jaggers (Mick, James, Elizabeth and Jade), Elton John, Jude Law, Gwyneth Paltrow, Julia Roberts, Meg Ryan, Robbie Williams, Catherine Zeta Jones, and supermodel usual suspects Kate Moss, Gisele Bundchen, Naomi Campbell, Esther Canadas, Linda Evangelista, Shalom Harlow, Eva Herzigova, Stella Tennant, Christy Turlington, Amber Valletta, and Alek Wek. A brand new, most handsome example. 0-8212-2761-0 Inventory Number: 027668

(U2). Parkyn, Geoff, Editor. London, UK. 1982, 1983 + 1984: U2 Info Service. First Editions. 8vo. Stapled Pictorial Wrappers. Music Fanzines. Very Good - or Better.. 12 + 12 + 12pp, illustrated in monochrome. Between 1981 and 1985, Londoner Geoff Parkyn under the guise of the U2 Info Service published sixteen issues of his reverent "U2 Magazine." Preceding the band's own official publication, "Propaganda", this DIY labor of love was devoted to disseminating the latest news and views on all things Bono, The Edge, Larry Mullen Jr., and Adam Clayton. A broken run of three issues of this uncommon post-punk document - No. 2 - February 82, No. 8 - August 83, and No. 11 - Summer 84 - showing some light staining and insect damage. Inventory Number: 027281

(V23) (OLIVER, VAUGHAN) (4AD). Oliver, Vaughan. Los Angeles: 4AD, 1994. First Edition. Elephant Folio. Printed Poster. Concert Poster. Fine.. One 29 x 14" sheet printed in colors, recto only. Designed by Vaughan Oliver, Chris Bigg and Paul McMenamin. This is the striking V23-designed poster from 1994 publicizing a weeklong series of concerts by artists recording for the innovative British label 4AD entitled "All Virgos Are Mad". Held at Los Angeles' legendary Troubadour club, the participants included Lisa Germano, Michael Brook, Air Miami, Red House Painters, The Wolfgang Press, His Name is Alive, Pale Saints, Lisa Germano, Kristin Hersh, Throwing Muses, Michael Brook, Heidi Berry, Defever and Masters, Lisa Gerrard, Mark Kozalek, Kendra Smith, and numerous "special guests". A brand new, flat, most handsome example of this uncommon Vaughan Oliver item that will be shipped rolled in a poster tube. Inventory Number: 027594

(VAN VLIET, DON aka CAPTAIN BEEFHEART) (CORBIJN, ANTON). Van Vliet, Don, Jan Van Vliet, Anton Corbijn & Ben Watson. Los Angeles: Artist Ink Editions, 2003. First Edition 1/1500 Deluxe. 4to. Linen Over Boards, Slipcased. Artist Monograph. As New/No Jackets - As Issued. 88 + 96pp, 1 audio CD + 1 DVD, profusely illustrated in color and b&w. Designed by Tim Eames. "Don Van Vliet aka Captain Beefheart was a visual artist before he was a musician. As a young child he drew serious accolades for his animal sculptures and was offered a scholarship to study in Europe. His parents declined; and while continuing to create in the visual medium, he turned his attention to music, within ten years forming the first incarnation of the legendary experimental outfit Captain Beefheart and the Magic Band. The following fifteen years are music history. But in 1983 Van Vliet retired from music to pursue painting and drawing, the focus of this extraordinary boxed set. "Riding Some Kind of Unusual Skull Sleigh" (named after a painting the artist completed in 1987) provides an opportunity to own one of his original, signed color etchings. Executed on paper and cataloged as "Untitled (Self-Portrait)", the work measures 6 5/8 x 9 ½". The paper itself measures 7 7/8 x 10 ½". Van Vliet produced only 1,500 copies of the piece, one for each individually numbered copy of this Artist Ink Edition. A deluxe 9 ¼ x 12 ¾ x 2 ¾" slipcase carefully houses the etching as well as two museum-quality books, a CD, and a DVD. The first book, entitled "Riding Some Kind of Unusual Skull Sleigh" (88 pages), is a monograph of sorts, containing an essay by art historian Ben Watson and full-color reproductions of sixty of Van Vliet's paintings and drawings - some of them previously unpublished. The second book, entitled "Splinters" (96 pages), features portrait photos of the artist by Anton Corbijn, along with a selection of personal archival material supplied by Don and Jan Van Vliet - including family snapshots, newspaper clippings, drawings, and sketches. None of this material has heretofore been seen. The CD features the artist reading eleven of his previously unreleased spoken-word pieces spanning 1977-1999, which are also reprinted in the Splinters book. The DVD features "Some YoYo Stuff", a 1994 filmed observation by Anton Corbijn. "Riding Some Kind Of Unusual Skull Sleigh is available only as an individually numbered limited edition of 1,500 copies". A brand new, pristine example of this remarkable undertaking still sealed in the publisher's original shipping carton. 0-7379-0284-1 Inventory Number: 027723

(VH 101). Essellier, Francoise, Editor. Paris: Editions Essellier, 1970. First Edition. 4to. Printed Wrappers. Arts Journal. Good -.. 128pp, profusely illustrated in b&w. Text in French. Cover design by Yvaral. This initial installment of the important early seventies French avant-garde theory/music/art journal "VH 101" includes articles by, or interviews with Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, Gyorgi Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni, and Jean-Ludovic Kaufner. A serviceable example of this uncommon item showing a pronounced dent through the covers and textblock at the lower foredge corner as well as a single neat ink ownership stamp (but no additional stamps, pockets or accession markings of any kind.) of an institutional library that deaccessioned it directly to our store on the front free endpaper. It has been priced accordingly. Inventory Number: 015065

(VISIONAIRE). Gan, Stephen, Cecilia Dean & James Kaliardos, Editors. Text by Glenn O'Brien. New York: Visionaire Publishing, 1998. First Edition 1/2500. Small Square Folio. Loose Contents in Slipcase. Fashion Quarterly. Near Fine/No Jacket - As Issued. Individual plates laid into a sliding plastic slipcase, profusely illustrated in color and b&w. Published in an edition of two thousand, five hundred copies, this is the twenty-fifth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. Celebrating its tenth anniversary, Visionaire presents here "twenty five visionaries in art and fashion" whose stellar contributors include Craig McDean, Philip-Lorca diCorcia, Helmut Lang, Karl Lagerfeld, Mario Sorrenti and Jane Howe, David Bowie, Inez Van Lamsweerde and Vinoodh Matadin, D.J. Towa Tei, Tony Oursler, Tracey Emin, Gavin Turk, Beth B., and more. A most handsome individually numbered example showing a bit wear and browning to its plastic slipcase. It has been priced accordingly. 1-888645-02-4 Inventory Number: 018308

(VISIONAIRE). Gan, Stephen, Cecilia Dean & James Kaliardos, Editors. Text by Glenn O'Brien. New York: Visionaire Publishing, 1998. First Edition 1/2500. Small Square Folio. Loose Contents in Slipcase. Fashion Quarterly. Fine/No Jacket - As Issued. Individual plates laid into a sliding plastic slipcase, profusely illustrated in color and b&w. Published in an edition of two thousand, five hundred copies, this is the twenty-fifth installment of everyone's favorite long-running luxe fashion quarterly, Visionaire. Celebrating its tenth anniversary, Visionaire presents here "twenty five visionaries in art and fashion" whose stellar contributors include Craig McDean, Philip-Lorca diCorcia, Helmut Lang, Karl Lagerfeld, Mario Sorrenti and Jane Howe, David Bowie, Inez Van Lamsweerde and Vinoodh Matadin, D.J. Towa Tei, Tony Oursler, Tracey Emin, Gavin Turk, Beth B., and more. A brand new, most handsome individually numbered example still in the publisher's shrinkwrap. 1-888645-02-4 Inventory Number: 018305

(WAREHAM, DEAN) (TEMPLETON, ED). Wareham, Dean & Ed Templeton. Paso Robles, CA: Nazraeli Press / Anatol, I00231203, 2023. First Deluxe Edition 1/100 Copies. 4to. Illustrated Cloth over Boards in Illustrated Slipcase. Artist Monograph. As New/No Jacket - As Issued. 94pp, profusely illustrated in color and b&w + illustrated covers. 978-1-59005-592-2-DLX

Hearing Voices is a collection of lyrics by songwriting great Dean Wareham. Born in Wellington, New Zealand, Wareham moved to New York City as a teenager, in August 1977. It was here, in high school, that he met future bandmates Damon Krukowski and Naomi Yang. All three went on to attend Harvard University, and in 1987 founded Galaxie 500, for which Wareham was the singer, guitarist and principal songwriter. Galaxie 500 released three albums For Rough Trade between 1987 and 1991 that have only grown in stature and influence. Wareham’s next band Luna recorded seven albums for Elektra and Beggar’s Banquet, followed by four albums as Dean & Britta (with wife Britta Phillips), and three simply as Dean Wareham, including his most recent album I Have Nothing to Say to the Mayor of L.A. Also a writer, Wareham’s memoir, Black Postcards, was published by Penguin, and he has contributed to Salon, Pitchfork, the Talkhouse and Counterpunch. Hearing Voices is the first published collection of his lyrics, and is the result of a unique collaboration with the artist Ed Templeton, who created the illustrations for the book. Ed Templeton’s drawings, paintings and photographs have been widely exhibited and published in the United States, Europe and Asia. Hearing Voices is his fifth title with Nazraeli Press. A brand new example of the deluxe first edition limited to one hundred numbered copies SIGNED by Dean Wareham and Ed Templeton housed in a decorative cloth slipcase.

Inventory Number: E000DWET-HV-DLX

(WAREHAM, DEAN) (TEMPLETON, ED). Wareham, Dean & Ed Templeton. Paso Robles, CA: Nazraeli Press / Anatol, I00231203. 2023. First Edition 1/1000 Copies. 4to. Illustrated Cloth over Boards. Artist Monograph. As New/No Jacket - As Issued. 94pp, profusely illustrated in color and b&w + illustrated covers. 9781590055922

Hearing Voices is a collection of lyrics by songwriting great Dean Wareham. Born in Wellington, New Zealand, Wareham moved to New York City as a teenager, in August 1977. It was here, in high school, that he met future bandmates Damon Krukowski and Naomi Yang. All three went on to attend Harvard University, and in 1987 founded Galaxie 500, for which Wareham was the singer, guitarist and principal songwriter. Galaxie 500 released three albums For Rough Trade between 1987 and 1991 that have only grown in stature and influence. Wareham’s next band Luna recorded seven albums for Elektra and Beggar’s Banquet, followed by four albums as Dean & Britta (with wife Britta Phillips), and three simply as Dean Wareham, including his most recent album I Have Nothing to Say to the Mayor of L.A. Also a writer, Wareham’s memoir, Black Postcards, was published by Penguin, and he has contributed to Salon, Pitchfork, the Talkhouse and Counterpunch. Hearing Voices is the first published collection of his lyrics, and is the result of a unique collaboration with the artist Ed Templeton, who created the illustrations for the book. Ed Templeton’s drawings, paintings and photographs have been widely exhibited and published in the United States, Europe and Asia. Hearing Voices is his fifth title with Nazraeli Press. A brand new example of the first edition limited to one thousand unnumbered copies additionally SIGNED by Dean Wareham and Ed Templeton.

Inventory Number: E000DWET-HV

(WARHOL, ANDY) (WALLOWITCH, JOHN). Wallowitch, John. New York. ND (1964).: Serenus Records Corp.. First Edition. Large Square 4to. LP in Illustrated Album Cover. Fine/Fine. One black vinyl long-playing phonograph record in a plain paper inner-sleeve, inside a 12 x 12" album cover printed black and white offset recto, and two color offset verso. Design by Irwin Rosenhouse. Cover Photograph by Andy Warhol. This is the very first recording issued by the late pianist, composer and lyricist John Wallowitch. Best known as one half of the Manhattan cabaret performing duo Wallowitch and Ross, his songs have been recorded by the likes of Tony Bennett, Blossom Dearie, Dixie Carter, Doc Severinson, and many others. He was also the brother of the late photographer Ed Wallowitch, a confidant and early Factory assistant to Andy Warhol. Art directed by noted New York designer Irwin Rosenhouse, Warhol collaged a series of photobooth images for its cover that capture the suited Wallowitch from his chest up to his mouth, cutting off any other identifying facial features (as well as making a non-issue of the pianist's baldness). The recordings consist of twelve show tunes and standards including "Swanee", "I'll Remember April", "Fly Me to the Moon", and "I Left My Heart in San Francisco".  The jacket is stamped "Stereo" on the verso in black ink, and is remarkably clean and fresh. A bright, most handsome example of this uncommon, early Andy Warhol item (entry number twenty-six in Paul Marechal's "Andy Warhol: The Record Covers 1949-1987 - Catalogue Raisonné," and cited on page 48 of Guy Schraenen's "Vinyl: Records and Covers by Artists") that predates his "The Velvet Underground And Nico" album cover by two years. PLEASE NOTE: The album's catalogue number SEP 2005 printed prominently on the rear cover has led some less well-versed observers to speculate that this is a reprint issued in September of the year 2005. It is not. It is the first - and only vinyl issue - released in 1964. Inventory Number: 027217

(WARHOL, ANDY). Warhol, Andy. London: Cassell London / A Michael Dempsey Book, 1975. First British Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Julian Rothenstein with a photograph by David Bailey. "The Philosophy of Andy Warhol (A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated 1975 British first edition of this inspirational and aspirational tome additionally bearing a BOLDLY DRAWN CAMPBELL'S SPLIT PEA SOUP CAN DRAWING WITH A SIGNED AND DATED PRESENTATION "To Judy / Andy Warhol / London 1975" in the year of publication in black marker across the entire half title page. 0-86018-109-X Inventory Number: 027046

(WEBER, BRUCE). Weber, Bruce, Nan Bush, Nathaniel Kilcer & Matthew Richards, Editors. New York: Little Bear Press, 2017. First Edition. 4to. 1/4 Linen Over Wrappers. Photography Monograph. As New.. np (200pp), profusely illustrated in duotone and color. Art Director - Nathaniel Kilcer. XXX In this seventeenth edition of his annual arts journal, Bruce Weber considers the wisdom of the experienced and the conviction of the young as a framework for hope in disorienting times. He profiles the veteran stage actor Cherry Jones and the long-time CBS news anchor Bob Schieffer, whose respective careers stand as testaments to personal ingenuity, common sense, and the power of adaptability. The uncommon life of the late philanthropist and entrepreneur Jay Weiss - a pillar of the Miami community - is narrated with humor and candor by two of his daughters, Jennie Weiss Block and Laurie Weiss Nuell. Patti Ragan, the founder of the Center for Great Apes, shares her devotion to primates abandoned by the entertainment industry. In addition to these profiles, Weber presents photo essays devoted to Sergeant James Jensen IV, a decorated Army veteran trying to navigate the return to civilian life, and Marge Winski, the soulful lighthouse keeper who stands watch over Montauk Point on the East End of Long Island, NY. "All-American XVII: Glory Be" is also rich with original commissioned works. Noe Dewitt documents the final days of Saint Anthony, a parochial school in Jersey City, in a story that explores the unique relationship between its celebrated basketball coach, Bob Hurley, and one of his last star players, R.J. Cole. An all-star lineup of contemporary women photographers - Lynda Churilla, Stef Mitchell, Yelena Yemchuk, and Olivia Bee - reflect on the experience of chronicling the Women’s March in Washington, D.C. earlier this year. And Joel Griffith presents a highly personal, contemplative study of The Rockaways - a quiet corner of Queens that mirrors the hopes and contradictions of New York City at large. The journal closes with a heartfelt dedication to Sam Shepard - the celebrated author, playwright and a frequent subject of Weber’s lens". A brand new, most handsome example still in the publisher's shrinkwrap. Inventory Number: 027618

(WEBER, BRUCE). Weber, Bruce, Nan Bush, Nathaniel Kilcer, Matthew Richards & Skylar Pittman, Editors. Kempen, GERMANY & New York: teNeues Publishing Group, 2013. First Edition 1/5000. 4to. Wrappers in Pictorial Slipcase. Photography Monograph. As New.. np (192pp), profusely illustrated in duotone and color. Art Director - Nathaniel Kilcer. "The latest volume in Bruce Weber's ongoing literary and art journal series celebrates individuals whose risk-taking and personal vision set them apart from the crowd. There's a common enthusiasm running through this volume, a sense that this cast of characters - be they subjects of the book or contributors to it - was born ready to stand up, face the odds, and declare themselves unabashedly to the world. The book opens with a poem about Basketball by Sherman Alexie. A new commission by Sean Thomas finds him back in his hometown of Omaha, Nebraska, documenting the teen rites of passage that pile up at the end of high school: senior prom, first romances, lazy summer jobs. Then Bruce Weber's first story in the book is a profile of Father Gregory Boyle, founder of Homeboy Industries - the pioneering Los Angeles-based gang intervention and rehabilitation program. From there All-American travels to Harlem with Lisa Eisner, whose commissioned story about Amateur Night at the Apollo becomes a love poem to the vibrant neighborhood. Weber's second contribution is a profile of the charming and eccentric Mickey Wolfson, whose extraordinary collection of furniture, paintings, books, prints, and decorative objects became the Wolfsonian Museum in Miami, Florida. A portfolio of paintings by the Palm Beach society fixture Ralph Wolfe Cowan presents everyone from Doris Duke to Johnny Mathis to Princess Grace in the most ethereal and unexpected light. All-American then traces one woman's personal struggle for justice through exclusive images from the personal archive of Edith Windsor, whose Supreme Court case resulted in the overturning of the Defense of Marriage Act (DOMA) earlier this year. This story also features portraits by Bruce Weber and photographs by Poppy De Villeneuve. All-American Volume Thirteen closes with an in-depth look at the world of professional motocross racing. Bruce Weber traveled this summer to Southwick, Massachusetts together with photographers John Scott and Michael John Murphy to capture stars like Ryan Dungey and James Stewart racing against a host of up-and-comers". As with all of the "All-American"s, the quality of the design, paper and printing is impeccable. Not unlike the previous books, there will be only one printing of this title. A brand new, pristine example in slipcase in the publisher's shrinkwrap, as issued. 3-8327-9735-1 Inventory Number: 022862

(WILCO) (SCHMELLING, MICHAEL). Wilco, Michael Schmelling, Fred Tomaselli, Rick Moody, Henry Miller & Bern Porter. Dan Nadel & Peter Buchanan-Smith, Editors. Brooklyn, NY: PictureBox Inc., 2004. First Edition. 4to. Pictorial Boards. Music Photography Monograph. Fine/No Jacket - As Issued. 164pp, profusely illustrated in color and b&w. Designed by PictureBox. In a protective clear acetate dustwrapper. "Published in 2004, "The Wilco Book" is an exploration of the artistic statement presented by the band Wilco. Artwork created by the band, photographer Michael Schmelling, and artist Fred Tomaselli is interspersed with comments excerpted from interviews conducted by PictureBox with the band's members, technicians, and managers, essays by Henry Miller and Rick Moody, and excerpts from Bern Porter's collection "Found Poetry". Packaged with the book is an audio CD containing twelve previously unreleased tracks recorded during the sessions that led to the band's "A Ghost Is Born", which is discussed in the first appendix by Mikael Jorgensen, who produced and played on the sessions before he formally joined Wilco". A brand new, most handsome example of the first PictureBox Inc. edition additionally BOLDLY SIGNED for us by all six current band members - Jeff Tweedy, Nels Cline, Mikael Jorgensen, Glenn Kotche, Pat Sansone, and John Stirratt as well as the book's photographer Michael Schmelling in black ink with the publisher's unplayed CD affixed to the inside rear board. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-9713670-3-5 Inventory Number: 027704

(XXe SIECLE). Di San Lazzaro, Gualtieri, Managing Editor. Paris: XXe Siecle (Vingtieme Siecle), 1952. First Edition. Large 4to. Illustrated Wrappers. Art Periodical. Very Good.. 88pp, profusely illustrated in b&w and color. Text in French. Cover design after Guillaume Apollinaire. This third installment of San Lazzaro's deluxe, semi-annual art periodical features original lithographs by Jean Miro, Alexander Calder, Henri Michaux, and Alberto Giacometti. The contents include contributions on or by Herbert Read, Guillaume Apollinaire, Futurism, Gino Severini, Poetry and Text in Art, Jean Arp, Jean Cassou, Jean Miro, Alexander Calder, Pierre Courthion, Henri Michaux, Michel Tapie, Blaise Cendrars, Max Jacob, Salvador Dali, Alberto Giacometti, Paul Eluard, Milena Milani, Wassily Kandinsky, Robert Motherwell, American Abstract Art, Michel Seuphor, Antonio Corpora, Gustave Singier, Julio Gonzalez, Amodeo Modigliani, Henri Laurens, Frank Lloyd Wright, Igor Stravinsky, Vittorio De Sica, and more. A handsome example showing a slight soft crease through the textblock at the lower foredge corner. Inventory Number: 016582

(YOKOO, TADANORI). Yokoo, Tadanori. Introduction by Milton Glaser. Tokyo, JAPAN: Keibun-sha, 1977. First Edition. 4to. Illustrated Wrappers. Graphic Design Monograph. Good./No Jacket.. 88pp, profusely illustrated in color and b&w. Text in Japanese. In a protective clear acetate dustwrapper. Best known for his seventies album covers for Miles Davis, Santana, the Beatles, and more, Tadanori Yokoo is arguably the most influential Japanese graphic designer of the Twentieth Century. Emerging from the turbulent post-war generation, his bold, unprecedented style mixed traditional Ukiyo-E imagery with Japanese comics, Western sexuality, and Pop Art to create an extraordinary body of work that continues to this day. This is a choice early collection published only in Japan that vividly reproduces seventy-one of Tadanori Yokoo's film, music, theatre, exhibition and advertising posters created between 1965 and 1976. An internally most handsome example of this uncommon item showing moderate overall wear and abrading to the extremities of the wrappers along with frayng and paper loss to the bottom inch of the spine. It has been priced accordingly. Inventory Number: 026693

Australian Institute of Aboriginal Studies. Canberra, AUSTRALIA: Australian Institute of Aboriginal Studies, 1972. First Edition. 4to. Printed Stapled Wrappers. Journal. Very Good -.. 36 + 14pp. This is the May 1972 installment of the Newsletter of the Australian Institute of Aboriginal Studies. A most presentable example bearing the neat ink ownership inscription of well-known ethnomusicologist Dr. Elizabeth May on the front cover, with the first published Index to the Newsletter (covering the years 1963-1970) laid in, as issued. Inventory Number: 004965

Bronson, Harold. Santa Monica, CA: General Publishing Group, 1996. First Edition. 4to. Boards in Illustrated Dust Jacket. Music Monograph. Fine/Fine.
160pp, profusely illustrated in color and b&w. "Hey, Hey, We're The Monkees" is the copiously illustrated 1996 hardbound anthology of texts by and about the 1960s television and recording phenomenon The Monkees - Mike Nesmith, Davy Jones, Peter Tork, and Mickey Dolenz. A brand new, pristine example of this long out of print classic additionally SIGNED by author Harold Bronson.

PLEASE NOTE: Mr. Bronson will be signing his book at Arcana on Sunday, May 14th. Orders will begin shipping Tuesday, May 16th.

1-57544-012-1 Inventory Number: e000HBHHWTM

Casciani, Stefano, Giannino Malossi, Carlo Romano & Nigel Whiteley. Giannino Malossi, Editor. Milan, ITALY: Electa Editrice, 1990. First English Language Edition. Stout 8vo. Illustrated Boards in Slipcase. Exhibition Catalog. As New/No Jackets - As Issued. 210 + 158pp, profusely illustrated in color and b&w. Text in English. Designed by Italo Lupi. This is a totally amazing two volume publication documenting the new art, architecture, cinema, design, fashion, music and popular culture in Europe (with the primary focus on Britain) during the Swingin' Sixties! Issued in conjunction with a 1990 Italian exhibition, everyone who was anyone is here including The Mods, The Rockers, The Situationists, Richard Hamilton and The Independent Group, The Beatles, The Who, Allen Jones, Peter Blake, David Hockney, Roy Lichtenstein, Joe Colombo, Archigram, Stanley Kubrick, The Fool, Pierre Cardin, Ungaro, Paco Rabanne, Mary Quant, and many, many, more. A pristine, still shrinkwrapped set along with the exhibition commissioned documentary "The Sixties in Moving Images" on video cassette housed in the publisher's printed cardboard slipcase, as issued. 88-435-3269-3 Inventory Number: 023825

Cohen, Arthur A. & Luce Marinetti. New York: Ex Libris & Prakapas Gallery, 1985. First Edition. 4to. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. np (20pp), 16 b&w illustrations. Designed by Tamar Cohen. New York's Arthur Cohen was the premier purveyor of books and ephemera on twentieth century Modern Art movements for nearly twenty years. Ex Libris' copiously researched, scholarly, illustrated catalogues stood as unparalleled bibliographic tools at a time when there was a paucity of available reference to the documentary literature of the modernist avant-gardes. This slender publication was the catalogue for a 1985 exhibition held concurrently at Ex Libris and Prakapas Gallery of Italian Futurist works on paper by Fidele Azari, Emilio Buccafusca, Mario Carli, Francesco Cangiullo, Pasqualino Cangiullo, Luciano De Nardis, Ugo Giannattasio, F.T. Marinetti, Angelo Rognoni, and Lucio Vernna (Landsmann). A most presentable example of this uncommon ephemeral item that was the only printed documentation of the event showing some light soiling and handling creases to its rear cover. Inventory Number: 025896

Gold, Jeff, Sonny Rollins, Quincy Jones, Robin Givhan, Jason Moran & Dan Morgenstern. New York: Harper Design, 2020. Second Edition. Oblong Small 4to. Boards in Illustrated Jacket. Music Monograph. As New/As New. pp, profusely illustrated in b&w and color. "Sittin’ In: Jazz Clubs of the 1940s and 1950s" is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre - Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others - were headlining acts across the country. In many of the clubs, black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo. "Sittin’ In" tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; legendary tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; artist, musician, and creative director of the Kennedy Center, Jason Moran; and Jazz critic Dan Morgenstern. Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). Its collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.." A brand new, most handsome example of this stellar contribution to the study of Post-War Jazz and race-relations additionally BOLDLY INSCRIBED "Dig it! / Jeff Gold" in black ink on the author's specially created bookplate affixed to the front pastedown. 0-06-291470-7 Inventory Number: 026796

Hershenson, Bruce. Los Angeles: Christie's, 1996. First Edition 1/300 Deluxe. 4to. Illustrated Boards. Fine/No Jacket - As Issued. np (168pp), 174 color illustrations. This is the catalogue for two December 15th, 1995 sales of film posters organized by noted collector/dealer/author/publisher Bruce Hershenson held at Christie's in Los Angeles. It features two complete auctions in one volume. First there are one hundred and seventy-four full-color Rock 'n' Roll movie posters ranging from Bill Haley in 1956's "Rock Around the Clock" to Nirvana in 1992's "The Year Punk Broke". Then there are an additional two hundred and seventy-six full-color classic film posters including an ultra-rare "Flying Down to Rio" one-sheet that sold for a staggering $81,700.00. A most handsome example of the deluxe hardbound edition limited to three hundred copies SIGNED AND NUMBERED in ink by Bruce Hershenson on a printed label affixed to the front pastedown, as issued. Inventory Number: 016627

Hicks, Dan. Edited by Kristine McKenna. Afterword by Tommy LiPuma. Foreword by Elvis Costello.. London, UK: Jawbone Press, 2017. First Edition. 8vo. Illustrated Wrappers. Music Monograph. New/No Jacket - As Issued. 240pp, 100 b&w and color illustrations.

Please join us on Sunday, June 18th (4:00 - 6:00 PM) for a Book Signing and Panel moderated by Kristine McKenna with Van Dyke Parks, Maria Muldaur, Jim Kweskin, and Hot Licks guitarist Paul Robinson!

This vivid memoir of a man described as “one of America’s greatest songwriters” by Elvis Costello, and a cat that was “fly, sly, wily, and dry” by Tom Waits. Dan Hicks had a front-row seat to the birth and death of counter culture -- San Francisco, 1966 -- it would affect both him and his music.

"I Scare Myself" captures the highs and lows of a lifelong adventure in music. You’ll get to see Hicks’ memories of one of the changes the sixties brought, working with great musicians, plus, a foreword by Elvis Costello, afterword by producer Tommy LiPuma, and annotations by his close friend Kristine McKenna.

“I just started taking ingredients I liked and putting them together to see what came out,” Hicks writes. What came out was an amazing blend of complex time signatures, unusual instrumentation, and intricate vocal harmonies that took him to the top of the 70s rock world but also into a downward spiral of drink and drug abuse.

Hicks passed away in early 2016, but his music, and the stories he tells here, remain as fresh and irresistible as ever. I Scare Myself takes readers on a journey behind the music, and into the life and mind of the fantastic artist who created it.

PLEASE NOTE: Books will be signed by Ms. McKenna on June 18th, and posted starting Tuesday, June 20th.

978-1911036234 Inventory Number: E000DHISM

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Good +.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. An internally most handsome example of the 1981 Centre Georges Pompidou edition showing some very light dampstaining along the top and bottom edges along with a flattened slight vertical wave through the textblock. It has been priced accordingly. 2-85850-091-6 Inventory Number: 023510

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris: Centre Georges Pompidou, 1981. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Near Fine.. 528pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A most handsome example of the 1981 Centre Georges Pompidou edition. 2-85850-091-6 Inventory Number: 023509

Hulten, Pontus, Editor. Introduction by Jean-Claude Groshens. Paris. 1981 (1992).: Centre Georges Pompidou & Gallimard. Second Revised Edition (First Thus). 4to. Illustrated Flexible Boards. Exhibition Catalog. Near Fine./No Jacket - As Issued. 800pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With artist biographies and bibliographies, and a chronology (1937-1957). This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1981 Centre Georges Pompidou exhibition that traced Parisian artistic and cultural innovations from the onset of World War II through to the Space Age. In addition to a dazzling array of works by over one hundred and fifty artists, it includes informative textual contributions and essays. A bright, most handsome example of the smaller format, redesigned 1992 Centre Georges Pompidou and Gallimard edition in flexible boards. 2-07-011248-9 Inventory Number: 020835

Hulten, Pontus, Editor. Introduction by V. M. Polevoi. Paris: Centre Georges Pompidou, 1979. First Edition. 4to. Illustrated Wrappers. Exhibition Catalog. Very Good.. 580pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. In a protective clear acetate dustwrapper. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1979 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Moscow during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A handsome example of the 1979 Pompidou French language edition bearing the BOLDLY SIGNED PRESENTATION "For Melinda and De Wain with my very best greetings from your Pontus" from curator Pontus Hulten in black ink on the half title page showing some overall light wear, handling and soiling. De Wain is the noted Los Angeles-based Light and Space artist De Wain Valentine, and Melinda (sic) is his former partner and gallerist Malinda Wyatt, from whom we acquired this directly. 2-85850-002-9 Inventory Number: 023630

Hulten, Pontus, Editor. Introduction by Werner Spies. Paris: Centre Georges Pompidou, 1978. First French Edition. 4to. Illustrated Boards. Exhibition Catalog. Very Good -./No Jacket - As Issued. 632pp, profusely illustrated in b&w and color. Text in French. Cover by Roman Cieslewicz. With an exhibition checklist, artist biographies and bibliographies. This is the massive catalogue published in conjunction with Pontus Hulten's landmark 1978 Centre Georges Pompidou exhibition that traced the interaction between the artistic capitals of Paris and Berlin during the first third of the Twentieth Century. In addition to a dazzling array of works by over one hundred artists, it includes informative textual contributions and essays. A most handsome example of the hardbound 1978 Pompidou French language edition showing some light wear and handling, a bit of soiling to the covers, and a mild dent through the upper foredge corner of the textblock. It has been priced accordingly. 2-85850-066-5 Inventory Number: 023508

Ide, Yasushi. Tokyo: Treville, 1991. First Edition. 12mo. Illustrated Boards. Fine/No Jacket - As Issued. np, 75 color illustrations. Text in Japanese. This is a charming little compendium of jazz and lounge-themed album cover art culled from the author's own collection. The musical artists represented include Jackie Gleason, Dick Hyman, Wayne King, David Carroll, Johnny Gregory, Russ Morgan, Art Van Damme, Ray Anthony, Les Baxter, Gordon Jenkins, Richard Hayman, Joe Bushkin, The Norman Luboff Choir, Nelson Riddle, Melachrino, Eddie Calvert, Peter Yorke, Russ Columbo, Jay Jerome, Roger Williams, Earl Grant, Bert Kaempfert, Ray Sherman, Jack Pleis, The King Sisters, Paul Weston, Percy Faith, Wayne King, Lawrence Welk, Ken Griffin, Laurindo Almeida, Jan & Dean and the Satellites, Stan Kenton, Andre Popp, Henri Rene, Jerome Kern, Mantovani, Stanley Black, Hugo Winterhalter, The Three Suns, and Jesse Crawford. Hailing from an era when romance ruled, with titles like "Martini Time", "Music for Sippin', Music for Dancin'", "Blue Chiffon", "Black Satin", and "The Torch with the Blue Flame" and endless images of lovers doing a lot of drinking, smoking and gazing longingly - how could you go wrong? A most handsome example. 4-8457-0597-4 Inventory Number: 000918

Lippard, Lucy R. & Jeff Khonsary, Editors. Vancouver, CANADA & Los Angeles: New Documents, 2012. First Edition 1/1000. 12mo. File Cards in Printed Wrapper. Exhibition Catalog. As New.. One hundred and seventy-nine 4 x 6" file cards printed monochrome offset recto and verso, profusely illustrated. With a bibliography and filmography. "4,492,040 is a facsimile reprint of a series of documents produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard’s hugely important "numbers shows" - a series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle, 1969), 955,000 (Vancouver, 1970), 2,972,453 (Buenos Aires, 1970), and c.7,500 (Valencia, CA, 1973/74). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard". The four exhibitions' participants include Vito Acconci, Laurie Anderson, Carl Andre, Eleanor Antin, Siah Armajani, Keith Arnatt, Richard Artschwager, Art & Language (Terry Atkinson, David Askevold, Alice Aycock, David Bainbridge, Michael Baldwin, Harold Hurrell), John Baldessari, Robert Barry, Frederick Barthelme, Jennifer Bartlett, Gene Beery, Mel Bochner, Bill Bollinger, Jon Borofsky, Stanley Brouwn, Daniel Buren, Victor Burgin, Donald Burgy, Pierpaolo Calzolari, Rosemary Castoro, Don Celender, James Collins, Christopher C. Cook, Greg Curnoe, Hanne Darboven, Walter de Maria, Agnes Denes, Jan Dibbets, Christos Dikeakos, Rafael Ferrer, Gilbert & George, Dan Graham, Hans Haacke, Ira Joel Haber, Alex Hay, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Robert Huot, Richards Jarden, Stephen Kaltenbach, On Kawara, Edward Kienholz, Robert Kinmont, Joseph Kosuth, Christine Kozlov, John Latham, Barry Le Va, Sol LeWitt, Roelof Louw, Duane Lunden, Bruce McLean, Robert Morris, N.E. Thing Co. (Iain and Ingrid Baxter), Bruce Nauman, New York Graphic Workshop, George Nikoliadis, Dennis Oppenheim, John Perrault, Adrian Piper, Robert Rohm, Allen Ruppersberg, Ed Ruscha, Fred Sandback, George Sawchuck, Richard Serra, Randy Sims, Robert Smithson, Keith Sonnier, Athena Tacha, Mierle Laderman Ukeles, Jeff Wall, Lawrence Weiner, Ian Wilson, and Martha Wilson. A pristine, brand new complete set of all one hundred and seventy-nine loose cards sealed inside their printed wrapper in the publisher's clear plastic zip-lock pouch, as issued. 1-927354-00-5 Inventory Number: 027596

Stone, Ruth M., & Frank J. Gillis. Foreword by Alan P. Merriam. Bloomington, IN: Indiana University Press, 1975. First Edition. 8vo. Cloth. Ethnomusicology Monograph. Fine/No Jacket - As Issued. 412pp, no illustrations. This is a comprehensive, hardbound scholarly catalogue based on the African Field Recordings Survey that provides concise summaries of collections of phonorecordings of music and oral data held by individuals and institutions throughout the world. A brand new, most handsome example. 0-253-30262-5 Inventory Number: 004980