Arcana:

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1982. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to film books include: Philosophy and/as Film and/as if Philosophy - Arthur C. Danto; Reading Hitchcock - Fredric Jameson; The Anxiety of the Influencing Machine - Joan Copjec; Documenting the Left - Stuart Liebman; The Formalist's Dreyer - Nick Browne; Address to the Heathen - Noel Carroll. A handsome example showing just a bit of light wear and soiling. 0-262-76013-4 Inventory Number: 023864

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1984. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome example. 0-262-75180-1 Inventory Number: 021674

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA: MIT Press Journals, 1987. First Edition. 8vo. Printed Wrappers. Journal. Very Good -.. 118pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Jeremy Bentham's Panoptic Device - Jacques-Alain Miller; Postmodern History at the Musee d'Orsay - Patricia Mainardi; Learn to Read, She Said - Ann Smock; Ramble City: Postmodernism and Blade Runner - Giuliana Bruno; An Interview with Steve Fagin - Peter Wollen; Gramophone, Film, Typewriter - Friedrich Kittler. A most presentable copy showing some light external wear and soiling along with some chipping to the wrappers at the crown of the spine. It has been priced accordingly. 0-262-75191-7 Inventory Number: 021668

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA: MIT Press Journals, 1986. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 140pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: In Praise of Horizontality - Annette Michelson; The Religion of the Caves, The Hands of Gargas - Andre Leroi-Gourhan; Originality as Repetition - Rosalind Krauss; The Primary Colors for the Second Time - Benjamin H.D. Buchloh; Ready-Made Originals - Molly Nesbit; Repetition, Obsession - Steven Z. Levine; The Origin without an Original - Linda Nochlin; Antiquity Now - Michael Fried; In Praise of Appearance - Louis Marin; Manet's Imagery Reconstructed - Klaus Herding; Painting as Model - Yve-Alain Bois. A most handsome example. 0-262-75187-9 Inventory Number: 018280

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA: MIT Press Journals, 1988. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 116pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Uneven Development: Public Art in New York City - Rosalyn Deutsche; Homeless Vehicle Project - David V. Lurie, Krzysztof Wodiczko; Conversations about a Project for a Homeless Vehicle - Daniel, Krzystof, Oscar, and Victor; Walter Benjamin and the Theory of Art History - Thomas Y. Levin; Rigorous Study of Art - Walter Benjamin; The Garden of Scopic Perversion from Monet to Mirbeau - Emily Apter. A most handsome copy. 0-262-75197-6 Inventory Number: 018147

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1982. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? - Annette Michelson; The Judgment Seat of Photography - Christopher Phillips; The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic - Linda Nochlin; Alienating Alienation: Fredric Jameson's Revisionary Romance - Perry Meisel; When Words Fail Rosalind Krauss; Documenta 7: A Dictionary of Received Ideas - Benjamin H.D. Buchloh. A most handsome copy. ISSN 0162-2870 Inventory Number: 018146

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good +.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Andy Warhol, or The Machine Perfected - Thierry de Duve; The Aesthetic Transformation of the Image of the Unimaginable - Gertrud Koch; Anselm Kiefer: The Terror of History, the Temptation of Myth - Andreas Huyssen; Fatal Attractions: Leni Riefenstahl's The Blue Light - Eric Rentschler; Contribution to Points of Reference 38/88 - Hans Haacke; The Monument is Invisible, the Sign Visible - Werner Fenz; A Note on Gerhard Richter's October 18, 1977 - Benjamin H. D. Buchloh. A handsome example showing a slight dent through the textblock at the upper foredge corner. It has been priced accordingly. 0-262-75198-4 Inventory Number: 021663

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Good -.. 117pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Body's Shadow Realm - Gertrud Koch; Looking Awry - Slavoj Zizek; The Sartorial Superego - Joan Copjec; Spectacle, Attention, Counter-Memory - Jonathan Crary; The Rock 'n' Roll Ghost - Andrew Ross. An internally most handsome example showing a diagonal soft crease to the rear cover through the lower foredge corner and some chipping of the wrappers along the spine. It has been priced accordingly. 0-262-75200-X Inventory Number: 021662

(OCTOBER). Copjec, Joan, Douglas Crimp, Rosalind Krauss, Annette Michelson & Terri L. Cafaro, Editors. Cambridge, MA: MIT Press Journals, 1989. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 142pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mourning and Militancy - Douglas Crimp; Flaming Closets - Michael Moon; Kant with Sade - Jacques Lacan; From Breton to Dali: the Adventures of Automatism - Laurent Jenny; A Conversation with October - The V-Girls (Martha Baer, Erin Cramer, Jessica Chalmers, Andrea Fraser, Marianne Weems). A most handsome copy. 0-262-75201-8 Inventory Number: 021661

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 111pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Tate Modern - Briony Fer, Antony Hudek, Mignon Nixon, Alex Potts and Julian Stallabrass; Bridget Riley's Eye/Body Problem - Pamela M. Lee; Filming Israel: A Conversation - Amos Gitai and Annette Michelson; Chabrol and the Execution of the Deed - Jean-Claude Polack and Annette Michelson; From Screen to Site: Television's Material Culture, and Its Place - Anna McCarthy. A handsome copy. 0-262-75248-4 Inventory Number: 007568

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. 0-262-75282-4 Inventory Number: 026769

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. 0-262-75283-2 Inventory Number: 023563

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehnner, Editors. Cambridge, MA: MIT Press Journals, 2010. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. 0-262-75281-6 Inventory Number: 021215

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. 0-262-75258-1 Inventory Number: 012415

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Catherine de Zegher & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2004. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. 0-262-75259-X Inventory Number: 012282

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. 0-262-75253-0 Inventory Number: 014992

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. 0-262-75254-9 Inventory Number: 014348

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. 0-262-75267-0 Inventory Number: 021231

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. 0-262-75262-X Inventory Number: 019363

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2006. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. 0-262-75266-2 Inventory Number: 013786

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. 0-262-75263-8 Inventory Number: 013277

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. ISSN 0162-2870 Inventory Number: 012280

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Carrie Lambert & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: 'A Duplication Containing Duplications': Robert Rauschenberg's Split Screens - Branden W. Joseph; 'We Want to Organicize Disintegration' - Jaleh Mansoor and Piero Manzoni; Post-Cagean Aesthetics and the 'Event' Score - Liz Kotz; Fugitive Signs - Craig Dworkin; Gray Zone: Watching Shoot - Frazer Ward. A most handsome copy. 0-262-75245-X Inventory Number: 007565

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. ISSN 0162-2870 Inventory Number: 021652

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Homi Bhabha & Melissa Mathis, Editors. Cambridge, MA: MIT Press Journals, 1996. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome example. ISSN 0162-2870 Inventory Number: 013122

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski, Malcolm Turvey & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 1998. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly ISSN 0162-2870 Inventory Number: 021654

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Mignon Nixon, Editors. Cambridge, MA: MIT Press Journals, 1995. First Edition. 8vo. Printed Wrappers. Journal. Very Good.. 137pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; The City as Dreamworld and Catastrophe - Susan Buck-Morss; Recasting the Public Sphere - Peter Uwe Hohendahl; Not Reconciled - Judith Barry; The Haunted Museum: Institutional Critique and Publicity - Frazer Ward; The Will to Motorization: Cinema, Highways, and Modernity - Edward Dimendberg. A handsome copy showing just a bit of light handling and the remnants of its bar code sticker on the front cover. It has been priced accordingly. 0162-2879 Inventory Number: 022360

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Mignon Nixon, Editors. Cambridge, MA: MIT Press Journals, 1995. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Excerpts from The Dutch Group Portrait - Alois Riegl; Postscript: Alois Riegl in the Presence of The Nightwatch - Benjamin Binstock; Haptical Cinema - Antonia Lant; Facturing Femininity: Manet's Before the Mirror - Carol Armstrong; Picasso's Endgame - Leo Steinberg; Dada by the Numbers - John Miller; Pater Nauman - Pamela M. Lee; Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work) - Isabelle Graw. A most handsome example. 0-262-75224-7 Inventory Number: 021656

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Sylvia Kolbowski & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 168pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: "The Rock": William Kentridge's Drawings for Projection - Rosalind Krauss; Raymond Pettibon: Return to Disorder and Disfiguration - Benjamin H.D. Buchloh; an inadequate history of conceptual art - Silvia Kolbowski; House Work and Art Work - Helen Molesworth; Posing the Phallus - Mignon Nixon; An Art of Missing Parts -Hal Foster; Stops and Starts - Helen Molesworth. A most handsome example. ISSN 0162-2870 Inventory Number: 022200

(OCTOBER). Krauss, Rosalind, Douglas Crimp & Annette Michelson, Editors. Cambridge, MA & New York: MIT Press for the Institute for Architecture and Urban Studies, 1980. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A bright, most handsome example showing some light sunning to the red ink along the spine. ISSN 0162-2870 Inventory Number: 022859

(SNOW, MICHAEL) (OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Lisa Pasquariello, Editors. Cambridge, MA: MIT Press Journals, 2005. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. 0-262-75264-6 Inventory Number: 012636