Arcana:

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "For Mallory at the start of a long and loving relationship - (drawing of a small heart with an arrow through it) Eleanor" in black ink on the front free endpaper. The late Mallory Freeman was the director of Santa Monica's Tortue Gallery which represented Ms. Antin locally during the eighties, from whom we obtained this directly. 0-937122-11-4 Inventory Number: 020561

(ANTIN, ELEANOR). Antin, Eleanor & Arlene Raven. Los Angeles: Astro Artz, 1983. First Edition. Small 4to. Pictorial Wrappers. Artist's Book. Fine.. 86pp, profusely illustrated in b&w. Designed by Hardwerken's Henk Elenga. "Being Antinova" is noted performance artist Eleanor Antin's photographically illustrated artist's book cum journal of her three weeks of adopting the persona of, and living in New York as Eleanora Antinova - the fictional once-celebrated "Black Ballerina of Diaghilev's Ballet Russe". A most handsome example additionally bearing the SIGNED PRESENTATION "Dear Edie - sorry we missed each other - in the meantime I'm sending you a surrogate - Eleanor Antin" in black ink on the front free endpaper. 0-937122-11-4 Inventory Number: 020560

(APPLEBROOG, IDA). Applebroog, Ida. NP (New York): Self-Published, 1981. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (20pp), 7 monochrome illustrations. "A Performance: The End" is seventh and final artist book printed in blue ink on heavy stock that comprises Ida Applebroog's 1981 series entitled "Blue Books". A handsome example offered individually additionally bearing the SIGNED AND DATED INSCRIPTION "End of magnum opus, Ida Applebroog 1982" in pencil under the volume's final illustration showing some light handling creases along the spine. Inventory Number: 022308

(AVALANCHE). Sharp, Willoughby, Publisher. Liza Bear, Editors. New York: Avalanche, 1972. First Edition. Small Square 4to. Stapled Pictorial Wrappers. Art Periodical. Near Fine.. 59pp + advertisements, profusely illustrated in b&w. Cover image - Yvonne Rainer by Gianfranco Gorgoni. This is the fifth installment of New York's premier Conceptual Art periodical of the seventies, "Avalanche". In addition to the "Rumbles" news section and advertisements for virtually every gallery on the planet showing Minimal and/or Conceptual work at the time, it contains transcribed interviews with Jannis Kounellis, Philip Glass, and Yvonne Rainer along with contributions by Braco Dimitrijevic, Joseph Beuys, and Keith Sonnier. A most handsome example of this uncommon item. Inventory Number: 026131

(BARNEY, MATTHEW). Barney, Matthew, Neville Wakefield & Richard Flood. Karel Schampers, Editor. Rotterdam, THE NETHERLANDS & Ostfildern, GERMANY: Museum Boymans-van-Beuningen & Cantz Verlag, 1995. First Edition 1/2500. 8vo. Wrappers in Plastic Sleeve. Artist Monograph. Near Fine./No Jacket - As Issued.. 92pp, profusely illustrated in color and b&w. Text in English and Dutch. Designed by Matthew Barney and Gracia Lebbink. With an exhibition checklist, exhibition history and bibliography. This is the lovely catalogue documenting Matthew Barney's 1995 Museum Boymans-van Beuningen exhibition that presented elements of his "Cremaster" 1 and 4, "Facility of INCLINE", "OTTOshaft", "Facility of DECLINE", and "Drawing Restraint 7" series. It was designed by the artist and features several folding plates - perfect for that rowdy yet discerning Al Davis fan in your life. A handsome example in the publisher's printed transparent plastic wraparound band. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 90-6918-148-7 Inventory Number: 014223

(BEUYS, JOSEPH). de Vree, Paul & Sarenco, Editors. Brescia, ITALY: Lotta Poetica, 1975. First Edition. 4to. Stapled Pictorial Wrappers. Periodical. Fine.. np (24pp), 23 b&w illustrations + b&w cover. Text in Italian. Cover Designed by Joseph Beuys, This forty-sixth installment of Paul de Vree's prescient seventies art and literature periodical "Lotta Poetica" (Poetry War) is a special monographic issue devoted to Joseph Beuys. It features a cover and title page designed by the artist that is accompanied by Caroline Tisdall's photographic documentation of the 1974 piece "Three Pots Action in the Poor House". A bright, most handsome example additionally BOLDLY SIGNED "Joseph Beuys" in pencil on the front cover. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019826

(BURDEN, CHRIS). Burden, Chris. Los Angeles: Chris Burden, 1974. First Edition. 4to. Printed Wrappers. Catalogue Raisonné. Near Fine.. 96pp, profusely illustrated in b&w. Designed by Chris Burden. In a protective clear acetate dustwrapper. This is the first of two early catalogues raisonné cum artist books privately published by Chris Burden detailing his own conceptually based performance work. It presents copious photographic documentation accompanied by the artist's own notes for each of twenty-three projects executed between 1971 and 1973. A bright, exceptionally well-preserved example of this uncommon item. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027539

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(FILM CULTURE) (WARHOL, ANDY). Malanga, Gerard & Jonas Mekas, Editors. New York: Film Culture, 1967. First Edition. 4to. Illustrated Wrappers. Film Journal. Fine.. 64pp, profusely illustrated in monochrome. Designed by George Maciunas. In a protective clear acetate dustwrapper. This forty-fifth installment of '60s New York's preeminent avant-garde film quarterly is devoted primarily to Andy Warhol. Guest-edited by Gerard Malanga, it features contributions by or about Warhol, Malanga, Jonas Mekas, Jack Smith, Maria Montez, Gregory Battcock, Gregg Barrios, Sheldon Renan, The Kuchar Brothers, Jackson MacLow, and Factory Superstars galore. A remarkably bright, most handsome example of this uncommon, popishly designed item that is emblematic of the Warhol sixties. ISSN 0015-1211 Inventory Number: 026120

(FORTI, SIMONE). Forti, Simone. Halifax, CANADA & New York: Press of the Nova Scotia College of Art and Design & New York University Press, 1974. First Edition. 8vo. Wrappers in Illustrated Jacket. Dance Monograph. Near Fine./Near Fine.. 144pp, profusely illustrated in b&w. Published by the estimable Press of the Nova Scotia College of Art and Design in 1974, this is the first monograph on renowned contemporary New York dancer/choreographer Simone Forti. It contains texts (often reproduced in facsimile), sketches, and photographs documenting her performances between 1959 and 1974. A most handsome example in dust jacket showing just a bit of age-toning to the covers. 0-8147-2556-2 Inventory Number: 026774

(GREER, FERGUS) (BOWERY, LEIGH). Greer, Fergus. Foreword By Mariuccia Casadio. London: Violette Editions Limited, 2002. First Edition. 8vo. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 176pp, profusely illustrated in color and b&w. Designed by Peter B. Willberg and Zoe Symonds. This is a comprehensive collection of images by noted photographer Fergus Greer from his seven shoots between 1988 and 1994 with late, great Performance Artist/Fashion Icon/Muse/Club Kid Extraordinaire Leigh Bowery. Of course, visionary, outlandish, and fetishized outfits and personae are the order of the day here. A pristine copy of the 2002 first hardbound edition additionally BOLDLY SIGNED "Fergus Greer" in black marker on the half title page. 1-900828-19-7 Inventory Number: 027464

(GRIEGER, SCOTT). Grieger, Scott. NP (Los Angeles): Self-Published, 1970. First Edition. Oblong Small 4to. Loose Plates in a Portfolio. Artist's Book. Very Good +.. Fifteen individual 7 ½ x 10 ¼" plates printed offset recto only, 15 b&w illustrations. Self-published in 1970, "Impersonations" is Los Angeles-based artist Scott Grieger's wildly hilarious, photographically illustrated artist's book of send-ups of iconic works by many of the then-prevailing luminaries of Pop, Conceptual and Minimal Art. Using the photographic studio and some darkroom magic, the hirsute Grieger clad in jeans, desert boots, and a white t-shirt substitutes himself for artworks ranging from a Barnett Newman "zip" to one of Robert Irwin's illuminated disc paintings. The fifteen artists receiving these wry homages are Ronald Bladen, Tony DeLap, Robert Grosvenor, Irwin, Les Levine, Sol LeWitt, John McCracken, Robert Morris, Newman, Claes Oldenburg, Robert Rauschenberg, George Rickey, Richard Serra, Robert Smithson, and Ernest Trova. The "Impersonations" photographs were subsequently shown in MoMA's landmark 1970 Conceptual Art exhibition "Information", the 1972 Whitney Annual, "Los Angeles '72" at New York's Sidney Janis Gallery, and were the subject of a 2007 retrospective with catalogue at the Nora Eccles Harrison Museum of Art at Utah State University. The work fits in nicely with parallel body-centric photographic excursions by the likes of Bruce Nauman, Chris Burden and Vito Acconci - albeit with a more overt tongue in cheek approach. A bright, handsome example of this exceedingly uncommon - only five copies are currently cited in OCLC WorldCat - and underappreciated gem whose glossy white printed paper portfolio shows some typical creasing along the edges along with a slight stain at the upper right corner of the rear panel. Inventory Number: 022630

(KAPROW, ALLAN). Kaprow. Allan. NP (Valencia, CA): Self-Published, 1975. First Edition. 4to. Stapled Printed Wrappers. Artist's Book. Very Good.. np (4pp), 10 b&w illustrations. In a protective clear acetate dustwrapper. Self-published by the artist in 1975, "Routine" is the photographically illustrated artist's book documenting three December 1973 "activities" by the renowned late Happenings and Performance artist Allan Kaprow. An internally most handsome example of this exceedingly uncommon item (cited as entry sixteen on pages 66-67 of Giorgio Maffei's "Allan Kaprow: A Bibliography") additionally BOLDLY INSCRIBED "For Sherry & Mel / Allan" in red ink on the front cover showing some soiling and typical minor age-patination to its white wrappers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024998

(KAPROW, ALLAN). Kaprow. Allan & Barbara Berman. Preface by James T. Demetrion. Pasadena, CA: Pasadena Art Museum, 1967. First Edition. 4to. Spiral-Bound Boards. Artist Monograph. Near Fine/No Jacket - As Issued. 56pp, profusely illustrated in b&w gravure. With an exhibition history, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the exceedingly cool catalogue published in conjunction with the first major museum survey of the work of the renowned late Happenings and Performance artist Allan Kaprow. Published in 1967, the retrospective travelled from the Pasadena Art Museum to St. Louis' Washington University and The University of Texas, Austin. It includes copious photographic documentation, a transcribed interview between the artist and Barbara Berman, and the announcement for Kaprow's happening "Fluids" that was performed throughout Southern California in conjunction with the exhibition. A most handsome example of this uncommon spiral-bound document limited to one thousand, two hundred unnumbered copies showing some typical minor age-patination to the boards and preliminaries. Inventory Number: 025826

(KELLEY, MIKE). Kelley Mike. Los Angeles: Art Resources Transfer Inc., 1992. First Edition. Oblong 12mo. Printed Postcard. Performance Announcement. As New.. One 4 ¼ x 5 ¾" glossy cardstock sheet printed offset recto and verso, 1 b&w illustration. This is the postcard announcement published in conjunction with the June 29th and 30th, 1992 American premiere of Mike Kelley's collaborative performance piece with close friends Anita Pace and Stephen Prina entitled "Beat of the Traps" at the Gindi Auditorium of Los Angeles' University of Judaism. Unveiled earlier in the month in Vienna, it consisted of actor Alan Abelew and dancers Anita Pace and Carl Buckley interacting with musical accompaniment by drummers M.B. Gordy and Jonathan Norton alongside guitar and vocals by Stephen Prina. A brand new, most handsome example of this uncommon ephemeral item perfect for the Mike Kelley completeist. Inventory Number: 027383

(KELLEY, MIKE) (WEST, FRANZ). Pontegnie, Ann, Mike Kelley, Franz West & Andreas Reitner Raabe. Brussels, BELGIUM & Wien, Austria: OneTwoThree & Pakesch & Schlebrugge, 2001. First Edition. 8vo. Pictorial Wrappers. Artists Monograph. Fine.. 84pp, profusely illustrated in color and b&w. Text in English and French. Designed by Hans Wiegand (Flat Mountain Press). This is the catalogue published in conjunction with a jointly conceived exhibition of like-minded works by Mike Kelley and Franz West held in 2001 at the OneTwoThree space in Brussels. Included are previously unpublished texts, interviews, and the documentation of the artists' collaborative performance piece "To Be Read Aloud". A brand new, most handsome example of this exceedingly uncommon item. 3-85160-014-2 Inventory Number: 024525

(KROLL, ERIC). Kroll, Eric. Paris, FRANCE: Timeless Edition, I00220816, 2022. First Edition 1/750 Copies. 7 x 9 inches, 484 Pages. Hardcover. Photography Monograph. New/No Jacket - As Issued.

Eric Kroll is a name familiar to anyone with even the vaguest interest in contemporary photography. His first book, Sex Objects: An American Documentary, from 1977 has attained cult-like status. He has gone on to publish several high-profile, best-selling books with houses like Taschen, and his work has been featured in countless magazines over the years.

His brand new publication, The New York Years 1971 To 1994 from Timeless Edition in Paris  showcases a side of his work that until now has not been widely publicized. In the late 1970s and early 1980s Eric found himself at the very heart of a cultural eruption in NYC. With his camera ever at the ready he documented the work and private pursuits of cultural movers and shakers from the Rolling Stones to The Dead Boys, Blondie, Warhol, Basquiat, and Haring. Madonna, Kenneth Anger, Grace Jones, Robert Mapplethorpe, David Wojnarowicz, and too many regulars from the Max's Kansas City, Studio 54, and East Village Art Scene demimonde to name feature in this stunning collection of mostly never-before seen photos. From its sleazy underbelly to the highest-brow art galleries, Eric Kroll invites you to bygone Manhattan at the height of its decadence and cultural importance. The New York Years is a unique book, a journey, an experience!

Inventory Number: I00220715

(MARCLAY, CHRISTIAN). Ferguson, Russell, Miwon Kwon, Douglas Kahn & Alan Licht. Russell Ferguson, Editor. Los Angeles & Gottingen, GERMANY: The Hammer Museum & Steidl, 2003. First Edition. Small 4to. 1/4 Linen Over Flexible Boards. Artist Monograph. As New.. 202pp, profusely illustrated in color and b&w. Designed by Georgianna Stout and Glen Cummings. With an exhibition checklist, exhibition history, bibliography, discography, and performance history. In a protective clear acetate dustwrapper. Published in conjunction with the extensive 2003 Hammer Museum retrospective of works by Christian Marclay, this beautifully designed and printed catalogue is the most comprehensive document to date on the noted Swiss artist and musician. A brand new, pristine example additionally bearing the SIGNED AND DATED PRESENTATION "To Robert, from Marclay / 6-4-03" to a noted art historian when the show opened at The Hammer in blue ink on the front free endpaper. 3-88243-931-9 Inventory Number: 024382

(MORTENSEN, VIGGO). Mortensen, Viggo, Mike Davis, James Mooney & Sonny Richards. Santa Monica, CA: Perceval Press, 2003. First Edition. Oblong 4to. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. 64pp, profusely illustrated in color and b&w. "Miyelo is comprised of a series of large-scale, panoramic photographs of a Lakota Ghost Dance, taken from a single roll of film in March of 2003. The images record a re-creation of the dance that was originally performed by members of Chief Big Foot's band on December 29, 1890 near Wounded Knee Creek, South Dakota. The intent was to capture the event as a delirious remembrance, an ephemeral dream. Accompanying these and other related images is extensive literary and historical documentation of the period during which the Ghost Dance originated, leading up to and beyond the tragic massacre at Wounded Knee. With selected first-hand accounts of the event, as well as modern-day commentary and a comprehensive bibliography, Miyelo gives the reader an overview that otherwise might only be gained from examining a myriad of sources". A brand new, most handsome example of the unavailable first hardbound edition of actor/artist/musician/poet/all-around renaissance guy Viggo Mortensen's compelling cultural document still in the publisher's shrinkwrap. 0-9721436-7-X Inventory Number: 021066

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey & Adam Lehner, Editors. Cambridge, MA: MIT Press Journals, 2009. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. 0-262-75277-8 Inventory Number: 023562

(OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2003. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. 0-262-75253-0 Inventory Number: 014992

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Mignon Nixon, Carrie Lambert & Catherine de Zegher, Editors. Cambridge, MA: MIT Press Journals, 2001. First Edition. 8vo. Printed Wrappers. Journal. Near Fine.. 130pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: 'A Duplication Containing Duplications': Robert Rauschenberg's Split Screens - Branden W. Joseph; 'We Want to Organicize Disintegration' - Jaleh Mansoor and Piero Manzoni; Post-Cagean Aesthetics and the 'Event' Score - Liz Kotz; Fugitive Signs - Craig Dworkin; Gray Zone: Watching Shoot - Frazer Ward. A most handsome copy. 0-262-75245-X Inventory Number: 007565

(OCTOBER). Krauss, Rosalind, Annette Michelson, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, Silvia Kolbowski & Carrie Lambert, Editors. Cambridge, MA: MIT Press Journals, 2000. First Edition. 8vo. Printed Wrappers. Journal. Fine.. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. ISSN 0162-2870 Inventory Number: 021652

(OLDENBURG, CLAES). Oldenburg, Claes. New York: Self-Published, 1961. Edition Not Stated. 24mo. Printed Cardstock. Business Card. Fine.. One 2 x 3 ½" business card printed letterpress on blue metallicized "fish scale" stock recto only, 1 b&w illustration. This is Claes Oldenburg's self-published announcement in the form of a business card issued in conjunction with the December 1961 Manhattan genre-defying exhibition of the artist's "The Store" environment. A brand new, beautifully-preserved example of the blue variant of this charming ephemeral item (entry 18 on page 76 of Richard Axsom and David Platzker's "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg - A Catalogue Raisonné 1958-1996") acquired directly from the artist's studio. Inventory Number: 027134

(OLDENBURG, CLAES). Oldenburg, Claes. NP (New York). ND (1959).: Self-Published at Judson Church. First Edition. 8vo. Stapled Illustrated Wrappers. Artist's Book. Fine.. np (8pp), profusely illustrated in b&w. This is Claes Oldenburg's self-published eight page artist's book cum program of whimsical "Ray Gun Poems" drawings reproduced on blue and yellow paper issued in conjunction with the landmark January 1960 exhibition of the artist's "The Street" environment at New York's Judson Church. A spectacularly bright, well-preserved example of this exceedingly uncommon item (entry 6.2 on page 58 of Richard Axsom and David Platzker's "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg - A Catalogue Raisonné 1958-1996") - only a single copy in the MoMA reference library is cited in OCLC WorldCat - additionally INITIALED "CO" as is ofttimes Oldenburg's practice in pencil at the lower foredge corner of the inside rear cover. This is NOT to be confused with the 1973 Moore College of Art exhibition catalogue with the same title. Inventory Number: 027133

(OLDENBURG, CLAES). Oldenburg, Claes. Los Angeles: Margo Leavin Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 24 x 17 ½" sheet printed color offset recto only, 1 color illustration, machine-folded in fourths, as issued. This is the striking poster produced for the 1991 exibition of "20th Century Collage" organized by Los Angeles' Margo Leavin Gallery. The show featured ninety-one significant practitioner of the medium - from Kurt Schwitters to Edward Ruscha and Joseph Cornell to Richard Prince - and subsequently traveled to the Centro Cultural Arte Contemporaneo, Mexico City, and the Musée d'Art Moderne et d'Art Contemporain, Nice, France. The image reproduced is Claes Oldenburg's 1961 ink and newspaper collage on paper entitled "Street Figure (Using Movie Section, with Manhole)". A brand new, most handsome example of this uncommon item folded for mailing, as issued. Inventory Number: 026192

(OLDENBURG, CLAES) (VAN BRUGGEN, COOSJE) (GEHRY, FRANK O.). Celant, Germano, Claes Oldenburg, Coosje Van Bruggen & Frank O. Gehry. Milano, ITALY: Edizioni Electa S.p.a., 1986. First Edition. 4to. Wrappers in Illustrated Jacket. Artists Monograph. Fine./Fine.. 230pp, profusely illustrated in color and b&w. Text in English. With a bibliography. This is the detailed monograph written by noted art historian Germano Celant documenting Claes Oldenburg, Coosje Van Bruggen, and Frank O. Gehry's collaborative theater cum performance piece "Il Corso del Coltello (The Course of the Knife)" that premiered at the 1984 Venice Biennale. The partcipants included, Oldenburg, Van Bruggen, Gehry, Celant, Pontus Hulten, John Miller, and much of Gehry's family. A bright, most handsome example of the paperbound Electa English language edition additionally BOLDLY SIGNED "Claes O" in black ink across the title page with a two page Solomon R. Guggenheim press release.regarding their upcoming December 1986 exhibition of the "Knife Ship" from "Il Corso del Coltello" additionally laid in. Inventory Number: 025790

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1988. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Very Good -.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the unavailable seventeenth issue of this influential Swiss visual arts quarterly showing some light creasing and wear to the wrappers. It has been priced accordingly. 3-907509-67-6 Inventory Number: 020000

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1988. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine./OUT OF PRINT. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome copy of the sixteenth issue of this influential Swiss visual arts quarterly. 3-907509-66-8 Inventory Number: 012285

(RAINER, YVONNE). Rainer, Yvonne. Halifax, CANADA & New York: Press of the Nova Scotia College of Art and Design & New York University Press, 1974. First Edition. 4to. Gilt-Stamped Cloth. Dance Monograph. Very Good -/No Jacket. 338pp, profusely illustrated in b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. Published by the Press of the Nova Scotia College of Art and Design, this is the first monograph on the pioneering contemporary New York dancer/choreographer Yvonne Rainer. It contains texts and notes on choreography (often reproduced in facsimile), and photographs documenting her performances between 1961 and 1973. An internally most handsome example of the uncommon 1974 first edition issued in lavender cloth lacking its dust jacket and showing some soiling and spotting along the edges of the textblock. It has been priced accordingly. 0-8147-7360-5 Inventory Number: 026775

(RAINER, YVONNE). Rainer, Yvonne. Halifax, CANADA & New York: Press of the Nova Scotia College of Art and Design & New York University Press, 1974. First Edition. 4to. Gilt-Stamped Buckram. Dance Monograph. Fine/Good +. 338pp, profusely illustrated in b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. Published by the Press of the Nova Scotia College of Art and Design, this is the first monograph on the pioneering contemporary New York dancer/choreographer Yvonne Rainer. It contains texts and notes on choreography (often reproduced in facsimile), and photographs documenting her performances between 1961 and 1973. A most handsome example of the exceedingly uncommon 1974 first edition issued in silver gilt-stamped black buckram boards additionally bearing the SIGNED PRESENTATION "For ... - in contrition and gratitude - Yvonne May 1997" in black ink on the half title page showing some wear, soiling, short closed tears, and some mild spotting to the dust jacket. Laid in is the six page illustrated brochure cum screening schedule from the Getty Research Institute's 2014 "Yvonne Rainer: Dances and Films" program. 0-8147-7360-5 Inventory Number: 026541

(ROTH, DIETER). Roth, Dieter, Gunter Brus, Hermann Nitsch, Gerhard Ruhm & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1975. First Edition 1/1000. Large Square 4to. 12" Vinyl LPs in a Box. Artists' Multiple. Near Fine/Near Fine. Three 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in a printed paper-over-cardboard box. This is a boxed set of recordings issued by Edition Hansjorg Mayer from a 1974 Munich concert of new and improvised music by an ensemble featuring Dieter Roth along with Viennese artist/musicians Christian Ludwig Attersee, Gunter Brus, Hermann Nitsch, Gerhard Ruhm, and Oswald Wiener. A most handsome example of this uncommon artists' recording (entry number 4 on page 87 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 80 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to one thousand unnumbered copies. Inventory Number: 025549

(ROTH, DIETER) (WIENER, OSWALD). Roth, Dieter & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1977. First Edition 1/500. Large Square 4to. 12" Vinyl LP in Jacket. Artists' Multiple. Near Fine/Near Fine. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in a printed paper-over-cardboard gatefold sleeve. Recorded at Mosfellssveit, Iceland between May 28th and 30th 1976, "Tote Rennen + Leider" is a new music and spoken-word collaboration between noted artist/musicians Dieter Roth and Oswald Wiener. A handsome example of this uncommon artists' recording (entry number 8 on page 89 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 95 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to five hundred unnumbered copies. Inventory Number: 025551

(SCHARF, KENNY). Scharf, Kenny, Dennis Hopper, Barry Blinderman, Dan Cameron & Ann Magnuson. Monterrey, MEXICO: Museo De Arte Contemporaneo De Monterrey, 1996. First Edition 1/1000. Oblong Small 4to. Illustrated Self-Wrappers. Artist Monograph. Near Fine.. 132pp, profusely illustrated in color and b&w. Text in English and Spanish. With an exhibition checklist, biography, bibliography, and exhibition history. Limited to one thousand copies only, this is the comprehensive catalogue published in conjunction with a 1996 Kenny Scharf retrospective held at Mexico's Museo De Arte Contemporaneo De Monterrey. If features reproductions of each of the thirty-six paintings exhibited as well as essays by Barry Blinderman and Dan Cameron, and a transcribed conversation between Scharf and Dennis Hopper. A handsome copy of this uncommon item. 968-6623-36-1 Inventory Number: 018961

(SCHWITTERS, KURT). Steinitz, Kate Trauman. Introduction by John Coplans and Walter Hopps. Berkeley & Los Angeles, CA: University of California Press, 1968. First Edition. 8vo. Boards in Illustrated Jacket. Artist Monograph. Fine/Very Good. 226pp, profusely illustrated in b&w. Designed by Douglas Nicholson. With a list of biographies. Kate Trauman Steinitz was a Hannover-based colleague, close associate, and here the posthumous biographer of Kurt Schwitters. The first English language memoir of the renowned Dada and collage pioneer, it features an introduction co-authored by former Pasadena Art Museum curators Walter Hopps and John Coplans and includes translations of numerous prose and performance pieces - including the libretto for Schwitters and Steinitz' unpublished 1928 collaborative "science-fiction opera", "Zusammenstoss" ("Collision"). A most handsome example whose dust jacket shows just a bit of light wear and soiling. 0-520-01219-4 Inventory Number: 024470

(SHERMAN, CINDY) (KLAUKE, JURGEN). Goetz, Ingvild, Christiane Meyer-Stoll, Hans Kickel, Peter Weibel, Jan Avgikos, Matthew Weinstein & Noemi Smolik. Munich, GERMANY & Humlebaek, DENMARK: Sammlung Goetz, 1994. First Edition. 8vo. Printed Wrappers. Artist Monograph. As New.. 78pp, profusely illustrated in color and b&w. Text in English and German. With biographies and an index of illustrations. This is a handsome catalogue published in conjunction with a 1994 European exhibition of photographically-based works by Cindy Sherman and Jurgen Klauke from the estimable contemporary art collection of Ingvild Goetz. A brand new, pristine example still in the publisher's shrinkwrap. 3-89322-674-5 Inventory Number: 010316

(SMITH, JACK). Jordan, Mary, Director. New York: Arthouse Films, 2007. Edition Not Stated - Presumed First. 8vo. NTSC DVD in Plastic Case. Documentary Film. As New/No Jacket - As Issued. 95 minutes + extras, in color. "Perhaps America's most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer, and the 'William Blake of film'. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini, and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith's rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith's vaulted archives. Commentaries from art luminaries, critics and Smith's friends and enemies such as George Kuchar, Ken Jacobs, Tony Conrad, Sylvere Lotringer, Judith Malina, Jonas Mekas, Mario Montez, Ronald Tavel, John Waters, John Zorn, Agosto Machado, Andrew Sarris, Ari Roussimoff, Billy Name, Ela Troyano, Gary Indiana, George Kuchar, Helen Gee, Henry Hills, Maria Montez, Andrew Sarris, Holly Woodlawn, Ira Cohen, Ivan Galietti, Jerry Tartaglia, John Matturri, John Vaccaro, Lawrence Rinder, Mary Woronov, Mike Kelley, Nayland Blake, Nick Zedd, Richard Foreman, Robert Heide, Robert Wilson, Taylor Mead, Tommy Lanigan-Schmidt, Uzi Parnes, and William Niederkorn intercut Smith himself proffering condemnations of capitalism, critics, and institutional-art "gatekeepers". Jordan also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas and actors in his own work (including Smith's "Superstars" concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America's most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism, and meaning in contemporary art. Since his 1989 death, Smith's work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York's ultimate anti-hero and the original King of the Underground". A brand new, pristine unplayed example of this DVD in letterbox format still in the manufacturer's shrinkwrapped plastic case. Inventory Number: 018984

(SQUAT THEATRE). Buchmuller Eva & Anna Koos. Introductions by Alisa Solomon & Andras Halasz. New York: Artists Space, 1996. First Edition. 8vo. Pictorial Wrappers. Exhibition Catalog. Fine.. 232pp, profusely illustrated in b&w. Designed by Eva Buchmuller and Anna Koos. In a protective clear acetate dustwrapper. This is the informative catalogue of the 1996 exhibition held at New York's Artists Space documenting Squat Theatre - the dissident artist-run Hungarian experimental theater company founded in Budapest that subsequently moved to New York, where the members - Stephan Balint, Eszter Balint, Peter Berg, Eva Buchmuller, Marianne Kollar, Peter Halasz, Galus Halasz, Anna Koos, Boris Major, Rebecca Major - lived and worked from 1977 until 1984. The troupe staged performances based on works by Andy Warhol, Antonin Artaud, Anton Chekov, Fyodor Dostoyevsky, and others in their storefront window at 256 West 23rd Street - utilizing the street as a backdrop - which became their trademark. A most handsome example of this exceedingly uncommon document compiled and designed by Buchmuller and Koos from the company's own archives. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-9636372-2-3 Inventory Number: 024378

(STELARC). Stelarc. Various. 1976-1981.: Self-Published. First Editions. Oblong 12mo. Printed Postcards. Artist Multiples. Very Good - or Better.. Fifteen 4 1/8 x 5 7/8" cardstock postcards printed offset b&w, recto and verso. Text in English. This is a collection of fourteen photographically illustrated, self-published postcards documenting noted Cypriot-born, Australian-based artist Stelarc's public performances - primarily in Japan and Australia - between 1976 and 1981. A handsome group of these uncommon artist's multiples issued for the following performances: "Event for Stretched Skin (May 16th, 1976 - Tokyo)", "Event for Penetration / Extrapolation (August 14th, 1976 - Mexico City)", "Event for Stretched Skin No. 4 (August 8th, 1977 - Munich)", "Event for Inclined Suspension (January 7th, 1979 - Tokyo)", "Event for Amplified Tension (August 6th, 1979 - Tokyo)", "Pull Out / Pull Up Event for Self-Suspension (March 2nd, 1980 - Tokyo)", "Sitting / Swaying Event for Rock Suspension (May 11th, 1980 - Tokyo)", "Event for Obsolete Body (August 13th, 1980 - Melbourne)", "Up / Down: Event for Shaft Suspension (August 17th, 1980 - Melbourne)", "Tilted / Twisting Event for Cone Configuration (December 30th - Tokyo)", "The Third Hand. The Third Hand (May 8th, 1981 - Tokyo)", "Seaside Suspension: Event for Wind and Waves (May 30th, 1981 - Jogashima)", "Sculpture Space Suspension (August 16th, 1981 - Mexico City)", "Deca-Dance (November 15th, 1981 - Tokyo)", and "Curves / Event for Three Hands (December 28th, 1981 - Tokyo)". Inventory Number: 026265

(VALLANCE, JEFFREY). Vallance, Jeffrey & Ralph Rugoff. Vienna, AUSTRIA: Galerie Krinzinger, 1992. First Edition. 8vo. Stapled Illustrated Wrappers. Artist Monograph. Fine.. np (22pp), 8 b&w and 2 color illustrations + color cover. Text in English. With a biography and exhibition + performance histories. This is the slender twenty-two page catalogue published in conjunction with several religious-themed projects Jeffrey Vallance presented as part of the 1992 Viennese gallery exhibition of Los Angeles-based artists entitled "LAX". A most handsome example of this uncommon item. Inventory Number: 025560