Arcana:

(ALBERS, JOSEF). Albers, Josef & George Heard Hamilton. New Haven, CT: Yale University Art Gallery, 1956. First Edition 1/1500. 4to. Debossed Wrappers. Artist Monograph. Very Good.. 48pp, 53 b&w illustrations + 2 color screenprint illustrations. Designed by Norman Ives. With a chronology, bibliography and exhibition checklist. In a protective clear acetate dustwrapper. This is the catalogue published in conjunction with a 1956 Josef Albers retrospective exhibition of fifty-nine artworks and objects executed between 1921 and 1956 held at the legendary abstract artist, Bauhaus design teacher, and Yale University Art department chair's own Yale University Art Gallery. It features a text by George Heard Hamilton as well as brief excerpts of the writings by the artist, and includes two tipped-in, vibrantly colored, unsigned individual "Homage to the Square" screenprints. A handsome example of htis uncommon item showing showing some mild soiling and wear to its embossed matte white covers. Inventory Number: 026913

(BERMAN, WALLACE) (SEMINA). Berman, Wallace. Larkspur, CA: Self-Published, 1961. First Edition 1/200. 8vo. Chipboard Portfolio. Artist's Periodical. Good.. np, 18 individual inserts printed offset on cardstock or paper housed a printed paper pocket, 11 monochrome illustrations + front cover. This seventh installment of "Semina" - Wallace Berman's legendary, and legendarily scarce handmade literary and art periodical - is subtitled "Aleph". Published in Larkspur in 1961, unlike its predecessors that anthologized work from the movers and shakers of the West Coast Beat scene, this number is entirely devoted entirely to contributions by Berman himself. It is comprised of eighteen loose reproductions of photographs, drawings, and text - many of which combine these elements. A complete, internally handsome example of this exceedingly uncommon item limited to two hundred unnumbered copies. The eleven photographic reproductions on cardstock are bright and fresh, while several of the text pieces printed on matte paper show typical minor soiling, offsetting, and age-toning. The printed white pocket into which these are gathered is still securely affixed to the inside rear cover. Externally, the title pastedown on the front cover shows some mild rubbing and foxing, and the brittle, highly acidic chipboard covers have light overall wear, age-toning, and soiling. More notably, the covers have separated cleanly along the length of the spine, and there are two triangular chips of paper loss along the bottom edge - one on the rear at the heel of the spine, and a tiny one at the foredge front corner. Both detached fragments are present, and we have decided to let the next owner deal with their preferences for any paper restoration. All in all, this is a most presentable copy of a truly remarkable Wallace Berman item that looks far nicer in hand than it describes that has been priced accordingly. Inventory Number: 026125

(BLUNK, J.B.). Blunk, J.B., Lucy R. Lippard, Louise Allison Cort, Fariba Bogzaran, Mariah Nielson, Rita Lawrence, Alyssa Ballard & Rick Yoshimoto. Mariah Nielson & Abake, Editors. Inverness, CA: Blunk Books, 2020. First Edition. Small 4to. Pictorial Boards. Decorative Arts Monograph. As New/No Jacket - As Issued. 228pp, profusely illustrated in color and b&w. "Born in 1926 in Kansas, James Blain Blunk was a Northern California-based sculptor who worked primarily with wood and clay. Following a period of apprenticeship in Japan, Blunk settled near the Marin County town of Inverness, California, where he built his own studio, and developed a lifelong friendship with the painter Gordon Onslow Ford. This is the first publication to explore the entire oeuvre of JB Blunk, with previously unseen examples of his work in stone, clay, painting and jewelry. The design beautifully combines archival images of Blunk's work in situ and at his home and his studio, with color plates of newly photographed pieces. In an essay, Lucy R. Lippard discusses Blunk's reverence for ancient art and places, while Smithsonian Curator of Ceramics Louise Allison Cort details Blunk's formative years in Japan. Glenn Adamson, Senior Scholar at the Yale Center for British Art, contributes an essay that explores the essence of Blunk himself along with his artwork." A brand new, most handsome example of the quickly unavailable 2020 first edition of this vital document still in the publisher's shrinkwrap. 1-907908-55-2 Inventory Number: 027439

(BORTHWICK, MARK). Borthwick, Mark. NP. ND (2001): NP (Mark Borthwick). First Edition #20/100. 8vo. Stapled Printed Wrappers. Fashion Monograph. Fine.. np (64pp), illustrated in b&w. In a protective clear acetate dustwrapper. "Whats Bummer" is Mark Borthwick's 2001 self-published 'zine cum artist's book of writings, thoughts, and observations both typeset and in his characteristic stylized handwriting. A bright white, most handsome example of this exceedingly uncommon item - there is not currently an entry for the title in OCLC WorldCat - limited to one hundred NUMBERED (20/100) copies accompanied by a loose 3 ¼ x 4 ¼" color photograph SIGNED AND DATED "MB / 01", as issued. Inventory Number: 026486

(BRAVO, MANUEL ALVAREZ). Bravo, Manuel Alvarez & Juan Garcia Ponce. Miguel Cervantes, Editor. Mexico City, MEXICO: Departmento de Publicaciones, Comite Organizador De Los Juegos De La XIX, 1968. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Very Good -./No Jacket - As Issued. 114pp, 84 b&w and 3 color illustrations. Text in Spanish, English and French. With an exhibition checklist. In a protective clear acetate dustwrapper. This is the substantial hardbound catalogue published in conjunction with the 1968 exhibition "Manuel Alvarez Bravo: Photographies / Photographs / Fotografias 1928 - 1968" that was held as part of the cultural programming for the games of the XIX Olympiad held in Mexico City. The show consisted of two hundred and fifty images by the venerable photographer, eighty-seven of which are reproduced here in gravure. An internally most handsome example of the - and only - edition of this uncommon and important document additionally bearing the BOLDLY SIGNED PRESENTATION "Para el senor / Jim Bullowa, dese an dole (?) un / feliz ano 1971 / M. Alvarez Bravo. / Coyoacan decembre de 1970" in blue ink across page 5 along with "El prefacio y la seleccione de poesia, / por Juan Garcia Ponce; el retrato por Miguel Cervantes. / Pag. 51 L'oiseau... esta puesto al reves / Asparicion.. fuera de registro el / duotuno (?) / 85 Dice: Tehuantepec, Chiapas, / Oaxaca / dese decio" across the title page in the same blue ink. Additionally laid in is a torn scrap of butcher paper bearing Bravo's name, return address, and "libros / books" written in the photographer's hand. There is a mild dent to the textblock at the head of the spine, and the edges of the pages show some soiling and a bit of spotting along the top. The white glazed boards show overall light soiling and age-toning along with some notable pitting and a bit of surface wear to the rear cover. It has been priced accordingly. Inventory Number: 026734

(BRODOVITCH, ALEXEY). Brodovitch, Alexey & Edwin Denby. New York: J.J. Augustin, Publisher, 1945. First Edition. Oblong 4to. Boards in Dust Jacket, Boxed. Photography Monograph. Very Good -/Facsimile Dust Jacket. 144pp, 104 illustrations in b&w gravure. In a protective clear acetate dustwrapper. Designed by Alexey Brodovitch. "Ballet" is renowned late graphic designer Alexey Brodovitch's iconic 1945 book of photographic vignettes capturing eleven performances by The Ballets Russes between 1935 and 1937. Noted for the innovative-at-the-time use of murky shadows and blurred dancers bathed in light, these arresting images of the likes of principals Leonide Massine, Tamara Toumanova, Irina Baronova, and more are accompanied by New York poet and dance critic Edwin Denby's brief but cogent text. An internally bright, handsome example of the first and only edition of this uncommon classic (cited on pages 240-241 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I, pages 136-137 of The Hasselblad Center's "The Open Book: A History of the Photographic Book from 1878 to the Present", and pages 110-113 of "The Book of 101 Books") showing a bit of typical light age-toning to the pages, a slight dent through the lower foredge corner, wear to the top of the spine, and a previous owner's name in ink on the front pastedown. It's highly sulfurous chipboard covers are lightly browned, spotted, and a bit worn. The book's striking, notoriously fragile original paper dust jacket designed by Brodovitch is lacking but has been replaced with a facsimile jacket meticulously executed by Woonsocket, Rhode Island's esteemed Dragonfly Bindery. It is housed in the Bindery's lavish custom brown cloth-over-boards clamshell presentation box with pastedowns reproducing the "Ballet" logo on the front cover and spine. All in all, this is a sharp, internally solid copy of one of the most lauded post-war American photography books aided by the addition of its jacket and presentation box that looks far nicer in hand than it describes. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 026050

(CALLE, SOPHIE). Calle, Sophie. New York, London, Rome & Hong Kong. 2007-2014.: Thea Westreich, 1991. First Edition #117/230. 4to. Decorative Boards, Boxed. Artist's Book. Fine/No Jacket - As Issued. np, 18 b&w illustrations. Text in French and English. The most visually spectacular of her artist's books to date, "La Fille Du Docteur" is yet another exploration of the part autobiographical, part fictional personae of Sophie Calle. The work consists of sixteen facsimile cards of congratulation (purportedly) from colleagues of the artist's father upon the announcement of her birth. This was traditional amongst the French medical profession, and Calle's father was a physician. Or was he? Each of these cards is housed in a glassine envelope that faces a sequential photographic image printed on vellum of the artist performing a drunken striptease. These images conclude with the naked, comatose Sophie (who "will be a source of joy to her parents") sprawled in a heap. The book is bound as a faux leopard-skin album, which is in turn housed in a paper covered, chipboard box with a printed label. A brand new, most handsome example of the uncommon 1991 first - and only - Thea Westreich edition (cited on pages 166-167 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II" and pages 352-353 of The Hasselblad Center's "The Open Book") limited to two hundred and thirty copies SIGNED AND NUMBERED (117/230) in black ink on the publisher's label of limitation affixed to the final leaf, as issued. Inventory Number: 026681

(CASEY, BERNIE). Casey, Bernie. NP (Los Angeles): Self-Published, 1977. First Edition #14/130. Folio. Framed Lithographic Print. Artist's Multiple. Fine.. One 20 x 15" sheet of textured heavy art paper printed lithographically in colors, recto only. "Neighbors" is a 1977 lithograph by the noted late Los Angeles-based African-American artist, poet, and actor Bernie Casey. An All-American athlete at Bowling Green State University, Casey went on to a standout NFL career as a wide-receiver with the Los Angeles Rams. Following his retirement, he focused on his visual artwork as well as well as featured roles in such varied cinematic fare as "Cleopatra Jones", Black Gunn", "Hit Man", the James Bond film "Never Say Never", and "Revenge of the Nerds." A bright, most handsome example housed in a contemporaneous aluminum sectional frame with a glass face NUMBERED (#14/130), SIGNED "Bernie Casey", and DATED "77" by the artist in pencil along the lower margin, as issued. Inventory Number: 026267

(CLOSE, CHUCK). Close, Chuck. Gottingen, GERMANY: Little Steidl, 2017. First Edition #65/100 Deluxe. 4to. Cloth in a Clamshell Box. Artist Monograph. As New/No Jackets - As Issued. np (18pp) + np (18pp) + 8pp. Two individually bound 110 ½ x 13 ½" nine-sheet leporellos printed by color offset lithography recto only, 18 color illustrations. Designed by Chuck Close and Nina Holland. "The idea of a book without words had resonance for Chuck Close. As a child, his severe dyslexia stood in the way of reading, making images all the more important. He remembers a visual encyclopedia from his early years and the feeling of being overtaken by the intensity of its pictures. The idea also resonated with his ongoing interest in revealing the process of his work, which he accomplishes largely through visual presentation, using very few words, if any. "Scribble Book" is a self-portrait that emerges step-by-step out of the printing process, one plate and one color at a time. The viewer follows a series of nine individual plate proofs - volume one - along with a corresponding series of nine progressive proofs - volume two. By comparing the plate proofs against the progressives, the viewer may ascertain not only the effect as one color is added to another to create the final nine-color portrait, but also the compositional decisions and careful modifications made by the artist at each stage of the project. A similar work was made with twelve plates and included in the exhibition "Chuck Close Prints: Process and Collaboration" at the Metropolitan Museum of Art in 2004 and was an immediate success. "Scribble Book" is presented in this deluxe edition as two accordion-fold books. The first shows the series of plate proofs, and the second the series of progressive proofs, culminating with a nine-color self-portrait. For those seeking a more detailed understanding of the process, these books are accompanied by a separate text in which the artist gives a personal account of his drawing process as recorded through printmaking." A brand new, pristine NUMBERED (65/100) AND SIGNED example of the 2017 first deluxe edition this exquisite undertaking consisting of three volumes in a silkscreened clamshell box limited to one hundred copies. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-944630-00-9 Inventory Number: 026507

(COPLEY, WILLIAM AKA CPLY). Waldberg, Patrick. Paris, FRANCE. ND (circa 1955): Galerie Editions Du Dragon. First Edition. 8vo. Illustrated Wrappers. Artist Monograph. Near Fine.. np, (18pp), 3 b&w illustrations + cover. Text in French. In a protective clear acetate dustwrapper. This is the slender eighteen page catalogue issued on the occasion of a mid-fifties exhibition of eroticized, automotive-themed paintings by William Copley (CPLY) held at Paris' Galerie Du Dragon. It includes a brief text by Patrick Waldberg along with three reproductions of exhibited works. An internally bright, most handsome example of this uncommon document additionally bearing the SIGNED ASSOCIATION PRESENTATION "To Man & Julie / With Love / Bill Copley" in ink along the top of the front cover showing just a bit of wear and age-toning to its pale yellow wrappers. This was acquired by us directly from the library of Joseph Browner, Juliet's brother, and longtime executor of the Man Ray Trust. Inventory Number: 026668

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1972).: Self-Published. First Edition 1/700. 12mo. Illustrated Wrappers. Artist's Book. Near Fine.. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Inventory Number: 026837

(DE COINTET, GUY). de Cointet, Guy. NP (Los Angeles). ND (1973).: Self-Published. First Edition 1/600. 12mo. Printed Wrappers. Artist's Book. Very Good.. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Inventory Number: 026500

(DRUKS, RENATE) (NIN, ANAIS). Nin, Anais & Renate Druks. NP (Malibu, CA): Concentric Circle Press, 1979. First Edition #15/100 Deluxe. 8vo. Cloth with Pastedowns. Illustrated Book. Fine/No Jacket - As Issued. 96pp, 3 b&w and 9 tipped color illustrations. In a protective clear acetate dustwrapper. The late Malibu-based, Viennese expatriate artist Renate Druks was among many things a confidante and occasional muse to legendary literary figure Anais Nin. In 1979, Druks self-published Nin's memoir of their friendship illustrated with nine tipped-in reproductions of her ethereal paintings in the vein of Leonora Carrington and Remedios Varo along with a cover collage. A brand new, most handsome example of the exceedingly uncommon first - and only - hardbound Concentric Circle Press edition limited to one hundred copies NUMBERED (15/100) AND SIGNED "Renate Druks" in black ink on the verso of the title page, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. LC 79-53873 Inventory Number: 026669

(EGGLESTON, WILLIAM). Wagner, Bruce & William Eggleston. Santa Fe, NM: Twin Palms Publishers, 1999. First Edition 1/50 Deluxe. Square 4to. Cloth in Clamshell Box. Photography Monograph. Fine/No Jacket - As Issued. 101pp, 45 color illustrations. Published in 1999, "2 1/4" is a beautifully designed and printed survey of Southern gentleman with a camera William Eggleston's color work with the 2 ¼ x 2 ¼ inch negative format. A brand new, most handsome example of the deluxe signed edition of fifty SIGNED AND NUMBERED copies accompanied by a signed 11 x 11" matted color dye-transfer print SIGNED AND NUMBERED inside a debossed cloth-over-boards clamshell box. 0-944092-70-5 Inventory Number: 026446

(GORDON, GINGER, AKA BEEKE, ANNA). Levy, William, Ginger Gordon (aka Anna Beeke) & Anthon Beeke. Den Haag, THE NETHERLANDS: Uitgeverij Bert Bakker, 1972. Second Edition. Small Folio. Illustrated Wrappers. Photography Monograph. Near Fine.. 72pp, profusely illustrated in b&w. Text in English. Designed by Anthon Beeke. In a protective clear acetate dustwrapper. Subtitled "An ecstatic journey of a boy (Joop) transformed into a girl (Joopie) for one day only, of her erotic adventures in Amsterdam, magic centrum", "The Virgin Sperm Dancer" is one of the lesser-known yet still classic books of erotic imagery from the sixties and seventies. Originally published by Willem de Ridder's notorious "Suck" magazine, it features a text by American expatriate William Levy - known as the "Talmudic Wizard of Amsterdam", design by the innovative Anthon Beeke, and black and white photographs by his wife Anna Beeke - credited as "Ginger Gordon". All told, this is an eye-opening 1972 tour of gender-bending counterculture sex in and adjacent to Amsterdam's public Vondelpark. A most handsome example of the 1972 second edition (cited on page 213 of Alessandro Bertolotti's "Books of Nudes") with the publisher's shrinkwrap and green "For Adults Only / Nur Fur Erwachsene / Seulment Pour Adults" sticker showing some slight dents to the foredge tips of the textblock. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. 90-6019-20316 Inventory Number: 026655

(KELLEY, MIKE). Kelley Mike. Koln, GERMANY: Galerie Jablonka, 1995. First Edition 1/400. 4to. Stapled Illustrated Wrappers. Artist Monograph. Near Fine.. np (24pp), 15 color and 1 b&w illustration. Designed by Kuhle und Mozer. Text in English and German. With a protective clear acetate dustwapper. This is the jaunty catalogue published in conjunction with the noted late Los Angeles-based artist Mike Kelley's 1995 exhibition of thirteen paintings on shaped wood held at his longtime German representative, Galerie Jablonka. A most handsome example of this uncommon item showing just a bit of wear and rubbing to its covers with a TLS from Jochen Link on gallery stationery dated September 21, 1995 detailing the exhibition's remaining available works and pricing to a well-known art dealer additionally laid in. Inventory Number: 026867

(KH MAGAZINE). Harry, Kevin. New York. 2014-2018: Self-Published. First Editions. 8vo. Stapled Pictorial Wrappers. Photography Monographs. As New.. Each 48 to 64pp, profusely illustrated in color. "KH" magazine is the colorful, under-the-radar annual (maga)'zine self-published by the amazing New York chronicler of style, Kevin Harry. With an eye for beauty and flair, "KH" captures the vibrant adornment, hair styles, and latest fashions of the five boroughs' African-American community, often at an open air festival or street carnival. A brand new, pristine set of all six hard to find installments published to date - issues 1 through 5 plus the "KH 2016 Special" - of this prescient document of ever-evolving innovative cultural style each of which has been additionally SIGNED by Kevin Harry in pencil on the rear cover. Inventory Number: 026674

(LEWITT, SOL). LeWitt, Sol. New York, London, Rome & Hong Kong. 2007-2014.: Multiples, Inc., 1970. First Edition. Oblong 4to. Printed Sheet Plus Envelope. Artist's Book. Fine./Near Fine.. One 5 1/8 x 12 3/8" cardstock sheet, printed recto only inserted into a printed paper envelope, 10 b&w illustrations. This wry homage to Eadweard Muybridge's Human Locomotion studies was noted Minimal/Conceptual Artist Sol LeWitt's contribution to the to the Multiples, Inc. "Artists and Photographs" portfolio of 1970. A bright, most handsome example of this uncommon item (cited on pages 88-89 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books") offered here individually. Inventory Number: 026656

(MARCOPOULOS, ARI). Marcopoulos, Ari. NP (Seattle, WA). ND (2017).: Adidas. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (22pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Aight'" is Ari Marcopoulos' zine devoted to New York urban skateboarding produced in collaboration with legendary sportswear brand Adidas. A brand new, most handsome example of the uncommon first - and only - edition additionally BOLDLY SIGNED "Ari Marcopoulos" in black ink vertically across the front cover. Inventory Number: 026842

(MARCOPOULOS, ARI). Marcopoulos, Ari. Oakland, CA: These Birds Walk (TBW Books), 2006. First Edition #099/500. 8vo. Printed Wrappers. Photography Monograph. Fine.. np (40pp), profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. "Living in the New Rome" is Ari Marcopoulos' solo contribution to TBW Books' very first four volume subscription series from 2006. A most handsome example of this exceedingly uncommon item published in an edition of five hundred NUMBERED (099/500) copies. Inventory Number: 026840

(MARCOPOULOS, ARI). Marcopoulos, Ari. Zurich, SWITZERLAND: Nieves, 2004. First Edition #57/100. 8vo. Stapled Pictorial Wrappers. Artist's Book. As New.. np (26pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "One A Day" is "Zine Master of the World" Ari Marcopoulos' slender 2004 survey of black and white photographs that includes portraits of the likes of The Beastie Boys, Jean-Michel Basquiat, Andy Warhol, Miles Davis, and others. A brand new, pristine example of this exceedingly uncommon item published by Nieves in an edition of one hundred NUMBERED (57/100) copies additionally BOLDLY SIGNED AND DATED "Ari Marcopoulos / ARI 2004" in the year of publication in black ink across the inside rear cover. Inventory Number: 026839

(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1964. First English Language Edition 1/375. 16mo. Decorative Cloth + Wrappers. Artist's Book. Fine./No Jacket - As Issued. np (116pp) + one continuous leporello sheet, profusely illustrated in monochrome. Text in English. "The Pocket Picasso" is lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published this facsimile in an edition limited to eight hundred and fifty total copies - including one hundred deluxe examples accompanied by an original etching. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. It is accompanied by a leporello booklet - half issued with English text, half with French - with Duhamel's jaunty assessments of the imagery and reminiscences of his friendship with the artist along with the publication details. The two are presented in a heavy paper envelope reproducing in facsimile Picasso's colorful holographic 1957 gift presentation to Duhamel. A bright, exceptionally well-preserved example of the exceedingly uncommon - only six copies are currently cited in OCLC WorldCat - English language version of the standard edition of this tiny gem (entry number one hundred and twenty-nine in Sebastian Goeppert, Herma Goeppert-Frank and Patrick Cramer's "Pablo Picasso: The Illustrated Books - Catalogue Raisonné") limited to three hundred and seventy-five NUMBERED copies showing a crack and separation along the seam of one of the sides of the publisher's wildly fragile - but completely intact - screenprinted clear plastic box. Inventory Number: 027465

(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1965. First Edition 1/250. 16mo. Decorative Cloth in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (116pp), profusely illustrated in monochrome and color. Text in French. "Le Carnet Des Carnets" is the charming 1965 successor to "The Pocket Picasso" - the lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published a facsimile in an edition limited to eight hundred and fifty total copies. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. A year later, Picasso additionally borrowed back the original notebook, illustrated as well as annotated it along with its colorful, holographically illustrated presentation envelope, and returned it to the owner. Marcel Duhamel then once again collaborated with master printer Daniel Jacomet to publish the updated versions in facsimile, again housed in a delicate screenprinted clear plastic box. A bright, exceptionally well-preserved example of the uncommon first and only edition of this tiny gem limited to two hundred and fifty NUMBERED copies - this time issued without an accompanying text booklet. Inventory Number: 026684

(PRINCE, RICHARD). Prince, Richard. New York, London, Rome & Hong Kong. 2007-2014.: Artists Space, 1980. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations. In a protective clear acetate dustwrapper. Modestly duplicated and completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the exceedingly uncommon first state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - limited to approximately one hundred "uncorrected proofs" showing a bit of mild handling and slight discoloration to its pale green bond wrappers. Inventory Number: 026682

(PROVOKE). Schifferli, Christoph, Takuma Nakahira, Nobuyoshi Araki & Daido Moriyama. Christoph Schifferli, Editor. Paris: Edition 7L, 2001. First Edition 1/1500. 4to. Wrappers in a Wooden Box. Photography Monographs. As New./As New.. 68 + 100 + 110 + 192 + 108 + 310 + 32pp, profusely illustrated in b&w and color. Text in Japanese and English. Designed by Karl Lagerfeld and Gerhard Steidl. The "Japanese Box" reproduces in facsimile six publications by a remarkable and influential group of Japanese photographers and writers whose work was a response to the climate of political unrest in Tokyo around 1968. The publication includes all three issues of "Provoke" magazine issued between 1968 and 1969, the landmark stand alone photobooks "For a Language to Come" by Takuma Nakahira (1970), "Sentimental Journey" by Nobuyoshi Araki (1971), and "A Farewell to Photography" by Daido Moriyama (1972), along with a brief history and overview volume authored by the project's editor, Christoph Schifferli. The seven publications are enclosed in heavy Japanese handmade paper, banded with printed elastic bands, and contained in a black wooden box with title on the hinged lid, exposed joinery, and dual clasps. A brand new, unused, example of this remarkable undertaking limited to one thousand, five hundred copies whose paper and rubber band bindings are partially perished - as usual, still in the publisher's printed cardboard shipping carton. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-88243-301-9 Inventory Number: 026685

(RAINER, YVONNE). Rainer, Yvonne. Halifax, CANADA & New York: Press of the Nova Scotia College of Art and Design & New York University Press, 1974. First Edition. 4to. Gilt-Stamped Buckram. Dance Monograph. Fine/Good +. 338pp, profusely illustrated in b&w. With a chronology and bibliography. In a protective clear acetate dustwrapper. Published by the Press of the Nova Scotia College of Art and Design, this is the first monograph on the pioneering contemporary New York dancer/choreographer Yvonne Rainer. It contains texts and notes on choreography (often reproduced in facsimile), and photographs documenting her performances between 1961 and 1973. A most handsome example of the exceedingly uncommon 1974 first edition issued in silver gilt-stamped black buckram boards additionally bearing the SIGNED PRESENTATION "For ... - in contrition and gratitude - Yvonne May 1997" in black ink on the half title page showing some wear, soiling, short closed tears, and some mild spotting to the dust jacket. Laid in is the six page illustrated brochure cum screening schedule from the Getty Research Institute's 2014 "Yvonne Rainer: Dances and Films" program. 0-8147-7360-5 Inventory Number: 026541

(RHOADES, JASON). Rhoades, Jason. NP. ND (Circa 1997).: NP (Self-Published). First Edition. 8vo. Stapled Pictorial Wrappers. Artist's Book. Very Good.. np (22pp), 9 b&w illustrations + color covers. "VARIOUSVIRGINS: Deviations in Space" is a slender twenty-two page artist's book likely produced by Jason Rhoades in conjunction with his 1997 installation entitled "Deviations in Space, Various Virgins" exhibited at New York's David Zwirner Gallery. In it, the iconoclastic late Los Angeles-based artist definies a number of terms incorporating the word "version" - from "aversion" to "universion" - before elaborating upon the piece's references, background, and sculptural components. It is an intensely smart publication that reveals the work's inspiration in both Pasadena's notorious rocket propulsion pioneer-turned-Majick acolyte Jack Whiteside Parsons and the artistic practice of Franz West! As a bonus, it also reproduces Rhoades' astrological natal chart. Low-budget and chaotic like so many of his installations, this was almost certainly hand-assembled and staple-bound by Rhoades himself at his Inglewood studio using the artist's trusty Canon multi-cartridge color duplicator. A most handsome example of this exceedingly uncommon, possibly unique document showing some trivial dampstaining along the top edge of the last few pages. Inventory Number: 026501

(ROT, DIETER) aka (ROTH, DIETER). Roth, Dieter. Stuttgart, GERMANY. 1967-1968.: Edition Hansjorg Mayer. First Edition #70/230. Narrow 4to. Wrappers in Full Leather. Artist's Book. Near Fine/Near Fine. np, 2 b&w letterpress decorations + a color collage. Text in German. Published in 1968 by Dieter Roth's longtme collaborator Edition Hansjorg Mayer, this is the double issue comprising numbers 3 and 4 of "Poeterei" - the innovative Swiss artist's late sixties journal devoted to Poetry and Poesie. The first part consists of a single typographic text by Roth in German printed by letterpress on heavy handmade paper incorporating an original collaged postcard fragment that has been annotated "D.R. 68." beneath that in green ink. The second portion contains one hundred and sixty-three brief textual framents by Rorh also printed by letterpress on a much thinner stock. The volume is features green flocked endpapers reminiscent of Marcel Duchamp's "La Mariee mise a nu par ses Celibataires meme"i bound in full light grey full leather. A most handsome example of this exceedingly uncommon item limited to two hundred and thirty copies NUMBERED (70/230) AND SIGNED "Diter Roth" in green ink on the rear colophon, as issued. Inventory Number: 026709

(ROTH, DITER) aka (ROT, DIETER). Rot, Diter & Richard Hamilton. Chicago, IL: William and Noma Copley Foundation, 1965. First Edition. 4to. Loose Contents in a Folder. Artists' Book. Fair.. np, 30 loose components of varying sizes printed in monochrome and dutone. Known as "The Copley Book", this is Diter Roth's 1965 artist's volume created in collaboration with Richard Hamilton and published by Chicago's William and Noma Copley Foundation. A stream of conciousness agglomeration of fragments in the vein of Duchamp's notes for the Large Glass, it contains thirty loose, printed sheets housed in a colorful printed paper folder. A complete, serviceable example only of this exceedingly uncommon item showing pronounced foxing, brown dampstaining, and rippling to the outer portfolio along with some milder dampstaining to some of the internal components. The staple that originally bound contents to the rear cover has long ago been removed, and a piece of transparent tape has been affixed over the remaining tiny holes on the inside. It has been priced acordingly. Inventory Number: 026710

(SACHS, TOM). Sachs, Tom, Alex Chohlas-Wood & Glenn O'Brien. New York: Sperone Westwater, 2012. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 120pp, profusely illustrated in color and b&w. Designed by Garrick Gott. "This volume presents Tom Sachs' most recent bricolage sculptures, some of which play off works by Lichtenstein and Richter, as well as singer James Brown, African sculpture, and Sèvres porcelain. Several of these works incorporate Sachs' pyrography technique, whereby "paint strokes" are burned and etched into the wood surface.". A brand new, most handsome example of the 2012 hardbound first edition published in conjunction with Tom Sachs' exhibition at New York's Sperone Westwater gallery still in the publisher's shrinkwrap. 0-9828372-6-7 Inventory Number: 026494

(TEMPLETON, ED). Templeton, Ed. With a Brief Text by Aurelie Voltz, and an Interview by Jerome Sans. New York: Alleged Press, 1999. First Edition. 8vo. Stapled Pictorial Wrappers. Photography Monograph. Fine.. np (32pp), 30 color and 3 b&w illustrations. "A fixture of Los Angeles' skateboarding scene, Ed Templeton has been producing photographs and paintings documenting his life, tours, and encounters in the skateboarding world for ten years". This charming artist's book (published in conjunction with a 1999 New York exhibition) by local Skate legend Ed Templeton is filled with Teenage Smokers, and nothing but... See transgressive youth on parade from Huntington Beach, California to Turku, Finland! A brand new, most handsome example of this contemporary classic (cited on page 94 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") additionally BOLDLY SIGNED "Ed Templeton" in black marker on the inside front cover. PLEASE NOTE: Due to the explicit nature of some of the content here, you must be at least eighteen years of age to order this item. Inventory Number: 026593

(THOMAS, ALMA). Golden, Thelma, Ian Berry, Bridget R. Cooks, Thelma Golden, Nikki A. Greene, Lauren Haynes, Leslie Hewitt, Jennie C. Jones, Leslie Wayne & Saya Woolfalk. New York & Saratoga Springs, NY: The Studio Museum in Harlem, The Francis Young Tang Teaching Museum at Skidmore College & Prestel Publishing, 2016. First Edition. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 256pp, profusely illustrated in color and b&w. With an exhibition checklist. This is the comprehensive hardbound catalogue published in conjunction with posthumous 2016 retrospective of the work of African-American abstract artist Alma Thomas that traveled from the Studio Museum in Harlem to The Francis Young Tang Teaching Museum at Skidmore College. "Filled with vibrant illustrations, this stunning volume traces Thomas’s development as an artist and includes new writings by Bridget R. Cooks, Thelma Golden, Nikki A. Greene and Lauren Haynes, as well as specially commissioned responses by leading artists Leslie Hewitt, Jennie C. Jones, Leslie Wayne, and Saya Woolfalk. As the work of many African-American abstractionists is only recently coming into the spotlight, this important book on Alma Thomas profiles a truly pioneering figure." A brand new, most handsome example of this quickly unavailable document - the most comprehensive monograph on the artist to date - still in the publisher's shrinkwrap. 3-7913-5571-6 Inventory Number: 026607

(THOMAS, MICKALENE). Thomas, Mickalene. Santa Monica, CA: Mickalene Thomas & The Santa Monica Museum of Art, 2012. First Edition 1/250. Oblong Folio. Four Melamine Trays in a Box. Artist's Multiple. As New. Four 11 x 14" Melamine trays housed in a 12 x 15 x 3" paper over boards box. "Mickalene Thomas has won acclaim for her elaborate, colorful paintings of African-American women, often posed provocatively against rich, 1970s-themed backgrounds adorned with rhinestones, enamel and acrylics. Thomas draws from earlier traditions of portraiture to arrive at her contemporary sensibility. She engages with the tension between a personal investigation of eroticism, black femininity and beauty and a pop-cultural critique of the overt sexual imagery prevalent in the media - from Blaxploitation film heroines like Cleopatra Jones to the construction of middle-class, African-American taste in Ebony magazine." In conjunction with her 2012 "Mickalene Thomas: The Origin of the Universe" retrospective held at the Santa Monica Museum of Art, the noted Brooklyn-based artist created a limited edition multiple in the form of four Melamine serving trays that were sold in the SMMoA's "Gracie" shop as a fundraiser. Published in an unsigned edition of two hundred and fifty smartly-boxed sets, each of the four oval trays reproduces a different striking abstract pattern and bears Ms. Thomas' signature in facsimile on a molded cartouche on the underside. A brand new, pristine example of Mickalene Thomas' fabulous utilitarian objects sure to lend a touch of festive class to any home decor or gathering whose components are still sealed in their original plastic sleeves and accompanied by the Museum's individually numbered certificate of authenticity. Inventory Number: 027414

(WALKER, RYAN). Communist Party of the United States of America. Foreword by Jim Allen. New York: Daily Worker Publishing Company, 1931. First Edition. 12mo. Stapled Illustrated Wrappers. Civil Rights Document. Good -.. 48pp, 3 b&w illustrations + cover illustration. In a protective clear acetate dustwrapper. According to this publication's authors, "The trial of August Yokinen before 1,500 white and black workers in Harlem for acts clearly based on race prejudice was an event without example in the history of the American Labor Movement. He was not tried before any court of American ruling-class "justice." He was tried by a court of workers." Written and published by The Communist Party of the United States of America, "Race Hatred on Trial" is the transcript and summation of the 1931 Party-sponsored adjudication of Mr. Yokinen for his inhospitable treatment of three Negro workers attending a Finnish Workers Club entertainment in Harlem. As prefaced here, "the seriousness of the crime he committed against the working class is made clear in this pamphlet." To atone for his transgressions following the tribunal's guilty verdict, Yokinen was immediately expelled from the Communist Party and required to "actively participate in the struggle against white chauvinism throughout Harlem." An internally most presentable example of the uncommon 1931 first edition of this notable pre-World War II contribution to civil rights literature that includes four illustrations by leftist American political activist and cartoonist Ryan Walker showing pronounced wear, creasing, chipping, soiling, and minor paper loss to the extremities of its brittle newsprint covers; which appear to have at one point detached along the spine and been subsequently semi-artfully re-attached. It has been priced accordingly. Inventory Number: 026735

(WARHOL, ANDY). Warhol, Andy. Tucson, AZ: Tucson Jewish Community Center, 1967. First Edition. 4to. Printed Poster. Exhibition Poster. Near Fine.. One 14 x 10 ¼" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the poster published in conjunction with a November 5th, 1967 Andy Warhol lecture and film screening at the Tucson Jewish Community Center. Warhol was in Arizona as part of a college lecture tour two months prior to shooting what turned out to be his final independent film "Lonesome Cowboys" - which featured Factory Superstars Joe Dallesandro, Viva, Eric Emerson, Taylor Mead, Louis Waldon, and Tom Hompertz, To defray costs of the trip, the always-thrifty artist scheduled a paid college Film Department appearance at nearby Arizona State University. When a similar booking did not materialize at The University of Arizona, Warhol was contacted by Tucson's Cinema I Film Society at the JCC, and an event was hastily set up. To publicize the appearance, two different posters using Warhol's portrait were quickly pasted up, printed, and posted by the Film Society members around town. A most handsome example of this near-unique item - the larger of the two - acquired directly from a Society member additionally BOLDLY SIGNED "Andy Warhol" in red ink at the event across the face of the poster showing just a bit of light wear and age-toning to the white of the sheet. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027495

(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020

(WOOD, JONAS) (KUSAKA, SHIO). Wiley, Chris. New York: Gagosian Gallery & Rizzoli International Publications, 2015. First Edition. 4to. Pictorial Boards. Artist Monograph. As New/No Jacket - As Issued. 220pp, profusely illustrated in color and b&w. Designed by An Art Service. This is the nicely appointed hardbound catalogue published in conjunction with a 2015 joint exhibition of work by the noted Los Angeles-based artists Shio Kusaka and Jonas Wood at Gagosian Hong Kong. A brand new, most handsome example of the unavailable 2015 first printing additionally BOLDLY SIGNED by both artists WITH A LARGE DRAWING OF A BASKETBALL DATED "2015" by Jonas Wood in black marker on the front pastedown. 0-8478-4701-2 Inventory Number: 026474

(WOODRUFF, HALE). Woodruff, Hale. NP. ND (Circa 1935).: Self-Published. First Edition. 4to. Printed Paper. Color Linoleum Block Print. Near Fine.. One 8 x 10 ¼" sheet of cream wove paper printed in colors recto only, neatly folded vertically to make 8 x 5 1/8" mounted with archival photo corners in a heavy white 14 x 11" beveled mat, 1 color illustration. This is the vibrant linoleum block print in colors entitled "The Travelers" self-published in the 1930s by the noted muralist, painter, and printmaker Hale Woodruff. Sent to a friend as a holiday card, it features three doves flying above three riders on asses underneath a brilliant star, in what was likely a stylized depiction of the three wise men. The recipient was Ms. Marjorie Green, a modest art collector and employee of Los Angeles' Golden State Mutual Insurance Company, the city's largest black-owned insurer for most of the twentieth century. Golden State Mutual collected work by many of the major "negro artists" of the period, and in 1949 commissioned a mural from Woodruff in collaboration with Charles "Spinky" Alston entitled "The Negro in California History". A native of Cairo, Illinois, Hale Aspacio Woodruff began his career as a political cartoonist, first for a high school newspaper in Nashville, Tennessee, and later for an African American newspaper in Indianapolis. In 1926 he won an award from the Harmon Foundation that enabled him to study art in Paris from 1927 to 1931, where he met Henry Ossawa Tanner, leading figures of the French avant-garde, and began collecting African art. Returning to the U.S., Woodruff secured work as an art teacher to support himself, and subsequently became the art director at Atlanta University - a Historically black college - where he taught classes at the university's Laboratory High School, as well as for students at Morehouse and Spelman, a related college for black women. He founded the annual competition, "Atlanta University Annual Exhibition of Paintings, Sculpture, and Prints by Negro Artists". In 1936 Woodruff traveled to Mexico to study as an apprentice under the renowned muralist Diego Rivera, learning his fresco technique and becoming interested in portrayal of figures. Keenly aware of the racism and poverty African Americans in the South faced during the Great Depression, the artist turned to painting and printmaking for social advocacy. Woodruff returned to Atlanta later that same year to his teaching position, and began traveling to Talladega College in Alabama to teach and work on a commission for what became his "Amistad Mutiny" murals. In 1946, Woodruff joined the faculty at New York University in Manhattan, where he helped establish the Spiral Group (with fellow artists Romare Bearden, Charles Alston, and Norman Lewis) and taught for more than twenty years before retiring in 1968. Woodruff died in New York City on September 6, 1980. A bright, unfaded, most handsome example of this exceedingly uncommon artwork - identified by the African-American Art department at Swann Auction Galleries as the earliest example located of a graphic work in color by Hale Woodruff - TITLED AND SIGNED "The Travelers" / "H. Woodruff" in pencil along the lower margin, as issued. Inventory Number: 026310

Swallow, Ricky. Alexis Kerin & Stuart Krimko, Editors. New York & Los Angeles: Rainoff & David Kordansky Gallery, 2013. First Edition 1/500. 4to. Printed Self-Wrappers. Exhibition Catalog. As New.. 88pp, profusely illustrated in color. Designed by Sinisa Mackovic and Robert Milne. With a fully illustrated exhibition checklist. "Grapevine~" documents an exhibition curated by artist Ricky Swallow at David Kordansky Gallery during the summer of 2013. It focuses on the work of five California-based artists who redefined the use of clay in contemporary art, and includes images of works created over a period of more than fifty years. Ceramic sculptures by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, and Peter Shire exemplify the ways in which the medium underwent dramatic changes after World War II. Also included are select works by other artists influential in this dialogue, such as Ken Price and Peter Voulkos. An essay by Swallow explores the movement's idiosyncrasies and cross-currents, as well as its influence on subsequent generations of artists." A brand new, bright white example of this exquisitely designed and printed labor of love limited to five hundred unnumbered copies additionally signed by Magdalena Suarez Frimkess, Michael Frimkess, John Mason, Ron Nagle, Peter Shire, Peter Voulkos and curator Ricky Swallow at an after-hours publication party at Los Angeles' Mandrake Bar following the exhbition opening. 0-9806516-6-2 Inventory Number: 026582

Various Artists. New York: Rudolf and Limbo, 1985. First Edition. Folio. Printed Poster. Exhibition Poster. Very Good -.. One 17 x 11" sheet printed color offset recto only, machine folded in fourths. Artwork by Huck Snyder. This is the poster announcing a one night only exhibition and live painting show by artists affiliated with New York's then-burgeoning East Village scene held on Wednesday, July 17th, 1985 at the recently opened Manhattan megaclub Palladium. Organized by nightlife impresario Rudolf - who was running The Limbo Lounge as well as Limbo Gallery at the time - it featured works by artists showing at Art Et Industrie, Art Mart, Avenue B., B-Side, Cash Newhouse, Civilian Warfare, Frank Barducci, Fun, Gracie Mansion, Hal Bromm, Limbo, Nature Morte, New Math, Piezo Electric, PPOW, Semaphore East, Sensory Evolution, Sharpe, Steven Adams, T. Greathouse, and Vox Populi. It reproduces a 1985 painting by Huck Snyder, who surely was a participant along with David Wojnarowicz and dozens more. A most presentable example of this striking, exceedingly uncommon poster that was folded by the printer and subsequently flattened showing some mild handling creases, minor ink loss with some touch-up at the bottom center, and two tape remnants along the top edge. Inventory Number: 026463