Arcana:

(VON UNWERTH, ELLEN). Von Unwerth, Ellen. Foreword by Ingrid Sischy. Koln, GERMANY: Benedikt Taschen Verlag, 2009. First Edition 1/1500 Deluxe. Elephant Folio. Boards in Clamshell Box. Photography Monograph. Fine/No Jacket - As Issued. 482pp, profusely illustrated in color and b&w. Text in English, French and German. "Ellen von Unwerth is one of the world’s most original and successful fashion photographers. With Fräulein, she pays homage to the era’s sexiest female icons including Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more. Switching effortlessly between color and immaculate black and white, von Unwerth‘s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last fifteen years and many are previously unpublished". A brand new, most handsome example of the 2009 first printing of the Taschen Collector's Edition limited to one thousand, five hundred copies NUMBERED (0592) AND BOLDLY SIGNED "Ellen Von Unwerth" in black marker across the limitation page in the publisher's clamshell box, as issued. 3-8365-1477-X Inventory Number: 025651

(VON UNWERTH, ELLEN). Von Unwerth, Ellen. Foreword by Ingrid Sischy. Koln, GERMANY: Benedikt Taschen Verlag, 2009. First Edition 1/1500 Deluxe. Elephant Folio. Boards in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 482pp, profusely illustrated in color and b&w. Text in English, French and German. "Ellen von Unwerth is one of the world’s most original and successful fashion photographers. With Fräulein, she pays homage to the era’s sexiest female icons including Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more. Switching effortlessly between color and immaculate black and white, von Unwerth‘s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last fifteen years and many are previously unpublished". A brand new, pristine example of the 2009 first printing of the Taschen Collector's Edition limited to one thousand, five hundred copies NUMBERED (1310) AND BOLDLY SIGNED "Ellen Von Unwerth" in black marker across the limitation page in the publisher's clamshell box and unopened printed cardboard shipping carton, as issued. 3-8365-1477-X Inventory Number: 025650

(WACHTEL, ELMER). Anderson, Antony. Los Angeles: Carl A. Bundy Quill & Press, 1930. First Edition. 8vo. Gilt-Debossed Boards. Artist Monograph. Very Good/No Jacket. 52pp, 33 sepia-toned illustrations. In a protective clear acetate dustwrapper. This monograph on the well-known Southern California Plein Air painter Elmer Wachtel was issued shortly after his death in 1929. It includes thirty-three reproductions of his work with commentary along with a frontispiece portrait of the artist by his widow Marion Kavanagh Wachtel. A handsome example of the 1930 Carl A. Bundy Quill & Press first edition this uncommon item that is still the major reference on the artist lacking its dust jacket showing some light soiling to the boards, a bit of spotting to the inside covers, and some typical age-toning to the frontispiece's tissue overlay additionally BEARING THE BOLDLY SIGNED PRESENTATION "Ione Harkness - / from / Marion Kavanagh Wachtel." in brown ink on the blank page facing her portrait of Wachtel. Inventory Number: 025947

(WANNBERG, SCOTT). Wannberg, Scott. Los Angeles: Rose of Sharon Press, 1995. First Edition. Small 8vo. Stapled Pictorial Wrappers. Poetry Monograph. Very Good -.. np (28pp), 2 b&w illustrations. Designed by Andy Takakjian. In a protective clear acetate dustwrapper. Published by the Rose of Sharon Press in 1995, "Juice! The Musical" is the late, fondly-remembered Los Angeles poet Scott Wannberg's quirky response to the city's mania over the O.J. Simpson murder trial of that same year. An internally most handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / The Big Circus is full of miniature universes / Thanks / Scott / 12/6/95" in the year of publication in ink across the title page showing some mild brown spotting to a portion of the front cover. Inventory Number: 024932

(WAREHAM, DEAN) (TEMPLETON, ED). Wareham, Dean & Ed Templeton. Paso Robles, CA: Nazraeli Press / Anatol, I00231203, 2023. First Deluxe Edition 1/100 Copies. 4to. Illustrated Cloth over Boards in Illustrated Slipcase. Artist Monograph. As New/No Jacket - As Issued. 94pp, profusely illustrated in color and b&w + illustrated covers. 978-1-59005-592-2-DLX

PLEASE NOTE: Mr. Wareham and Mr. Templeton will be signing copies of "Hearing Voices - Selected Lyrics 1987-2021" at Arcana Saturday, December 9th, between 4:00 and 6:00 PM. If you cannot attend and would like to order a signed copy to have shipped or to pick up at the shop, please purchase by selecting "Add To Cart" below. Orders will begin shipping Tuesday, December 12th.

Check out our other Ed Templeton-related offerings for sale HERE!

Hearing Voices is a collection of lyrics by songwriting great Dean Wareham. Born in Wellington, New Zealand, Wareham moved to New York City as a teenager, in August 1977. It was here, in high school, that he met future bandmates Damon Krukowski and Naomi Yang. All three went on to attend Harvard University, and in 1987 founded Galaxie 500, for which Wareham was the singer, guitarist and principal songwriter. Galaxie 500 released three albums For Rough Trade between 1987 and 1991 that have only grown in stature and influence. Wareham’s next band Luna recorded seven albums for Elektra and Beggar’s Banquet, followed by four albums as Dean & Britta (with wife Britta Phillips), and three simply as Dean Wareham, including his most recent album I Have Nothing to Say to the Mayor of L.A. Also a writer, Wareham’s memoir, Black Postcards, was published by Penguin, and he has contributed to Salon, Pitchfork, the Talkhouse and Counterpunch. Hearing Voices is the first published collection of his lyrics, and is the result of a unique collaboration with the artist Ed Templeton, who created the illustrations for the book. Ed Templeton’s drawings, paintings and photographs have been widely exhibited and published in the United States, Europe and Asia. Hearing Voices is his fifth title with Nazraeli Press. A brand new example of the deluxe first edition limited to one hundred numbered copies SIGNED by Dean Wareham and Ed Templeton housed in a decorative cloth slipcase.

Inventory Number: E000DWET-HV-DLX

(WAREHAM, DEAN) (TEMPLETON, ED). Wareham, Dean & Ed Templeton. Paso Robles, CA: Nazraeli Press / Anatol, I00231203. 2023. First Edition 1/1000 Copies. 4to. Illustrated Cloth over Boards. Artist Monograph. As New/No Jacket - As Issued. 94pp, profusely illustrated in color and b&w + illustrated covers. 9781590055922

PLEASE NOTE: Mr. Wareham and Mr. Templeton will be signing copies of "Hearing Voices - Selected Lyrics 1987-2021" at Arcana Saturday, December 9th, between 4:00 and 6:00 PM. If you cannot attend and would like to order a signed copy to have shipped or to pick up at the shop, please purchase by selecting "Add To Cart" below. Orders will begin shipping Tuesday, December 12th.

Check out our other Ed Templeton-related offerings for sale HERE!

Hearing Voices is a collection of lyrics by songwriting great Dean Wareham. Born in Wellington, New Zealand, Wareham moved to New York City as a teenager, in August 1977. It was here, in high school, that he met future bandmates Damon Krukowski and Naomi Yang. All three went on to attend Harvard University, and in 1987 founded Galaxie 500, for which Wareham was the singer, guitarist and principal songwriter. Galaxie 500 released three albums For Rough Trade between 1987 and 1991 that have only grown in stature and influence. Wareham’s next band Luna recorded seven albums for Elektra and Beggar’s Banquet, followed by four albums as Dean & Britta (with wife Britta Phillips), and three simply as Dean Wareham, including his most recent album I Have Nothing to Say to the Mayor of L.A. Also a writer, Wareham’s memoir, Black Postcards, was published by Penguin, and he has contributed to Salon, Pitchfork, the Talkhouse and Counterpunch. Hearing Voices is the first published collection of his lyrics, and is the result of a unique collaboration with the artist Ed Templeton, who created the illustrations for the book. Ed Templeton’s drawings, paintings and photographs have been widely exhibited and published in the United States, Europe and Asia. Hearing Voices is his fifth title with Nazraeli Press. A brand new example of the first edition limited to one thousand unnumbered copies additionally SIGNED by Dean Wareham and Ed Templeton.

Inventory Number: E000DWET-HV

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Near Fine.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Virginia / Andy Warhol" in blue ink above the portrait of Warhol on page five to the wife of noted late Los Angeles assemblage artist Gordon Wagner showing some mild rubbing to the covers. Inventory Number: 020852

(WARHOL, ANDY). Brant, Sandra & Elissa Cullman. Introduction by Robert Bishop. New York: Museum of American Folk Art, 1977. First Edition. 8vo. Stapled Pictorial Wrappers. Exhibition Catalog. Very Good.. 24pp, 16 monochrome illustrations + color covers. This is the charming catalogue published in conjunction with a 1977 Museum of American Folk Art exhibition of eighty-five decorative and folk artworks drawn from the collection of grand acquisitor and connoisseur Andy Warhol. A handsome example of this uncommon item additionally bearing the BOLDLY SIGNED PRESENTATION "To Gordon Wagner / Andy Warhol" in blue ink above the portrait of Warhol on page five to the noted late Los Angeles assemblage artist showing some light overall wear and rubbing to the covers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020851

(WARHOL, ANDY) (NEIMAN, LEROY). Warhol, Andy & Leroy Neiman. Los Angeles: Los Angeles Institute of Contemporary Art, 1981. First Dutch Language Edition. Double Elephant Folio. Printed Poster. Exhibition Poster. Fine.. One 35 x 21 ¼" heavy paper sheet printed color offset, recto only, 1 color illustration. This is the striking poster published in conjunction with the highly publicized 1981 "LeRoy Neiman / Andy Warhol" exhibition held at the long-defunct Los Angeles Institute of Contemporary Art. A different poster was produced for each of the two artists with Warhol's featuring a colorful image of renowned jockey Willie Shoemaker. A brand new, most handsome example of the 1981 first - and only - edition of this exceedingly uncommon item acquired directly from LAICA additionally BOLDLY SIGNED "Andy Warhol" in black marker along the bottom margin. Inventory Number: 027454

(WARHOL, ANDY). Warhol, Andy. Tucson, AZ: Tucson Jewish Community Center, 1967. First Edition. 4to. Printed Poster. Exhibition Poster. Near Fine.. One 14 x 10 ¼" paper sheet printed black and white offset, recto only, 1 b&w illustration. This is the poster published in conjunction with a November 5th, 1967 Andy Warhol lecture and film screening at the Tucson Jewish Community Center. Warhol was in Arizona as part of a college lecture tour two months prior to shooting what turned out to be his final independent film "Lonesome Cowboys" - which featured Factory Superstars Joe Dallesandro, Viva, Eric Emerson, Taylor Mead, Louis Waldon, and Tom Hompertz, To defray costs of the trip, the always-thrifty artist scheduled a paid college Film Department appearance at nearby Arizona State University. When a similar booking did not materialize at The University of Arizona, Warhol was contacted by Tucson's Cinema I Film Society at the JCC, and an event was hastily set up. To publicize the appearance, two different posters using Warhol's portrait were quickly pasted up, printed, and posted by the Film Society members around town. A most handsome example of this near-unique item - the larger of the two - acquired directly from a Society member additionally BOLDLY SIGNED "Andy Warhol" in red ink at the event across the face of the poster showing just a bit of light wear and age-toning to the white of the sheet. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027495

(WARHOL, ANDY). Warhol, Andy. London: Cassell London / A Michael Dempsey Book, 1975. First British Edition. 8vo. Cloth Over Boards in Jacket. Artist Autobiography. Fine/Near Fine. 242pp, no illustrations. Dust jacket design by Julian Rothenstein with a photograph by David Bailey. "The Philosophy of Andy Warhol (A-B & Back Again)" is the charming 1975 confessional autobiography cum successful artist's instruction manual penned by Andy Warhol with the assistance of Pat Hackett, Brigid Polk and Bob Colacello. It combines the Pop Art titan's ephemeral musings and concrete business suggestions intertwined with hilarious transcribed excerpts from his ever-present daily telephone calls. A most handsome example of the stated 1975 British first edition of this inspirational and aspirational tome additionally bearing a BOLDLY DRAWN CAMPBELL'S SPLIT PEA SOUP CAN DRAWING WITH A SIGNED AND DATED PRESENTATION "To Judy / Andy Warhol / London 1975" in the year of publication in black marker across the entire half title page. 0-86018-109-X Inventory Number: 027046

(WATERSTON, DARREN). Waterston, Darren, David Pagel, Jacquelynn Baas & Timothy Anglin Burgard. Milano, ITALY: Edizioni Charta, 2007. First Edition 1/2250. 4to. Pictorial Wrappers. Artist Monograph. Fine.. 128pp, profusely illustrated in color. Designed by Keith Anderson. Text in English. With a biography and bibliography. This is an exquisitely beautiful monograph on Los Angeles-based painter Darren Waterston featuring work produced between 2002 and 2006. A most handsome example additionally BOLDLY SIGNED " Darren Waterston" in black marker on the title page. 88-8158-624-X Inventory Number: 022095

(WEBER, BRUCE). Weber, Bruce. Pasadena, CA: Twelvetrees Press, 1983. First Edition 1/5000. Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Very Good/Near Fine. np, profusely illustrated in monochrome and duotone gravure. Designed by John Eric Cheim. This is the exquisite first collection in book form of the photographs of the redoubtable Bruce Weber. Unabashedly celebrating youth and athleticism, it is divided into the chapters "Brothers", "Matt Dillon", "Notebook", "Lifeguards", "Clammers", "Hall of Fame", "Jeff (Aquilon)", and "On Leave in Waikiki". A handsome example of the 1983 first Twelvetrees Press edition of this influential book additionally bearing the BOLDLY SIGNED PRESENTATION "For ... Bruce Weber" in black ink on the title page showing some very light spotting to the edges of the textblock. Inventory Number: 024219

(WEEGEE). Fellig, Arthur, aka Weegee. Los Angeles. (circa 1950).: Weegee. First Edition. Oblong Folio. Silver Gelatin Photograph. Fine.. One 8 x 10" silver gelatin print printed recto only, mounted with archival photo corners in a heavy white 14 x 15 ½" beveled mat. This is a photographic portrait by Weegee "The Great" of noted Hollywood columnist, screenwriter and novelist Jimmy Starr. Starr is pictured on set laughing and enjoying the company of three actresses decked out in howlingly inauthentic outfits comprised of skull caps with wild hair, seashell necklaces, bangles, and sarongs in a culturally misguided attempt at Oceanic exoticism. Images of the actors without Starr photographed at the same sitting appear in both "Weegee's Naked Hollywood (1953)" and "Naked Hollywood: Weegee in Los Angeles (2011)". Beginning as an office boy at Metro Studios in 1919, Starr graduated to writing intertitles, dialogue, and screenplays for dozens of films in the 1920s and 1930s. His 1944 novel "The Corpse Came C.O.D." became the basis for a 1947 Columbia Pictures feature starring Joan Blondell and George Brent. Starr left studio work to write regular columns for "The Los Angeles Herald-Express", "New York Daily Mirror", and "Sunday Daily Mirror" before leaving town entirely for a successful career in Arizona with Ramada Inns. Weegee, following the success of Jules Dassin's 1948 feature "Naked City" - based on his pioneering 1945 photobook of the same title - moved to Los Angeles with the expectation of trading the late-night Manhattan crime and street photography he'd grown weary of for more lucrative process photography and cinematography jobs with the Hollywood studios. While there was some behind the scenes work along with few bit parts to be had, Weegee was primarily reliant on making distorted trick portraits of the likes of Marilyn Monroe and Jayne Mansfield to sell to magazines to make ends meet. In late 1951, newly-divorced he returned to New York where he remained active until his passing in 1968. A bright, fine condition vintage silver gelatin print on single weight glossy paper bearing the stamps "Arthur (Weegee) Fellig / 6606 St. Frances Terrace / Hollywood 28, Calif." in red and "FROM THE / JIMMY STARR COLLECTION" in purple ink on the verso. This was most likely a gift from Weegee to Starr, and as there was very little chance of selling this shot from the series for publication, there cannot be many - if any - other prints of this particular image in circulation. Inventory Number: 026241

(WEEGEE). Fellig, Arthur, aka Weegee. New York: Ziff-Davis Publishing Company, 1961. Second Printing. 8vo. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Very Good. 160pp, 106 b&w illustrations. Did the twentieth century ever bring notoriety to a photographer more steeped in hype and myth than Arthur Fellig - aka "Weegee The Famous"? And while much if not most of that hype and myth was perpetuated by Weegee himself, the ingenuity of his exploits stalking the mean streets of crime-riddled, forties-era New York cannot be denied. Working mostly at night out of his improvised trunk-converted-into-a-darkroom, Weegee parlayed his police radio, trusty Speed Graphic camera, and an uncanny knack for getting to a crime scene quickly into journalistic infamy. His first book, "Naked City" became a bestseller as well as the basis for both Jules Dassin's film and the television series of the same name. He later tried his luck in Hollywood, then plumbed the depths of female figure photography, exploitation filmmaking, and photographic special effects. In this, his 1961 autobiography, Weegee equally illuminates and propagates his mythic stature with no apparent lack of self-confidence. An internally most handsome example of the Ziff-Davis Publishing Company first edition additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To Warren Bush / Weegee / 1964 ------" in green ink on the front pastedown whose graphically striking dust jacket designed by Mort Perry shows just a bit of rubbing and a single short closed tear. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. LC 61-14233 Inventory Number: 024342

(WEGMAN, WILLIAM). Livingston, Jane. Los Angeles: Los Angeles County Museum of Art, 1973. First Edition. 8vo. Stapled Printed Wrappers. Artist Monograph. Near Fine.. np (26pp), 23 b&w illustrations. This is the slender catalogue published in conjunction with William Wegman's 1973 one-person exhibition of photographs, drawings and video works held at the Los Angeles County Museum of Art's Lytton Contemporary Galleries curated by Helene Winer. It is the second monographic publication on the artist. A most handsome example of this uncommon item with a BOLDLY SIGNED DRAWING by William Wegman in black ink across the vellum title page that wittily references the work reproduced on the next leaf. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020848

(WEIFENBACH, TERRI). Weifenbach, Terri. NP (Tokyo): The Thunderstorm Press, 2009. First Edition 1/500. 12mo. Debossed Boards. Photography Monograph. As New/No Jacket - As Issued. np (88pp), profusely illustrated in color. Designed by Green Dragon Office and Terri Weifenbach. In a protective clear acetate dustwrapper. In "Another Summer" Terri Weifenbach departs from matters of the garden and pollination to intimately document a family summer vacation on a lake. A pristine copy of this exceedingly uncommon sweet little volume limited to five hundred copies SIGNED AND NUMBERED (254/500) in pencil on the rear colophon, as issued. 0-9841944-0-1 Inventory Number: 022447

(WEIFENBACH, TERRI). Weifenbach, Terri. Tucson, AZ: Nazraeli Press, 2001. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (18pp), 9 color illustrations. Terri Weifenbach's "Instruction Manual No. 3: 25. June 1996" is the fourth installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred SIGNED AND NUMBERED copies, it contains an original 4 ¼ x 2 ¾" color photographic print of a mysterious clear blue sky whose image is derived from the unique 68 x 39" print owned by Sir Elton John tipped in at the rear of the book, as issued. A brand new, pristine example of this lovely item. 1-59005-005-3 Inventory Number: 015522

(WEIFENBACH, TERRI). Weifenbach, Terri. Introduction by Yayako Uchida. Tucson, AZ: Nazraeli Press, 2000. First Edition 1/100 Deluxe. Tall 4to. Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (64pp), 32 color illustrations. In a protective clear acetate dustwrapper. Published in 2000 by the estimable Nazraeli Press, "Hunter Green" is the beautifully designed and printed second sampling in book form of Terri Weifenbach's lush, often hazy examinations of mysterious backyard flora. A brand new, most handsome example from the deluxe edition limited to one hundred copies featuring an original 5 ¼ x 3 ½" color photograph mounted on the front cover. 3-923922-88-4 Inventory Number: 016438

(WEINER, LAWRENCE). Weiner, Lawrence. Ghent, BELGIUM: Imschoot, Uitgevers for IC, 1988. First Edition 1/1000. 8vo. Pictorial Wrappers. Artist's Book. Fine.. np (56pp), profusely illustrated in b&w and color. Text in English. Photographs by the Moved Pictures Archive and Frank Vellenga. This charming little Lawrence Weiner artist book takes the form of a rather baroquely-designed narrative of a metaphorical seafaring voyage. A most handsome example of the 1988 first edition (entry number thirty-one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to one thousand unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. 90-72191-02-1 Inventory Number: 021737

(WEINER, LAWRENCE). Weiner, Lawrence. Basel, SWITZERLAND & New York: Rolf Preisig & Moved Pictures (Lawrence Weiner), 1978. First Edition 1/780. 12mo. Pictorial Wrappers. Artist's Book. Fine.. np (42pp), profusely illustrated in b&w. Text in English and German. Photographs by Beate Nilsen. Limited to seven hundred and eighty copies and dedicated to Simon Rodia, "Regarding Inscriptions..." is a 1978 photographically illustrated artist's book by the esteemed conceptual practitioner Lawrence Weiner. A bright, most handsome example of this uncommon item (entry number twenty-two of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") limited to seven hundred and eighty unnumbered copies additionally SIGNED "Lawrence Weiner" in black ink on the title page. Inventory Number: 003537

(WEIWEI, AI). Delson, Susan. New York: Prestel Publishing, 2011. First Edition. 4to. Boards in Pictorial Jacket. Artist Monograph. As New/As New. 220pp, 140 color and 15 b&w illustrations. With bibliographies. "Ai Weiwei's "Circle of Animals / Zodiac Heads" features twelve large-scale bronze animal heads, each depicting a segment of the ancient Chinese zodiac. As a major work of public art, it is an extraordinary accomplishment in its own right. But as this book explains, the origins and motivation behind the piece are as compelling as the work itself. Ai Weiwei based the sculpture on a complex zodiac fountain that was built for an imperial retreat in eighteenth-century China. When the retreat was looted by European soldiers, the fountain's bronze animal heads were stolen - only seven of the twelve are known to survive. By reimagining the work Ai Weiwei confronts uncomfortable truths within Chinese and Western history. This book compares Ai Weiwei's work to the original zodiac heads; features interviews with Ai Weiwei conducted at various periods during the sculpture's development; offers a historical overview of the events surrounding the fountain's looting; and follows the trail of the original heads as they are sold and resold amidst political furor. The book tells the riveting story behind a highly acclaimed piece of modern art, while providing an introduction to one of our generation's most important artists". A brand new, pristine example of a handful of copies of the first edition additionally BOLDLY SIGNED "Ai Weiwei" in black marker on a specially designed "Circle of Animals - Zodiac Heads" printed bookplate affixed to the front pastedown. The celebrated dissident artist and activist had been arrested by Chinese authorities just prior to the 2011 New York installation of this piece, and so unable to travel, agreed to sign a limited number of these for the book's US publication. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-7913-4636-9 Inventory Number: 024539

(WELLING, JAMES). Loock, Ulrich & James Welling. Luzern, SWITZERLAND: Kunstmuseum Luzern, 1998. First Edition. 8vo. Pictorial Self Wrappers. Photography Monograph. Near Fine.. np, 30 b&w illustrations. Text in English and German. This is the stylish catalogue published in conjunction with a 1998 exhibition of photographic work from the previous three years by James Welling held at the Kunstmuseum Luzern. A most handsome example of this uncommon item additionally SIGNED AND DATED "JW 4.18.98." in the year of publication in blue ink on the rear colophon showing a slight discoloration to the rear cover. 3-267-00121-8 Inventory Number: 021889

(WELLING, JAMES). Welling, James. London & Gottingen, GERMANY: Steidl Mack, 2010. First Edition. 4to. Debossed Cloth Over Boards. Photography Monograph. As New/No Jacket - As Issued. 128pp, 70 duotone illustrations. Text in English. Designed by James Welling and Michael Mack. "James Welling creates work which challenges the technical and conceptual bounds of photography. In his abstract work of the 1980s he usually employed simple materials, like crumpled aluminum foil, draped fabric and pastry dough. Then in 1992 he began the series Light Sources, an open-ended accumulation of diverse portraits, landscapes and interiors. All these photographs indirectly refer to the process of perception and while many of the objects literally transmit light, the series acknowledges that everything we see reflects light and is also a source of light". A brand new, pristine example of the exceptionally beautifully designed and printed 2010 Steidl Mack first edition additionally SIGNED "James Welling" in black ink on the rear colophon. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 3-86521-859-8 Inventory Number: 021992

(WELLING, JAMES). Welling, James. Gent, BELGIUM: Imschoot, Uitgevers, 1996. First Edition 1/1000. 8vo. Pictorial Self-Wrappers. Photography Monograph. Fine.. np (64pp), 28 b&w illustrations. Text in English. "Light Sources" is the lovely 1996 monograph on the photographs of James Welling published by the late, lamented Imschoot, Uitgevers. A brand new, pristine example of this uncommon item limited to one thousand unnumbered copies additionally SIGNED "James Welling" in black ink on the rear colophon. 90-72191-80-3 Inventory Number: 021955

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(WENDT, WILLIAM). Anderson, Antony, Fred S. Hogue, Alma May Cook & Arthur Millier. Los Angeles: Stendahl Art Galleries, 1926. First Edition. 8vo. Gilt-Debossed Boards. Artist Monograph. Very Good/No Jacket. 94pp, 71 b&w illustrations. In a protective clear acetate dustwrapper. This monograph on the noted California Plein Air painter William Wendt was issued by the renowned Stendahl Art Gallery at Los Angeles' Ambassador Hotel in 1926. It includes texts by Antony Anderson, Fred S. Hogue, Alma May Cook and Los Angeles Times art critic Arthur Millier along with seventy-one reproductions of his work with commentary. A bright, handsome example of the 1926 first edition of this uncommon item lacking its dust jacket additionally BEARING THE BOLDLY SIGNED PRESENTATION "To Dr. and Mrs. Arthur Cecil. / William Wendt." in ink beneath the artist's frontispiece portrait showing some light wear and soiling to the boards, a bit of spotting to the inside covers and endpapers, and some typical mild age-toning to the extremities of the the pages that reproduce the artworks. It has been priced accordingly. Inventory Number: 025948

(WESTON, EDWARD). Naef, Weston. New York: E. Weyhe, 1932. First Edition 1/550. Folio. 1/4 Cloth Over Boards. Photography Monograph. Good -/No Jacket - As Issued. np, 40 b&w illustrations. Designed by Merle Armitage. With a biography. In a protective clear acetate dustwrapper. Compiled in 1932 by the forward thinking Los Angeles-based graphic designer and publisher Merle Armitage, this exquisitely produced book was the very first monograph on the work of pioneering California photographer Edward Weston. It features thirty-nine images by Weston, a frontispiece portrait by his son Brett, and texts by the photographer, Armitage, Lincoln Steffens, Arthur Millier, Jean Charlot, and Charles Sheeler. A presentable example of this typically fragile oversized tome (cited on page 200 of "From Fair to Fine 3: 20th Century Photography Books That Matter") limited to five hundred and fifty copies NUMBERED (143/550) AND SIGNED "Edward Weston" in black ink on the rear colophon lacking the publisher's slipcase whose white cloth spine is soiled and stained, and black boards are worn and scraped along the extremities. The hinges are solid, the textblock is tight but soiled along the edges with the signatures slightly uneven with one another. The book bears the BOLDLY SIGNED PRESENTATION "To John and Clement / new friends for old. more would be less. / I don't know what all / this means. You guess / Edward Oct. 1936" in black ink on the page facing the colophon. Additionally, laid in is a BOLDLY INSCRIBED hand-written letter "John and Clem ---- / hope you took my dis - / appearance in good spirit - / I was not just sleepy, / but exhausted ------------ / See you soon I hope / yr ------ / Edward" from the photographer in pencil on a 8 ½ x 11" sheet of yellow paper that has been neatly folded in quarters and subsequently flattened. Inventory Number: 025020

(WILCO) (SCHMELLING, MICHAEL). Wilco, Michael Schmelling, Fred Tomaselli, Rick Moody, Henry Miller & Bern Porter. Dan Nadel & Peter Buchanan-Smith, Editors. Brooklyn, NY: PictureBox Inc., 2004. First Edition. 4to. Pictorial Boards. Music Photography Monograph. Fine/No Jacket - As Issued. 164pp, profusely illustrated in color and b&w. Designed by PictureBox. In a protective clear acetate dustwrapper. "Published in 2004, "The Wilco Book" is an exploration of the artistic statement presented by the band Wilco. Artwork created by the band, photographer Michael Schmelling, and artist Fred Tomaselli is interspersed with comments excerpted from interviews conducted by PictureBox with the band's members, technicians, and managers, essays by Henry Miller and Rick Moody, and excerpts from Bern Porter's collection "Found Poetry". Packaged with the book is an audio CD containing twelve previously unreleased tracks, which is discussed in the first appendix by Mikael Jorgensen, who produced and played on the sessions before he formally joined Wilco". A brand new, most handsome example of the first PictureBox Inc. edition additionally BOLDLY SIGNED for us by all six current band members - Jeff Tweedy, Nels Cline, Mikael Jorgensen, Glenn Kotche, Pat Sansone, and John Stirratt as well as the book's photographer Michael Schmelling in black ink with the publisher's unplayed CD mounted to the inside rear board. 0-9713670-3-5 Inventory Number: 027704

(WILKE, HANNAH). Wilke, Hannah & Joanna Frueh. Thomas H. Kochheiser, Editor. Columbia, MO: University of Missouri Press, 1989. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 176pp, profusely illustrated in b&w and color. With an exhibition checklist and bibliography. Published in conjunction with a 1989 Hannah Wilke retrospective exhibition held at the University of Missouri at St. Louis' Gallery 210, this comprehensive hardbound catalogue was the first major publication on the pioneering late feminist artist. It combines copious photographic documentation with an essay by Joanna Frueh and a selection of previously unpublished writings by the artist. A brand new, most handsome example of this uncommon item additionally SIGNED AND DATED "Hannah Wilke 1989 00" in the year of publication in black ink to the right of her posterior on the frontispiece portrait photograph 0-8262-0703-0 Inventory Number: 027450

(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020

(WILLIAMS, MEGAN). Williams, Megan. With Texts by Amy Gerstler, Michelle Huneven & Jim Krusoe. New York: Bravin Post Lee Gallery, 1995. First Edition 1/400. Square 8vo. Decorative Boards. Artist Monograph. Fine/No Jacket - As Issued. 40pp, 15 b&w and 9 color illustrations. Designed by John Post Lee. This beautiful little hardbound book was published in conjunction with a 1995 New York gallery exhibition by Los Angeles-based artist Megan Williams. It is profusely illustrated - including nine hand-tipped color plates - and accompanied by literary contributions from the noted California poets Amy Gerstler, Jim Krusoe, and Michelle Huneven. A most handsome example of the first edition limited to four hundred copies SIGNED "Megan Williams" in black ink on the colophon, as issued. Inventory Number: 004356

(WILLIAMS, ROBERT). Williams, Robert. Introduction by Lydia Lunch. San Francisco: Last Gasp of San Francisco, 1990. First Edition 1/400 Deluxe. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 95pp, profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This second collection of paintings from erstwhile Ed "Big Daddy" Roth and Zap Comix contributor Robert Williams is a visual cornucopia of women, sex, deviltry, mayhem, scatology and a celebration of Kustom Kar Kulture. A most handsome example of the uncommon 1990 deluxe numbered hardbound edition of four hundred copies NUMBERED (70/400) AND SIGNED"Robert Williams" in black ink on the publisher's adhesive-backed bookplate featuring a caricature of the artist affixed to the front inside cover, as issued. 0-86719-385-9 Inventory Number: 026122

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition 1/300 Deluxe. 4to. Cloth in Jacket, Slipcased. Artist Monograph. As New/As New. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, pristine example of the 2005 first deluxe numbered hardbound edition of four hundred copies with the publisher's numbered bookplate featuring a caricature of the artist SIGNED by Robert Williams in black ink affixed to the front inside cover still in the publisher's shrinkwrap, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-86719-637-8 Inventory Number: 022508

(Williams, Senon). Williams, Senon. Los Angeles: Hat & Beard Press, 2021. First Edition 1/50 Deluxe. 12mo (4.5 x 5.25 in.). Printed Flexible Boards. Artist Monograph. As New/No Jacket - As Issued.

Book Signing at Arcana with Senon Williams Saturday, January 29th, 4:00 - 6:00 PM

Details here!

152pp, illustrated in color and b&w. Designed by Lorraine Wild, Green Dragon Office. “The old adage “a picture is worth a thousand words” is turned on its side in “Words Don't Mean Much” -  Senon Williams’ new book of aphoristic phrasing. Far fewer words are needed to create an illuminating image in the mind’s eye, conjuring immediate multi-sensory experiences. This book of poems is derived from the text in Williams’ ink on paper drawings. The drawings are textual extractions and gather momentum within the book, exhibiting great attention to materials and craftsmanship. Every detail, from select paper to classic typeface, has been considered. An object, not unlike a sculpture, can be viewed from all sides, handled - and leafed through in the case of this book - front to back, back to front, or randomly opened. “Words Don't Mean Much” is a small pocket book, easy to conceal. A book to keep all to yourself or share intimately.”

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood."

A brand new, most handsome example of deluxe edition of this charming new work limited to fifty copies additionally SIGNED by Senon Williams in ink accompanied by A SIGNED ORIGINAL 4 x 5" WORK ON PAPER.

PLEASE NOTE: Deluxe Copies of "Words Don'tMean Much" will be signed Saturday, January 29th and shipped starting on Tuesday, February 1st.

Inventory Number: E000SWWDMM-LTD

(Williams, Senon). Williams, Senon. Los Angeles: Hat & Beard Press, 2021. First Edition. 12mo (4.5 x 5.25 in.). Printed Flexible Boards. Artist Monograph. As New/No Jacket - As Issued.

Book Signing at Arcana with Senon Williams Saturday, January 29th, 4:00 - 6:00 PM

Details here!

152pp, illustrated in color and b&w. Designed by Lorraine Wild, Green Dragon Office. “The old adage “a picture is worth a thousand words” is turned on its side in “Words Don't Mean Much” -  Senon Williams’ new book of aphoristic phrasing. Far fewer words are needed to create an illuminating image in the mind’s eye, conjuring immediate multi-sensory experiences. This book of poems is derived from the text in Williams’ ink on paper drawings. The drawings are textual extractions and gather momentum within the book, exhibiting great attention to materials and craftsmanship. Every detail, from select paper to classic typeface, has been considered. An object, not unlike a sculpture, can be viewed from all sides, handled - and leafed through in the case of this book - front to back, back to front, or randomly opened. “Words Don't Mean Much” is a small pocket book, easy to conceal. A book to keep all to yourself or share intimately.”

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood."

A brand new, most handsome example of this charming new work additionally SIGNED by Senon Williams in ink.

PLEASE NOTE: Copies of "Words Don't Mean Much" will be signed Saturday, January 29th and shipped starting on Tuesday, February 1st.

Inventory Number: E000SWWDMM

(WILLOUGHBY, BOB) (HEPBURN, AUDREY). Willoughby, Bob. Koln, GERMANY: Benedikt Taschen Verlag, 2010. First Edition 0313/1000. Folio. Boards in a Clamshell Box. Photography Monograph. As New/As New. 282pp, profusely illustrated in black & white. Text in English, German and French. "In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. "She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts," he recalls. As Hepburn's career soared following her Oscar-winning US debut in "Roman Holiday", Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn's beauty and elegance, as she progresses from her debut to her career high of "My Fair Lady" in 1963. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography's great platonic love affairs and an unrivalled record of one of the 20th century's touchstone beauties". A pristine example of this extraordinary volume - a must-have for the Audrey completeist that sold out upon publication - limited to one thousand copies in a decorative clamshell box SIGNED AND NUMBERED (0313/1000) by the late Bob Willoughby, unopened in the publisher's shrinkwrapped printed shipping carton, as issued. 3-8365-1889-9 Inventory Number: 023815

(WILSON, FRED). Berger, Maurice, Fred Wilson & Jennifer Gonzalez. Baltimore, MD: Center for Art and Visual Culture, University of Maryland Baltimore County Fine Arts Gallery, 2001. First Edition. 4to. Pictorial Self-Wrappers. Artist Monograph. Fine.. 176pp, profusely illustrated in color and b&w. With an exhibition checklist, biography, and bibliography. This is the beautifully designed and illustrated catalogue published in conjunction with the 2001 traveling Museum retrospective of works by the noted African-American contemporary artist Fred Wilson. For nearly two decades, the artist has worked with Cultural Institutions and their collections to create installations & exhibitions that critique and/or bring to light the relationship between race and American Museum practices. A pristine copy BOLDLY SIGNED AND DATED by Fred Wilson in black felt-tip pen on the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 1-890761-04-4 Inventory Number: 017894

(WILSON, S. CLAY). La Luz De Jesus Gallery. Los Angeles: La Luz De Jesus Gallery, 1991. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Very Good.. One 20 x 16" sheet of heavy yellow paper stock printed b&w offset recto only, 1 illustration. This is the graphically striking poster published in conjunction with an August 1991 S. Clay Wilson exhibition entitled "Toxic Icons" held at Los Angeles' storied La Luz De Jesus Gallery. It reproduces a 1991 drawing by the legendary late San Francisco comix artist featuring a seriously freaked out Checkered Demon facing a "Come to Jesus" moment!  A handsome example of this delightful ephemeral item additionally BOLDLY INSCRIBED "To Fazul - S. Clay Wilson" in black marker along the bottom margin showing some flattened creasing along the left hand edge. Fazul is / was the noted late Los Angeles "Dadazine" publisher and cultural man about town, Eugene "Fazul Reet" Timiraos, from whose library we acquired this directly. Inventory Number: 026950

(WITKIN, JOEL-PETER). Dupuy, Alain & Antonio Saura. Madrid, SPAIN: Ministerio De Cultura, Spain & Centro De Arte Reina Sofia, 1989. First Edition. Square 8vo. Debossed Silk Over Boards. Exhibition Catalog. Near Fine/No Jacket - As Issued. 120pp, profusely illustrated in color and duotone. Text in French. With a bibliography and exhibition history. In a protective clear acetate dustwrapper. This is the beautifully designed hardbound catalogue published in conjunction with a 1989 traveling European retrospective that presented Joel-Peter Witkin's finished prints alongside the photographer's macabre preparatory drawings. A most handsome example of the first Spanish language edition in black moire silk-covered boards debossed with an elaborate gothic cross additionally BOLDLY SIGNED "Joel-Peter Witkin" in black ink across the entire half title page. 84-505-7482-X Inventory Number: 018491