Arcana:

(RUPPERSBERG, ALLEN). Ruppersberg, Allen & Leslie Jones. New York: Christine Burgin, 2012. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (80pp), profusely illustrated in color and b&w. Designed by Jason Burch. Published in conjunction with Allen Ruppersberg's 2012 exhibition entitled "No Time Left to Start Again / The B and D of R 'n' R" held at the Art Institute of Chicago, "Collector's Paradise" is unique narrative of the history of rock and roll and a rich reflection on the history of popular American music. The product of years of combing flea markets and yard sales in search of both the visual and recorded history of rock and roll, this book traces R 'n' R back to the Minstrel days and American popular song post-Civil War and includes a chronological list of 1,500 key recordings and over three hundred color illustrations of material all from the wry Conceptual practitioner's personal collection. A brand new, most handsome example containing one of nine loose 8 ½ x 11" inserts created for this book reproducing an image from material in the artist's archive additionally BOLDLY SIGNED "Allen Ruppersberg" in black ink on the front free endpaper. 0-9778696-5-2 Inventory Number: 023284

(RUPPERSBERG, ALLEN). Ruppersberg, Allen, Leslie Jones & Bill Berkson. New York: Christine Burgin, 2014. First Editions. 4to + 8vo. Illustrated Boards + Wrappers. Artist Monographs. As New/As New. 112 + 128pp, 53 color and 2 b&w illustrations + 68 color and 20 b&w illustrations. Both designed by Jason Burch. With an exhibition checklist. "Drawings by Allen Ruppersberg" (0-9778696-6-0) is the elegant hardbound catalogue published in conjunction with a 2014 exhibition of thirty-one works on paper executed between 1973 and 1991 by the noted Conceptual practitioner. Published by his longtime gallerist Christine Burgin, it forms a pair with "Writings by Allen Ruppersberg" (0-9778696-7-9) - a charming career survey of text-based artworks by the artist. A brand new, most handsome set of the two companion volumes additionally BOLDLY SIGNED "Allen Ruppersberg" in black ink on the front free endpaper of each. Inventory Number: 027433

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #218/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. This deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#218/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027219

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. Inventory Number: 024819

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Very Good/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. An internally most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (35/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued, showing some very mild wear to the front and rear boards along with some rubbing and slight discoloration to the leather spine. The slipcase bears some rubbing and abrading to the leather trim at the heel and crown of the opening along with some minor wear to the linen along the seam of the bottom edge. It has been priced accordingly. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 024157

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. A most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (19/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 013966

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles: Self-Published, 1967. First Edition 1/1000. 8vo. Spiral Bound Wrappers. Artist's Book. Very Good - ./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An internally bright, most handsome example of the 1967 first edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies issued without glassine wrapper additionally bearing the SIGNED PRESENTATION "For ... / Mason Williams" in black ink on the front free endpaper showing some light soiling, sunning, and creasing t the covers at the extremities. It has been priced accordingly. Inventory Number: 026019

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. Inventory Number: 025271

(RYDEN, MARK). Ryden, Mark. Introduction by Carlo McCormick. Sierra Madre & San Francisco, CA: Porterhouse Fine Art Editions & Last Gasp, 2001. First Edition 1/500 Deluxe. Square 4to. Boards in Clamshell Box. Artist Monograph. As New./No Jacket - As Issued. 134pp, profusely illustrated in color. The near-perfect distillation of childhood creepiness transformed into adult fine art, this first monograph on Mark Ryden sold out of its initial print run almost immediately. See Jimi Hendrix, Abe Lincoln, Christina Ricci, Leonardo Di Caprio, Colonel Sanders, the Teletubbies, Big Boy, Speedy Alka-Seltzer, and so many more in ways you've never imagined - not to mention the requisite Bees, Bunnies and Meat. A brand new, pristine unopened example of the deluxe edition limited to five hundred copies acquired directly from the artist featuring a copy of the book SIGNED AND NUMBERED by the artist, a special "Anima Mundi" bookmark, and a 10 x 10" SIGNED AND NUMBERED giclee print all housed in a beautiful decorative clamshell box. 0-86719-509-6 Inventory Number: 018381

(SALGADO, SEBASTIAO). Salgado, Lelia Wanick. Koln, GERMANY: Benedikt Taschen Verlag, 2013. First English Language Edition 1/1000. Stout Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. Fine/Fine. 520 + 34pp, profusely illustrated in duotone. Text in English. Concept and Design by Lelia Wanick Salgado. Published in 2013, this is the massive hardbound collection of famed Magnum photojournalist Sebastiao Salgado's haunting images of the dwindling unspoiled land, flora, fauna, and peoples of Planet Earth. "Genesis" is the result of an epic eight year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society - the land and life of a still-pristine planet. Salgado reminds us that "Some 46% of the planet is still as it was in the time of genesis. We must preserve what exists". The Genesis project, along with the Salgados' Instituto Terra are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future". A brand new, most handsome example of the 2013 first English language edition with the publisher's caption booklet laid in additionally BOLDLY SIGNED by Sebastiao Salgado in black marker on the half title page. 3-8365-3872-5 Inventory Number: 026568

(SALGADO, SEBASTIAO). Salgado, Sebastiao, Mia Couto & Lelia Wanick Salgado. Koln, GERMANY: Benedikt Taschen Verlag, 2007. First Edition. Oblong Small Folio. Cloth in Pictorial Dust Jacket. Photography Monograph. As New/As New. 336pp, profusely illustrated in duotone. Text in English, German and French. Concept and Design by Lelia Wanick Salgado. Published in 2007, this is the massive hardbound survey of famed Magnum photojournalist Sebastiao Salgado's haunting images of the land, peoples, and social turmoil of the African continent. A brand new, pristine example of the 2007 first, oversized Taschen edition (cited on page 256 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED "Sebastiao Salgado" in black marker on the half title page. 3-8228-5621-5 Inventory Number: 026567

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition 1/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (34/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Pyhajarvi, Finland (Horse and Barn)" which has been SIGNED AND DATED "Pentti Sammallahti 1982" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025486

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition #3/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (3/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Two Birds on Branch" which has been TITLED, SIGNED AND DATED "t.p.l'a / Pentti Sammallahti 2002" in pencil along the bottom margin of the recto. 1-907893-26-1 Inventory Number: 025484

(SAMMALLAHTI, PENTTI). Perich, Candace & Pentti Sammallahti. Tucson, AZ: Nazraeli Press, 2002. First Edition 1/1000. Oblong Narrow Folio. Debossed Boards in Slipcase. Photography Monograph. Fine/No Jacket - As Issued. 48pp + 1 loose sheet, 29 duotone illustrations + duotone plate laid down on the front cover. Published by Nazraeli Press, this beautifully designed and illustrated book was the first substantial publication on renowned photographer Pentti Sammallahti issued outside his native Finland. A most handsome example of the uncommon 2002 first edition limited to one thousand unnumbered copies in slipcase additionally BOLDLY SIGNED "Pentti Sammallahti" in black ink across the publisher's gently handled printed text insert. 1-59005-036-3 Inventory Number: 026428

(SAMUEL, JACOB). Adler, Esther, Mona Hatoum, Cristina Iglesias, Shio Kusaka, Rita McBride, Josiah McElheny, Mathew Monahan, Meredith Monk, Gabriel Orozco, Gert and Uwe Tobias, Charline von Heyl, James Welling, Jonas Wood, Christopher Wool & Jacob Samuel. New York: Museum of Modern Art, I00231128. 2023. First Edition. 10 1/2 x 9". Illustrated Boards. Printmaking Monograph. New/No Jacket - As Issued. 176pp, 310 color illustrations. 978-1633451551

Over the course of four decades, Santa Monica-based master printer and publisher Jacob Samuel has collaborated with some of the most influential painters, sculptors, photographers, performance artists, and musicians of the 20th and 21st centuries to make etchings, a medium grounded in techniques more than five centuries old. Through a traditional but maximally flexible approach, he was driven to prove that etching could be a successful contemporary medium, and the breadth, variety and creativity in the works he published is evidence of his success in making old master printmaking relevant to artists today. Published for an exhibition that draws from Mr. Samuel’s catalog of more than seventy projects, New Ground presents a selection of works by a diverse range of artists including Ed Ruscha, John Baldessari, Jonas Wood, Shio Kusaka, Barry McGee, Wangechi Mutu, Christopher Wool, Chris Burden, Nancy Rubins, Mona Hatoum, Rebecca Horn, Jannis Kounellis, Cristina Iglesias, Rita McBride, Josiah McElheny, Mathew Monahan, Meredith Monk, Gabriel Orozco, Gert and Uwe Tobias, Charline von Heyl, James Welling, and many more. This richly illustrated hardbound catalogue features an essay by curator Esther Adler, interviews with thirteen of the artists Samuel has worked with, and a checklist detailing every project published by Edition Jacob Samuel in the collection of the Museum of Modern Art. A brand new example additionally SIGNED by master etcher - and decades-long Arcana pal Jacob Samuel.

Inventory Number: E000JSNG

(SANDBURG, CARL). Sandburg, Carl. Flat Rock, NC: Self Published, 1960. First Edition. 8vo. Matted and Framed Under Glass. Typed Letter Signed. Fine.. One 6 ¾ x 6 ¼" sheet printed recto only bearing a typed letter additionally signed by the author, no illustrations. This is a 1960 typed letter signed by noted American poet and historian Carl Sandburg clarifying an inquiry regarding his authoritative autobiography of US president Abraham Lincoln. Typed in black ink on stationery bearing the imprint of Sandburg's "CONNEMARA FARMS / FLAT ROCK, NC" estate, it reads" Dear Jean: You and Gen. Edmonds checked everything and everywhere except CS hisself. Page 562 Vol. III of The War Years has chapter titled "Election Day, November 8, 1864", each alternating page across 23 pages also headed like the chapter title. Try your eyes on it. You are sweetly courteous and I sign with affectionate regard -" SIGNED "Carl Sandburg" in black ink below. It is mounted on a woven linen backing housed in a modest 11 ½ x 11" dark wooden frame faced with non-reflective glass. A most handsome example of this unique missive. Inventory Number: 024762

(SAWATARI, HAJIME). Sawatari, Hajime. Tokyo: Hysteric Glamour, 2000. First Edition. Folio. Printed Metallic Wrappers. Photography Monograph. Good +.. np, profusely illustrated in b&w. Hajime Sawatari's "A Girl" is another of the estimably hip Japanese fashion/style purveyor Hysteric Glamour's series of beautifully produced limited edition photography monographs. It is an oversized, erotically obsessive compendium of hundreds of full page black and white images, many nude, of a single Japanese lass taken by the creator of the truly twisted 1974 photographically illustrated retelling of Lewis Carroll's "Alice in Wonderland". A shiny, most presentable example of this uncommon item BOLDLY SIGNED "SAWATARI" in black marker on the title page showing a dent through the textblock at the heel of the spine as well as a soft crease to the front cover and a slight curl to the pages at the lower foredge corner. It has been priced accordingly. Inventory Number: 020807

(SAWATARI, HAJIME). Sawatari, Hajime. Tokyo: Hysteric Glamour, 2000. First Edition. Folio. Printed Metallic Wrappers. Photography Monograph. Good.. np, profusely illustrated in b&w. Hajime Sawatari's "A Girl" is another of the estimably hip Japanese fashion/style purveyor Hysteric Glamour's series of beautifully produced limited edition photography monographs. It is an oversized, erotically obsessive compendium of hundreds of full page black and white images, many nude, of a single Japanese lass taken by the creator of the truly twisted 1974 photographically illustrated retelling of Lewis Carroll's "Alice in Wonderland". A shiny, presentable example only of this uncommon item BOLDLY SIGNED by Hajime Sawatari in kanji in black marker on the title page showing dents and soft creases at each of the four corners of the textblock. It has been priced accordingly. Inventory Number: 020806

(SCHLES, KEN). Schles, Ken. Groningen, THE NETHERLANDS: Stichting Fotografie Aurora Borealis & Fotografie Noorderlicht, 2011. First Edition 1/1000. 4to. 1/2 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. np (96pp), 35 color illustrations. Text in English. "Oculus" is Ken Schles' exceptionally lovely fourth book published in conjunction with his participation as part of the 2011 Noorderlicht Photography Festival in Groningen. Of it the photographer states "We infuse the world we encounter with meaning, with social and symbolic significance based on the value we place upon representations we share. This, perhaps, is the irony of our conceptualizations: We make and share images so that we may know the world. "Oculus" takes you on a philosophic journey that points beyond the shadow-play of images. It is a meditation on the nature of perception and existence in the gray light of this world. A photographic book about images, memory, and the metaphor of light". A pristine example of the first edition limited to one thousand copies SIGNED AND DATED "Ken Schles NYC 11/11" in the year of its publication in black ink on the title page. 90-76703-45-0 Inventory Number: 021920

(SCHNABEL, JULIAN). Schnabel, Julian. New York: Random House, Inc., 1987. First Edition. 4to. Cloth in Acetate Dust Jacket. Artist Monograph. Fine/Fine. 224pp, profusely illustrated in color and b&w. Published in 1987 when his artworld career seemed boundless, this lavishly produced hardbound book reproduces scores of works by noted artist/director Julian Schnabel all accompanied by the maestro's own engaging narrative of his passage through the International art world and its excesses. A brand new, most handsome example of the Random House first edition additionally bearing the BOLDLY SIGNED PRESENTATION "To ... / Julian" whose fragile printed acetate dust jacket shows none of the cracks or tears typically associated with this title. 0-394-55313-6 Inventory Number: 025187

(SEKULA, ALLAN). Sekula, Allan, Gary Dufour & John O' Brian. Vancouver, CANADA & Cambridge, MA: Vancouver Art Gallery & MIT Press, 1997. First Edition. 4to. Pictorial Wrappers. Photography Monograph. As New.. 96pp, profusely illustrated in color and b&w. Designed by Allan Sekula and Reinhard Derreth Graphics. With a bibliography. Published in conjunction with a 1997 exhibition held at the Vancouver Art Gallery, "Geography Lesson: Canadian Notes" is a body of work by the noted late socially-conscious photographer and educator Allan Sekula examining the Canadian mining industry and the executives, workers, and labor activists that depend on it for their livelihoods. A brand new, most handsome example additionally bearing the SIGNED INSCRIPTION "For ..., With Thanks, Allan Sekula / Atlanta 10/10/98" to an institutional curator in black ink on the title page. 0-262-69200-7 Inventory Number: 024339

(SERRA, RICHARD). Serra, Richard, Hal Foster & David Sylvester. Los Angeles & Gottingen, GERMANY: Museum of Contemporary Art, Los Angeles & Steidl, 1998. First Edition. 4to. Cloth in Pictorial Dust Jacket. Catalogue Raisonné. Fine/Fine. 240pp, 271 duotone illustrations. Designed by Anthony McCall Associates. With an exhibition checklist, exhibition history and bibliography. This is the beautifully designed and printed, comprehensive hardbound catalogue published in conjunction with a 1998 Museum of Contemporary Art, Los Angeles survey exhibition of steel sculptures executed by Richard Serra between 1983 and 1998. It includes copious photographic documentation along with a catalogue raisonné of the primarily monumental-scale works from this period, an essay by Hal Foster, and a transcribed interview between David Sylvester and the artist. A most handsome example of this important document additionally bearing the BOLDLY SIGNED FULL PAGE PRESENTATION "For ..., Richard" in pencil across the entire half title page to a Gagosian Gallery associate. 3-88243-623-9 Inventory Number: 018868

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy LLC, 2007. First Edition 1/300. 8vo. Pictorial Wrappers. Photography Monograph. As New.. 152pp, 100 illustrations in color and b&w. Designed by Todd Tourso. Limited to three hundred copies only, "Deathcamp" is R.J. Shaughnessy's must-have first book - a gritty, engaging essay capturing the transgressive youthful comings and goings in the Atwater house the photographer lived in from late 2002 through early 2006. If you are an Ed Templeton or Ryan McGinley fan, this self-published gem is right up your alley! A brand new, pristine example additionally BOLDLY SIGNED "R.J. Shaughnessy" in black marker on the title page. 0-9792748-1-8 Inventory Number: 023021

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/500. 4to. Printed Boards. Photography Monograph. Fine/No Jacket - As Issued. np (48pp), 37 illustrations in duotone. Designed by Christian Cervantes. "Your Golden Opportunity is Comeing Very Soon" is Los Angeles-based photographer R.J. Shaughnessy's follow up to his must-have first book - "Deathcamp". Shot in stark black and white, it captures the flawed details of his decaying metropolis illuminated with a flash in the dead of night. No wasted partygoers here, just riveting images of bent poles, torn chain-link fences, crumbling cinderblock barriers and the like. A most handsome example of this intriguing, already unavailable work limited to five hundred copies BOLDLY SIGNED AND NUMBERED by R.J. Shaughnessy in black marker on the rear colophon, as issued. 0-9792748-4-2 Inventory Number: 019547

(SHAUGHNESSY, R.J.). Shaughnessy, R.J.. Los Angeles: R.J. Shaughnessy, 2009. First Edition 1/200. Oblong Folio. Debossed Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. np (64pp), 29 duotone illustrations. Designed by Christian Cervantes. "These Photographs Will Heal Your Soul" is Los Angeles-based photographer R.J. Shaughnessy's exquisite third self-published book of photographs. Shot in sumptuous black and white, it surveys flurries of snowflakes against the inky night sky. A brand new, pristine example of this elegant volume limited to two hundred copies NUMBERED AND BOLDLY SIGNED "R.J. Shaughnessy" in black marker on the rear colophon still in the publisher's shrinkwrap, as issued. 0-9792748-2-6 Inventory Number: 019106

(SHAYLOR, ANDREW). Shaylor, Andrew. Foreword by Sonny Barger. London: Merrell Publishers Limited, 2005. First Edition 1/1000 Deluxe. 4to. Full-Leather in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 240pp, 200 duotone and 100 color illustrations. Designed by Maggi Smith. "Photographer Andrew Shaylor has been given unique and long-term access to the secret world of the Hells Angels Motorcycle Club. Over three hundred stunning photographs reveal the rich diversity of the HAMC, including events, members' motorcycles (always Harley Davidsons), clubhouses, portraits, and a multitude of details that uniquely define their culture. It contains a specially commissioned foreword by American legend Sonny Barger". Limited to one thousand copies only, this deluxe edition is hardbound in full black leather that shows a debossed Hells Angels insignia, and is SIGNED AND NUMBERED by Andrew Shaylor. It is housed in a debossed oversized black leather clamshell box that contains a SIGNED AND NUMBERED 12 x 9 ½" black and white silver print of the image "Kenny, HAMC, Tyne and Wear" - the cover image of the trade edition of this book. A brand new, pristine example in the publisher's unopened printed cardboard shipping carton, as issued. 1858943167 Inventory Number: 019813

(SISKIND, AARON). Siskind, Aaron. Foreword by Gordon Parks. Charles Traub & Ann Banks, Editors. Providence, RI: Matrix Publications, Inc., 1981. First Edition #100/100 Deluxe. Oblong Small 4to. Cloth in Dust Jacket,Slipcased. Photography Monograph. Fine/Fine. 80pp, profusely illustrated in b&w. Designed by Malcolm Grear. This is the historically significant compendium of the esteemed late Chicago-based photographer Aaron Siskind's photographs from the 1930s of Harlem and its denizens. A brand new, most handsome example of the exceedingly uncommon 1981 Matrix Publications deluxe first hardbound edition in dust jacket limited to one hundred copies NUMBERED (100/100) AND SIGNED "Aaron Siskind" in black ink on the vellum limitation page at front, as issued, showing some mild wear and sunning to the publisher's printed slipcase. 0-936554-06-1 Inventory Number: 026401

(SISKIND, AARON). Siskind, Aaron. Introduction by Thomas B. Hess. New York: Light Gallery Books & Farrar, Straus and Giroux, 1976. First Edition 1/7500. 4to. Wrappers in Pictorial Jacket. Photography Monograph. Very Good./Very Good.. 112pp, 94 duotone illustrations. Designed by Malcolm Grear. In a protective clear acetate dustwrapper. This is the beautifully printed catalogue published in conjunction with a comprehensive 1976 retrospective exhibition of the work of the esteemed late Chicago-based photographer Aaron Siskind held at New York's Light Gallery. An internally handsome example of the paperbound edition in dust jacket additionally SIGNED "Aaron Siskind" in blue ink on the half title page showing some mild wear and soiling to the wrappers and edges of the textblock. 0-374-23205-9 Inventory Number: 025770

(SLACK, MIKE). Slack, Mike. Los Angeles: The Ice Plant, 2017. First Edition. 4to. Decorative Boards. Photography Monograph. As New/ No Jacket - As Issued. np (100pp), 50 color illustrations. "Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles… Mike Slack delves into an overheated terrestrial ecosystem in "The Transverse Path, surveying a luminous topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie". A brand new, pristine example of the first The Ice Plant edition limited to nine hundred unnumbered copies additionally SIGNED "Mike Slack" in ink.

PLEASE NOTE: Copies of "The Transverse Path" will be signed Saturday, December 9th and shipped starting on Tuesday, December 12th. 978-0-9992655-0-5 Inventory Number: E000MSTTP

(SLACK, MIKE). Slack, Mike. Los Angeles: The Ice Plant, 2012. Second Edition (First Thus) 1/500. 8vo. Wrappers in Pictorial Jacket. Photography Monograph. As New./As New.. np (96pp), 45 color illustrations + color cover. "High Tide" is Mike Slack's collection of beautifully reproduced Polaroids taken from a monitor screen in which each of its slightly-distorted subjects fills the frame, eyes closed, in a seeming state of meditative bliss. Originally published in conjunction with a 2006 exhibition of the work at Marfa's Galleri Urbane, it includes images of such iconic actors and actresses as Jack Nicholson, Nancy Allen, Elizabeth Taylor, Shirley MacLaine, Warren Beatty, Sean Young, Barry Newman, and many more. A pristine copy in the publisher's plastic pouch of the first printing of the revised and expanded 2012 edition of this cult favorite limited to five hundred copies SIGNED "Mike Slack" in black ink on the rear colophon. 0-9823653-8-1 Inventory Number: 021902

(SMITH, JOSH). Smith, Josh. NP (New York): Josh Smith, 2001. First Edition #16/20 Deluxe. 8vo. 1/4 Linen Over Stiff Wrappers. Artist's Book. Fine/No Jacket - As Issued. np (circa 192pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is New York-based Josh Smith's witty 2001 self-published artist's book filled with an amalgam of nineteenth Century steel engravings, childlike portraits, and Smith's equally childlike signature, Each is presented as a full page black and white plate digitally printed on the rectos only. A brand new, most handsome example of this unique object limited to twenty copies only whose front and back covers are HAND ILLUSTRATED, SIGNED "Josh Smith", NUMBERED (16/20), AND DATED "2001" IN GRAPHITE. Inventory Number: 027436

(SMITHSON, ALINE). Smithson, Aline. Foreword by Karen Sinsheimer. Introduction by Paula Tognarelli. Toronto, CANADA: The Magenta Foundation, 2015. First Edition. 4to. Pictorial Boards. Photography Monograph. As New/No Jacket - As Issued. 216pp, profusely illustrated in color and b&w, full edge gilt. "Self & Others - Portrait as Autobiography" is a near-twenty year culmination of portrait photographs captured by award-winning photographer, writer, and educator Aline Smithson. It begins with her earliest black and white silver gelatin prints in which she photographs the world around her considering the poignancy of childhood and the pathos of aging and relationships. The book continues with her hand-painted photographs - including her defining series - "Arrangement in Green and Black: Portrait of the Photographer's Mother" - where she combines humor and family to create a universal expression of motherhood. The book is completed by her most recent color projects that revisit beauty, the essence of childhood, and an examination of created realities. Aline brings a background in painting and fashion to her images, but at the heart of her work is her ability to recognize the inner self of her subjects. The photographer considers all her portraits a reflection of herself and the stories she wants to tell, and in that way, has created a visual language that is her own unique autobiography". A brand new, most handsome example of the 2015 first edition additionally BOLDLY SIGNED AND DATED "Aline Smithson 2015" in the year of publication in black marker on the title page at Arcana with a packet of postcards by the photographer laid in. 1-926856-06-6 Inventory Number: 025519

(SOMMER, FREDERICK). Glenn, Constance & Jane K. Bledsoe. Long Beach, CA: The Art Museum and Galleries, Cal State University, 1980. First Edition 1/3000. 4to. Printed Wrappers. Photography Monograph. Fine.. 71pp, profusely illustrated in b&w and color. Designed by Lilli Cristin. This is the catalogue for the 1980 touring Frederick Sommer retrospective - circulated in conjunction with the renowned photographer's seventy-fifth birthday. It exquisitely reproduces thirty-one of the seventy five works exhibited as well as a portion of the text of the artist's 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics". A bright, most handsome example showing virtually none of the typically seen rubbing and handling to its silver covers additionally SIGNED by Frederick Sommer in black ink on the title page at the time of publication. Inventory Number: 019501

(SOMMER, FREDERICK). Sommer, Frederick, in collaboration with Stephen Aldrich. Stockton, NJ: Designed and Printed at the Carolingian Press, 1972. First Edition. Small Square 8vo. Printed Stapled Wrappers. Photography Monograph. Very Good.. np (40pp), no illustrations. In a protective clear acetate dustwrapper. "The Poetic Logic of Art and Aesthetics" is Frederick Sommer's self-published item containing no photographic images that reproduces the text of his 1972 poem-cum-treatise "The Poetic Logic of Art and Aesthetics" along with the eulogy "'Words Spoken in Memory of Richard Nickell at a Gathering of His Friends". A handsome example additionally SIGNED by Frederick Sommer in black ink in a spidery hand on the title page showing some typical light age patination and slight discoloration along the rear of the spine. It has been priced accordingly. Inventory Number: 020357

(SOTH, ALEC). Bordignon, Elena, Alec Soth, Jona Frank, Tanyth Berkeley & Alix Smith. Milano, ITALY: TH INSIDE, 2005. First Edition #333/400. Square 8vo. Debossed Cloth. Exhibition Catalog. As New/No Jacket - As Issued. np, profusely illustrated in color. Text in Italian and English. With photographers' biographies, exhibition histories, and bibliographies. In a protective clear acetate dustwrapper. This is the elegant hardbound catalogue published in conjunction with a 2005 Tommy Hilfiger-sponsored exhibition held in Milan of Fashion-inflected color portrait photography by Alec Soth, Jona Frank, Tanyth Berkeley, and Alix Smith. A brand new, pristine example of this exceedingly uncommon item - only a single copy is currently cited in OCLC WorldCat - limited to four hundred NUMBERED (333/400) copies additionally BOLDLY SIGNED by Alec Soth and Jona Frank in black ink on the title page at our shop with the business card of the director of Minneapolis' Weinstein Gallery - Alec Soth's representatives at the time - laid in. Inventory Number: 025743

(SOTH, ALEC). Engberg, Siri, Geoff Dyer, August Kleinzahler, Bartholomew Ryan, Britt Salvesen, Barry Schwabsky & Alec Soth. Minneapolis, MN: Walker Art Center, 2010. First Edition. 8vo. Printed Cloth. Photography Monograph. As New/No Jacket - As Issued. 224pp, profusely illustrated in color and b&w. Designed by Emmet Byrne. Published in conjunction with a massive Walker Art Center retrospective of the work of Alec Soth, this is a beautifully designed and printed hardbound survey of the imagery of the noted Minneapolis-based Magnum photographer. A brand new, pristine example of the 2010 first edition (cited on page 260 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") with the photographer's 48 page artist book entitled "The Loneliest Man in Missouri:" housed in a pocket affixed to the rear inside board, as issued, additionally BOLDLY SIGNED "Alec Soth" in black ink on the title page. Inventory Number: 025745