Arcana:

(BERNHARD, RUTH). Williams, Ginny. Santa Fe, NM: Tallgrass Press, 1993. First Edition. 4to. Cloth in Dust Jacket. Photography Monograph. Fine/Fine. np (95pp), 43 tritone illustrations. This is the lavish catalogue published in conjunction with the 1993 exhibition "Ruth Bernhard: A Retrospective from the Ginny Williams Collection" at the Denver Art Museum and the Arvada Center for the Arts and Humanities. A superbly printed selection of Bernhard's seminal modernist work (including many of the famous female nudes) is represented here, interspersed with quotations from the photographer about her inspirations and her creative process. A brand new, pristine example of the uncommon hardbound edition additionally BOLDLY SIGNED "Ruth Bernhard" in her unmistakable calligraphic hand in black fountain pen on the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-881138-04-6 Inventory Number: 023786

(LEONARD, HERMAN). Leonard, Herman & Richard Williams. NP. ND (1992).: Self-Published. First Edition #270/300. Folio. Loose Plates in a Solander Box. Photography Monograph. Fine/No Jacket - As Issued. One 14 x 22" sheet folded neatly in half vertically to make 4pp + twelve 14 x 11" heavy cardstock sheets printed recto in duotone and verso in offset - each housed in a printed vellum sleeve, 12 duotone illustrations. "In Memorium" (sic) is the luxe 1992 self-published portfolio of twelve iconic images of legendary deceased Jazz musicians by the noted late American photographer Herman Leonard. It contains twelve individual suitable for framing duotone offset plates featuring Louis "Satchmo" Armstrong, Art Blakey, Miles Davis, Edward "Duke" Ellington, Erroll Garner, Stan Getz, Dexter Gordon, Billie Holiday, Thelonious Monk, Charlie "Bird" Parker, Sarah Vaughan, Lester "Prez" Young, and Sarah "Sassy" Vaughan. Each is comes in its own captioned vellum protective sleeve and accompanied by a four page colophon/booklet with biographical texts by Richard Williams. The contents are housed in a sumptuous gilt-stamped deep burgundy moiré silk-over-boards solander box. According to the photographer in a letter dated in 2010 "This was a boxed set we produced in 1992, as you describe. You have a rare item. Not more than eighteen were sold". It seems that the portfolios were completed as they were purchased from Leonard's studio, and the few copies that have turned up in the marketplace in recent years have virtually all been unsigned and unnumbered. An internally pristine example from the exceeding uncommon SIGNED AND NUMBERED (#270/300) edition in a like portfolio. Inventory Number: 026048

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. As New/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art & photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-7148-3990-6 Inventory Number: 018038

(PARR, MARTIN). Williams, Val.. London: Phaidon Press Ltd., 2002. First Edition. Small Oblong Folio. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued. 352pp, profusely illustrated in color and b&w. With a comprehensive bibliography and exhibition history. This is a massive, cheerfully obsessive tome documenting Parr's life and career; revealing insights into his influences and attitudes as well as assessing his importance within the worlds of art and photography. Parr's wry commentary on British life and social mores has continued for over thirty years, becoming increasingly global in nature. Images presented here from previous bodies of the Magnum photographer's work and publications include "A Fair Day", "Bad Weather", "Home Sweet Home", "Autoportrait", "The Last Resort", "The Cost of Living", "Signs of the Times" and "Think of England"; in addition to many as yet uncollected in book form. A brand new, pristine example of the 2002 first Phaidon hardbound edition (cited on page 249 of Fred Ritchin and Carole Naggar's "Magnum Photobook: A Catalogue Raisonné") additionally BOLDLY SIGNED "Martin Parr" in black ink on the half title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-7148-3990-6 Inventory Number: 014167

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles: Self-Published, 1967. First Edition 1/1000. 8vo. Spiral Bound Wrappers. Artist's Book. Very Good - ./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An internally bright, most handsome example of the 1967 first edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies issued without glassine wrapper additionally bearing the SIGNED PRESENTATION "For ... / Mason Williams" in black ink on the front free endpaper showing some light soiling, sunning, and creasing t the covers at the extremities. It has been priced accordingly. Inventory Number: 026019

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025271

(WILLIAMS, D’ANGELO LOVELL). MACK, I00220716, 2022. 9 x 11 inches, 104 Pages. Hard Cover. New.

Both an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.

From self-portraits to collaborations with community, Williams’s photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualized as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions. 9781913620622 Inventory Number: I00220716

(WILLIAMS, KANDIS) Introduction by Ebony L. Haynes. Text by Hannah Black. Conversation between Kandis Williams and Okwui Okpokwasili. David Zwirner Books, I00220922, 2022. 9 x 7 inches, 96 Pages. Hardcover. New/No Jacket - As Issued.

The inaugural volume in a new series of books, Kandis Williams documents the Los Angeles–based artist’s exhibition A Line. Interrogating issues of race, nationalism, authority, and eroticism, her topical work is made across collage, sculpture, and video.

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.

Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the artist Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials. 9781644230688 Inventory Number: I00220924

(WILLIAMS, MASON) (RUSCHA, EDWARD). Williams, Mason. Los Angeles: Self-Published, 1966. First Edition 1/500. 8vo. Cloth. Artist's Book. Near Fine/No Jacket - As Issued. np, 21 b&w illustrations + endpapers. Designed by Ed Ruscha. In a protective clear acetate dustwrapper. A year prior to Ed Ruscha, Mason Williams and Patrick Blackwell's Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91 that became "Royal Road Test", the same Oklahoma-born trio collaborated on self-published "The Night I Lost my Baby...". It features Mason Williams's first-person prose poem narrative of shattered romance illustrated with Patrick Blackwell's vintage photographs of Sin City - all art directed by Ed Ruscha. A most handsome example of the uncommon first and only edition limited to five hundred unnumbered copies additionally bearing the BOLDLY SIGNED AND DATED PRESENTATION "To ... / Mason Williams / 1967" in black ink on the front free endpaper showing some light soiling and dulling to the metallic cloth covers. Inventory Number: 026020

(WILLIAMS, MEGAN). Williams, Megan. With Texts by Amy Gerstler, Michelle Huneven & Jim Krusoe. New York: Bravin Post Lee Gallery, 1995. First Edition 1/400. Square 8vo. Decorative Boards. Artist Monograph. Fine/No Jacket - As Issued. 40pp, 15 b&w and 9 color illustrations. Designed by John Post Lee. This beautiful little hardbound book was published in conjunction with a 1995 New York gallery exhibition by Los Angeles-based artist Megan Williams. It is profusely illustrated - including nine hand-tipped color plates - and accompanied by literary contributions from the noted California poets Amy Gerstler, Jim Krusoe, and Michelle Huneven. A most handsome example of the first edition limited to four hundred copies SIGNED "Megan Williams" in black ink on the colophon, as issued. Inventory Number: 004356

(WILLIAMS, ROBERT). Williams, Robert. Introduction by Lydia Lunch. San Francisco: Last Gasp of San Francisco, 1990. First Edition 1/400 Deluxe. 4to. Cloth with Pastedown. Artist Monograph. Fine/No Jacket - As Issued. 95pp, profusely illustrated in color and b&w. In a protective clear acetate dustwrapper. This second collection of paintings from erstwhile Ed "Big Daddy" Roth and Zap Comix contributor Robert Williams is a visual cornucopia of women, sex, deviltry, mayhem, scatology and a celebration of Kustom Kar Kulture. A most handsome example of the uncommon 1990 deluxe numbered hardbound edition of four hundred copies NUMBERED (70/400) AND SIGNED"Robert Williams" in black ink on the publisher's adhesive-backed bookplate featuring a caricature of the artist affixed to the front inside cover, as issued. 0-86719-385-9 Inventory Number: 026122

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition. 4to. Illustrated Boards. Artist Monograph. As New/No Jacket - As Issued. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, most handsome example of the unavailable 2005 first edition still in the publisher's shrinkwrap, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-86719-516-9 Inventory Number: 025229

(WILLIAMS, ROBT.). Williams, Robert. Introduction by Meg Linton. San Francisco: Last Gasp of San Francisco, 2005. First Edition 1/300 Deluxe. 4to. Cloth in Jacket, Slipcased. Artist Monograph. As New/As New. 240pp, profusely illustrated in color and b&w. Designed by Jill Von Hartmann. "Through Prehensile Eyes" is a collection of Robert Williams' fifty-eight then-recent paintings first exhibited at New York's Tony Shafrazi Gallery and subsequently shown in May 2005 at the Ben Maltz Gallery at Los Angeles' Otis College of Art. The images range from the artist's familiar lowbrow and biker culture, stretching deep into a faux science of quantum mechanics leaving the viewer in a world of scientific mindplay. Robert Williams sprang from the custom car culture of Southern California and was one of the original Zap Comix artists. He transcended the constraints of both, mastering oils and forging a career as the preeminent artist among a generation of imagist painters. After singlehandedly becoming the model of Lowbrow Art, Williams has now penetrated the inner sanctum of the fine arts movement. A brand new, pristine example of the 2005 first deluxe numbered hardbound edition of four hundred copies with the publisher's numbered bookplate featuring a caricature of the artist SIGNED by Robert Williams in black ink affixed to the front inside cover still in the publisher's shrinkwrap, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. 0-86719-637-8 Inventory Number: 022508

(Williams, Senon). Williams, Senon. Los Angeles: Hat & Beard Press, 2021. First Edition 1/50 Deluxe. 12mo (4.5 x 5.25 in.). Printed Flexible Boards. Artist Monograph. As New/No Jacket - As Issued.

Book Signing at Arcana with Senon Williams Saturday, January 29th, 4:00 - 6:00 PM

Details here!

152pp, illustrated in color and b&w. Designed by Lorraine Wild, Green Dragon Office. “The old adage “a picture is worth a thousand words” is turned on its side in “Words Don't Mean Much” -  Senon Williams’ new book of aphoristic phrasing. Far fewer words are needed to create an illuminating image in the mind’s eye, conjuring immediate multi-sensory experiences. This book of poems is derived from the text in Williams’ ink on paper drawings. The drawings are textual extractions and gather momentum within the book, exhibiting great attention to materials and craftsmanship. Every detail, from select paper to classic typeface, has been considered. An object, not unlike a sculpture, can be viewed from all sides, handled - and leafed through in the case of this book - front to back, back to front, or randomly opened. “Words Don't Mean Much” is a small pocket book, easy to conceal. A book to keep all to yourself or share intimately.”

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood."

A brand new, most handsome example of deluxe edition of this charming new work limited to fifty copies additionally SIGNED by Senon Williams in ink accompanied by A SIGNED ORIGINAL 4 x 5" WORK ON PAPER.

PLEASE NOTE: Deluxe Copies of "Words Don'tMean Much" will be signed Saturday, January 29th and shipped starting on Tuesday, February 1st.

Inventory Number: E000SWWDMM-LTD

(Williams, Senon). Williams, Senon. Los Angeles: Hat & Beard Press, 2021. First Edition. 12mo (4.5 x 5.25 in.). Printed Flexible Boards. Artist Monograph. As New/No Jacket - As Issued.

Book Signing at Arcana with Senon Williams Saturday, January 29th, 4:00 - 6:00 PM

Details here!

152pp, illustrated in color and b&w. Designed by Lorraine Wild, Green Dragon Office. “The old adage “a picture is worth a thousand words” is turned on its side in “Words Don't Mean Much” -  Senon Williams’ new book of aphoristic phrasing. Far fewer words are needed to create an illuminating image in the mind’s eye, conjuring immediate multi-sensory experiences. This book of poems is derived from the text in Williams’ ink on paper drawings. The drawings are textual extractions and gather momentum within the book, exhibiting great attention to materials and craftsmanship. Every detail, from select paper to classic typeface, has been considered. An object, not unlike a sculpture, can be viewed from all sides, handled - and leafed through in the case of this book - front to back, back to front, or randomly opened. “Words Don't Mean Much” is a small pocket book, easy to conceal. A book to keep all to yourself or share intimately.”

Los Angeles native Senon Williams is a lifelong artist and musician. A founding member of the always-engaging Dengue Fever, Williams’ visual work finds space in the natural, exposing outstanding and devastating stages of human evolution. “To provoke thought, a question works better than answers. I enjoy to start a story I resolve in different ways depending on my mood."

A brand new, most handsome example of this charming new work additionally SIGNED by Senon Williams in ink.

PLEASE NOTE: Copies of "Words Don't Mean Much" will be signed Saturday, January 29th and shipped starting on Tuesday, February 1st.

Inventory Number: E000SWWDMM

(Williams, Senon). Williams, Senon. Venice, CA: Hamilton Press, 2017. First Edition 1/50 Deluxe. Small 4to. Illustrated Boards. Artist Monograph. As New/No Jacket as Issued. 978-0-692-87700-5

Book Signing at Arcana with Senon Williams Saturday, January 29th, 4:00 - 6:00 PM

Details here!

PLEASE NOTE: Deluxe Copies of "Hunted & Gathered" will be shipped starting on Tuesday, February 1st.

Inventory Number: E000SWH&G-LTD