Arcana:

(ONO, YOKO) (LENNON, JOHN). Ono, Yoko. Paris: agnes b., 2003. Edition Not Stated. Oblong Small Folio. Printed Paper Sheet. Artist's Multiple. Fine.. One 11 x 17" sheet printed offset recto and verso, no illustration. This is the typographic artist multiple cum small poster published by the noted Parisian fashion designer and art patron agnes b. as a 2003 iteration of John Lennon and Yoko Ono's conceptual project, "Imagine Peace." A brand new, most handsome example. Inventory Number: 027334

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1995. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodicals. As New.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the forty-third issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907509-93-5 Inventory Number: 023941

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1986. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A brand new, pristine example of the unavailable tenth issue of this influential Swiss visual arts quarterly still in the publisher's original shrinkwrap. 3-907509-60-9 Inventory Number: 019357

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1989. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Near Fine.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A handsome example of the twenty-first issue of this influential Swiss visual arts quarterly. 3-907509-71-4 Inventory Number: 013684

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1991. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Good.. ca 200pp, profusely illustrated in color and b&w. Parallel Text in English and German. A most presentable copy of the unavailable twenty-ninth issue of this influential Swiss visual arts quarterly showing showing a significant dent to the lower foredge corner that runs through a portion of the textblock. 3-907509-79-X Inventory Number: 013136

(PARKETT). Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 2003. First Edition. Small 4to. Illustrated Wrappers. Contemporary Art Periodical. Fine.. ca 250pp, profusely illustrated in color and b&w. Parallel Text in English and German. A pristine copy of the sixty-eighth issue of this influential Swiss visual arts quarterly still in the publisher's shrinkwrap. 3-907582-18-7 Inventory Number: 007999

(RODARTE) (A MAGAZINE). Mulleavy, Kate & Laura, Guest Editors. Van Den Eynden, Dirk, Editor. Antwerp, BELGIUM: A Publishe BVBA, 2011. First Edition. 4to. Pictorial Wrappers. Fashion Periodical. Fine.. 200pp, profusely illustrated in color and b&w. Text in English. Designed by Madelein Wermenbol. "A Magazine is a biannual publication, exploring the creative sphere of a selected designer in each issue. We invite a guest curator - an international fashion designer, group or house - to develop innovative, personalized content that expresses their aesthetic and cultural values. Each issue celebrates this designer's ethos: their people, their passion, their stories, emotions, fascinations, spontaneity and authenticity". This eleventh installment from 2011 of the luxe Belgian fashion periodical was guest curated by Rodarte designers Kate and Laura Mulleavy, and contains contributions on or by Autumn De Wilde, Tom Petty, Jay DeFeo, Kirsten Dunst photographed by David Armstrong, Lake Tahoe, the California Grizzly Bear, John Baldessari, Mt. Wilson Observatory, Todd Cole, The LA River, Frank Wiedmann and Andrew Durhams's "Shark", Elle Fanning photographed by Bill Owens, Joss Whedon, The Garbage Pail KIds, and many, many more. A most handsome example. 90-77745-10-6 Inventory Number: 025757

(RUPPERSBERG, ALLEN). Groos, Ulrike, Ann Goldstein, Judith E. Vida-Spence, Wolfgang Zumdick & Allen Ruppersberg. Dusseldorf & Koln, GERMANY: Kunsthalle Dusseldorf & Verlag Der Buchhandlung Walther Konig, 2006. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. 232pp, profusely illustrated in color and b&w. Designed by Silke Fahnert and Uwe Koch. Text in English. With an exhibition history, bibliography and exhibition checklist. This is the wonderfully informative and copiously illustrated catalogue published in conjunction with a 2006 traveling European retrospective of work by Allen Ruppersberg. Featuring texts by Ulrike Groos, Ann Goldstein, Judith E. Vida-Spence, Wolfgang Zumdick, and the artist himself, it is the most comprehensive documentation to date of the four decades of literate, humor-inflected output by this Los Angeles-based Conceptual practitioner. A brand new, pristine example still in the publisher's shrinkwrap. 3-86560-029-8 Inventory Number: 020882

(RUPPERSBERG, ALLEN). Groos, Ulrike, Ann Goldstein, Judith E. Vida-Spence, Wolfgang Zumdick & Allen Ruppersberg. Dusseldorf & Koln, GERMANY: Kunsthalle Dusseldorf & Verlag Der Buchhandlung Walther Konig, 2006. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. 232pp, profusely illustrated in color and b&w. Designed by Silke Fahnert and Uwe Koch. Text in English. With an exhibition history, bibliography and exhibition checklist. This is the wonderfully informative and copiously illustrated catalogue published in conjunction with a 2006 traveling European retrospective of work by Allen Ruppersberg. Featuring texts by Ulrike Groos, Ann Goldstein, Judith E. Vida-Spence, Wolfgang Zumdick, and the artist himself, it is the most comprehensive documentation to date of the four decades of literate, humor-inflected output by this Los Angeles-based Conceptualist. A brand new, pristine example additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page. 3-86560-029-8 Inventory Number: 019621

(RUPPERSBERG, ALLEN). Nollert, Angelika & Wolfgang Zumdick. Frankfurt am Main, GERMANY: Portikus Frankfurt am Main, 1998. First Edition 1/800. Oblong 8vo. Printed Die-Cut Wrappers. Artist Monograph. Fine.. 32pp, 7 color and 6 b&w illustrations + color cover. Text in English and German. With a bibliography. This catalogue documents Los Angeles-based Conceptualist Allen Ruppersberg's literary-inflected 1998 Frankfurt am Main installation/exhibition "Letter to a Friend", and whose cover features an inserted postcard reproduction of Nicolas Poussin's "Les Bergers D'Arcadie"). A most handsome example of the first edition limited to eight hundred unnumbered copies. 3-928071-40-8 Inventory Number: 021175

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. Los Angeles: Allen Ruppersberg & Rosamund Felsen Gallery, 1979. First Printing. Folio. Printed Poster. Artist's Multiple. Fine.. One 22 x 14" sheet of heavy cardboard printed in monochrome offset on a coated surface recto only, 1 illustration. Designed by Allen Ruppersberg. This is the very cool poster cum artwork published in 1979 for the tenth anniversary celebration and recreation of Ruppersberg's 1969 installation, "Al's Café", at the Rosamund Felsen Gallery. Designed by Al, it was produced at The Colby Poster Company - the legendary Los Angeles commercial printer of boxing-style posters that collaborated with the noted Conceptual practitioner on his similarly fabricated cardboard artworks for over thirty years. The text reads in blue against a white background; "Al's Café / 1913 W. 6th St. Los Angeles / Best in Town / 1969 Gala Celebration 1979 / Rosamund Felsen Gallery / 669 N. La Cienega Blvd., Los Angeles" interspersed with linocut images of a cup of coffee, plate of doughnuts, slice of pie, and a satisfied diner. A brand new, most handsome example of the uncommon first and only printing of this cheerful artwork whose full page illustration appears on page 7 of "Allen Ruppersberg: One of Many - Origins and Variants") additionally BOLDLY SIGNED "Allen Ruppersberg" in ink across the face of the poster. Inventory Number: 027303

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. Los Angeles: Allen Ruppersberg & Rosamund Felsen Gallery, 1979. First Edition. Folio. Printed Poster. Artist's Multiple. Fine.. One 22 x 14" sheet of heavy cardboard printed in monochrome offset on a coated surface recto only, 1 illustration. Designed by Allen Ruppersberg. This is the very cool poster cum artwork published in 1979 for the tenth anniversary celebration and recreation of Ruppersberg's 1969 installation, "Al's Café", at the Rosamund Felsen Gallery. Designed by Al, it was produced at The Colby Poster Company - the legendary Los Angeles commercial printer of boxing-style posters that collaborated with the noted Conceptual practitioner on his similarly fabricated cardboard artworks for over thirty years. The text reads in blue against a white background; "Al's Café / 1913 W. 6th St. Los Angeles / Best in Town / 1969 Gala Celebration 1979 / Rosamund Felsen Gallery / 669 N. La Cienega Blvd., Los Angeles" interspersed with linocut images of a cup of coffee, plate of doughnuts, slice of pie, and a satisfied diner. A brand new, most handsome example of the uncommon first and only printing of this cheerful artwork a full page illustration of which appears on page 7 of "Allen Ruppersberg: One of Many - Origins and Variants." Inventory Number: 027231

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. NP (Los Angeles). ND (1969).: NP (Self Published). First Edition. Oblong 8vo. Spiral Bound Printed Wrappers. Artist's Book. Fine.. np (58pp), 23 b&w illustrations. Design and photography by Gary Krueger. In a protective clear acetate dustwrapper. "23 Pieces" is Allen Ruppersberg's very first artist book - a charming photographic survey of the late sixties Los Angeles environment that oftentimes finds the artist in the picture. There's Al... A brand new, bright white example of this elusive item showing just a bit of age appropriate soiling and toning to its white wrappers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022197

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. NP (Santa Monica, CA): Allen Ruppersberg, 2010. First Editions 1/300. Large Square 4to. 12" Vinyl LPs in Jackets. Artist's Multiple. As New/No Jacket - As Issued. Two 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in printed paper over cardboard sleeves, each with color cover artwork and an offset b&w printed insert. Designed by Allen Ruppersberg. Limited to three hundred copies each, these are the first two installments of Allen Ruppersberg's ongoing project that subjectively assays the documentary history of Post-War American popular music and music graphics. Each LP has a cover designed by the artist and contains a playlist of fifteen tracks culled from "78 and 45 rpms guaranteed to be found at random in flea markets, antique malls, and junk shops". Volume one features primarily R&B fare (etc.). A pristine set - unsigned and unnumbered, as issued - of both of these sure to be short-lived collector's items for both art and record-geeks alike! Inventory Number: 020211

(RUPPERSBERG, ALLEN). Ruppersberg, Allen, Constance Lewallen, Greil Marcus, John Slyce, Tim Griffin, Margaret Sundell & Frederic Paul. Foreword by Elsa Longhauser. Santa Monica, CA & Zurich, SWITZERLAND: Santa Monica Museum of Art & JRP/Ringier Kunstverlag, AG, 2009. First Edition. 4to. Spiral Bound Pictorial Boards. Artist's Book. As New/No Jacket - As Issued.. np (192pp), profusely illustrated in color and b&w. Designed by Allen Ruppersberg. Text in English. With a biography and exhibition checklist. This is the cleverly designed, copiously illustrated, and highly thought-provoking artist's book cum catalogue published in conjunction with the 2009 Santa Monica Museum of Art survey of work by Allen Ruppersberg entitled "You and Me or the Art of Give and Take". Featuring contributions by curator Constance Lewallen, Greil Marcus, John Slyce, Tim Griffin, Margaret Sundell, Frederic Paul, Elsa Longhauser, and the artist himself, it takes the form of a spiral bound 1956 Mark Hopkins Hotel "Guest Informant" guidebook to California that has been radically altered by Ruppersberg to document the exhibited works - both new and old. A brand new, pristine example of this quickly out print gem still in the publisher's shrinkwrap. 3-03764-064-2 Inventory Number: 022473

(RUPPERSBERG, ALLEN). Ruppersberg, Allen, Constance Lewallen, Greil Marcus, John Slyce, Tim Griffin, Margaret Sundell & Frederic Paul. Foreword by Elsa Longhauser. Santa Monica, CA & Zurich, SWITZERLAND: Santa Monica Museum of Art & JRP/Ringier Kunstverlag, AG, 2009. First Edition. 4to. Spiral Bound Pictorial Boards. Artist's Book. As New/No Jacket - As Issued. np (192pp), profusely illustrated in color and b&w. Designed by Allen Ruppersberg. Text in English. With a biography and exhibition checklist. This is the cleverly designed, copiously illustrated, and highly thought-provoking artist's book cum catalogue published in conjunction with the 2009 Santa Monica Museum of Art survey of work by Allen Ruppersberg entitled "You and Me or the Art of Give and Take". Featuring contributions by curator Constance Lewallen, Greil Marcus, John Slyce, Tim Griffin, Margaret Sundell, Frederic Paul, Elsa Longhauser, and the artist himself, it takes the form of a spiral bound 1956 Mark Hopkins Hotel "Guest Informant" guidebook to California that has been radically altered by Ruppersberg to document the exhibited works - both new and old. A brand new, pristine example of this quickly out print gem additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the table of contents still in the publisher's packaging. 3-03764-064-2 Inventory Number: 019622

(RUPPERSBERG, ALLEN). Ruppersberg, Allen & Leslie Jones. New York: Christine Burgin, 2012. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (80pp), profusely illustrated in color and b&w. Designed by Jason Burch. Published in conjunction with Allen Ruppersberg's 2012 exhibition entitled "No Time Left to Start Again / The B and D of R 'n' R" held at the Art Institute of Chicago, "Collector's Paradise" is unique narrative of the history of rock and roll and a rich reflection on the history of popular American music. The product of years of combing flea markets and yard sales in search of both the visual and recorded history of rock and roll, this book traces R 'n' R back to the Minstrel days and American popular song post-Civil War and includes a chronological list of 1,500 key recordings and over three hundred color illustrations of material all from the wry Conceptual practitioner's personal collection. A brand new, most handsome example containing one of nine loose 8 ½ x 11" inserts created for this book reproducing an image from material in the artist's archive additionally BOLDLY SIGNED "Allen Ruppersberg" in black ink on the front free endpaper. 0-9778696-5-2 Inventory Number: 023284

(RUPPERSBERG, ALLEN). Ruppersberg, Allen & Leslie Jones. New York: Christine Burgin, 2012. First Edition. 4to. Illustrated Wrappers. Artist Monograph. As New.. np (80pp), profusely illustrated in color and b&w. Designed by Jason Burch. Published in conjunction with Allen Ruppersberg's 2012 exhibition entitled "No Time Left to Start Again / The B and D of R 'n' R" held at the Art Institute of Chicago, "Collector's Paradise" is unique narrative of the history of rock and roll and a rich reflection on the history of popular American music. The product of years of combing flea markets and yard sales in search of both the visual and recorded history of rock and roll, this book traces R 'n' R back to the Minstrel days and American popular song post-Civil War and includes a chronological list of 1,500 key recordings and over three hundred color illustrations of material all from the wry Conceptual practitioner's personal collection. A brand new, pristine example containing one of nine loose 8 ½ x 11" inserts created for this book reproducing an image from material in the artist's archive still in the publisher's shrinkwrap. 0-9778696-5-2 Inventory Number: 023283

(RUPPERSBERG, ALLEN). Ruppersberg, Allen, Leslie Jones & Bill Berkson. New York: Christine Burgin, 2014. First Editions. 4to + 8vo. Illustrated Boards + Wrappers. Artist Monographs. As New/As New. 112 + 128pp, 53 color and 2 b&w illustrations + 68 color and 20 b&w illustrations. Both designed by Jason Burch. With an exhibition checklist. "Drawings by Allen Ruppersberg" (0-9778696-6-0) is the elegant hardbound catalogue published in conjunction with a 2014 exhibition of thirty-one works on paper executed between 1973 and 1991 by the noted Conceptual practitioner. Published by his longtime gallerist Christine Burgin, it forms a pair with "Writings by Allen Ruppersberg" (0-9778696-7-9) - a charming career survey of text-based artworks by the artist. A brand new, most handsome set of the two companion volumes additionally BOLDLY SIGNED "Allen Ruppersberg" in black ink on the front free endpaper of each. Inventory Number: 027433

(RUPPERSBERG, ALLEN). Ruppersberg, Allen, Liam Gillick & Christophe Cherix. Chatou, FRANCE & Geneva, SWITZERLAND: Centre National de L'Estampe et De L'Art Imprime Maison Levanneur & JRP Editions, 2000. First Edition 1/800. Oblong 8vo. Spiral Bound Printed Wrappers. Artist's Books. Fine.. np, profusely illustrated in b&w. Original design and photography by Gary Krueger. Text in English and French. With a bibliography. Published in conjunction with a 2000 French Museum exhibition, this lovely little volume limited to eight hundred copies reprints in facsimile wry Los Angeles based Conceptualist Allen Ruppersberg's artist's books "23 Pieces", "24 Pieces", and "25 Pieces" along with two new essays on this body of work by Liam Gillick and Christophe Cherix. The first two titles were originally self-published by Ruppersberg's Sunday Quality in 1969 and 1970, while "25 Pieces" - though conceived in 1970 - is issued here for the first time from the artist's surviving vintage maquette. A bright white, most handsome example of this uncommon item. 2-940271-04-6 Inventory Number: 024053

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #190/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. Limited to two hundred and fifty copies only, this deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#190/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027220

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #218/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. This deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#218/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027219

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024819

(RUSCHA, EDWARD). Ruscha, Edward. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artist's Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. In a protective clear acetate dustwrapper. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome example of the first and only edition (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine: 20th Century Photography Books That Matter", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to two thousand unnumbered copies that was issued without a glassine wrapper showing some trivial sunning along the spine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027039

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny but lightly scuffed, there is some trivial soiling along the top and bottom edges, and some chipping and separations to the white paper covering at some of the corners of the joints. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025072

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Edward Ruscha" in black ink across the top of the slipcase showing a thin margin of adhesive transfer along the front and back of the covers at the spine as is typical of this printing. The slipcase's silver mylar overlay is shiny and bright, but showing some light soiling along the top as well as short separations to the white paper covering at the joints at the opening. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. All in all, this is a lovely example of a stellar title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025071

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles. 1966 (1970).: Self-Published. Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A spectacularly bright white, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the publisher's still shiny, uncompromised slipcase showing none of the creasing, soiling, or adhesive transfer to the spine that is typical of this title. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with the second edition is laid in. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025070

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1967. First Edition 1/2413. 4to. Printed Wrappers with Glassine. Artist's Book. Very Good./Good -.. np (48pp), 34 b&w photographs (1 die-cut and folded). In a protective clear acetate dustwrapper. "Thirtyfour Parking Lots in Los Angeles" is Ed Ruscha's fifth photographically illustrated artist book, and the largest in format of his self-published works of the sixties. For it, Mr. Ruscha presciently hired local aerial photographer Art Alanis to capture grand, bird's eye views of the parking lots of the likes of Universal City, The May Company, Dodger Stadium, and thirty-one more - all completely devoid of cars!
An internally most handsome example of the uncommon 1968 first edition (entry B5 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", and page 227 of "From Fair to Fine 3") limited to two thousand, two hundred and thirteen unnumbered copies showing light wear and handling along with a gentle diagonal soft crease through a portion of the textblock at the lower foredge corner. The publisher's fragile glassine wrapper is age-toned with some notable moisture stains on the rear panel as well as chipping and paper loss along its spine and edges. It has been priced accordingly. Inventory Number: 025068

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a few tiny closed tears along the top edge of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025061

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles: Self-Published, 1967. First Edition 1/1000. 8vo. Spiral Bound Wrappers. Artist's Book. Very Good - ./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An internally bright, most handsome example of the 1967 first edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies issued without glassine wrapper additionally bearing the SIGNED PRESENTATION "For ... / Mason Williams" in black ink on the front free endpaper showing some light soiling, sunning, and creasing t the covers at the extremities. It has been priced accordingly. Inventory Number: 026019

(RUSCHA, EDWARD). Ruscha, Edward, Mason Williams & Patrick Blackwell. Los Angeles. 1967 (1971).: Self-Published. Third Edition 1/2000. 8vo. Spiral Bound Wrappers. Artists' Book. Fine./No Jacket - As Issued.. np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91..? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! A bright, most handsome example of the 1971 third edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to two thousand unnumbered copies issued without glassine wrapper additionally SIGNED "Edward Ruscha" in black ink on the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025271

(RUSCHA, EDWARD). Taylor Phil & Mark Rawlinson. Jeff Brouws, Wendy Burton Brouws & Hermann Zschiegner, Editors. Cambridge, MA: The MIT Press, 2013. First Edition. 8vo. Debossed Cloth. Artist Monograph. As New/No Jacket - As Issued. 298pp, profusely illustrated in color and b&w. Designed by Jeff Brouws, Wendy Burton and Hermann Zschiegner. With artists' biographies and an exhibition checklist. Published in conjunction with a 2013 circulating Gagosian Gallery exhibition, this thoughtful survey of Edward Ruscha's artist's books and the cottage industry of homages that these have inspired since the 1962 appearance of "Twentysix Gasoline Stations" contains nearly one hundred comprehensive illustrated entries with full publication details for each. A brand new, pristine example of the unavailable first printing still in the publisher's shrinkwrap. 0-262-01877-2 Inventory Number: 024246

(SERRA, RICHARD) (BOCHNER, MEL). Halbreich, Kathy. Cambridge, MA: Hayden Gallery, Massachusetts Institute of Technology, 1980. First Edition. Oblong 4to. Stapled Printed Wrappers. Artist Monograph. Very Good -.. 52pp, 36 b&w illustrations. With an exhibition checklist, exhibition histories and bibliographies. This is the well-illustrated catalogue published in conjunction with a 1980 Hayden Gallery, Massachusetts Institute of Technology joint exhibition of works by Mel Bochner and Richard Serra. A most presentable example showing some overall light wear as well as some mild soiling and browning to the white covers. Inventory Number: 016180

(SERRA, RICHARD). Foster, Hal. New York: Gagosian Gallery, 1999. First Edition. Square 8vo. Wrappers in Printed Jacket. Artist Monograph. Fine./Near Fine.. np (16pp), 12 color illustrations. Designed by Dan Miller Design. With an exhibition checklist. This is the compact catalogue published in conjunction with the 1999 Richard Serra exhibition "Out-of-Round" held at New York's Gagosian Gallery. Devoid of any text, it features small color reproductions of each of the twelve paintstick on paper works shown across a leporello (accordion-fold panels). A most handsome example of this uncommon item showing some slight rubbing to its black jacket along the spine. Inventory Number: 022845

(SERRA, RICHARD). Reid, James. Los Angeles: Gemini G.E.L., 1996. First Edition. Square 8vo. Printed Wrappers. Artist Monograph. Fine.. np (36pp), 15 duotone illustrations. Designed by James Cross. This is one of Los Angeles-based Gemini G.E.L.'s lovely print/multiple prospectuses detailing the publication of fourteen monochrome etchings by Richard Serra produced between 1993 and 1996. A bright white, most handsome example of this uncommon item with the publisher's price list additionally laid in. Inventory Number: 025863

(SERRA, RICHARD). Serra, Richard. Los Angeles: Gemini G.E.L., 1981. First Edition. Oblong 4to. Stapled Pictorial Wrappers. Artist Monograph. Fine.. np (24pp), 23 duotone illustrations + cover. Designed by Coy, Los Angeles. This is one of Los Angeles-based Gemini G.E.L.'s lovely print/multiple prospectuses detailing the publication of twelve lithographs and three paintstick on aluminum multiples by Richard Serra produced between 1980 and 1981. A bright, most handsome example of this uncommon item with the publisher's price list laid in. Inventory Number: 023963

(SERRA, RICHARD). Serra, Richard. Los Angeles: Gemini G.E.L., 1981. First Edition. Oblong 4to. Stapled Pictorial Wrappers. Artist Monograph. Very Good -.. np (24pp), 23 duotone illustrations + cover. Designed by Coy, Los Angeles. This is one of Los Angeles-based Gemini G.E.L.'s lovely print/multiple prospectuses detailing the publication of twelve lithographs and three paintstick on aluminum multiples by Richard Serra produced between 1980 and 1981. A most presentable example of this uncommon item showing light wear, age-toning, and soiling to its white covers with the publisher's price list laid in. Inventory Number: 023750

(SERRA, RICHARD). Serra, Richard, Hal Foster & David Sylvester. Los Angeles & Gottingen, GERMANY: Museum of Contemporary Art, Los Angeles & Steidl, 1998. First Edition. 4to. Cloth in Pictorial Dust Jacket. Catalogue Raisonné. Fine/Fine. 240pp, 271 duotone illustrations. Designed by Anthony McCall Associates. With an exhibition checklist, exhibition history and bibliography. This is the beautifully designed and printed, comprehensive hardbound catalogue published in conjunction with a 1998 Museum of Contemporary Art, Los Angeles survey exhibition of steel sculptures executed by Richard Serra between 1983 and 1998. It includes copious photographic documentation along with a catalogue raisonné of the primarily monumental-scale works from this period, an essay by Hal Foster, and a transcribed interview between David Sylvester and the artist. A most handsome example of this important document additionally bearing the BOLDLY SIGNED FULL PAGE PRESENTATION "For ..., Richard" in pencil across the entire half title page to a Gagosian Gallery associate. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-88243-623-9 Inventory Number: 018868

(STUDIO INTERNATIONAL). Townsend, Peter & Charles Harrison, Editors. London, UK: Studio International, 1971. First Edition. 4to. Illustrated Wrappers. Art Periodical. Near Fine.. xviii + 54pp, profusely illustrated in b&w. This April 1971 installment of the venerable British arts periodical "Studio International" is notable not only for its forward thinking coverage of the nascent global Conceptual Art scene, but for presenting the first widespread published appearance of Seth Siegelaub and Robert Projansky's prescient "The Artist's Reserved Rights Transfer and Sale Agreement." Additionally featured are articles on or by Mel Bochner, Peter Wollen, John Elderfield and Raoul Hausmann on Berlin Dada, The Vienna Secession, John Walker, Daniel Buren, Maurice Tuchman on LACMA's "Art and Technology" exhibition, John Latham, and more. A bright, most handsome example of this important document showing just a bit of wear along the spine. ISSN 0039-4114 Inventory Number: 027122