Arcana:

(PARRY, ROGER). Fargue, Leon-Paul & Roger Parry. Paris: Editions de la Nouvelle Revue Francaise, 1930. First Edition 1/300. 4to. Printed Wrappers. Livre D'Artiste. Near Fine./No Jacket - As Issued.. 84pp + xvi, 16 full page monochrome gravure illustrations. Text in French. In a protective clear acetate dustwrapper. "Banalité" is one of the most striking collaborations of word and image in the realm of the photographically illustrated Surrealist book. It marries Leon-Paul Fargue's previously-published 1922 volume of prose and poems with sixteen dramatic, then-new full page images reproduced in lush sepia-toned gravure by the noted French photographer and cinematographer Roger Parry. An exceptionally bright, well-preserved example of this stunning modernist collaboration (cited on pages 100-101 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I") from the standard trade edition limited to three hundred NUMBERED (214/300) copies on Imperial Japon paper showing just a bit of wear to the extremities of the wrappers. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024548

(PERNA, LUCIANO). Perna, Luciano. Los Angeles: Peter Norton Family Foundation, 1993. First Edition. 24mo. Pictorial Wrappers. Artist's Book. Near Fine.. np (40pp), profusely illustrated in color. Each year the Peter Norton family commissions an art edition to celebrate the Christmas season and holidays. The 1993 installment for the Norton Family Christmas project was a tiny (2 5/8 x 2") survey cum artist's book featuring the whimsical work of Los Angeles-based artist Luciano Perna. A most handsome example of this uncommon little tome that was issued hors commerce and never made commercially for sale. Inventory Number: 023980

(PETTIBON, RAYMOND). Pettibon, Raymond. Los Angeles: Ooga Booga Publications, 2009. First Edition. 4to. Stapled Illustrated Wrappers. Artist's Book. Fine.. np (52pp), profusely illustrated in b&w + color covers. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. "The Major Arteries and the Minor Tributaries" was published utilizing Pettibon's typical 'zine format in 2009 in an unstated edition by the beloved late Chinatown bookstore Ooga Booga, A bright, most handsome example of this uncommon item. Inventory Number: 027546

(PETTIBON, RAYMOND). Pettibon, Raymond & Nelson Tarpenny. NP: Superflux Publications, 1992. First Edition #48/100. 8vo. Stapled Illustrated Wrappers. Artist's Book. Fine.. np (40pp), 20 b&w illustrations. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. Limited to one hundred copies, "The Cloud of Unreading" is his 1992 Superflux-published artist book cum 'zine collaboration with "Master" Nelson Tarpenny that reproduces twenty psychologically-charged drawings. A most handsome, guaranteed authentic example of this exceedingly uncommon Pettibon tour de force (entry number ninety-seven in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98") HAND NUMBERED "48/100" in blue ink by the artist on the front cover, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027544

(PETTIBON, RAYMOND). Pettibon, Raymond & Nelson Tarpenny. Hermosa Beach, CA: Superflux Publications, 1991. First Edition #91/75. 8vo. Stapled Xeroxed Wrappers. Artist's Book. Fine.. np (28pp), 22 b&w illustrations. In a protective clear acetate dustwrapper. Famed Huntington Beach resident Raymond Pettibon, renowned for his work with Black Flag and Sonic Youth, has made the transition to international contemporary artworld mainstay, and deservedly so. Entry number eighty-one in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98", this collectible 1991 publication was limited to a mere one hundred copies only. Guaranteed authentic - not a later bootleg, this copy (hand numbered in ink 91 on the front cover) is virtually as bright and clean as the day it was originally printed...er, xeroxed. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027542

(PETTIBON, RAYMOND). Pettibon, Raymond & Nelson Tarpenny. NP: Superflux Publications, 1992. First Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (36pp), 18 b&w illustrations. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. Limited to one hundred copies, "One Foot in the Mouth, One Foot on the Shelf" is his 1992 Superflux-published artist book cum 'zine collaboration with "Master" Nelson Tarpenny that reproduces eighteen psychologically-charged drawings. A most handsome, guaranteed authentic example of this exceedingly uncommon Pettibon tour de force (entry number one hundred and one in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98") HAND NUMBERED "72/100" in black ink by the artist on the front cover, as issued. Inventory Number: 025700

(PETTIBON, RAYMOND). Pettibon, Raymond, Nelson Tarpenny, Victor Gastelum & Josh Bayer (aka "Sketchy"). Lawndale, CA: SST Publications, 1983. First Edition #166/500. 8vo. Stapled Illustrated Wrappers. Artist's Book. Fine.. 32pp, 28 b&w illustrations. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. "Limited to five hundred copies (of which some four hundred were destroyed)", "Tripping Corpse 3" is his 1984 SST artist book cum 'zine that reproduces twenty-eight psychologically-charged drawings. A most handsome, guaranteed authentic example of this uncommon, early Pettibon tour de force (entry number ten in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98") HAND NUMBERED "166" in red ink by the artist on the front cover, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 027543

(PETTIBON, RAYMOND). Pettibon, Raymond, Nelson Tarpenny, Victor Gastelum & Josh Bayer (aka "Sketchy"). NP: Superflux Publications, 1992. First Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Book. Very Good.. np (36pp), 18 b&w illustrations. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. Limited to one hundred copies, "The Language of Romantic Thought" is his 1992 Superflux-published artist book cum 'zine collaboration that reproduces twenty psychologically-charged drawings. An internaly most handsome, guaranteed authentic example of this exceedingly uncommon Pettibon tour de force (entry number ninety-eight in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98") HAND NUMBERED "18/100" in blue ink by the artist on the front cover, as issued, showing a half-dozen small oily brown droplets mildly staining the front cover. It has been priced accordingly. Inventory Number: 025699

(PETTIBON, RAYMOND). Pettibon, Raymond, Nelson Tarpenny, Victor Gastelum & Josh Bayer (aka "Sketchy"). NP: Superflux Publications, 1992. First Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Book. Near Fine.. np (36pp), 18 b&w illustrations. In a protective clear acetate dustwrapper. Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records. Over the subsequent decades, the erstwhile Southern California artist has deservedly become an international contemporary art icon. Limited to one hundred copies, "The Language of Romantic Thought" is his 1992 Superflux-published artist book cum 'zine collaboration that reproduces twenty psychologically-charged drawings. A most handsome, guaranteed authentic example of this exceedingly uncommon Pettibon tour de force (entry number ninety-eight in Uwe Koch and Roberto Ohrt's "A Catalogue Raisonné of Artists' Books by Raymond Pettibon, 1978-98") HAND NUMBERED "12/100" in blue ink by the artist on the front cover, as issued, showing some mild creasing to the lower foredge corner of the front cover. It has been priced accordingly. Inventory Number: 025698

(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1964. First English Language Edition 1/375. 16mo. Decorative Cloth + Wrappers. Artist's Book. Fine./No Jacket - As Issued. np (116pp) + one continuous leporello sheet, profusely illustrated in monochrome. Text in English. "The Pocket Picasso" is lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published this facsimile in an edition limited to eight hundred and fifty total copies - including one hundred deluxe examples accompanied by an original etching. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. It is accompanied by a leporello booklet - half issued with English text, half with French - with Duhamel's jaunty assessments of the imagery and reminiscences of his friendship with the artist along with the publication details. The two are presented in a heavy paper envelope reproducing in facsimile Picasso's colorful holographic 1957 gift presentation to Duhamel. A bright, exceptionally well-preserved example of the exceedingly uncommon - only six copies are currently cited in OCLC WorldCat - English language version of the standard edition of this tiny gem (entry number one hundred and twenty-nine in Sebastian Goeppert, Herma Goeppert-Frank and Patrick Cramer's "Pablo Picasso: The Illustrated Books - Catalogue Raisonné") limited to three hundred and seventy-five NUMBERED copies showing a crack and separation along the seam of one of the sides of the publisher's wildly fragile - but completely intact - screenprinted clear plastic box. Inventory Number: 027465

(PICASSO, PABLO). Picasso, Pablo & "Senor Don" Marcel Duhamel. Antibes, FRANCE: Privately Published by Marcel Duhamel, 1965. First Edition 1/250. 16mo. Decorative Cloth in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (116pp), profusely illustrated in monochrome and color. Text in French. "Le Carnet Des Carnets" is the charming 1965 successor to "The Pocket Picasso" - the lovely undertaking that reproduces a small "pre-war, sixty-five centime" notebook illustrated by Pablo Picasso in 1957 and subsequently gifted to his Antibes neighbor, "Senor Don" Marcel Duhamel. In 1964, Duhamel privately self-published a facsimile in an edition limited to eight hundred and fifty total copies. The 5 ¼ x 4 1/8" sketchbook in decorative cloth contains over one hundred playful, calligraphic renderings from the hand of the master in grey gouache. A year later, Picasso additionally borrowed back the original notebook, illustrated as well as annotated it along with its colorful, holographically illustrated presentation envelope, and returned it to the owner. Marcel Duhamel then once again collaborated with master printer Daniel Jacomet to publish the updated versions in facsimile, again housed in a delicate screenprinted clear plastic box. A bright, exceptionally well-preserved example of the uncommon first and only edition of this tiny gem limited to two hundred and fifty NUMBERED copies - this time issued without an accompanying text booklet. Inventory Number: 026684

(PILDAS, AVE). Campany, David & Ave Pildas. Los Angeles: Deadbeat Club Press, 2022. First Edition 1/20 Copies Deluxe. 4to. Gilt-Stamped Cloth with Pictorial Pastedown in Slipcase. Photography Monograph. As New./No Jacket - As Issued. 104pp, profusely illustrated in duotone. Designed by Clint Woodside. 978-1-952523-04-5

PLEASE NOTE: Mr. Pildas will be signing copies of "Star Struck" at Arcana Saturday, October 8th between 4:00 and 6:00 PM. Orders will begin shipping Tuesday, October 11th.

"Hollywood Boulevard, Walk of Fame, 1970s. You were there, with your camera, with your love of life and people. It seems you turned the sidewalk into a little stage, and everyone came for a momentary audition. Some wanted to be famous, some were ok with a walk-on part, most were just happy to see you.”

So writes David Campany of the pictures in Star Struck, the first monograph from the legendary Ave Pildas in more than forty years. These photographs were made between 1972 and 1975 in perhaps the most famous of the many famous spots in Los Angeles – but at a time when Hollywood had more of a neighborhood feel and a raucous diversity was the norm.

In Pildas’s generous and gentle view, everyone is an A-list celebrity. And he should know! Those who have sat before his camera include Billie Holiday, John Coltrane, and the Velvet Underground. Pildas brings the same joyous discipline to regular folks on the street as he did to his well-known work for DownBeat magazine and Capitol Records.
 

In the end, the most beautiful and beguiling thing about Star Struck is that you’re not sure if the title refers to the people whom Ave Pildas encountered on Hollywood Boulevard, or to the photographer himself. A brand new, most handsome example of the deluxe slipcased edition of this charming volume hot off The Deadbeat Club Press limited to twenty copies only accompanied by a signed and numbered 8 ½ x 11" archival pigment print of one of the book's images additionally SIGNED by Ave Pildas in ink.

Inventory Number: E000APSS-DLX

(POLKE, SIGMAR). Polke, Sigmar & Rainer Speck. Ghent, BELGIUM & Cologne, GERMANY: Snoeck Publishers, 2004. First Edition 1/1000. Folio. Cloth in Jacket, Slipcased. Artist's Book. Fine/Fine. xii + np, profusely illustrated in b&w. Text in English. Designed by Kuhle und Mozer. Inspired by Ovid's recounting of the Greek myth of Daphne and Apollo, Sigmar Polke has created this massive, exceedingly luxe artist's book comprised of twenty-four chapters of hand-fed, manipulated Xeroxed imagery on heavy paper stock. Utilizing source-imagery ranging from Polke's own drawings, art historical prints, steel engravings, to photographs of Bettie Page and Frank Sinatra, Dean Martin, Sammy Davis Jr., and the rest of the Rat Pack from "Ocean's Eleven", "Daphne" is a true tour-de-force of art in the age of mechanical reproduction, with no two copies exactly alike. A brand new, most handsome example of the English language edition limited to one thousand copies NUMBERED AND SIGNED by Sigmar Polke in pencil at the rear colophon, in the publisher's unprinted black paper over boards slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-936859-00-0 Inventory Number: 026991

(PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. PRINCE, RICHARD) (PARKETT). Prince, Richard. Zurich, SWITZERLAND: Parkett, 1992. First Edition. 45 RPM Single + Sleeve. Artist Multiple. Near Fine./Fine.. One 7 inch, 45 rpm vinyl record in white paper sleeve. This double-sided single contains two compositions arranged and performed by Richard Prince entitled "Good Revolution" (1:46) and "Don't Belong" (1:46). These were recorded and mixed by Soul Coughing's Mark Degli Antoni at Harmonic Ranch in New York in 1992 as for use as a component of Prince's limited edition multiple entitled "Good Revolution" for Parkett number 34. Issued in a numbered edition of one hundred copies, the artwork consisted of a gold-plated version of this record, engraved plaque, and chromogenic color print mounted in a framed plaque that mimicked an RIAA gold record award. THIS IS NOT THAT ARTWORK, NOR IS IT SIGNED. This is a standard, unplayed 7" 45 rpm black vinyl single suitable for play on a turntable. A most handsome hors commerce example of this exceedingly uncommon item that was presented by the artist to a colleague at the time of its issue housed in its original unprinted white sleeve showing some mild surface wear. Inventory Number: 026367

(PRINCE, RICHARD). Prince, Richard. New York, London, Rome & Hong Kong. 2007-2014.: Artists Space, 1980. First Edition. 8vo. Stapled Printed Wrappers. Artist's Book. Near Fine.. np (12pp), no illustrations. In a protective clear acetate dustwrapper. Modestly duplicated and completely devoid of imagery, "War Pictures" is art and book world éminence grise Richard Prince's twelve page pamphlet of texts published in conjunction with his February 1980 exhibition at Manhattan's Artists Space. It is Prince's very first monographic publication - preceding his "Menthol Wars" by four months, and the first installment in his "War / Menthol / Pictures" trilogy. A most handsome example (artist's book entry 1 in "Bibliotheque d'un Amateur: Richard Prince's Publications 1981-2012") of the exceedingly uncommon first state - only five copies total for both 1980 editions are currently cited in OCLC WorldCat - limited to approximately one hundred "uncorrected proofs" showing a bit of mild handling and slight discoloration to its pale green bond wrappers. Inventory Number: 026682

(RAY, CHARLES) (PARKETT). Ray, Charles. Curiger, Bice, Editor. Zurich, SWITZERLAND: Parkett, 1993. First Edition #IX/XXIII Deluxe. Small 4to. Wrappers + Color Photographs. Contemporary Art Periodical. Fine.. ca 200pp + nine 4 x 6" color C prints, profusely illustrated in color and b&w. Parallel Text in English and German. This thirty-seventh issue of the late, great influential Swiss visual arts quarterly "Parkett" focuses on the work of Charles Ray, Franz West, and Pipilotti Rist. This example from the "Artist Edition" series features Charles Ray's limited edition contribution "The Most Beautiful Woman in the World" consisting of nine informal snapshots of nineties fashion icon Tatjana Patitz taken by Ray at her Pacific Palisades home. A brand new, most handsome example of the magazine still in the publisher's shrinkwrap accompanied by the publisher's printed envelope SIGNED "Charles Ray" AND NUMBERED (IX) in black ink containing nine 4 x 6" color C prints of supermodel Patitz each stamped "CHARLES RAY, 1993 / EDITION FOR PARKETT NO. 37" in black ink on the verso, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 3-907509-87-0 Inventory Number: 027437

(REICHEL, HANS) (MILLER, HENRY). Miller, Henry & Karl Shapiro. Introduction by Lawrence Durrell. Louise and Jon Webb, Editors. Tucson, AZ: Loujon Press, 1966. First Edition 1/99 Deluxe. 48mo - over 3" - 4" tall. ¼ Leather Over Cloth Slipcased. Artist Monograph. Near Fine/Very Good. 106pp, illustrated in monochrome. Text in English and French. Designed by Louise and Jon Webb. "Order and Chaos Chez Hans Reichel" publishes for the first time Henry Miller's thoughtful 1938 essay on the underappreciated German-born, Parisian-based visual artist Hans Reichel. A typically elaborately designed and lavishly produced Loujon undertaking, it features an introduction by Lawrence Durrell along with beautiful reproductions of several of Reichel's Paul Klee-inspired works. A most handsome example of the uncommon "Oasis Edition" in gilt-stamped ½ leather over cloth housed in the publisher's printed cork-covered slipcase limited to ninety-nine copies SIGNED AND DATED "Henry Miller / 6/6/66" in black ink on a blank leaf at the rear, as issued, showing the smallest bit of brown spotting to its illustrated vellum dust jacket. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. LC 66-30442 Inventory Number: 027421

(RHEIMS, BETTINA). Rheims, Bettina & Olga Rodionova. Foreword by Catherine Millet. Koln, GERMANY: Benedikt Taschen Verlag, 2008. First Edition 1/1000 Deluxe. Elephant Folio. Cloth in a Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 154pp, profusely illustrated in color and b&w. Text in English, French and German. "Olga Rodionova is a well-known beauty who moves in Moscow's fashion and jet set circles. When her adoring husband - a powerful Russian millionaire - sought to have special portraits made of his wife, he asked none other than Bettina Rheims. Rheims was captivated by Olga's unique aura and felt excited by the challenge of finding aesthetic ways of doing the portraits so that they didn't feel like run of the mill pornography. The first shoot took place in Rheims' country home and Olga's husband was so pleased with the images that he suggested they produce a book with Olga as the star. A second shoot followed, in black and white with a sado-masochistic decor and other men and women playing slightly perverse sex games with Olga. A third, Marie-Antoinette-inspired shoot took place entirely in the studio. Rheims succeeded in finding a variety of ways to depict one subject with a continuous freshness and intrigue; "The Book of Olga" is a compelling depiction of female sexuality, allure, desire, intrigue and fantasy. With over one hundred images and an introduction by French author Catherine Millet, this unique book is both a love song and a bold artistic statement". A brand new, pristine example of the 2008 first printing of the Taschen Collector's Edition limited to one thousand copies NUMBERED (0087) AND BOLDLY SIGNED "Bettina Rheims" in the publisher's clamshell box and unopened printed cardboard shipping carton, as issued. 3-8365-0-760-9 Inventory Number: 025653

(RICHARDSON, TERRY). Richardson, Terry & John McWhinnie. East Hampton, NY: JMc & GHB Editions, 2006. First Edition 1/50 Deluxe. 4to. Debossed Pictorial Boards. Photography Monograph. Fine/No Jacket - As Issued. np, profusely illustrated in color and b&w. Designed by Buero New York. "FTW" is Terry Richardson's 2006 photo-essay documenting his time spent amongst a group of Ojai California youths dubbed the "Signal Street Alcoholics". If your idea of a good time is alcohol-infused punker transgression, this is the book for you! A most handsome copy of the deluxe edition limited to fifty copies only signed by Terry Richardson and essayist/publisher John McWhinnie in black ink on the colophon, as issued. 0-9854020-9-6 Inventory Number: 020405

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome hors serie example of the trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press SIGNED AND ANNOTATED "Doug Rickard / Artist Book" in black ink on the rear colophon, as issued. Inventory Number: 025750

(RICKARD, DOUG). Rickard, Doug. Köln, GERMANY: White Press, 2010. First Edition 1/200. Oblong 4to. Printed Boards. Artist's Book. As New./No Jacket - As Issued. np (92pp), 69 color illustrations. Text in English. Designed by Helge Schlaghecke. In a protective clear acetate dustwrapper. "A New American Picture" is the innovative artist's book by Bay Area photographer Doug Rickard that presents a pixilated view of a fractured, post-2008 financial meltdown urban America as pictured using images culled from Google Street View. A brand new, most handsome example of the innovative first trade edition of this uncommon item (cited on pages 310-311 of Martin Parr and Gerry Badger's "The Photobook: A History Volume III") obtained directly from Helge Schlaghecke's White Press limited to two hundred examples NUMBERED (19/200) AND SIGNED "Doug Rickard" in black ink on the rear colophon, as issued. Inventory Number: 025749

(ROCKMAN, ALEXIS). Decter, Joshua. New York: John Post Lee Gallery, 1991. First Edition 1/300. Square 8vo. Decorative Boards. Artist Monograph. Near Fine/No Jacket - As Issued. 36pp, 15 b&w and 8 tipped-in color illustrations. With a chronology, exhibition history and bibliography. Designed by Gunnar Kaldewey. This beautiful little hardbound book published in conjunction with a 1991 John Post Lee Gallery exhibition by Alexis Rockman features the artist's work mingled with elegant reproductions of some source material for his disarming imagery. A most handsome example of the first edition limited to three hundred copies each SIGNED AND NUMBERED by the artist in black ink at the rear colophon, as issued. Inventory Number: 007395

(ROLLING STONES, THE). Golden, Ruell, David Dalton, Waldemar Januszczak & Luc Sante. Foreword by President Bill Clinton. Köln, GERMANY: Benedikt Taschen Verlag, 2019. First Edition #451/1600. Elephant Folio. Cloth in Dust Jacket, Boxed. Music Monograph. As New/As New. 518pp, profusely illustrated in color and b&w. With a Rolling Stones timeline, discography, and photographers' biographies. "The kind of fame and success The Rolling Stones have achieved in their fifty-years-and-counting career is without parallel. With their bluesy rock 'n' roll and mesmerizing off and onstage presence, the Stones redefined the music of the 1960s and 1970s, and paved the way for rock as we know it today. They also set the standard for how a rock band should look and behave. Produced in close collaboration with the band, this book charts the Stones' remarkable history and outrageously cool lifestyle in over five hundred pages of incredible images and illustrations - many previously unseen, by the likes of David Bailey, Peter Beard, Cecil Beaton, Bob Bonis, Anton Corbijn, Annie Leibovitz, Gered Mankowitz, Helmut Newton, Norman Parkinson, Bent Rej, and Ethan Russell that have been gathered from archives all over the world. Unprecedented access to the Rolling Stones' own archives in New York and London adds an equally extraordinary, more private side to their story. This massive (20 x 20 x 6") undertaking featuring new essays from award-winning writers David Dalton, Waldemar Januszczak, and Luc Sante along with a foreword written by President Bill Clinton is Mick, Keith, Charlie, and Ronnie's official photographic record." A brand new, pristine example of the Collector's Edition NUMBERED (451/1600) and SIGNED by Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood unopened in the publisher's printed shipping carton, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-8365-4721-X Inventory Number: 027474

(ROT, DIETER) aka (ROTH, DIETER). Roth, Dieter. Stuttgart, GERMANY. 1967-1968.: Edition Hansjorg Mayer. First Edition #70/230. Narrow 4to. Wrappers in Full Leather. Artist's Book. Near Fine/Near Fine. np, 2 b&w letterpress decorations + a color collage. Text in German. Published in 1968 by Dieter Roth's longtme collaborator Edition Hansjorg Mayer, this is the double issue comprising numbers 3 and 4 of "Poeterei" - the innovative Swiss artist's late sixties journal devoted to Poetry and Poesie. The first part consists of a single typographic text by Roth in German printed by letterpress on heavy handmade paper incorporating an original collaged postcard fragment that has been annotated "D.R. 68." beneath that in green ink. The second portion contains one hundred and sixty-three brief textual framents by Rorh also printed by letterpress on a much thinner stock. The volume is features green flocked endpapers reminiscent of Marcel Duchamp's "La Mariee mise a nu par ses Celibataires meme"i bound in full light grey full leather. A most handsome example of this exceedingly uncommon item limited to two hundred and thirty copies NUMBERED (70/230) AND SIGNED "Diter Roth" in green ink on the rear colophon, as issued. Inventory Number: 026709

(ROTH, DIETER) aka (ROT, DITER). Roth, Dieter & Richard Hamilton. Introduction by Dieter Schwarz. Hansjorg Mayer & Dieter Roth, Editors. Stuttgart, GERMANY & London: Edition Hansjorg Mayer & Eaton House Publishers, Ltd., 1977. First Edition 1/200 Deluxe. Small 4to. Cloth in Jacket, Slipcased. Catalogue Raisonné. Fine/Fine. np, 96 color illustrations. Text in German and English. Issued in 1977 as the thirty-sixth volume of Edition Hansjorg Mayer's ambitious project of documenting the prolific artist book output of Dieter Roth, "96 Piccadillies" reproduces each of ninety-six commercial picture postcards of London's historic Piccadilly Circus altered during the seventies by Roth - some in conjunction with his frequent collaborator, Richard Hamilton. A most handsome example of this uncommon item from the deluxe slipcased edition limited to two hundred unnumbered copies (entry number I.3 cited on pages 210-211 of Dirk Dobke's "Dieter Roth in Print: Artist's Books / Kunstlerbucher") each with AN ORIGINAL "SPEEDY DRAWING" entitled "Selfportrait as Piccadilly-Eros" SIGNED AND DATED "D R 1978" in pencil laid in, as issued. Inventory Number: 022481

(ROTH, DIETER). Roth, Dieter aka Rot, Diter. Zug, SWITZERLAND: Dieter Roth & Dr. Philipp Buse, 1973. First Edition #0039/3000. 8vo. Printed Wrappers. Artist Monograph. Very Good.. 72pp, profusely illustrated in b&w. Text in German and English. This is a charming, self-published reference catalogue of available prints and graphics issued by Dieter Roth in the early seventies. The details for each image are reproduced bi-lingually in the innovative Swiss artist's own hand, and it includes a plate uniquely printed by pochoir and rubber stamp. A handsome example STAMP-NUMBERED (0039/3000) and SIGNED "Dieter Roth" in pencil on the inside front cover, as issued, showing just a bit of light wear, soiling, and age-toning to its off-white covers. Inventory Number: 026695

(ROTH, DIETER). Roth, Dieter, Gunter Brus, Hermann Nitsch, Gerhard Ruhm & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1975. First Edition 1/1000. Large Square 4to. 12" Vinyl LPs in a Box. Artists' Multiple. Near Fine/Near Fine. Three 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in a printed paper-over-cardboard box. This is a boxed set of recordings issued by Edition Hansjorg Mayer from a 1974 Munich concert of new and improvised music by an ensemble featuring Dieter Roth along with Viennese artist/musicians Christian Ludwig Attersee, Gunter Brus, Hermann Nitsch, Gerhard Ruhm, and Oswald Wiener. A most handsome example of this uncommon artists' recording (entry number 4 on page 87 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 80 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to one thousand unnumbered copies. Inventory Number: 025549

(ROTH, DIETER) (WIENER, OSWALD). Roth, Dieter & Oswald Wiener. Stuttgart, GERMANY, London & Reykjavic, ICELAND: Edition Hansjorg Mayer, 1977. First Edition 1/500. Large Square 4to. 12" Vinyl LP in Jacket. Artists' Multiple. Near Fine/Near Fine. One 12", two-sided vinyl 33 1/3 rpm long playing phonograph record in a printed paper-over-cardboard gatefold sleeve. Recorded at Mosfellssveit, Iceland between May 28th and 30th 1976, "Tote Rennen + Leider" is a new music and spoken-word collaboration between noted artist/musicians Dieter Roth and Oswald Wiener. A handsome example of this uncommon artists' recording (entry number 8 on page 89 of the Music catalogue of Dirk Dobke's "Dieter Roth: Books + Multiples" additionally cited on page 226 of Ursula Block and Michael Glasmeier's "Broken Music: Artists' Recordworks" and page 95 of Guy Schraenen's "Vinyl: Records and Covers by Artists") limited to five hundred unnumbered copies. Inventory Number: 025551

(RUPPERSBERG, ALLEN). Ruppersberg, Allen. NP (Santa Monica, CA): Allen Ruppersberg, 2010. First Editions 1/300. Large Square 4to. 12" Vinyl LPs in Jackets. Artist's Multiple. As New/No Jacket - As Issued. Two 12", two-sided vinyl 33 1/3 rpm long playing phonograph records in printed paper over cardboard sleeves, each with color cover artwork and an offset b&w printed insert. Designed by Allen Ruppersberg. Limited to three hundred copies each, these are the first two installments of Allen Ruppersberg's ongoing project that subjectively assays the documentary history of Post-War American popular music and music graphics. Each LP has a cover designed by the artist and contains a playlist of fifteen tracks culled from "78 and 45 rpms guaranteed to be found at random in flea markets, antique malls, and junk shops". Volume one features primarily R&B fare (etc.). A pristine set - unsigned and unnumbered, as issued - of both of these sure to be short-lived collector's items for both art and record-geeks alike! Inventory Number: 020211

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #190/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. Limited to two hundred and fifty copies only, this deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#190/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027220

(RUPPERSBERG, ALLEN). Singerman, Howard & Allen Ruppersberg. Julia Brown, Editor. Los Angeles & Santa Barbara, CA: The Museum of Contemporary Art, Los Angeles & Black Sparrow Press, 1985. First Edition #218/250 Deluxe. 4to. Illustrated Boards in Jacket. Artist's Book. Fine/Near Fine. 128pp, profusely illustrated in color and b&w. Designed by Barbara Martin. With a chronology, exhibition history and bibliography. This is the exhibition catalogue cum artist's book published in conjunction with a 1984 Allen Ruppersberg retrospective that traveled from Los Angeles' Museum of Contemporary Art to New York's New Museum. This deluxe edition is hand bound in decorative boards by Earl Gray and features an artwork/multiple by the wry conceptual artist entitled "Love Me Tender" (which incorporates a primitive electronic "music box" that plays a highly syrupy version of the Elvis Presley classic when opened) bound in. A bright, most handsome example of the first - and only - hardbound edition limited to two hundred and fifty hand-numbered (#218/250) copies whose easily replaced, tiny watch-type battery has run dead after thirty-five years additionally BOLDLY SIGNED "Al Ruppersberg" in black ink on the title page still in the publisher's unprinted white paper jacket, as issued. 0-914357-07-7 Inventory Number: 027219

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of the first and only edition of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") SIGNED "Bill" in black ink and "E. Ruscha" in blue ink on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the recto of the rear leaf, as issued, showing overall wear and creasing along the spine and edges of its faux wood veneer wrappers. In addition there is a thin margin of soiling along the top edge of the inside covers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025607

(RUSCHA, EDWARD) (BENGSTON, BILLY AL). Bengston, Billy Al & Edward Ruscha. Los Angeles: Self-Published by the Authors, 1968. First Edition 1/1000. 8vo. Wrappers with a Mounted Photo. Artists' Book. Good +./No Jacket - As Issued.. np (32pp), profusely illustrated in monochrome. Designed by Edward Ruscha. In a protective clear acetate dustwrapper. "Business Cards" is the innovatively designed and bound collaborative artists' book cum objet published in 1968 by Ed Ruscha and Billy Al Bengston. Limited to one thousand unique copies, it details in photographs by Ken Price and Larry Bell the process of the two artists designing their business cards, and the "presentation dinner" at Beverly Hills' The Bistro of the finished product(s). A most presentable example of this uncommon item (entry B7 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand unnumbered copies BOLDLY SIGNED "B. A. B." in black ink and "Ed Ruscha" in black marker on the front cover with its latigo leather thong complete and unbroken, the cover photograph present, and both cards stapled to the the recto of the rear leaf, as issued, showing some wear, creasing, and abrading to its faux wood veneer wrappers along with some light foxing to the edges of the textblock, front and rear inside covers, and endpapers. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024819

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Very Good/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. An internally most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (35/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued, showing some very mild wear to the front and rear boards along with some rubbing and slight discoloration to the leather spine. The slipcase bears some rubbing and abrading to the leather trim at the heel and crown of the opening along with some minor wear to the linen along the seam of the bottom edge. It has been priced accordingly. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 024157

(RUSCHA, EDWARD). Ruscha, Edward. Los Angeles: The Lapis Press, 1988. First Edition 1/35. Elephant Folio. Full Leather in Slipcase. Artist's Book. Fine/No Jacket - As Issued. np (28pp), 1 letterpress colophon + title page, 8 color etchings. In a protective clear acetate dustwrapper. "Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling" is the oversized, extraordinarily luxe artist's book published in 1988 by Sam Francis' Lapis Press containing eight original etchings by Edward Ruscha. Each "silhouette" image was pulled by master printer Jacob Samuel at The Litho Shop on a 20 x 16" sheet of Rives BFK paper. The title and colophon pages are printed by hand-letterpress, and along with the etchings, four blank preliminaries, and endpapers have been hand-bound by Klaus Ullrich S. Rotzscher in an exquisite debossed, full dark green smooth calfskin. The book is housed in a stylish matching calf and linen slipcase. A most handsome example of the first and only printing (print entries 149-156 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") of this exquisite, exceedingly uncommon volume - only two copies are currently cited in OCLC WorldCat - BOLDLY NUMBERED (19/35) AND SIGNED "Ed Ruscha 1988" in pencil on the rear colophon, as issued. This is accompanied by a pristine example of the hors commerce 20 x 16" Lapis Press promotional broadside cum print for the book featuring a colored etching by Ruscha of the letter "B" (entry M-59 in Siri Engberg's "Edward Ruscha: Editions 1959-1999") that was issued in an edition of forty numbered but unsigned copies. Inventory Number: 013966

(RUTHERSTON, ALBERT). Rutherston, Albert. London: Oxford University Press, 1928. First Edition 1/475. Folio. Cloth in Dust Jacket. Fair/Fair. np, 16 collotype plates (10 in color), each with a printed overlay. The fourteen costume designs and two "curtain scenes" by Albert Rutherston included here date between 1912 and 1914 for two theatrical productions at the Savoy and St. James Theatres, as well as a ballet produced by Anna Pavlova in New York. A serviceable example only whose fragile dust jacket is present though chipped and torn in several places and showing significant paper loss to the rear panel along with moderate soiling, tape adhesive, and uneven staining from liquid on the front. Its boards are faded and worn bearing some mottling due to contact with liquid, particularly at the extremities. These condition flaws noted, the interior of the book (including all of the exquisitely colored plates) is remarkably clean, bright, and tight with only the front inside cover and endpaper having browned somewhat. It has been priced accordingly. Inventory Number: 000933

(RYDEN, MARK). Ryden, Mark. Introduction by Carlo McCormick. Sierra Madre & San Francisco, CA: Porterhouse Fine Art Editions & Last Gasp, 2001. First Edition 1/500 Deluxe. Square 4to. Boards in Clamshell Box. Artist Monograph. As New./No Jacket - As Issued. 134pp, profusely illustrated in color. The near-perfect distillation of childhood creepiness transformed into adult fine art, this first monograph on Mark Ryden sold out of its initial print run almost immediately. See Jimi Hendrix, Abe Lincoln, Christina Ricci, Leonardo Di Caprio, Colonel Sanders, the Teletubbies, Big Boy, Speedy Alka-Seltzer, and so many more in ways you've never imagined - not to mention the requisite Bees, Bunnies and Meat. A brand new, pristine unopened example of the deluxe edition limited to five hundred copies acquired directly from the artist featuring a copy of the book SIGNED AND NUMBERED by the artist, a special "Anima Mundi" bookmark, and a 10 x 10" SIGNED AND NUMBERED giclee print all housed in a beautiful decorative clamshell box. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-86719-509-6 Inventory Number: 018381

(SACHS, TOM). Sachs, Tom. New York: Self-Published, 2009. Second Edition 1/100. 8vo. Stapled Illustrated Wrappers. Artist's Periodical. Fine.. np (22pp), profusely illustrated in b&w. Designed by Tom Sachs. In a protective clear acetate dustwrapper. "Bricolage Magazine" is Tom Sachs's highly entertaining self-published artist's periodical cum 'zine that addresses all things of interest to Tom Sachs "and his community". This first installment from 2009 weaves together in the artist's charming lo-fi cut and paste way Donald Judd, Ikea, Malick Sidibe, Yoda, music to listen to, movies to watch, and so much more. A brand new, most handsome example of the exceedingly uncommon - only a single copy is currently cited in OCLC WorldCat - second printing limited to one hundred unnumbered copies, in addition to the one hundred of the first printing. 0-9790499-6-2 Inventory Number: 026491

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition 1/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (34/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Pyhajarvi, Finland (Horse and Barn)" which has been SIGNED AND DATED "Pentti Sammallahti 1982" in pencil along the bottom margin of the recto. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-907893-26-1 Inventory Number: 025486

(SAMMALLAHTI, PENTTI). Demos, John & Mario Peliti, Editors. Preface by Finn Thrane. London & Santa Monica, CA: Dewi Lewis Publishing & Peter Fetterman Gallery, 2012. First Edition #3/45 Deluxe. Oblong 4to. Cloth in Clamshell Box. Photography Monograph. As New/No Jacket - As Issued. 256pp, 200 illustrations in duotone and color. Text in English. With a biography and bibliography. Published in 2012, "Here Far Away" is the exquisitely beautifully produced book that is the most comprehensive survey to date on the work of renowned Finnish photographer Pentti Sammallahti. A brand new, pristine example of the deluxe 2013 first printing issued by the Peter Fetterman Gallery as a "Collectors' Edition" limited to forty-five copies of the first English language edition of the book BOLDLY SIGNED "Pentti Sammallahti" in black ink on the title page accompanied by an archivally matted original photograph housed in the publisher's NUMBERED (3/45) cloth solander box with an inset pictorial pastedown as well as a UNIQUE SIGNATURE by the photographer in white ink on the front. Produced in an edition of fifteen copies with one of three different images, this contains the 8 x 10" gelatin silver print entitled "Two Birds on Branch" which has been TITLED, SIGNED AND DATED "t.p.l'a / Pentti Sammallahti 2002" in pencil along the bottom margin of the recto. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 1-907893-26-1 Inventory Number: 025484