Arcana:

(WELLING, JAMES). Welling, James. Buffalo, NY: CEPA, 1984. First Edition 1/400. Small Oblong 4to. Stapled Pictorial Wrappers. Artist's Book. Very Good +.. np (12pp), 12 b&w illustrations. James Welling's first artist's book "Gelatin Photographs 1-12" consists of a dozen sensuous cover to cover, high contrast images of dark Jell-O photographed against a light background - quite the endgame for the inner aesthetician in all of us! A handsome example of this exceedingly uncommon item limited to four hundred unnumbered copies showing a bit of overall light handling and soiling to its white covers along with the small ghost from a removed adhesive label on the rear cover. 0-939784-12-2 Inventory Number: 021388

(WELLING, JAMES). Welling, James, Sylvia Lavin & Noam M. Elcott. Bologna, ITALY: Damiani Editore, 2010. First Edition. Oblong 4to. Pictorial Boards. Photography Monograph. Near Fine/No Jacket - As Issued. 96pp, 45 color illustrations. Text in English. Designed by Lorraine Wild and Victor Hu: Green Dragon Office. "From 2006 to 2009, James Welling photographed the Glass House, the landmark architectural estate that Philip Johnson built in New Canaan, Connecticut in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds. Using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color. As Welling described it, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color". This lovely hardbound monograph also includes an essay by Noam M. Elcott as well as a transcribed interview between the photographer and noted architectural historian Sylvia Lavin about the project. A most handsome example of the 2010 Damiani first edition additionally SIGNED "James Welling" in black ink on the rear colophon. 88-6208-161-8 Inventory Number: 025303

(WESTON, EDWARD). Naef, Weston. New York: E. Weyhe, 1932. First Edition 1/550. Folio. 1/4 Cloth Over Boards. Photography Monograph. Good -/No Jacket - As Issued. np, 40 b&w illustrations. Designed by Merle Armitage. With a biography. In a protective clear acetate dustwrapper. Compiled in 1932 by the forward thinking Los Angeles-based graphic designer and publisher Merle Armitage, this exquisitely produced book was the very first monograph on the work of pioneering California photographer Edward Weston. It features thirty-nine images by Weston, a frontispiece portrait by his son Brett, and texts by the photographer, Armitage, Lincoln Steffens, Arthur Millier, Jean Charlot, and Charles Sheeler. A presentable example of this typically fragile oversized tome (cited on page 200 of "From Fair to Fine 3: 20th Century Photography Books That Matter") limited to five hundred and fifty copies NUMBERED (143/550) AND SIGNED "Edward Weston" in black ink on the rear colophon lacking the publisher's slipcase whose white cloth spine is soiled and stained, and black boards are worn and scraped along the extremities. The hinges are solid, the textblock is tight but soiled along the edges with the signatures slightly uneven with one another. The book bears the BOLDLY SIGNED PRESENTATION "To John and Clement / new friends for old. more would be less. / I don't know what all / this means. You guess / Edward Oct. 1936" in black ink on the page facing the colophon. Additionally, laid in is a BOLDLY INSCRIBED hand-written letter "John and Clem ---- / hope you took my dis - / appearance in good spirit - / I was not just sleepy, / but exhausted ------------ / See you soon I hope / yr ------ / Edward" from the photographer in pencil on a 8 ½ x 11" sheet of yellow paper that has been neatly folded in quarters and subsequently flattened. Inventory Number: 025020

(WESTON, EDWARD). Naef, Weston. Malibu, CA: The J. Paul Getty Museum, 1986. First Edition. 8vo. Pictorial Cardstock Wrappers. Exhibition Brochure. Fine.. One 8 ¾ x 32" cardstock sheet printed recto and verso, neatly folded in fourths as issued to make 8pp, 6 duotone illustrations. This is the slender eight page brochure produced to accompany two concurrent 1986 exhibitions of vintage prints by Edward Weston drawn from the J. Paul Getty Museum Department of Photography's vast holdings, focusing on images he created while in Los Angeles. A brand new, most handsome example of this uncommon ephemeral item that was the only printed documentation of the event. Inventory Number: 017811

(WILCO) (SCHMELLING, MICHAEL). Wilco, Michael Schmelling, Fred Tomaselli, Rick Moody, Henry Miller & Bern Porter. Dan Nadel & Peter Buchanan-Smith, Editors. Brooklyn, NY: PictureBox Inc., 2004. First Edition. 4to. Pictorial Boards. Music Photography Monograph. Fine/No Jacket - As Issued. 164pp, profusely illustrated in color and b&w. Designed by PictureBox. In a protective clear acetate dustwrapper. "Published in 2004, "The Wilco Book" is an exploration of the artistic statement presented by the band Wilco. Artwork created by the band, photographer Michael Schmelling, and artist Fred Tomaselli is interspersed with comments excerpted from interviews conducted by PictureBox with the band's members, technicians, and managers, essays by Henry Miller and Rick Moody, and excerpts from Bern Porter's collection "Found Poetry". Packaged with the book is an audio CD containing twelve previously unreleased tracks recorded during the sessions that led to the band's "A Ghost Is Born", which is discussed in the first appendix by Mikael Jorgensen, who produced and played on the sessions before he formally joined Wilco". A brand new, most handsome example of the first PictureBox Inc. edition additionally BOLDLY SIGNED for us by all six current band members - Jeff Tweedy, Nels Cline, Mikael Jorgensen, Glenn Kotche, Pat Sansone, and John Stirratt as well as the book's photographer Michael Schmelling in black ink with the publisher's unplayed CD affixed to the inside rear board. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-9713670-3-5 Inventory Number: 027704

(WILKE, HANNAH). Wilke, Hannah & Joanna Frueh. Thomas H. Kochheiser, Editor. Columbia, MO: University of Missouri Press, 1989. First Edition. Oblong 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Fine/Fine. 176pp, profusely illustrated in b&w and color. With an exhibition checklist and bibliography. Published in conjunction with a 1989 Hannah Wilke retrospective exhibition held at the University of Missouri at St. Louis' Gallery 210, this comprehensive hardbound catalogue was the first major publication on the pioneering late feminist artist. It combines copious photographic documentation with an essay by Joanna Frueh and a selection of previously unpublished writings by the artist. A brand new, most handsome example of this uncommon item additionally SIGNED AND DATED "Hannah Wilke 1989 00" in the year of publication in black ink to the right of her posterior on the frontispiece portrait photograph 0-8262-0703-0 Inventory Number: 027450

(WILLIAMS, D’ANGELO LOVELL). MACK, I00220716, 2022. 9 x 11 inches, 104 Pages. Hard Cover. New.

Both an artist’s book and comprehensive inquisition of D’Angelo Lovell Williams’s work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows. Williams’s work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams‘s work, and alludes to heightened senses and intuitive movement.

From self-portraits to collaborations with community, Williams’s photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualized as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions. 9781913620622 Inventory Number: I00220716

(WILLOUGHBY, BOB) (HEPBURN, AUDREY). Willoughby, Bob. Koln, GERMANY: Benedikt Taschen Verlag, 2010. First Edition 0313/1000. Folio. Boards in a Clamshell Box. Photography Monograph. As New/As New. 282pp, profusely illustrated in black & white. Text in English, German and French. "In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. "She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts," he recalls. As Hepburn's career soared following her Oscar-winning US debut in "Roman Holiday", Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn's beauty and elegance, as she progresses from her debut to her career high of "My Fair Lady" in 1963. Willoughby's studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography's great platonic love affairs and an unrivalled record of one of the 20th century's touchstone beauties". A pristine example of this extraordinary volume - a must-have for the Audrey completeist that sold out upon publication - limited to one thousand copies in a decorative clamshell box SIGNED AND NUMBERED (0313/1000) by the late Bob Willoughby, unopened in the publisher's shrinkwrapped printed shipping carton, as issued. 3-8365-1889-9 Inventory Number: 023815

(WINNINGHAM, GEOFF).. NP: Joseph E. Seagram & Sons, Inc., 1978. First Edition. 8vo. Printed Postcard. Fine.. One 4 ¼ x 6" glossy cardstock postcard printed offset recto and verso, 1 color illustration. To mark the 1976 Bicentennial of the United States of America, Joseph E. Seagram and Sons, Inc. commissioned twenty-four photographers to record more than one thousand County Court houses across the country using both color and black and white film. The project, directed by Phyllis Lambert and edited by Richard Pare, created the then-most comprehensive survey of an American building type. The Seagram County Court House Archives collection of photographic negatives and master prints was ultimately presented as a gift, with its copyright ownership, to the Library of Congress. In 1978 Horizon published the lovely Richard Pare-edited book of images from this undertaking entitled "Court House: A Photographic Document". This color postcard featuring Geoff Winningham's color image "Hopkins County Court House, Sulfur Springs, Texas, c1856-58" was issued in conjunction with that release. A brand new, pristine unmailed example of this uncommon ephemeral item perfect for the Geoff Winningham completeist. Inventory Number: 024178

(WITKIN, JOEL-PETER). Dupuy, Alain & Antonio Saura. Madrid, SPAIN: Ministerio De Cultura, Spain & Centro De Arte Reina Sofia, 1989. First Edition. Square 8vo. Debossed Silk Over Boards. Exhibition Catalog. Near Fine/No Jacket - As Issued. 120pp, profusely illustrated in color and duotone. Text in French. With a bibliography and exhibition history. In a protective clear acetate dustwrapper. This is the beautifully designed hardbound catalogue published in conjunction with a 1989 traveling European retrospective that presented Joel-Peter Witkin's finished prints alongside the photographer's macabre preparatory drawings. A most handsome example of the first Spanish language edition in black moire silk-covered boards debossed with an elaborate gothic cross additionally BOLDLY SIGNED "Joel-Peter Witkin" in black ink across the entire half title page. 84-505-7482-X Inventory Number: 018491

(WITKIN, JOEL-PETER). Janis, Eugenia Parry. Paris: Centre National De La Photographie (Photo Poche Collection), 1991. First Edition. 12mo. Pictorial Wrappers. Photography Monograph. Near Fine.. np, 63 duotone illustrations. Text in French. With a biography. In a protective clear acetate dustwrapper. This forty-ninth installment of the venerable Photo Poche series of photography monographs is a concise survey of the boundary pushing work of Joel-Peter Witkin. A most handsome example of the 1991 first edition additionally bearing the BOLDLY SIGNED PRESENTATION "To Robert, Joel" in black ink on the title page to the noted late photography curator and historian Robert Sobieszek from whom we acquired this directly. 2-86754-071-2 Inventory Number: 018676

(WITKIN, JOEL-PETER). Witkin, Joel-Peter. Pasadena, CA: Twelvetrees Press, 1995. First Edition #53/100. Large Square 4to. Cloth in Dust Jacket,Slipcased. Photography Monograph. Fine/Fine. np (130pp), 52 duotone illustrations. Designed by Jack Woody. With an exhibition history, bibliography and collections listing. Issued in 1985 by the redoubtable Twelvetrees Press, this is the beautifully designed and printed first comprehensive publication on the work of Joel-Peter Witkin. Says the publisher: "Joel-Peter Witkin's photographs are simultaneously loathsome and brilliant, generating endless controversy and sometimes, admiration. This is the artist's first monograph and in his words and pictures a more complete understanding of his work emerges." A brand new, most handsome example of the exceedingly uncommon deluxe edition of the first 1985 Twelvetrees Press printing limited to one hundred copies BOLDLY SIGNED AND NUMBERED "Joel-Peter Witkin / 53/100" in black ink on the title page in the publisher's black linen-over-boards slipcase, as issued. 0-942642-15-5 Inventory Number: 026573

(WITKIN, JOEL-PETER). Witkin, Joel-Peter & Galway Kinnell. New York: Kevin Begos Publishing, Inc., 1993. First Edition 1/175. Elephant Folio. 1/4 Leather Over Boards in Box. Livre D'Artiste. Fine/No Jacket - As Issued.. np (52pp), 12 gravure illustrations. Designed by Kevin Begos Jr. and Joel-Peter Witkin. Issued in 1993, this is an exquisitely produced Livre D'Artiste collaboration between publisher Kevin Begos and photographer Joel-Peter Witkin. Limited to one hundred and seventy-five copies, it presents twelve arresting hand-pulled photogravure images accompanied by the letterpress printed poem "Under The Maud Moon" by Galway Kinnell from his "Book of Nightmares". Measuring 23 ½ x 17 ½", the Lana paper pages reproduce the following Witkin photographs: 1) "Head of a Dead Man (Mexico City, 1990)", 2) "Satiro ( Mexico City, 1992)", 3) "Three Kinds of Woman (Mexico City, 1992)", 4) "Un Santo Oscuro (Mexico City, 1987)", 5) "Still Life (New Mexico, 1992)", 6) "Las Meninas (New Mexico, 1987)", 7) "Studio of the Painter (Paris, 1990)", 8) "Feast of Fools (Mexico City, 1990)", 9) "Laokoon (New Mexico, 1992)", 10) "Negre's Fetishist (Paris, 1990)", 11) "Vanity (New Mexico, 1990)", and 12) "Man with a Dog (Mexico City, 1990)". These are bound in elegant one quarter black leather-over-dark grey-boards, and housed in a black linen covered clamshell box with a grey pastedown on the spine. A brand new, most handsome example of this extraordinary object acquired directly from Kevin Begos BOLDLY SIGNED AND NUMBERED in pencil by Joel-Peter Witkin at the rear colophon in the publisher's clamshell box, as issued. Inventory Number: 023305

(WOODSIDE, CLINT). Woodside, Clint & Mike Slack. Los Angeles: Kill Your Idols, 2016. First Edition 1/500. 8vo. Cloth with Pastedown. Photography Monograph. As New/No Jacket - As Issued. 62pp, 52 color illustrations. Designed by Clint Woodside. First issued in 2013 as a Deadbeat Club 'zine, Clint Woodside's "Undercover Cars" has been newly re-conceived and substantially enlarged as an elegant hardcover book. Containing fifty-two images of cars parked in plain sight, but covered from the elements, it is the culmination of a series of color photographs - shot on film and printed in the dark room - spanning five years, scores of autos, and thousands of miles from Los Angeles to Bangkok. In his insightful essay, photographer and The Ice Plant publisher Mike Slack observes: "What strikes me now, looking at this fresh new edit, is not the boring ubiquity of the subject matter - the deadpan Christo-like charm of all these tarps attached to all these automobiles - but the man-made environments Woodside is showing us in the photographs, and the sense of walking-and-looking that the series implies. Never mind the covered cars; look at what surrounds them" . A brand new, pristine example of this lovely publication limited to five hundred unnumbered copies additionally BOLDLY SIGNED "Clint Woodside" in black ink on the title page. 1-58423-637-X Inventory Number: 027210

(YAMAMOTO, MASAO). Yamamoto, Masao. Tucson, AZ: Nazraeli Press, 2002. First Edition 1/500. 12mo. Printed Boards. Photography Monograph. As New/No Jacket - As Issued. np (16pp), 12 tritone and color illustrations. Masao Yamamoto's "The Path of Green Leaves" is the sixteenth installment in Nazraeli Press' estimable series of One Picture Books. Limited to five hundred SIGNED AND NUMBERED copies, it contains an original 2 ¾ x 1 ½" sepia-toned silver gelatin print of a sapling planted along the path to the Green Leaves Day Nursery - where the photographer walked his son to school for daily for nearly five years - tipped in at the rear of the book, as issued. A brand new, pristine example of this uncommon, lovely item. 1-59005-048-7 Inventory Number: 016701

(YEMCHUK, YELENA). Yemchuk, Yelena & Ioana Pelehatai. Zurich, SWITZERLAND: Edition Patrick Frey, I00240213. 2024. First Edition. 10 x 7 1/2", 4to. Pictorial Self-Wrappers. Photography Monograph. New.. np (176pp), 121 color illustrations. Text in English, Ukranian, and Romanian. 978-3-907236-67-3

(176pp), 121 color illustrations. Text in English, Ukrainian, and Russian. "Ukrainian-born, Brooklyn-based photographer and painter Yelena Yemchuk is most commonly known for her fashion and portrait photographs, which have appeared in Italian and Japanese Vogue, V, the New Yorker and The New York Times. Yemchuk makes images that teeter on the threshold between her Eastern European heritage and her daily life in New York; between fiction and reality; between the grand beauty of 1960s cinema and the social and built environments of post-Soviet realms. As with all of her work, "Malanka" is a personal, feminine, surrealist and magical project. The eponymous tradition is a pre-Christian folklore ritual driving out winter and welcoming spring, an ancient custom reminiscent of Persephone’s return in Greek mythology. It is celebrated on January 14th, the old New Year in the Julian calendar, by ethnic Romanians in western Ukraine. In 2019 and 2020, Yemchuk traveled to Crasna (Krasnoilsk in Ukrainian) to document the night-long festival. Accompanying Yemchuk's striking photographic documentation is a poetic essay by Romanian cultural journalist Ioana Pelehatai. A brand new example additionally SIGNED by Yelena Yemchuk on the title page.

Inventory Number: E000YYM

(YOKOO, TADANORI). Yokoo, Tadanori.. Osaka, JAPAN: Gallery Interform / Masaya Yamaguchi, 1996. Edition Not Stated - Presumed First. 12mo. Illustrated Wrappers. Artist Monograph. Near Fine.. np (16pp), 8 color illustrations. Text in Japanese and English. Designed by Jun Sato. Best known for his seventies album covers for Miles Davis, Santana, the Beatles, and more, Tadanori Yokoo is arguably the most influential Japanese graphic designer of the Twentieth Century. He is also a well-known artist, photographer, and designer of installations. Published in conjunction with a 1996 Japanese gallery exhibition, this is a nicely presented book of eight full color postcards that reproduce computer-altered outdoor portraits of the Yokoo family - many including a falling water motif. A most handsome example of this uncommon ephemeral item. Inventory Number: O27656

(ZELLEN, JODY). Zellen, Jody. Santa Monica, CA: Self-Published, 1997. First Edition 1/500. 16mo. Stapled Pictorial Wrappers. Artist's Book. Fine.. np (40pp), profusely illustrated in color and b&w. Designed by Jody Zellen. Published in conjunction with the 1997 exhibition "Blur" at San Diego Mesa College Art Gallery, this is the second of Santa Monica-based artist/graphic designer Jody Zellen's self-produced small format artist's books. Uniformly scaled to 4 ½ x 4 ½", these beautiful little editions combine photographic reproduction, text, and a grid format to achieve a sublime narrative. A most handsome example of this uncommon item limited to five hundred unnumbered copies. Inventory Number: 023103

Grace, Arthur. Counterpoint , 2016. Deluxe edition limited to one hundred copies that includes an 11 x 8 1/2" black and white photographic print.

"I had always thought that when I was around 84 and Robin was 80 we could collaborate on a book about the golden years of his career where he could look at my photographs and reminisce about the events and his feelings at the time. Unfortunately, that book was never to be . . . ."

Photographer Arthur Grace first met Robin Williams in April 1986, at a comedy club in Pittsburgh where Williams was working to polish what would eventually become his award-winning special “Evening at the Met”. The two hit it off immediately, and thus blossomed a close friendship that carried them through their increasingly successful careers. Told through a series of stunning photographs of Williams taken by Grace over the course of this decades-long partnership, Robin Williams: A Singular Portrait offers a touching and up-close look at the real Robin Williams—the manic and happy, the pensive and weary, the engaged and disengaged, a true portrait of one of America’s greatest comics and most beloved actors.

For the millions of people around the globe that Robin Williams has touched, these images, more than 150 photographs, a glorious mixture of stunning color and resonating black and white presented in exhibit format, will be something to embrace and cherish, not simply because of their exclusivity, but because of their intimacy and their honesty.

Arthur Grace began his professional career in 1973 as a staff photographer for United Press International. During his award-winning thirty-year career, his photos have been featured on the cover of Life, Time, Newsweek, The New York Times Magazine, are in the permanent collections of numerous museums including the J. Paul Getty Museum, the National Portrait Gallery, and the High Museum of Art. He has published four critically-acclaimed photographic books: Choose Me: Portraits of a Presidential Race, Comedians, State Fair, and America 101. Inventory Number: E0000AGRWDLX

Grace, Arthur. Counterpoint , 2016. ON SALE: August 9, 2016

"I had always thought that when I was around 84 and Robin was 80 we could collaborate on a book about the golden years of his career where he could look at my photographs and reminisce about the events and his feelings at the time. Unfortunately, that book was never to be . . . ."

Photographer Arthur Grace first met Robin Williams in April 1986, at a comedy club in Pittsburgh where Williams was working to polish what would eventually become his award-winning special “Evening at the Met”. The two hit it off immediately, and thus blossomed a close friendship that carried them through their increasingly successful careers. Told through a series of stunning photographs of Williams taken by Grace over the course of this decades-long partnership, Robin Williams: A Singular Portrait offers a touching and up-close look at the real Robin Williams—the manic and happy, the pensive and weary, the engaged and disengaged, a true portrait of one of America’s greatest comics and most beloved actors.

For the millions of people around the globe that Robin Williams has touched, these images, more than 150 photographs, a glorious mixture of stunning color and resonating black and white presented in exhibit format, will be something to embrace and cherish, not simply because of their exclusivity, but because of their intimacy and their honesty.

Arthur Grace began his professional career in 1973 as a staff photographer for United Press International. During his award-winning thirty-year career, his photos have been featured on the cover of Life, Time, Newsweek, The New York Times Magazine, are in the permanent collections of numerous museums including the J. Paul Getty Museum, the National Portrait Gallery, and the High Museum of Art. He has published four critically-acclaimed photographic books: Choose Me: Portraits of a Presidential Race, Comedians, State Fair, and America 101. 978-1619027275 Inventory Number: E0000AGRW

Hido, Todd. Introduction by Gregory Halpern. New York: Aperture Foundation, 2014. Third Printing. 8vo. Pictorial Paperback. Photography Monograph. As New./No Jacket - As Issued.

In this book - part of Aperture's Photography Workshop Series - Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty. A brand new, most handsome example..

978-1-59711-297-0 Inventory Number: E000THOL

Ishino, Fumi. MACK, 2017. Rowing a Tetrapod brings together a fluctuating array of black and white photographs made in multiple locations in the United States and Japan, between which countries emerging artist Fumi Ishino has resided. The work channels his nomadic experience of moving back and forth between two distinct cultures, with divergent social norms and values. Following an aleatoric structure, the book presents images as diverse as Japanese school children, American astronauts, vernacular architecture, laboratory scenes, local cuisines, animals and studio still-lifes. Blurring distinctions between the local and the foreign, the domestic and the cosmic, Rowing a Tetrapod delights in confusing cultural conceptions, fabricating an imaginary space that is bent towards misinterpretation.

PLEASE NOTE: Copies of "Rowing a Tetrapod" will be signed Sunday, December 9th and shipped starting on Tuesday, December 12th. 978-1-910164-92-1 Inventory Number: E000FIRAT

Malkin Steinberger, Randi and D.J. Waldie. Damiani, 2016.
No Circus brings together photographs by Los Angeles–based Randi Malkin Steinberger of buildings tented for termite fumigation around Los Angeles. After moving to the city in the early ‘90s, she encountered these shrouded structures and began to stop and photograph them, knowing that the tent might be undraped at any given moment.

Steinberger was intrigued by the way the colors and shapes of the tents showed off the forms below and highlighted the beauty of the poor plants on the outside, still flourishing, unaware that they were slowly being poisoned. Beyond the intended purpose of fumigation, these tents unwittingly allow us to stop and contemplate not only architectural form and the meaning of home, but also the Southern California lifestyle more broadly.

Books will be signed by Ms. Steinberger and Mr. Waldie on 10/1/16. 9788862084802 Inventory Number: E000RMSNC

Roth, Marissa. Marquand Books. Cloth in Slipcase. New.

Infinite Light: A Photographic Meditation on Tibet by Marissa Roth with a Foreword by His Holiness the Dalai Lama. Marquand Books. "A visual poem of seventy-two color photographs of her impressions of Tibet, arranged in a continuous sequence reflecting the colors of Tibetan prayer flags. The photographs were shot with some of the last available Kodachrome film, producing deep saturated color. Limited to an edition of 400, each slipcased book is signed and numbered by the artist. Says Roth, ‘This project is my love letter to Tibet. It is the reflection of my inner and outer journeys to this land and a very personal impressionistic view of what it feels like to be in Tibet. It is also a social and political statement and another cry for awareness about what is being irrevocably lost.’”

Please note, the cost of this book includes $15 for insured domestic shipping.

Inventory Number: 01975

Woodside, Clint. Um Yeah Arts, 2016. First Edition 1/10 Deluxe. 4to. Cloth with Pastedown, Boxed. Photography Monograph. As New/No Jacket - As Issued. First issued in 2013 as a Deadbeat Club zine, Undercover Cars has been substantially enlarged and re-conceived as an elegant hardcover book featuring a new text by photographer Mike Slack. Undercover Cars is the culmination of a series of color photographs – shot on film and printed in the dark room – spanning five years, scores of autos, and thousands of miles from Los Angeles to Bangkok. The book contains 52 images of cars parked in plain sight, but covered from the elements. In his insightful essay, co-publisher Mike Slack (The Ice Plant) observes, “What strikes me now, looking at this fresh new edit, is not the boring ubiquity of the subject matter - the deadpan Christo-like charm of all these tarps attached to all these automobiles - but the man-made environments Woodside is showing us in the photographs, and the sense of walking-and-looking that the series implies. Never mind the covered cars; look at what surrounds them.” Hailing from New York, Clint Woodside currently resides in LA by way of Philadelphia. His work as a photographer has been shown in New York City, Los Angeles, San Francisco, San Jose, and Philadelphia, and internationally in Europe, Asia, and Australia. Woodside is also known for his extensive work as a curator, graphic designer, and as creator/publisher of Deadbeat Club - a publisher and distributor of more than forty publications whose diverse roster of photographers includes Todd Hido, Tobin Yelland, Ed Templeton, Deanna Templeton, Andrea Sonnenberg, Jerry Hsu, Patrick O’Dell, Woodside, and others.

Comes in 8.5" X 10.5" box
With signed, stamped and numbered print and book
Choice of 5 different prints
Edition of 10 each set - 50 Total Inventory Number: E000CWUCDLX